Reviews (43)

A well told morality tale
7 Faces of Dr. Lao can be looked at in two different ways. The movie, released in 1964, can be seen as a morality lesson. It is the story of the small Arizona town of Abalone full of citizens who suffer from greed, vanity, loneliness, and pettiness. When Dr. Lao brings his mystical circus to town, the townsfolk get a good look at themselves and don't always like what they see. For today's audience the movie is a bit slow and ponderous. The film is highly predictable and you know by the end of the film that everyone gets exactly what they deserve and once the errors in their ways are pointed out to them then they will miraculously change for the better and everyone will live happily ever after.
The second, and more enjoyable, is to focus on the performance of Tony Randall. Randall is amazing as the Chinese impresario Dr. Lao. Tony Randall portrays all seven inhabitants of Dr. Lao's circus: Dr. Lao, Merlin the Magician, Medusa, The Abominable Snowman, Pan, the serpent, and Apollonius of Tyana, he also makes a brief appearance as Tony Randall. As you are watching the film you forget that it is the same man playing all those parts, and it is widely considered one of Randall's most impressive performances. William Tuttle, who won an honorary Academy Award for his astounding make-up work, flawlessly transforms Randall from one character to the next. The film also comes from Director George Pal, who is also known for directing such classics as Time Machine and War of the Worlds, brings his distinctive blending of reality and fantasy to this film. Randall's performance, along with the incredible make-up work of William Tuttle and fine direction by George Pal make this a must see film...

Strange, wonderful, uplifting
I saw this film over 25 years ago. It made a permanent imprint on me. I had never seen anything like it (and haven't, since). It's a western, and a fantasy (but not science fiction). It's also mythological and even a bit religious. It's also a wonderful, life-affirming film. I've never been a fan of Tony Randall, who I always remember as the prissy little neurotic in "The Odd Couple," but I have to give him the greatest credit in this movie (he plays six parts!) The special effects are Ray Harryhausen stop-motion (and obviously fake) but that is part of the enormous charm of this movie--as exemplified by the amusing-looking snake in the cage with a man's face on it, and the goldfish-bowl-dwelling monster than attempts to snack on Dr. Lao. In some ways this movie reminds me of Ray Bradbury's _Something Wicked This Way Comes,_ but this is a far superior film. In fact, I'd have to call it a classic.

Tony Randall Is Pure Magic (& is also a mystical Asian man!)
"Mike, the whole world is a circus if you look at it the right way. Every time you pick up a handful of dust, and see not the dust, but a mystery, a marvel, there in your hand - every time you stop and think, 'I'm alive, and being alive is fantastic!' - every time such a thing happens, Mike, you are part of the Circus of Dr. Lao." I am so glad another fine reviewer quoted this immortal passage, and I will begin with the same, for it has informed much of my life!)

My friend Carlo mentioned to me that this fine film was playing at my local library recently and I had to pause and hold back my shock - I have not yet gotten over Tony's passing, and now I was confronted by so much lost time. Was it really forty years ago that Tony Randall stepped out of the shadow of his lightly comic performances on Broadway (of course you all remember "Oh Captain!" at the Alvin?) and shattered the world (yes, the world!) with his tour de force in "Dr. Lao?"

Now - regarding critial analysis of this film over the years, far too much emphasis has been placed on George Pal's "effects" and the like for my taste. Let's turn the spotlight back on Tony and the fine job he did playing eight different personae in this tale. Eight!

I will say this without hesitation: Certainly the finest hour (or hour and thirty one minutes) of his young career. Buy this movie for that reason alone (and children will most likely enjoy it too, I suppose. But if you do not have children, then buy it for that reason alone).

Serendipity Cinema #1
This won an Oscar for Make up, but it is not the kind of film that one would think right off as an award winner. Hey, it has the feel of Roger Corman and George Pal, with a hint of Ray Harryhausen thrown in (Although I am told it was Jim Danforth and crew who did the actual fx)I remember interviewing Tony Randall years ago, when he was touring in "The Music Man." He said his main memory was having his head and eyebrows shaved. He was distressed because it gave him ``this horrible unborn look.'' All that aside, the film is a joy. It is simple, and while seeming simplistic it is far from that. It humbly powerful. There are a thousand reasons to belittle and put down this film. If if you go in with that mindset, you will find them all. But, if you give it a willing suspention of disbelief and let the magic that hints around every corner over take you, this will be a little gem that you treasure and share with others.

I'd give Seven Stars for Dr. Lao if I could
One of the most charming and wonderful fantasy films of all time. This is the story of Abelone, a dying town in the desert at the turn of the 20th century. In arrives Dr. Lao, played with great effect by Tony Randall in what is probably his best performance ever.

With him, he brings his unusual circus and its performers. Including an Abomidable Snowman (who is barely used in the film and has no scene to himself), Merlin the Magician (very good), Pan the God of Joy, The Great Serpent, Apollonius the blind fortune teller who sees the future with absolute clarity, and the Medusa.

Basically, the townspeople must decide whether to sell their town to the misguided Clint Stark (played wonderfully by Arther O' Connell) or to stay and risk going thirsty with the town's only water source coming through a crumbling and very expensive to fix pipe.

With a little help from Dr. Lao and his circus, the townspeople eventually make the right decision.

There are just too many great scenes for me to describe, nor would I want to give away too much. I would encourage you to see this movie as it's one of the best fantasy films ever made.

Unfortunatly, Tony Randall passed away recently and he never liked giving interviews about this film. Which is a real shame since the DVD extras are pretty barren. My understanding is that Mr. Randall did not like how the script left out so much of the original book and that too much attention was paid to "romance" between Barbara Eden (who is just gorgeous) and John Ericson (in a great supporting turn).

I found it rather interesting that Dr. Lao pronounces his name "Dr. Low", yet everyone else, including a very attentive boy, calls him "Dr. La-ow". As an aside, the episode of MST3K when Joel Robinson leaves the Satelite of Love for good ("Mitchell"), he recites the "Circus of Dr. Lao" poem. But he calls him "Dr. Loo". I guess no one is ever suppose to get the pronounciation right.

Look for an eight character played by Tony Randall. He appears briefly without makeup just after Dr. Lao introduces his pet fish after the "parade of performers" scene. While the crowd around him claps with delight, Tony just slowly shakes head in disbelief. A wonderful little scene. ... Read more

Reviews (8)

He Was Her Man
A simple movie that can be enjoyed by all ages. (Which is rare today) The songs and great looks of Elvis make this one enjoyable.

Change of pace in time for Elvis!
"Frankie and Johnny" is based on the old song about two lovers where Johnny is on a losing streak and decides he can change his luck with Nellie Bly. A jealous Frankie shoots her man because "he was doin' her wrong". This movie is sort of based on the song. Everything is true except the shooting part in the end, but it comes very close to actually happening. "Frankie and Johnny" is quite enjoyable no matter how "obscure" you people might find it. It's a real top-notch and every Elvis fan must see it. By the way, we need more reviews on Elvis' movies and music please.

Frankie and Johnny
Elvis appeared in this lighthearted musical based on the folk song, "Frankie and Johnny". In the original song, the title characters are lovers whose romance goes awry when red-headed Nellie Bly steals Johnny away from Frankie. Frankie gets revenge by shooting Johnny dead. The movie lightens the tone of the tale by adding a few details and changing the downbeat ending. In the film, the song has been especially written for riverboat performers Frankie and Johnny, played by Donna Douglas (The Beverly Hillbillies) and Elvis Presley. Johnny is a gambler whose bad luck changes when dancer Nellie Bly, played by Nancy Kovak, joins the troupe aboard the riverboat. Each night, the three perform the number "Frankie and Johnny" onstage. As Johnny's interest in Nellie increases, so does Frankie's jealousy. One night, someone loads real bullets into Frankie's prop gun, and Johnny is shot during the performance. As luck would have it, Johnny is saved by a charm that he wears around his neck.

The film did benefit from the juicy secondary roles played by a seasoned cast of character actors which keep the film from being any less interesting. Harry Morgan, who later gained recognition on the TV series M*A*S*H played Cully the piano player. Robert Strauss, the burly villain in many crime dramas, played Blackie, the boss's stooge and Sue Ane Langdon portrayed Mitzi, the girl who is always edged out in the romance department.

Produced for United Artists by Edward Small. Released March 31, 1966. Color.

Boy what's wrong with you people?
Like other Elvis Presley movies, he gets into fights. But he seems to have lost his luck in most of the 60's then he had starting in the mid to late 50's. As the movie opens, Johnny (Elvis Presley) is a riverboat singer and gambler nad his sining partner named Frankie (Douglas) won't marry him until he gives up gambling. So Johnny decides to end his losing gambling ways by getting help from a fortune teller. She tells him to get a lucky red head. And Johnny does find one in a redhead (Nancy Kovack).

Typical mid-60s Elvis musical
FRANKIE AND JOHNNY is better than the previous two films (TICKLE ME and HARUM SCARUM), but that doesn't mean that it succeeds on all levels.

Elvis looks quite comfortable in the costumes he wears in this picture, but the lousy dialogue and dumb plotline are anything but brilliant.

The songs are okay, but nothing outstanding. Only "Please Don't Stop Loving Me" could succeed on it's own.

It's not as bad as some of the other Elvis pictures of the era, but it's not an essential addition to anyone's collection. ... Read more

Reviews (14)

An action-packed western, but not for kids. . .
Mackenna's Gold seemingly has it all; an outstanding cast, magnificent scenery, breath-taking action and a haunting soundtrack. Unfortunately, the plot is so convoluted it makes a pretzel look like a straight line.

Gregory Peck and Omar Shariff are the headliners, as their personal battle provides the major subplot to the search for a valley of gold called "The Lost Adams." They are almost too ably assisted by a stellar supporting cast including Telly Savalas, Richard Kiel and Julie Newmar.

The basic plot is typical of many westerns; disparate characters setting aside their differences to search for riches. However, there are so many characters, so many sub-plots and so many twists, turns, and double-crosses that a moment's inattention can cause the viewer to lose track of what is happening. This can be a very enjoyable film to watch, but it does require some effort on the part of the audience.

The movie is very violent and contains a good deal of adult content. Parents are cautioned to take a good look before letting younger children watch.

Mackenna's Gold may be a bit too long, too complicated and too violent, but it successfully provides a mature variation on the classic horse opera and will be a welcome change of pace for fans of the genre.

A fantasy western about gold fever and greed.
This is one of those odd Hollywood westerns that almost fits into the "science fiction" category. I like everything Gregory Peck has ever done... so I enjoyed the movie. I also liked the music if not the lyrics (Old Turkey Buzzard). The plot doesn't make much sense and could've been better. But this odd movie still qualifies as a classic in my mind.

The only movie ever produced about the Lost Adams Diggings
And it's a good one. The movie doesn't stick strictly by any version of the legend. It varies from the McKenna account as much as it strays from all the others. Still, Edward G. Robinson plays a great Adams. For me the most memorable scene has most of the characters sitting around a camp fire. One of them recognizes Adams as 'The Adams', and they all persuade him to tell the story of how he came to find the gold, how the massacre happened, and how it was lost. A great scene, even if it weren't about the Lost Adams Diggings legend. Adams sat around a lot of camp fires in the 1870s and told that story, probably about the way Edward G. Robinson tells it in the movie.
The final episode is pure fabrication, but spectacular enough to make up for it. This one's a winner and you don't need to care or know about the Adams legend of lost gold to appreciate it.

The McKenna version of the legend actually centers on Jacob Snively, the German or Duchman in Adams' tale. Snively fought at San Jacinto, served as Paymaster General for the Republic of Texas, raided commerce on the Santa Fe Trail as a 'land privateer' for the Republic and drifted west in 1849. The German found his talent by striking gold and starting several gold rushes in Arizona and New Mexico. (Snively was killed by Apaches in 1871) J. Frank Dobie's book combines several conflicting accounts given by Adams. John Brewer's story, (another survivor) varies considerably from the other accounts.

Ultimate Movie Marvel
Although, it has been trashed in the West, it was one of the biggest hits in India in those days. Movie audiences still feel its magic as one of the finest epic tales. And, I have not seen any other movie as many times as this. Every now and then, its re-release in the local movie theater sees it run for atleast 6-8 weeks.

There is a gorgeous charm that emanates from this movie. And that is reflected by the Grand Canyon, Colrado river, those Apache Indians, the haunting music,J.Lee Thompson, Tell Savalas, Omar Shariff and my man Gregory Peck. May His Soul Rest in Peace.

A Golden Classic
One of my all time favorites I was really glad when it was released on dvd. This western has it all. Lots of action, big name stars, and gorgeous scenery. This movie is why I bought a big screen (55inch) tv. You just can't appreciate this kind of cinematic splendor on a 27 inch screen. The opening sequence is terrific. The gunfight between Gregory Peck and the old indian chief is awsome in surround sound making the richoteing bullets bouncing off the canyon walls puts you right in the middle of the action. Omar Sharif pulls it off rather well as a mexican bandit. Gregory Peck...well shucks he's good here to as the marshal shanghaid to lead a band of misfits and cutthroats to an unbelievable valley of gold.
If there's anything for me to critize I guess it would be some of the hokey special effects. I still laugh every time I see the obvious models used in the near death scene on the creaky bridge. Still I can overlook some minor faults in such a great western. Not perfect yet few movies are. I give it 5 stars for sheer entertainment.
One other bit of critique is to the 5.0 soundtrack. Why leave out the subwoofer? It would have been great in the final earthquake sequence. ... Read more

Reviews (3)

Reason To Believe
This is a basically good movie. I was disappointed that there was not an unrated version. There are scenes which have been edited out. If you buy a censored version (which the "R" version is), you've been cheated. The movie should be seen as the director filmed it!

Sleazy and trashy
Reason To Believe has got to be the worst movie I have ever sat through. Non of the characters are at all believable and most are morally disgusting. I am no prude but if this movie represents the way college students live today then it is no wonder the world is in such decay. There really is no reason to see this movie. Totally disgusting. Why well known actors would be involved in such sleazy trash is beyond comprehension!!!!

"A Reason to Believe" that college is dangerously fun.
This movie gives an accurate portrayal of college life while at the same time giving you the "over the edge" exaggerations. It takes a serious look at date rape which, unfortunately, really does happen in Anycollege, USA. If you like dumb college guys doing funny-as-hell college pranks, this movie is for you. ... Read more

Reviews (3)

Horsin' Around
Below par Abbott & Costello film. Would be good a very good movie on it's own standing but not quite as good as other Abbott & Costello flicks. The picture has one of the better stories and in my opinion is one of the pictures they've done that the whole family could watch together. There are very funny parts as with all Abbott & Costello pictures but it certainly could've been better. I would not recommend this is a purchase...if you want a good Abbott & Costello picture try "Time Of Their Lives", "Buck Privates" or "Hold That Ghost". This one you can skip.

Basic Good A&C Fun
One of Abbott and Costello's better excursions, this film was out of ciculation due to legal entanglements. Whatever circumstances allowed its video release, Universal MCA certainly didn't involve itself, and that is a shame. Their print would have been clean and fresh, as indicated by their other Abbott and Costello releases. The current video copy of "It ain't Hay" is a muddied, multi-generational print. To be fair, it still is very watchable (no splices). I recommend it.

it aint hay....nay
Not one of Abbott@ Costello's best. They seem to be going through the motions...routines are too short... Costello tries pathos with mixed results....Abbott is really mean to Costello when he slaps his face.... The music and dancing is grade z.......................Disappointing! ... Read more

Amazon.com

Winky Dink cartoons, popular in the 1950s, are now interactive. This set features a "magic screen": a piece of heavy clear vinyl that clings to 27-inch television screens--it can be cut to fit smaller screens, but those with larger sets won't get full screen coverage. Also included are special crayons, soft cleaning cloth, and the first volume of Winky Dink and You all enclosed in a plastic carrying case. Viewers simply trace an onscreen object and watch as it becomes a vital tool in defeating the dastardly Harem Scarem. Don't tell the kids, but viewer drawings don't actually determine the course of the action--they simply fill in blank portions of the animation. While artwork wipes easily away from conventional television screens, the advisability of encouraging children to write on televisions and other household furnishing is debatable. This compilation contains nine episodes featuring Winky Dink, his dog Woofer, and the villainous Harem Scarem. Whether Harem Scarem is corrupting the King, disturbing the music of the spheres, or stealing precious gems, the collaborative efforts of Winky Dink, Woofer, and young viewers ensures that good will prevail. (Ages 3 and older) --Tami Horiuchi ... Read more

Reviews (6)

Get fun for the young and young at heart!
I was a huge WINKY DINK AND YOU fan as a kid and was so excited to see that this simple, but simply wonderful interactive set was back for today's generation of kids! All you do is put a piece of plastic (provided in the kit) on the TV screen and following the cartoon character's instructions, you draw something, like a line, that becomes a bridge that magically becomes integrated into the cartoon! The crayons and magic wipe (also in the kit) enables kids do two interactive pieces easily in each cartoon, and there are 18 cartoons in each volume. It's perfect for kids ages four and up. Even a video-obsessed 14 year-old-friend of my daughter thought it was real "cool." The lunch box-type kit is easy to transport, making it great for anyone, including babysitters going to their jobs, to carry it! Anyone who remembers Winky Dink (and his catchy theme song) will be ecstatic that he's returned. Anyone who doesn't know Winky Dink and Woofer and Harum Scarum should! This is great!

Winky Dink Revisited
I was a fan of this show 1st time around (50+ years ago) and was happy to see this release on DVD. I bought it for my wife whose parents were too cheap to shell out the 50 cents for her at the time. She had to have the Winky experience...the bliss of drawing on the TV screen! The 60's version completely escaped me because teenagers didn't do Winky, so these episodes were completely new to me. What was missing was Jack Barry's (50's) cornball antics. I must say, I was disappointed that the second Bonus Episode was faulty: it played the soundtrack of Episode One over the out-of-sync Episode Two. Also Ed Wykhoff's commentary feature was non-functional on my DVD. Otherwise, it was a thrill!...

Who knew crayons on the TV screen could be so much fun?
The concept is simple: Two cartoon characters have adventures on TV, and you have to help them by drawing on the screen. This kit includes the plastic overlay to protect your screen, a cleaning cloth, 6 crayons, and a video with 9 adventures. Other videos are available.

Who would have guessed that such a simple concept would be so much fun? Our 4 year old loves it. We're looking forward to inviting over friends so she can play again with them.

A must-see for all ages
We bought this video with memories of Winky Dink from growing up in the fifties. Our four children, ages 5 through 14, are wild about it, and that's quite an accomplishment for all of them to enjoy the same thing. It's very easy to use and fun for all. For anyone who wants to go back in time to the early days of television and share this nostalgia with each other and with new generations, this video is a MUST!!! We are going to buy several copies to give as gifts and even to save for our grandchildren!!!!

New Winky Dink Lover
Though I am not of the winky dink gernrations (they were aired in the 50's and later in the 70's, I am only 16) my parents were, and stubmbled across this rare gem. Since reciving the kit, I have used it for babysitting, and have found not only do the kids love it and beg for more, but they keep on wanting me to come back, and each time watch Winky Dink again and again! Thank you Winky Dink!!! ... Read more

Reviews (24)

A Most Accurate Depiction of the Civil War and the Old West
Hollywood couldn't make a movie like Josey Wales today. In an age of political correctness, sappy westerns, and revisionist history, I find this movie a refreshing break from modern "reality." It is a classic, and one of the few movies that I own and watch more than once.

The realistic representation, references to actual historical figures, interwoven irony, and tightly knit dialogue make this movie a pleasure even for those prone to analyzing small details.

I grew up in the South and still remember my grandparents describing life during the Civil War in much the same terms that Josey Wales experiences it. The vast majority of Southerners were dirt-poor farmers who had never even seen a plantation, much less owned slaves, and I can't help but regard The Outlaw Josey Wales as a cinematic vindication of the wrongs they suffered at the hands of looting and pillaging murderers like W.T. Sherman.

A couple of interesting side notes that will enrich your viewing of Josey Wales: Clint Eastwood's son in the movie is his son in real life; Lone Watie was a chief in real life; Sondra Lock went on to become Clint Eastwood's wife in real life.

Classic Eastwood, Classic Western, Classic Movie
In recent years, Clint Eastwood's "The Outlaw Josey Wales" has been elevated to a higher plain than it occupied when released in summer 1976. Praised by a handful of critics, the film did well at the box-office but really acquired a following through no less than six highly rated airings on NBC, ABC, and CBS. Now it's often considered Eastwood's finest hour as director and star, even surpassing his Oscar winning "Unforgiven" in some eyes. Among its fans was the late Orson Welles who praised it as one of the finest Westerns ever made, and praised Eastwood as a director worthy of notice long before it was fashionable to do so. In 1996, Eastwood's fifth film as a director was even recognized by the Library of Congress when it was added to the National Film Registry, that collection of films deemed historically, artistically, and/or sociologically important and deserving of protection from tampering by anyone but the original director.

At first glance, I found it overlong and meandering, enlivened only occasionally by some trademark Eastwood gunplay. But if it's a little short on the action for which Eastwood made his name, repeated viewings make it clear that there is much more happening beneath the surface. The Outlaw Josey Wales is very much a film about community and trying to find a place in one. Josey Wales is an outlaw only because he avenged the death of his family at the hands of murderous Union soldiers. Now a hunted man, this peaceful farmer is an Angel of Death wandering the west in search of vengeance but also a place to call home. Its scope is much bigger than the revenge tale at its center, and the film represents an important step in Eastwood's maturation as a director.

Beautifully photographed, splendidly acted (especially by John Vernon), and capably directed, "The Outlaw Josey Wales" is one of Eastwood's finest hours (although "Unforgiven" is superior in my book), and one of the finest hours for the western, as well.

"I RECKON SO."
LEAVE THE WINING 'UNFORGIVEN' ON THE SHELF AND BUY THIS ONE.
EASTWOOD HAS NEVER BEEN BETTER IN FRONT OF OR BEHIND THE CAMERA.
WALES (EASTWOOD) IS A MISSOURI DIRT FARMER RAIDED BY RED LEGS UNION TROOPS AT THE END OF THE CIVIL WAR. AS A RESULT HE BURIES HIS WIFE AND CHILD AND SETS OUT WITH CONFEDERATE IRREGULARS TO "SET THINGS ARIGHT."
AND THAT HE DOES EARNING A REPUTATION AS A FEARED PISTOLERO IN THE PROCESS. ALONG THE WAY HE IS FORCED TO ACCEPT A RAG TAG FAMILY OF LONERS AND LOOSERS.
HE IS FREQUENTLY CHALLENGED AND SYSTEMATICLY BLASTS THE BAD GUYS
PUNCTUATING HIS KILLS WITH TOBACCO SPITTLE ON THE CORPSES FOREHEADS. WHEN A PARTNER REGRETS NOT BEING ABLE TO BURY THE BAD GUYS, JOSEY QUIPS IN TRUE LACONIC FASHION "BUZZARDS GOTTA EAT, SAME AS WORMS.'
THE DIALOGUE SELLS THIS SHOW. THE CHIEF VILLIAN YANKEE WHO IS CHARGED WITH TRAKING THE OUTLAW REMARKS TO HIS MEN (REFERRING TO WALES) "NOT A HARD MAN TO TRACK, LEAVES DEAD MEN WHERE EVER HE GOES." WALES CONCLUDES HIS EPIC MISSION BY FINALLY KILLING HIS ARCH RIVAL 'RED LEGS TERRELL' THEREBY AVENGING HIS LONG DEAD FAMILY.
THE FILM IS NOT WITHOUT HUMOR THANKS TO 'LONE WATIE' AN OUTCAST ELDERLY INDIAN WHO LIGHTENS THE DRAMATIC LOAD WITH TIDBITS OF WIT AND WISDOM. WHEN WALES ASKS WATIE IF HE HAS ANY THING TO EAT.
THE OLD WARRIOR REPLIES AS HE HOLDS UP A COLORFUL STONE "JUST THIS PIECE OF ROCK CANDY, BUT ITS NOT FOR EATIN....JUST FOR LOOKIN THROUGH."
WATIE ENCOURAGES WALES BY INSISTING THAT HE "ENDEAVOR TO PERSEVEARE."

WALES DOES SO AND SLOWLY REDISCOVERS HIS LOST EMOTIONS AND IN THE END WE ARE LED TO BELIEVE ALL WILL BE WELL.

GOOD WESTERN ENTERTAINMENT?

AS JOSEY WOULD SAY "I RECKON SO."

Simply the Best
This is the best Western of all time, bar none.

GREAT!
i love this movie i have seen lots of of clints movies (yes and some R ones but just 2) this is the best! ... Read more

Reviews (15)

A romatic yet cynical look at the nature of 'Revolution'.
I really enjoyed this film directed by Elia Kazan with a screenplay by John Steinbeck (his only credited screenplay). Their vision of the Revolution is at once both impossibly romantic as well as bitterly cynical. The romance lies in the pure-hearted desire of Emiliano Zapata to bring justice and land reform to 'the people'. The cynicism is expressed in the constant betrayal and manipulation of the Revolution by men who are either weak, self-seeking, or who have absolutely no commitment to justice or to 'the people. Then there is the character of Fernando, deliciously played by Joseph Wiseman, the professional revolutionary who will never be satisfied with the attainment of objectives but only in incessant foment and agitation (in real life, Kazan detested doctrinaire Stalinists). Brando gives a brooding performance as the illiterate Zapata who inwardly burns at his inability to read. Anthony Quinn won an Oscar as Zapata's older brother, Eufemio. Virtually all of the characters in 'Viva Zapata' are ground down by the realities of constant struggle of revolution. We are not to have illusions about the nature of Revolutions. And yet, Kazan and Steinbeck still leave us room to believe that the ideals of revolutionary struggle in themselves can be endowed with nobility and worthiness. The cinematography by Joe MacDonald is tasteful as is the music score by Alex North.

Viva Kazan!!
A great film directed by Elia Kazan, written by John Steinbeck and scored by Alex North. These are the ingredients of a great film. Brando plays the brooding Zapata in fine style. Joseph Wiseman a standout as a corrupt revolutionary and Alan Reed as Villa.

Anthony Quinn shows us all how to win an Oscar when your screen time is so little. Quinn, as Zapata,s, brother takes the viewer to another world of acting a role, his performance is a knockout.

Louis Gilbert has a soul for the times..and this is a good chance to see " Margo" in one of her later films.Quinn,s execution scene is one of the best two minutes put on film in a very long time. No video collection should be without this film.

Visually opulent in Black a White CP

Revoulationary spirit lives on
I've read the screenplay by John Steinbeck and recently watched this movie again and I have some problems with it. The casting was not the best but I guess names sell movies. I know all the reviews are glowing 5 stars but I was less than convinced that Brando was Zapata. First of all that wimpy mustache has got to go. The real Zapata had a mustache for the ages. On the other hand the actor who played Porfirio Diaz at least looked a bit like him.Brandos terrible "Mexican accent" made me cringe throughout the movie. I know everyone says his acting was great but his crediblity was damaged right out the gate for me. If a movie is in English just speak English. Is the "Mexican accent" supposed to make it more authentic? I don't think so. Anthony Quinn would have probably made a better Zapata but instead he was relegated to the supporting actors role. Anthony Quinn, who spoke with such fervor and eloquence throughout the movie stole many of the scenes. The script by Steinbeck was much better and the movie adaption was loosely followed and often out of sequence. These personal observations aside I did think it was a good movie. The film is a romanticized version of Zapata(and Pancho Villa)and is full of interesting cinematography. One of my favorite scenes is when Zapata is brought into an ambush and later his lifeless body is left in town for display. As the dead Zapata lies in the plaza beneath him the water is flowing out of a pipe; the symbolism of water as the basis of life continues to flow, meanwhile the dialogue centers around how the man is not dead but will continue to live in the hearts and minds of the people. There are many memorable moments in this classic movie that compensate for the poor but prosperous Hollywood casting. All in all it is worth seeing again and could serve well in a film study class.

Amazon has lost it here
This is a CD of the movie soundtrack and all that are posted below are movie reviews.

A huge fresco of Mexican Revolution.
Actually it was this film that triggered my interest on the Mexican Revolution. I've seen it many times and always found new details to take into account. As I read more and more on the subject my appreciation of this movie increases.
It presents the viewer with a big fresco of the Revolution that convulsed that country for more than ten years.
I admire the strange capacity of the film to show condensed in each scene, many key issues of why and how the Revolution exploded and continue growing along the years, with an immitigable fire.
The first shot, showing a very accurate characterization of President Porfirio Diaz (Fay Roope), gives an inkling of the type of ruler he was. Francisco Madero's (Harold Gordon) personality and idealistic naïveté is also depicted with very few strokes. Huerta's (Frank Silvera) wickedness and treachery too. Above all Emiliano Zapata's figure impersonated by an inspired Marlon Brando stands with an epic height. His ideals, stubbornness, charisma and internal sorrows leading him to the final sacrifice, are shown convincingly. A special mention must be done of Anthony Quinn's superb performance, that entitled him to win the Oscar. He not only has the physique du role, but an internal conviction to give flesh to Eufemio, Zapata's brother, a semi cultured and brave centaur, product of his times and environment. Josefa (Jean Peters) the fiancée and later wife of Emiliano shows all the traits of a high middle class woman romantically requested by a rural hero. The scene played with Brando in the church's atrium is wonderful. The only character that gives a discordant note is the fictional Fernando, representing an addict to revolution for revolution in itself.
The black and white photography is very beautiful. Steinbeck's screenplay has a solid internal coherence that shows along the film.
A Classic not diminished by the more than fifty years passed. ... Read more

Amazon.com essential video

Spike Lee's 1991 story about an interracial relationship and its consequences on the lives and communities of the lovers (Wesley Snipes, Annabella Sciorra) is one of his most captivating and focused films. Snipes and Sciorra are very good as individuals trying to reach beyond the limits imposed upon them for reasons of race, tradition, sexism, and such. Lee makes an interesting and subtle case that they are driven to one another out of frustration with social obstacles as well as pure attraction--but is that enough for love to survive? John Turturro is featured in a subplot as an Italian American who grows attracted to a black woman and takes heat from his numbskull buddies.--Tom Keogh ... Read more

Reviews (23)

How things have changed...
I think Do the Right Thing is Spike Lee's best movie, and the early 1990s was a time where Spike was making his movies with a message. Do the Right Thing is a movie that stands the test of time in my opinion, because so much of it rings so true, it's incredibly funny, and heartbreaking at the same time. Lee received a lot of flak for that movie while making it. When it came out, it shut everybody up.
About one year after that, Jungle Fever was released. It was definitely a big deal at the time - a movie about a black man and an Italian woman in a relationship in NYC, a city at the time still basically reeling from the well-known racist killings of two black men at the hands of Italians in their neighborhoods. So this whole interracial thing and the ramifications of it seemed groundbreaking at the time.

I watched this movie the other day and marveled in terms of the interracial aspect of it how much of it is just not the case anymore in 2003 America. It was a big deal for a black man to be seen with a white woman. Now, it's totally taboo, and desired, and nobody really cares. I mean, I actually found myself giggling during the movie and saying to myself, "Come on, now. It's not even like that!"

Okay. A quick review of the movie: Wesley Snipes stars as Flipper, who starts an affair (for no damn good reason) with a white temp worker, Angie, played by Annabella Sciorra, and then has to deal with the repercussions of it. In the midst of this are storylines with Flipper's brother and his drug use, his strict bible-thumping father, and other storylines with Angie's folks, part-time boyfriend, etc. Spike Lee's ensemble cast is featured, and they do not disappoint. Samuel L. Jackson is absolutely fantastic as the crack addcited brother. His performance is both hilarious and pitiful, Ossie Davis is wonderful in his role (hated the actions of his character at the end, though, did he go to the slammer? He should've), John Turturro is excellent (when is he not? Absolutely phenomenal in Do the Right Thing, btw), and the list goes on and on. Fortunately, these actors all balance out Wesley Snipes who is basically ineffective in his performance. In my opinion, he just can't act. You feel so sympathy for him as he has to deal with his wife and all her anger about the affair, you don't care about him and his issues with his job, and everything else he goes through. And I think we're SUPPOSED to care and sympathize with this guy, I just think Snipes was just unable to pull off the role. BTW, Annabella Sciorra is excellent.

On another note: much has been made of Halle Berry's performance in this movie, how groundbreaking it was, etc. Not! She is totally overrated in this movie. All she does is act crazy, fire off expletives and the like to the point of annoyance. She has proven herself to be a good actress in movies following this, but in this one, give me a break. It's Samuel L. Jackson who makes that storyline, let me tell you.

The bottom line is if you watch this movie around Wesley Snipes, you can actually enjoy it. It gets a little long-winded at points, but the performances are pretty good. Some other performance notes, the little girl who plays Snipes and McKee's daughter Ming (someone explain the chinese name for this black child to me, please?), annoying! I know she was young, but she was totally not cute, though she tries very hard to be. Totally irrelevant to my review of the movie, I just wanted to say that I found her incredibly annoying and not cute.

BEST SPIKE MOVIE EVER!!
I'm a Spike Lee fan and i have to admit that this is his best work ever! I'm a teenager and ever since this movie came out I had always wanted to see it. I finally saw it 2 hours ago and I thought it was excellent. I'm a big fan of Sam Jackson and I think in a way he stole the show. Everybody played their part accordingly specially Anthony Quinn and Lonette McKeen. This actors did a great job and I do think this is an "underrated masterpiece." This movie has been overlooked by some people and I think it deserves way more reviews than it has received. The issue of white/black dating was discussed throughout this movie and I loved the scene where the "girls" were talking in the living room about why they thought black men dated white women. Go rent this movie now if you haven't seen it and if you don't liek it then you're crazy!

One of Spike's Most ambitious films
But he apparently was still having some trouble with balance. The story is , well, you know. And it's a great thing that Spike had the guts to do something like this. And while there was some balance, the scale was a shade racist. Just a shade. Still, one of his absolute best and a must, although he really did have trouble with ending this one.

Spike Showed Truth With This Film
First of all, I am a black female who could care less if someone dates out their race. And I don't know if Spike is a racist or not (because he has dated white women and his father is married to a white woman). But one thing is clear; SOME black people do get offended when they see a black man with a white woman. I have personally seen black women confront black men for dating white women and I have seen black men act crazy when they see a black woman with a white man. In my opinion, Spike showed reality in this film, whether you agree with it or not. However, I don't like this film because it was so unfocused to me. There were too many things going on and in the end, it all seemed useless. I guess Spike wanted to get people talking about race and if that was his goal, then he achieved it. Personally, what I find most offensive and racist is the person who is playing the lead character. He (Snipes) made nasty comments about black women to a black magazine, which explains why his popularity has gone down.

Spike Lee ought to be banned from filmmaking
This is one of the absolute worst movies I have ever seen. Spike Lee is not a brilliant filmmaker. He clearly has racist views that he feels the need to display on film. Jungle Fever is the story of a black man who has an affair with an Italian woman. When their affair is found out, everyone is up in arms. The woman is accused of stealing the Black Man. Black women sit around dissing her when Flipper's (Snipes) wife needs to be questioning her husband. Last I checked, the ring was on Flipper's finger. The very idea that these women can sit around dogging white people and it be deemed ok is deplorable to me. As a young black female, I was disgusted at this image. Queen Latifah's portrayal of that waitress was even worse.

This movie is disgusting and it is a very good example of irresponsible filmmaking. This does not promote racial unity or racial tolerance.

Avoid it at all cost. ... Read more

Reviews (109)

Emotionaly brutal but excellent film.
Midnight Express is the true story of Billy Hayes who is thrown into a turkish prison for trying to smuggle hash out of the country.During the five years he spends in the prison,he suffers emotional,physical and mental torment.The prison is run by a brutal guard played by Paul Smith who seems to have a good time beating the prisoners which makes him a symbol of cruelty.Among with Brad Davis' great performance as Billy Hayes is John Hurt and Randy Quaid who both deliver really great performances as well.Brad Davis I think was overlooked by the academy which surprised me because he displayed his character with so much emotion that you had to feel sorry not just for his character but also for him.Midnight Express is the kind of prison film that makes other prison films too hard to compare.The Shawshank Redemption was also a film I enjoyed but wasn't as gut wrenching or emotional as this film.Midnight Express is in my opinion a film that is too horrifying to ignore which means that this film should not be ignored.It shouldn't be watched for entertainment value.That isn't why this film was made.Midnight Express I highly recommend.

Alan Parker's masterpiece
This is an absorbing and arresting film. Since the first minute of the opening sequence , the dramatic mood will live in our heart .
The inner tension in the airport is perfectly made , the fear , the insane atmosphere in the turkish jails , the language obstacle , the hopeless , the dramatic sense when the Turkish Court gives the veredict in the middle of a bitter political conflict are a true landmark in its style.
John Hurt (Max) plays an unforgettable role as the addict friend of Billy Hayes (Brad Davis) and his performance is only overcome for The elephant man two years after this film.
Magnificent script and extraordinary performances.
A winner.

Lighten Up Folks, Its Only A Movie
I have read some of the reviews posted here for this movie and they almost laughable. People need to lighten up a bit and stop being so goddam politically correct. This true life story is a Hollywood dramatization folks. Its purpose is to entertain. And I for one am not ashamed to say that I would watch this movie just to look at Brad Davis in the buff. Nuff Said.

Very current film
Some might think that this 1978 film is out of date. In fact,
not only is it a riveting film, but it is very current. On page A21 of the February 25, 2004 Washington Post in a story entitled "Turkey's Human Rights Record Is Taken to Task," reporter Nora Boustany writes of hearings on Capitol Hill before the US Congressional Human Rights Caucus that while Turkey now has laws forbidding torture, these laws are not enforced; torture continues in Turkey. Hence, everyone who cares about human rights should buy this film.

Come on, now!
This is one of the best prison films alongside "Papillion," "Death and the Maiden," and "Kiss of the Spider Woman."

It's purpose is to juxtapose foolish freedom with insane ancient cultures. The result is tragic, terrifying, and almost beyond comprehension in it's cruelty. And if you don't believe prison life in Muslim countries isn't still like this, you must be crazy! (Read "Not Without My Daughter;" the film doesn't even begin to touch on the horrors she survived in Iran).

One cool note: you can see the REAL Billy Hayes acting in a play about prison life filmed at San Quentin!! It's called, "The Cage" and it's only available on half(dot)com. Hard to believe that he'd want to recreate the "sadism of prison guards and the inmates' frenzied cruelty to each other" (Variety) only 15 years after escaping the Turkish prison! ... Read more

Amazon.com essential video

There's no getting around a simple, basic truth: watching Lawrence of Arabia in any home-video format represents a compromise. There's no better way to appreciate this epic biographical adventure than to see it projected in 70 millimeter onto a huge theater screen. That caveat aside, David Lean's masterful "desert classic" is still enjoyable on the small screen, especially if viewed in widescreen format. (If your only option is to view a "pan & scan" version, it's best not to bother; this is a film for which the widescreen format is utterly mandatory.) Peter O'Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It's a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. --Jeff Shannon ... Read more

Reviews (278)

DVD the best looking version yet
Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.

The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.

The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

Arabian Winner
Lawrence Of Arabia is one of the biggest and grandest films ever made. Director David Lean crafted a stunning epic that tells the tale of World War I British soldier T.E. Lawrence. Lawrence joined the various desert tribes of Arabia against the Turks and the desert battle scenes are breathtaking. Peter O'Toole is amazing as Lawrence in what would be a star-making turn for him. Omar Shariff, Anthony Quinn and Alec Guinness provide strong support, but this is Mr. Lean's film through and through. His direction provides sweeping shots of the desert vistas and gives the film its big look, but he also allows the story to flow and we really get inside the complicated head of Lawrence and see his psychological foibles. The film is beautifully transferred to DVD and it brings justice to the film that had previously suffered on video transfers. The movie was a major success as it swept through the 1962 Oscars winning Best Picture and Best Director, but Mr. O'Toole lost out on what would be the first of his of his seven unsuccessful Best Actor nominations.

Conservatives support slavery? This movie makes the case
Hi. My name is Steven Thulen. You might know me from such reviews as "Bowling For Columbine" and "My Life." I am here today to talk to you about "Lawrence of Arabia." While this may shock and astonish you, I will offer a long-winded review without actually discussing this film.

I am that good.

First, a history lesson. In the year 1492 Columbus sailed the ocean blue. He landed in Haiti and raped the native there, then enslaved them. Later, many Africans were captured and made slaves by white people. White people continued to terrorize other races throughout the latter half of the 19th Century.

Finally, World War I took place. During that war, many people died, including white people. Some people who were too cowardly to serve in the world fled to California, where they became subpar sports writers. Later, World War II took place. In that war, white people dropped atomic bombs on Asians.

Peter O'Toole was probably gay and acted really well in this movie.

STEVEN THULEN
AUTHOR OF "JIMMY KEY: BASEBALL'S BATMAN"
(...)

The Greatest Historical Epic Ever
LAWRENCE OF ARABIA is, without a doubt, the greatest historical epic ever filmed and the crowning achievement of David Lean's career. It's also the film that makes best use of the majestic desert landscape with shots of extraordinary rock formations, dunes, shimmering "mirages," and caravans making their way across seemingly endless sands.

LAWRENCE OF ARABIA tells the story of T.E. Lawrence and his adventures in the Middle East during World War I as he led the Arab revolt against the Turks. It is loosely based on Lawrence's book, THE SEVEN PILLARS OF WISDOM.

Even though there are battle scenes in LAWRENCE OF ARABIA, this film is, first and foremost, a character study of Lawrence who was, by anyone's account, a fascinating figure. Even the battle scenes serve to enhance the character of Lawrence rather than detailing the horrors of war and we see Lawrence's dark, embittered side as well as his heroic one.

Although Peter O'Toole wasn't David Lean's first choice to play Lawrence (both Marlon Brando and Albert Finney were offered the part), I can't imagine anyone else in the title role.

Omar Sharif is impressive as Sherif Ali Ibn El Kharish. Prior to this film, he was a virtual unknown, but LAWRENCE OF ARABIA launched Sharif on a long career that made him instantly recognizable the world over.

Even though O'Toole and Sharif weren't well-known when they starred in LAWRENCE OF ARABIA, the film's supporting case is certainly stellar: Alec Guiness, Anthony Quinn, Jose Ferrer and Claude Raines.

Although I think LAWRENCE OF ARABIA is best viewed on a large theatrical screen, this doesn't mean anyone should pass up the DVD. It's just too good for that, especially the Director's Cut (but do make sure you get the widescreen edition; this film demands it).

Don't watch LAWRENCE OF ARABIA expecting to get a history lesson. Watch it to learn more about the fascinating man who was T.E.Lawrence. If you do, I can't see any way you'll be disappointed.

Read the book, then watch again in awe.
I have seen this masterpiece many many times, but only after reading T.E. Lawrence's book "The Seven Pillars of Wisdom" this year do I now begin to understand. This movie is a product of two of the century's greatest minds, one an author and soldier, the other a film maker. The power of Lawrence's descriptions of the desert matches the great cinematography. No film could fully project the power of the inner thoughts of this most introspective man; for that you absolutely need the book to fill in the gaps. Many of the scenes take on a much deeper meaning once you have read the book in detail. The Columbia Tri-Star two-DVD edition is faultless, something I will always treasure. I find it hard to believe that someday a better movie could possibly be made, but we can hope against hope. ... Read more

Amazon.com essential video

Frank Sinatra spends most of his time in Come Blow Your Horn looking like he's waiting for director Bud Yorkin to infuse some inspiration into the film. Sinatra doesn't get his wish, but he works like an old pro in this Neil Simon comedy about a playboy getting pressure from his conservative, Jewish father (Lee J. Cobb) while simultaneously feeling threatened by the man-on-the-make moves of his competitive younger brother (Tony Bill). The film is fun and everyone in it is fine, but the production lacks the snap it ought to have. Sinatra seems especially good-natured in scenes where the cocky Bill treats him like yesterday's papers. --Tom Keogh ... Read more

Reviews (3)

neil simon's 1st is also one of hisfunniest
This movie IS under-rated! Everyone was magnificent.Tony Bill's performance as the"kid brother" could not have been more appropriate.

Hard to buy
Sinatra, who plays the son, is 4 years younger than Cobb who plays the father. Tony Bill, who plays the kid brother is 25 years younger than Sinatra. It was all too hard to buy.

If you haven't seen many Sinatra movies, see this one.
I have recently been getting more into Sinatra movies and I think this is one of my favorites. Here is a sneak at it...Sinatra is a business man which has a little brother he takes in to his home. His brother ends up getting caught up in the "high-life", which Sinatra has to deal with. They also end up having some little fights with their father. This movie makes you laugh, it's great. Sit down one night and have a glass of wine with it. ... Read more

Reviews (28)

Low Budget But Worth Every Penny
Van Damme portrays a streetfighter who gets caught up in the middle of a raw fighting hard hitting circuit.He keeps fighting to raise money for his brothers family who needs the money or they'll become homeless.The storyline is cheap and the flick itself is low budget but the fight scenes are supurb and the acting on Van Dammes part is excellent.In my opinion of course this movie is the greatest low budget action film available on the market today,if you like martial-arts films instead of explosions and basic killing spree action films than lionheart is your ticket to everything you want to see...Enjoy!

Another amazing van damme movie...WHAT A SHOCKER!!!
Let me just say....this is one of VAN DAMME's cheeziest but amazing movies other than kickboxer, bloodsport, and double impact.. But cheezy is good in this case... Van DAmme escapes from a military base in North Africa...and arrives in L.A. To visit his dead brothers wife. Since he is broke when arrived to L.A. he has to fight in order to make a living....!!! WHat a great Plot...so far.... Later on in the movie he becomes close with his brothers wife...and stays in L.A. The Action is pretty cool with good fight scenes....IF ur a true Van damme Fan you would buy this even if u never saw it....I mean just look at the cover for goodness sake!!!

Great fight scenes
This is one of Van Damms best. After hearing of his brothers death in America, Van Damm escapes the legeon in Africa to head for Los Angeles were he becomes a fighter in a no-holds-barred underground fighting circuit to raise money for his sister in law an his neese. There are many fights in different settings, wearhouses, parking garrages, fitness studios etc. I love the fight were Van Damm and another in shape guy have to fight at a pool party with lots of beutifull women standing around wearing nothing but G-string bikinis. The two must fight in an empty inground swimming pool with just a couple of feet of water in the deep end. they fight in speedos and bare feet. After a good fight Van Damm finally knocks the poor guy out cold in the water and draggs his lifeless body out of the water so he wont drown as the crowd of onlooker surounding the pool cheer for him. Personally, I would have rather he left me in the water to drown than to have to wake up and face all of those beutifull bikini clad women that I just got my you know what kicked in front of. In the end Van Damm fights the champion for enough prize money to make his family financially secure for life. Great movie.

One of Van Damme's VERY BEST-The Legionnaire Avenger
Do not be misguided by the fact that this movie was shot back in 1989, and thus be led to assume that this is another one of the low budget, b-movies that Van Damme used to make in the 1980's.

AWOL/Lionheart, is arguably his best film ever.

The story begins in what is a typical modern Legion Etrangere camp somewhere in North Africa. Van Damme plays a ranker soldier, Leon, who is serving in one of the Legion's crack North African detachments. Here, we get the very rare glimpse of what is like to be a modern Legionnaire: Both the scenery and camp are very realistic, rigid discipline prevalent, with emphasis being put on the soldiers' perfect fitness through physical training and manual labour.

Suddenly, Leon receives a letter from his only brother's wife who lives in the USA, informing him that his brother was beaten to death by some villains, and that she needs someone both to avenge his death and take care of her and her little daughter.

Rigid almost inhuman discipline in the Legion is once again underlined, when Private Leon asks to see his Commanding Officer, an impressive blond Frenchman, every inch a soldier. After hearing the reasons why Pvt. Leon asks for a leave, his CO coolly denies on the grounds that he firstly needs him "down here", and secondly that Pvt. Leon's contract with the Legion excludes furloughs.

From here onwards, the movie ceases to be static, and becomes a fast paced action adventure, as we follow Van Damme's risky escape from the camp to some North African muslim seaport, where he seeks to obtain passage on one of the Merchant Ships there, to the USA. In the meantime, his French CO has reported him as AWOL, and he has ordered two of his best NCO's to locate and return the deserter back to his unit.

Van Damme evades his pursuers, and signs on a 1950's Steam Turbine General Freighter as a Wiper, in order to pay for his passage.

When he finally arrives in the USA, we see him wandering the streets of New York, dressed in Navy fatigues looking for a job. He finally makes his way under a bridge, where the odd black bookmaker is staging a no-holds barred street-fighting tournament of sorts. The bookmaker, seeing Van Damme's incredible physique, suggests that he should fight in the next match in return for a fee. Asking his name, Van Damme replies slowly in French, "LE-ON", whereupon, the bookmaker hears "Lion" and proclaims him the "Lion". Thus, a new street-fighter star is born.

Van Damme, keeps fighting for profit, and his successes attract the attention of a gorgeous Nordic-American female manager, who is organizing fights for the entertainment of the Jet-Set NYC citizens. She falls in love with him, and acting as his manager, arranges his participation in high-class private fighting matches for the rich. Van Damme wins fame and glory, but his mind is always with his dead brother, and his widow and daughter.

After doing a lot of digging, he finally manages to locate his brother widow and daugter, whereupon one of the most touching scenes of the movie take place, when Van Damme meets his brother's daughter and widow, amid hugs and celebration.

But, his pursuers from the Legion, follow close behind, looking for a chance to seize him. Finally, they manage to track him down, in some makeshift arena where Van Damme is about to meet the late World Wrestling Federation Champion Andre the Giant, in a match to the death, which would be the culmination of his career as U.S. fighter. As the match progresses, we see the two Legionnaire NCO's, formerly his bitter enemies, having changed into stalwart supporters of his, witnessing first-hand his bravery and fighting skill.

After the match is over, the French NCO's make themselves known, and take Van Damme into their custody, despite his brother's widow protests. Then follows the most touching scene in the film, with Van Damme hugging his brother's daughter, tears flowing in his eyes. The scene is so compelling, that even the tough French Legionnaires, after looking each other, cannot avoid to shed the odd tear.

After putting Van Damme in the car, the French NCO's drive only about half a mile down the road, when the car stops suddenly, and Van Damme is set free, in order to return to his dead brother's family.

A truly great movie, one of Van Damme's few movies, which I enjoyed seeing over and over again. The movie will be loved by, not only from those who admire the French Foreign Legion, but from martial arts fans as well, not to say anything of Van Damme's fans, who will absolutely love it. It is one of these rarest of the rare low budget movies that, having started with meager resources, by luck and hard work are turned into pearls.

The hero's devotion and love to his only brother, deeply touched me, and I think also struck a chord deep within the souls of all who saw it. I do not think that there is a single man, who would let his dead brother's wife and daughter suffer, no matter if one was half the planet away from the other. Sometimes, duty to the dead brother's family comes first from duty to country.

A truly outstanding movie:buy it.

Van Damme doing his thing
His earlier work is what has always appealed most to me and I was not disappointed with this one. It's kinda cheesy, but it's a Van Damme flick, so what were you expecting?
It's a lot like Bloodsport and Kickboxer in regards to the story line. ... Read more

Amazon.com

This massive, in-depth study of the dark Western icon comes off with mixed results. Trying to capture the whole life, (warts and all) of the lawman-criminal-brother-fortune hunter, director Lawrence Kasdan gains points for sheer scale, giving us a rich epic painted in dark colors with gritty settings. But the visual poetry and extensive foreshadowing ruin the dramatic drive. Some scenes have as much impact as stalker movies; you're just waiting for someone to get knocked off. As Earp, Kevin Costner is not afraid to look rumpled and play colorlessly (as in The Bodyguard), but it saps the energy of this 3-hour-plus film. The only relief is Dennis Quaid as a droll Doc Holiday, a much more engaging character. New faces Linden Ashby and Joanna Going (as an Earp brother and a lover, respectively) are solid finds, though the remainder of the female cast is barely given anything to do. Best is the first half, with Costner, as hip as he was in his Silverado days, going through a series of ups and downs until he accidentally finds his profession. Great set design (Ida Random) utilizes dozens of similar settings that always look distinctive. Recommended to fans of the star and the genre, but the story never justifies its length. --Doug Thomas ... Read more

Reviews (82)

Wyatt Earp was a Man
A lot of people forget that Wyatt Earp was a real man who had more courage and integrity then most people you will ever know. This movie is a pretty accurate portrayl of that man. Kevin Costner and Dennis Quaid (Doc Holliday) do a superb job, although the supporting cast has a lot to be desired. This movie differs from the movie "Tombstone", in that it portrays a lot of Wyatt's life from being a teenager during the Civil War to his and Josie's adventure to the Alaskan gold fields near the turn of the century. "Tombstone" deals primarily with the happenings in Wyatt's life in that one town, which ironically dealt with less than 2 years of his long adventurous life. I liked this film because it dealt with an approximate 35 year time span of Wyatt's life, and the movie is long enough to dipict this. There are a lot of historical accuracies in the movie which include proper representations of places and dialogue such as what is said on the way to and during the gunfight. The inaccuracies are easily overlooked such as Virgil being shot in the wrong arm and the reference to "Johnny behind the duece" as "Tommy." All in all though, a good film about the life of a great man, Wyatt Earp.

BUY THIS DVD!
At last Warner Bros. has seen fit to release Kasdan's masterpiece on DVD. Sadly and inexplicably this movie was overlooked at the time of it's release. This superbly written,beautifully played piece is the definitive account of the life of a western archetype achieving everything that previous Earp accounts have failed to with the possible exception of Hour Of The Gun. Avoiding the ludicrous romanticism of My Darling Clementine, or the appaulingly laughable Lancaster/Douglas fiasco, Gunfight At OK Corral, Kasdan's portrayal presents these characters as the contradictory individuals they undoubtedly were and the actors and actresses do a tremendous job of bringing them to life. Costner is utterly believable as a complex man who, influenced by his father's belief in the family unit, almost destroys the very family he is trying to protect. We see him go from an idealistic young man to becoming a resolute, serious individual as a result of circumstances often beyond his control which serve to form his hardened personality and tunnel vision. Dennis Quaid is superb as Doc Holliday and presents a real person rather than Val Kilmer's amusing charicature in the over rated t.v movie-quality Tombstone. JoBeth Williams, Catherine O'Hara and Isabella Rosselini are great in their portrayals of the role of women in the west. Each of the actresses in this movie portrays a distinctly different character never resorting to cookie-cutter characterisations but the one thing they all have in common is, true to the period, women were expected to be supportive but not to have minds of their own; No revisionist western this.
Technically the movie looks and sounds great. Kasdan creates a visual style without being heavy handed and we are presented with a west in various stages of development from shanty towns to the developing, lawless Dodge City and Tombstone where law and order are trying to take hold even when the "law" is being enforced in a very subjective manner, again there is a lot of gray in this movie.
Finally I have to praise James Newton Howard for his wonderful score which, if it were isolated on the DVD would make this a 6 star release.
Apparently deleted scenes are being included on a second disc. An expanded lazer disc was released some years ago which restored this footage to the film, adding even more depth to the characters and as a result an even better movie.
Please buy this movie and, in doing so, encourage Warner's to release the expanded version in the near future. You will not be disappointed.

Western Classic
No doubt this movie is a western classic. I saw it years ago and loved it. I don't have anything negative to say about the movie itself. I almost picked up this 2 disc set until I learned it's a cut down or edited version. Why is the complete 212 min version only available on VHS ? That's just stupid. This is a great movie worthy of a director's cut edition maybe 3 disc set? I'd spend the extra cash on a deeper edition, until then I'll save my money. Please, please release the FULL version on DVD!

I'm very disappointed-why not the Director's Cut on DVD??
I was actually planning to but Wyatt Earp on DVD, but as I already have the Director's Cut on VHS video, I'll wait until the release of it on DVD. I believed this would be the "definitive" video release of Wyatt Earp. I'm quite disappointed!! I would rather have had the complete film on DVD than all of the extras!! Five-stars for the film, one-star for the short-sightedness of this DVD's content!! This is just as puzzling as why the restored version of John Wayne's The Alamo is not on DVD yet, either.

Typical Costner - long drawn out epic!
While the story was great and gave some interesting, perhaps unknown insight to the character of Wyatt Earp (did you know he was married and lost his wife to Typhoid? I didn't!) the movie was a very long, slow, drawn out epic like most of Costner's films. While Dennis Quaid portrayed a believable Doc Holliday, his performance was paled by the superior, more entertaining version by Val Kilmer in "Tombstone". In either movie it was almost unbelievable that the character was played by Dennis Quaid and Val Kilmer respectively (although Val Kilmer was more recognizable), I think both versions of Doc Holliday outshined the portrayal of Wyatt Earp in either movie. While still a good Western for this century, I would not rate this one higher than 3 stars because it was too long and drawn out. 3+ hours is just too long to sit through for something that could have been accomplished successfully in maybe 1-1/2 to 2 hours.
The rating age only goes up to 12, I'm actually 40 years old - LOL ... Read more

Reviews (29)

One of the Funniest Movies Ever
(...)This film is not as cohesive between scene to scene as their other films, but there are much more laughs yielded per scene without expectations. Some of the brilliant scenes that reviewers have neglected to mention: the wrestling scene where Cheech and Chong fight an imaginary wrestler shows their brilliant ability for physical comedy, Tommy Chong's great impersonation of an old blues man (couldn't understand what he was saying for awhile), their impersonation of