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| 21. Lady Sings the Blues Director: Sidney J. Furie | |
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Amazon.com Reviews (29)
WHAT'S TAKING SO LONG FOR THIS MOVIE TO COMING OUT ON DVD?!?!?!?! ... Read more | |
| 22. 101 Dalmatians Director: Stephen Herek | |
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Amazon.com essential video Reviews (48)
The film follows closely the original story and tells the tale of London couple Roger and Anita who meet through a Dalmatian dog mixup in a London Park and fall in love, marry and find themselves the happy "parents" of 15 beautiful Dalmatian puppies when their Dalmatians Pongo and Perdita begin a family of their own. Their happiness is short lived however when Anita's boss the dastardly Cruella De Vil spots the puppies and immediately makes plans to have the puppies kidnapped so that she can turn their pelts into the extravagant spotted fur coat she has always dreamed of having. What ensures is a comical tale full of laughs, great stunts and hilarious situations of the "boo the villian, cheer the dogs" variety. The Dalmatian parents, with the aid of many assorted members of the animal kingdom from woodpeckers, squirrels, and assorted sheep pigs, and dogs not only succeed in tracking down the missing puppies in their hideout but also outwit Cruella and her incompetent accomplices at every turn. The animals revenge on Cruella and her accomplices makes for most of the humour as they find themselves being dumped through falling roofs, landing in tubs of gooey molasses and being smelled out by skunks! No expense was spared on this production and indeed all the live action characters bare an amazing resemblance to their cartoon counterparts. Gleen Close towers over the whole production in her performance as Disney Studios most famous villianess the totally over the top Cruella De Vil. Her makeup, hair styles and clothing is everything you would imagine Cruella to be. It is to the credit of Glenn Close that she succeeds totally in bringing to life such a well known and "loved" cartoon villianess. A supremely talented actress as seen in such diverse roles as those in "Fatal Attraction", "Dangerous Liaisons", "Meeting Venus", and "Paradise Road" among others, she is a total riot as the bizzare fashion designer with an extreme fur fetish. It is she who makes "101 Dalmatians" such memorable viewing and her encounters with the animals in the second half of the film will have you laughing for ages. The sight of Cruella rising out of the tub of molasses where she has been unceremoniously dumped by the animal brigade will bring fits of laughter to the viewer. The film also boasts the great talents of Jeff Daniels and the lovely Joely Richardson as Roger and Anita the loving couple drawn to each other by their fondness for Dalmatians, and the gifted Joan Plowright as Anita's former Nanny who finds herself performing the role again but this time for the 15 puppies in the house. Much of the comedy stems from the great playing by Hugh Laurie and Mark Williams as the wacky Jasper and Horace employed by Cruella who's job it is to steal the puppies for Cruella. They receive the main brunt of the animals "revenge" to great comic effect as does John Shrapnel in the role of the sinister scarred Skinner who is employed to turn the puppies coats into Cruella's new coat. The animal stunts performed in this film will have you gasping as the animals seem top take on human personalities of their own to brilliant effect. The location photography around London and in the snow scenes at Cruella's hideaway also create a very pleasing look to the film. I never fail to watch "101 Dalmatians" without finding a smile appearing on my face. It is a totally delightful film that is just as much for adults as it is children which is a real credit to the Disney Studios. Glenn Close really makes the film a viewing experience with her over the top playing here but if you are in anyway a dog lover you can't help but be totally captivated by these delightful 101 spotted creatures charming the audience in "101 Dalmatians". Enjoy!
Cruella De Vil sees the 15 puppies of Pongo and Perdita and decides that she needs to make a polka dot Dalmatian coat with their fur. Her henchmen kidnap 86 puppies from around London and with these 15 she has 101. Pongo and Perdita call upon their doggie friend to search for the lost pups in hopes of engineering a rescue. | |
| 23. The Sacketts Director: Robert Totten | |
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Amazon.com Reviews (8)
L'Amour did a bunch of books on the Sackett family of Tennessee, and this is a sort of compilation of some of them. Tell Sackett is the oldest brother (Sam Elliott), Orrin is the middle one (Tom Selleck), and Tyrell was the youngest (Jeff Osterhage). All played their parts very well. The bad guys included (but were not limited to) Jack Elam, Slim Pickens and L.Q.Jones. Mercedes McCambridge played Ma Sackett. Gilbert Roland played a Spanish (read Mexican) land-owner who the anglos were trying to push off his land in the new territory of New Mexico. I liked the way everyone played their parts, but particularly Sam Elliot, when he was strolling drunkenly down the main street of Pugatorie, singing quietly to himself in his deep bass, "That's the way she goes, first your money and then your clothes..." just before he caught the guy who was trying to roll him, and shaved him with an Arkansas toothpick with a foot-long blade. Shaved his mustache clean off! This is a wonderful L'Amour Western. I hope you like it as much as I did. Joseph (Joe) Pierre
Wish I could say it was. It's too long by about a third, which gives it a plodding, almost boring feel in places. It's obvious why this excessive padding had to happen. This was a TV project, not a theatrical movie, and they had to make it long enough to cover two nights viewing. With a few exceptions the actors seem to be pretty much just going thru their paces, waiting for somebody else to seize the moment. The one exception to this was Glenn Ford - he did a superb job. Of the other actors, Sam Elliot was probably the most believable. The movie is very predictable for the most part. The obligatory love interests for all 3 Sacketts, for example. Then there is the final showdown: 3 good-guy brothers, with best buddy, take on the bad guy brothers, accompanied by numerous backup bad guys. In and around the livery stable, no less. Did the Sacketts change their first names to Wyatt, Morgan, and Virgil, with Doc thrown in for good measure? Then all four good guys stroll triumphantly down the street, side by side. Couldn't see Gary Cooper anywhere, tho. Also a good part of the script is devoted to building up the racist, rich Anglo as number one bad guy, and the suspense builds as he prepares for war against the Spanish speaking citizens of Santa Fe. Then a couple of his hired guns sing like canaries to Sheriff Sacket and racist rich Anglo bad guy is meekly led off in handcuffs by the Feds, and this entire plot switcheroo happens and is over within about a minute. Soaring plot line ends with a resounding thud. And his more beautiful than life blonde daughter? One of the Sackett love interests? What happens to her? Left standing on the sidewalk as daddy is led away........ Hollywood abandoning a damsel in distress? Heresy....... Most disappointing, tho, for me, was the lack of attention paid to historical accuracy, especially for a Louis project. Model 1873 and 1892 Winchesters in 1869? Don't think so..... It IS well filmed, with gorgeous settings. All in all, this is an ok movie, but could and should have been so much more.
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| 24. Peter Pan | |
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Amazon.com essential video Reviews (25)
In 1960, the folks at NBC decided to put the classic to videotape, and assembled the cast at NBC's studios in Brooklyn .. the only NBC studio outside of Burbank that had sufficient ceiling height so stagehands could do the intricate wire technique that Martin and her fellow actors used to fly through the sets. Think about this "Peter Pan" as a period piece; a slice of television's past that is fortunately well-preserved. With its grand, over-saturated RCA color ... the Broadway staging ... with choreography by the famed Jerome Robbins ... and its mono soundtrack. Not to mention the non-politically-correct Indians .. and a superb Cyril Ritchard Captain Hook. Color TV was only about 7 years old as a mass medium when this production was captured on tape. Color videotape was only 3 years old. The original tape was 2" in width, and the original tape container weighed close to 15 pounds! The cameras weighed upwards of 300 pounds, and were connected by cables as big as a large man's wrist. There were no zoom lenses. You can see some of the camera shakes in many of the dolly and tracking shots. The tape was shown yearly around Christmas time by NBC throughout the 1960s and '70s. Then some problems ensued between the charity in Britain that holds the rights to the J.M. Barrie original, and NBC. In the late 1980's the late NBC executive Brandon Tartikoff was able to clear up the rights problems, get the tape transferred and restored to modern standards. Could use a further cleaning-up using the newest restoration technology. Enjoy, have a good, safe laugh ... and just remember you're looking at history!
I grew up with classic movies by appreciating the movie each classic gives us. I highly reccomend this movie to children of all ages (even children that refuse to grow up! ;)_) by introducing them to not only a story that has gone through generations of children, but to a 'real' classic movie that today's generation can appreciate. More people need to appreciate older classic movies and the talented actors and actresses worked so hard 50, 60, 70 years ago.
Cyril Ritchard is marvelous as Captain Hook, as well, and he embodies the role as well. You know that he's gone wrong, and the semi-comic, don't take me to seriously mischief he brings to the role is neat. He sings on "Tarantella," and "Captain Hook," and when the Crocodile makes its appearance, you are at first saddened, but glad that he has gone away. All in all, this is superb family entertainment, and it is highly recommended. 10 stars would be more like it!!! ... Read more | |
| 25. Toy Story (Special Edition) Director: John Lasseter | |
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Amazon.com essential video Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas Reviews (81)
Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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| 26. Love Comes Softly Director: Michael Landon Jr. | |
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| 27. Star Wars - Episode V, The Empire Strikes Back (Special Edition) Director: Irvin Kershner | |
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Amazon.com Reviews (191)
The Empire Strikes Back, the middle story of the original trilogy, is probably one of my favorites (it's so hard to pick one!). The characters really come out in this episode, and you can't help but enjoy watching this film. Watch the exciting battle on the ice planet Hoth, the budding romance between the Princess Leia and the "scoundrel" Han Solo. See the breathtaking Cloud City, the murky swamps of Dagobah. Listen to the tutelage of wise Yoda, the fantastic musical score. And it all leads up to the critical battle between Luke and Darth, in which Skywalker makes his greatest mistake and Vader's dark secret is revealed. Definitely the darkest of the trilogy, ESB leaves the viewer wanting more. We want to see the fate of Han Solo, how Luke reacts to startling news, and the further efforts of the Rebel Alliance ~ even if we've already seen the trilogy dozens of times. Watch this movie for a great story in a wonder-filled world.
My dissertation,lol,on the film is near the final when Vader tells Luke that he is the father. On a Freudian level, this could be called the Oedipus complex theory with Luke deciding to not join his father. I presume Luke was apprehensive to join in because he believed it was a confidence game that would result in his own termination/castration. Just a speculative theory. When ESB was released in 1997 I had a standing date to go see it on the big screen. Way back in 1980, I remember being on summer vacation and going to see it for the first time. When the movie ended, I could not believe that we (the audience) were left hanging on a cliff for the next 3 years. Talk about tease, lol.......:)
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| 28. Gone with the Wind Director: Victor Fleming, George Cukor, Sam Wood | |
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Amazon.com essential video Reviews (481)
To begin with the entire film is very campy and melodramatic. The whole film is very heavy-handed and over-done. Scenes like where Scarlet crys "I'll never be hungry again" are just plain ackward. Someone should have tatooed the word "subtlty" on Selznick's head. The script is fairly weak too. It presents a very narrow, one dimensional view of the Civil War. Worse, the Civil War ends half way through the movie and the rest of the film lacks the first half's energy. Another major flaw is that the characters lack any real depth. Scarlet is cold and nasty through the whole movie. She never changes untill the last two minutes of the movie. There is simply no development. Ashley is noble and his wife is so nice and sweat that it makes me sick. These characters simply aren't human and don't feal real. Probably the only character in the whole movie who actually developes at all is Ret. Sadly, Clark Gable's strong performance isn't enough to carry the rest of the cast. It should also be noted that Gone With the Wind is very racist at some points. The scene where all the slaves are going off to fight the "evil yankees" is enough to turns one's stomache. Most of the black characters are portrayed as child-like and stupid. The only exception to this is Mimi who does an excellent job and deserved her Oscar. Gone With the Wind is still an example of fine production values but when you strip away all the lavish sets and money spent on the film, you're left with a rather hollow experiance. While there is no denying that it is a very pretty movie, even today, and it does have it's moments, Gone With the Wind is simply an over-done and campy movie. This film does not deserve to be ranked up there with the likes of Citizen Kane or the Godfather. It's just not that good.
I had written this off as a silly commercialized Hollywood fairly tale but recently decided to give it another look. Basically, I think the claims of racism are far overblown, especially compared to other films of this era. It seems to me that Selznick and company went to great pains to stamp out the more overtly racist themes of Griffith's famous 1915 film. For instance, Scarlett's attempted rapists were all white; real black actors have menial but still important roles; those black actors are treated with dignity and respect; and finally the "n" word probably more frequent in southern parlance of the day was replaced with the more delicate term of "darky", and never used in a scornful fashion. And while establishment opinion in the North still clings to belief that the Civil War was a most noble and unselfish effort, the truth was something much less certain. Surely slaves in the prewar South were not all treated as gingerly as in this film; but just as certainly they were also brutally repressed in the North as well (just watch Gangs of New York for a history lesson on Northern feelings towards African Americans). All wars have a side people would rather forget, and this one was certainly no different. Also on the positive side, the film does a good job of capturing this broad historic period with smart scenes amidst well designed sets. It's really quite a grand production, in color no less, with a marvelous historical and cinematic scope. On the less positive side, the heralded performances I think are a bit overrated. Clark Gable's presence helps considerably, but he is certainly not nearly as natural or comfortable as he was in It Happened One Night. And Mitchell's sappy, soap operaesque story frequently slips nearly into the preposterous, especially in latter scenes of the film when the historic takes a back seat to the dramatic. But maybe that's what gave the film its broad appeal, as it has a little of something for everyone. I think another factor may have really launched its success: released during the cold winter of 1939, its four-hour sitting time gave depression-weary Americans a warm night on the town for a cheap price that they could all afford. Regarding the standard edition DVD, its very serviceable but the extras are appallingly poor for a film of this esteemed history. Also, Spanish subtitles would have been nice (only has English and French).
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| 29. The Goonies Director: Richard Donner | |
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Amazon.com Reviews (338)
The Goonies holds something that every kid should find magical, even though the only magic in the movie is the magic of friendship. Steven Spielberg wrote the story about a group of friends who are about to lose their houses so a country club can be built where they leave. They come upon a treasure map that supposedly has a legend behind it, and leads to a great treasure. Mikey and his colorful bunch of friends set up to go in search of the treasure not knowing the villianist trio, the Fratellis, are also out for the treasure. Along the way, chaos ensues, friendships go stronger, and they meet a creature who has nothing but love to share and Baby Ruths to eat. The characters are all likable . . . are all lovable, and the actors who portray them made them all that they were. The Fratellis are even, in some ways, likable throughout the movie, but in the end, they get what they were asking for. The directing, of course, is awesome. None like it actually. And the sets are amazing. Especially the pirate ship set. That was too awesome, and enough to satisfy any adventure lover. The DVD should satisfy any Goonies fan with the word of all the extras to be on it. And I'm ready to see the infamous deleted octopus scene. I hope it's on there. I believe I read somewhere that some of the cast had gotten together to do a commentary. Now there's wishful hoping that that did happen! "SLOTH LOVE CHUNK!" And Josh loves this movie.
That said, here's what you get with this DVD and here's why you should buy it today: The movie itself is enough however... The deleted scenes are a lot of fun. We finally get to see the ever-fabled "Octopus" scene. For years, I would scratch my head when Data said "The Octopus was really scary!" Huh? What Octopus? Well, he's in this DVD. You also realize why the scene was cut out. Let's just say the animatronics weren't all that great. Those old music videos starring Cyndi Lauper and various classic WWF wrestlers are here too. Remember Rock "n" Wrestling? I found myself saying "oh yeah....I remember that!" Watch for a cameo of Susanna Hoffs from the Bangles in the video! The DVD commentary is a lot of fun! While almost every new DVD has a commentary in place, it almost always bores one to tears with the director or a star just kind of droning their way through the movie. Often, the major stars don't even do the commentary (great example is Rocky - where the commentary features everyone but Stallone himself!) This commentary has all of the original Goonie stars plus Richard Donner. There's a lot of joking around and the stories they tell are funny and don't go off the subject. Note: Sean Astin disappears about halfway through the flick. Also, beware Corey Feldman who talk over everyone to further perpetuate that he is the biggest glory hog in show business. Enough already. This is such a great movie and the special features are ones that you'll actually watch more than once! Buy the DVD already!
Steven Spielberg brings a story about a misfit group of kids who set out to save their home. It all hinges on finding the treasure of One-Eyed Willie, a famous pirate who was rumored to have hid his treasure somewhere around where they live. Throw in a mafia family who has recently broken out of jail, a treasure map, a Baby Ruth, and a wonderful dance called the Truffle Shuffle and you've got an instant classic!! Also, look for the line about battling the octopus in the end, then think about the octopus battle. Something doesn't add up does it??
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| 30. Pinocchio Director: Hamilton Luske, Ben Sharpsteen | |
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Amazon.com essential video Reviews (107)
Last night I watched Pinocchio, Disney's second feature-length film and in my opinion one of the studio's best features. Based on the 19th century book by Carlo Collodi, but not half as unpleasant, Pinocchio combines winning animation with great humor and excitement. There are songs, but they're never like the huge production numbers that last four minutes and feature the voice of some up-and-coming princess of pop (who'll be gone in a year) that the studio later adopted with the applicable exception of When you Wish Upon a Star. The movie takes a sadastic, cruel, heartless little wooden boy (Collodi's character) and turns him into an interesting, 3-dimensional kid with a good heart but who is weak-willed and doesn't always listen to reason. The animation makes brilliant use of the multiplane camera, featuring a sprawling opening sequence in which the viewer practically sees the entire village at night. The characters are colorful and fun (I especially love Honest John Foulfellow and his sidekick Gideon) and the story has never a dull moment. This film is a reminder of the sort of efforts Disney put into their films; the man himself had a great storytelling passion that was lost in later works (Alice in Wonderland, 101 Dalmations). Pinocchio was never as famous as some of the others, and this is unfortunate because it is his masterpiece.
are, anything you heart desires will come to you." You've heard this song on the Disneyland and Superbowl commercials, but do you remember where it came from? It came from this cartoon, Pinocchio, Walt Disney's second feature to "Snow White and the Seven Dwarfs" in 1940. I repeat 1940!! Wow and to this day ,Pinocchio still stands out as one of the greatest movies of all time. This opinion is about the 60th anniversay VHS of Pinocchio with THX sound and Remastered visual footage. It even has a bonus at the end about the making of Pinocchio!!! Wow. This was a Christmas gift for my best friend and she loved it, and I can see why. Pinocchio is filled with dazzling animation,music and filled with so much fun and happyness that at the end of the movie , you will feel like wishing upon a star youreself. Pinocchio is about a wooden puppet made by toymaker Geppeto (Christian Rub) who wants his own son. Geppeto makes one wish, to have his own son. Geppeto gets his wish when the Blue Fairy brings Pinocchio to life!!! It took nearly 700 animators and technicians to bring Pinocchio to life and the hard work definitely shows!!! People can say whatever they want about Disney current movies, true they lack a certain magic unlike their cherish cartoon like Pinocchio, but Disney is one of a few companies that has a SOLID record of making Cartoon Classics that are loved by everyone. The fairy brings Pinocchio to life and promises to Pinoccho (voice of Dickie Jones) that he will remain a real boy if he follows the basic principles that every boy should have. He has to be loyal, truthful and above fair. She assigns Jiminy Cricket (Cliff Edwards) to be Pinocchio's conscience. Well it sounds easy at first, but living up to these values is the real challenge here and Pinocchio tries his best to follow them,but since he has just being turned into a boy he doesnt yet know right from wrong. This is where we meet characters like ,J. Worthington Foulfellow, Stromboli and Barker who take advantage of the young boy. Jiminy Cricket and the fairy save Pinocchio from his judgement calls ,but yet Pinocchio doesnt learn to tell the truth and when he lies his nose starts to grow like a Christmas tree. :-) Meanwhile Geppeto is looking for Pinocchio and ends up being captured by a giant whale Monstro!!! Pinocchio saves Geppeto in a brillian animation sequence and Pinocchio by displaying bravery ends up being a real boy permanently. It's a classic, I can say more but I dont want to spoil it for anyone In an age, where moral, brilliant, wholesome cartoons are scarce you look back to the classics and Pinocchio will forever stand out as one of the greatest classics ever made by Walt Disney who has left his print in the world and in children's hearts. Go out and buy this for youre children
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| 31. The Devil's Arithmetic Director: Donna Deitch | |
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Amazon.com Director Donna Deitch provides an infinite library of Holocaust detail, re-creating the period with minute dedication. Haunting images, every costume, every hair, every light and shadow conspire to maintain a sense of desolate desperation. Suspense pervades as escapes fail and mothers with newborns are taken away. Only the magical context of the story, taken from the original children's novel by Jane Yolen, allows for a life-affirming ending. The performances may not be multifaceted but, considering the single-mindedness of the tale, the deep commitment of the actors makes every moment real and meaningful. Dunst seems able to carry a movie herself, and Brittany Murphy is mesmerizing as Hannah's sweet cousin Rivkah. The message is powerfully direct, but the film avoids extreme violence in deference to young audiences. The theme is enshrined in the Rivkah's words: "We must stay alive to tell everyone what we've been through." Indeed, when Hannah returns to the present, she is a new woman, with a profound love of her culture and a religious respect for the value of all human life. --Lloyd Chesley Reviews (21)
To my surprise, the film proved to be the most riveting and attention-holding movie I can ever recall showing. In it are contained superb acting, eerie (and effective) musical interludes, and a suspense of time-travel that will hold teenagers absolutely spellbound! Dustin Hoffman's poignant introduction reveals his passion that young people today never forget the holocaust. As long as this film is available to be watched, they won't. At times, the suffering of the Jews (made personal by Dunst's wonderful performance) pushes the emotional limit of what I felt my students could take. Yet, with craft and artistry, we are spared in "The Devils' Arithmetic" the emotional overload of "Schindler's List". This is as it should be. "The Devil's Arithmetic" is geared to teenagers. If ever a theme of love, sacrifice, and the horror of hatred needed portrayal outside the realm of religion, one could not do much better than to show this film. What Hannah does for her best friend at the movie's conclusion is as gut-wrenching as it is predictable, and Nazi treatment of the Jews is brutally captured with appropriate reserve--no easy task! In the end, a young Jewish girl who began only with an interest in tatoos learns the lessons of history, tradition, and above all--life's priorities. In a nutshell, how lives and a culture can change in an instant is the strength of "The Devil's Arithmetic". Be very sure--this film will make a powerful impact on young teens! The dropping of the gas pellets at the conclusion of the dream sequence is intense...very intense. Yet how can the holocuast be portrayed without such reality? With younger teenagers, take care that background preparation, as well as a reflective time for discussion is provided. This movie packs an emotional punch, and will leave young minds impressed forever.
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| 32. Crossing Delancey Director: Joan Micklin Silver | |
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Amazon.com Reviews (20)
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