Description

A Jewish matron falls in love with a Japanese widower. ... Read more

Reviews (6)

After 43 years, I finally got to see the end
Back when I was 16 or 17 years old, I came home late one night after a date, and turned on the TV. A Majority of One was on, and I was soon wrapped up in the story. Believe it or not, as a teenager, I was totally enthralled by this story of a romance between two aging people of different cultures.

But, I came from a very strict family, and my parent's bedroom was in earshot of the TV. I knew if I woke them, I'd be in big trouble. So eventually, I got too nervous to enjoy the movie, and went to bed. But, I never forgot the movie, and always wanted to see the end.

Then one day recently, I suddenly thought about it, and realized I could probably buy it online. I couldn't remember the name of the movie offhand, but I did a search on Alec Guiness, and recognized the title when I saw it.

So, I finally got to see the end. I won't tell you the end, but I will say it was worth the wait. This is a sentimental movie, true, but it also has a number of ideas that work through it. (You remember ideas...) One of the themes, stated in other reviews, has to do with racism. Then there is main theme that, if you are right, and the rest of the world is wrong, then you form a majority of one. Great idea! And there's the idea that mature people should be respected because they have more experience in human relations than young people.

Funny thing is, my mother watched it with me, and loved it even more than I did. It was fun to watch it together as two adults, after my past history with the movie.

Okay, accepting Alec Guiness as a Japanese gentleman is a bit of a strech. But just the scene with Rosalind Russel standing pigeon-toed in a kimono is worth the price of the movie.

DON'T TOUCH MY MOUSTACHE
I love this movie! It is a tender and funny movie. Rosalind Russell (Mrs. Jacoby) shares her jewish traditions with a Japanese gentleman while in Japan. It is about how racism can be overcome by gentle understanding. How graceful times were. Truly a gem!

A Majority of One
This is one of the ultimate feel good movies of the 20th century. Watching the characters develope slowly and completely is so fulfilling. The relationships within the different families in different cultures is so encouraging. It is a little fantasy that proves that there can be exciting romance even though one has raised a family, and lost a beloved long term spouse.

If you like Rosalind Russel you must see this movie.
Rosalind Russel has a great character in this movie. It's definitely a feel good movie.

I Have seen the movie and I have ejoyed it very much.
I just wanted to let you know that an off-broadway show called a majority of one is opening on January 16th at the Jewish Repertory Theatre in Manhattan it is located at 316 East 91st Street. (212) 831-2000. Just in case any one is interested. ... Read more

Amazon.com essential video

"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honored of American filmmakers. In this late film from a long career, Ford looks at the civilizing of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilization that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton ... Read more

Reviews (58)

"When the legend becomes fact, print the legend."
John Ford's "The Man Who Shot Liberty Valance" employs the time-tested storytelling device of playing off the idealist against the realist. When done right, engaging drama is created by the pairing of two such diametrically-opposed personas. However, when you up the ante by casting Jimmy Stewart and John Wayne to play the respective idealist and realist, you not only get engaging drama, but one heck of an entertaining film.

Attorney Ransome Stoddard (Stewart) is in a stagecoach destined for the western frontier. Before he reaches his destination, he and his fellow passengers are robbed by thief Liberty Valance (Lee Marvin). Stoddard tells Valance that society will punish him for his crimes but quickly learns that his words have little power in his new surroundings. Upon reaching the town Shinbone, Stoddard tries to bring civilized order to the untamed town but is told by Tom Doniphon (Wayne) that the ways of the Old West will die hard. Yet, both men eventually develop a bond of mutual respect for each other despite their differences. When Liberty Valance starts to terrorize Shinbone, Stoddard finds himself forced into a showdown with the outlaw - a confrontation that will in time become a legendary part of the small town's lore.

"The Man Who Shot Liberty Valance" is a fascinating depiction of an important period in American history when civilization started to make its way westward. This was a time when frontier justice started to give away to written law and the local political structure started to become formalized. Ideological differences between the new and the old naturally arose and the characters of Stoddard and Doniphon embodied in microcosm the differences each side held toward each other. The manner in which Libery Valance is defeated and the way it is remembered also is an interesting commentary on how larger-than-life the heroes of the Old West became when their exploits were recalled. Stewart and Wayne are outstanding in their roles as expected and Lee Marvin and Vera Miles chip in with great supporting turns. Life in the Old West was about much more than duels in the streets and "The Man Who Shot Liberty Valance" effectively illustrates this point.

I'm Really Not a Fan of Westerns, But............
John Ford's "The Man Who Shot Liberty Valance" is a marvelous movie, regardless of how you feel about Westerns. This isn't a movie about outlaws, or something violent, but a study of the fight between old and new in our society. John Wayne's rugged cowboy represents the old, untamed west. Jimmy Stewart's refined and educated lawyer represents the order and civilized nature of a new west. Both clearly love the land they live on in different ways, and when the time comes to protect the people of the west from the evil Liberty Valance (played to perfection by Lee Marvin), they team up to save the day. In the end, Stewart's way of life, the way of progress, wins out. However, as can be seen by the memories the major characters have at the start of the film, the old west never really dies. The movie is just brilliant, with all the leads in top form, especially the forgotten Vera Miles as the woman both Wayne and Stewart love.

The law, or the gun

Director: John Ford
Format: Black and white
Studio: Paramount
Video Release Date: April 7, 1998

Cast:

John Wayne ... Tom Doniphon
James Stewart ... Ransom Stoddard (attorney)
Vera Miles ... Hallie Stoddard
Lee Marvin ... Liberty Valance
Edmond O'Brien ... Dutton Peabody (Editor of the Shinbone Star)
Andy Devine ... Marshal Link Appleyard
Ken Murray ... Doc Willoughby
John Carradine ... Maj. Cassius Starbuckle
Jeanette Nolan ... Nora Ericson
John Qualen ... Peter Ericson
Willis Bouchey ... Jason Tully (conductor)
Carleton Young ... Maxwell Scott
Woody Strode ... Pompey
Denver Pyle ... Amos Carruthers
Strother Martin ... Floyd
Lee Van Cleef ... Reese
Robert F. Simon ... Handy Strong
O.Z. Whitehead ... Herbert Carruthers
Paul Birch ... Mayor Winder
Joseph Hoover ... Charlie Hasbrouck (reporter for 'The Star')
Robert Donner
Larry Finley ... Bar X man
Shug Fisher ... Kaintuck (drunk)
Mario Arteaga ... Henchman
Sam Harris

Chuck Hayward ... Henchman
William Henry
Bryan 'Slim' Hightower ... Shotgun
Earle Hodgins ... Clute Dumphries
Stuart Holmes
Mike Edward Jauregui ... Drummer
Jack Kenny
Leonard Baker ... Man
Ted Mapes ... Highpockets
Montie Montana ... Politician on horseback
Bob Morgan ... Roughrider
Charles Morton ... Drummer
Jack Pennick ... Jack, Barman
Chuck Roberson ... Henchman
Buddy Roosevelt
Charles Seel ... President, election council
Slim Talbot
Charles Akins
Ralph Volkie ... Townsman
Max Wagner ... Poker game dealer
Blackie Whiteford
Jack Williams ... Henchman
Danny Borzage ... Townsman
Helen Gibson
Gertrude Astor
Anna Lee ... Mrs. Prescott (widow in stage holdup)
Jacqueline Malouf ... Lietta Appleyard
Eva Novak
Dorothy Phillips
Stephanie Pond-Smith

This movie is top heavy with some of the best stars in the business: John Wayne, James Stewart, Lee Marvin, Edmond O'Brien, Andy Devine, John Carradine, Denver Pyle and a host of lesser names. A classic tale of the old West, although it is in black and white--not a flaw for some of us.

The story is about a young lawyer, Ransom Stoddard (James Stewart) who comes West to practice law staright out of law school. He soon learns that in the West, the gun is more powerful than the law--although he is not willing to admit it, yet. He is robbed of all his money on the stagecoach, and discovers that almost everyone knows his robber, Liberty Valance, but no one, including the town Marshal, Link Appleyard (Andy Devine) is afraid to take on Liberty Valance. Everyone, that is, except Tom Doniphon (John Wayne), and he appears to be unwilling to get involved.

This sets up the conflict, and the story proceeds from there. This is a fine Western, entertaining, well acted (as one might expect) and well directed by John Ford, also as might be expected.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

So what's all the fuss about?
I've been searching for the "best" western, and a couple of people recommended this one. It does bring up some interesting issues, but I'm still searching.

The movie, besides being stuffed with the usual cliches of the genre and the usual shoddy production values (obviously the whole thing was shot in a studio except for the train scenes at beginning and end), is a muddle.

What exactly is the message? It seems to be that we need to murder bad guys in order to control them, and that what passes for civilization is just a lie. This would seem to support the silly interpretation of the film as an allegory for our war on terror, but that doesn't quite work either. Liberty was out in the street and easily identifiable, whereas most terrorists are in hiding or are unknown. "Taking the law into our own hands" is what Valance's thugs try to do after he's killed, and look where it gets them.

Finally, neither way of life--the old Wild West nor the new more civilized West--looks like a very desirable condition. If we can believe this film (that is, take it as a metaphor), then in the old West everyone was too cowardly to stand up and face the bad guys except for the ineffectual representative of the new civilization, but Valance finally had to be shot from the shadows in a side street by the supposed "manly" John Wayne character--not a very nice allegory to base our country's behavior or character on.

However that may be, it's another second-rate Western. I'm beginning to believe that the whole genre is second-rate.

Jimmy Stewart and John Wayne's Definitive Western
John Wayne was never more of a tough cowboy than in this John Ford Masterpiece, Pilgrim, and James Stewart was never more the aw-shucks embodiment of educated idealism. Together they are rivals for Vera Miles, but they are also united against the outlaw who terrorizes the territory, Lee Marvin's Liberty Valance. Marvin is almost over the top as the evil Valance, but that is sort of the point - that he is a man universally recognized as evil. The question isn't "is Liberty Valance bad?" but rather which approach is more appropriate to combat him - fighting fire with fire (as exemplified by John Wayne's Tom Doniphon, the only man in the territory who is not intimidated by Liberty Valance) or whether "law and order" should prevail, as personified by Mr. Stewart's newly arrived Eastern Lawyer, Ransom Stoddard. The first time I saw this film the way that this central conflict was resolved surprised me - one of the biggest "twists" in the Western genre.

In my humble opinion it wasn't until Clint Eastwood's "Unforgiven" that another Western even approached the stature of The Man Who Shot Liberty Valance. ... Read more

Reviews (107)

A CLASSIC
It's great to finally see The Right Stuff appear on DVD as a special-edition. The sound and image quality is awesome, much better than the LD.

This is one of the greatest achievements in film, depicting the birth of the space program. It's difficult to think of anything wrong with the production.

The cast (many of whom at the time were not A-list caliber) is top notch, especially Ed Harris as John Glenn and Sam Shepard as Chuck Yeager.

The beginning, which chronicles the breaking of the sound barrier, is excellent. One particular scene has Yeager staring down the X-1 while on horseback; almost as if two living ceatures are involved in duel. The Oscar-winning score by Bill Conti brings tears to my eyes every time, especially the breaking the sound barrier and the final coda, which ends at Gordo Cooper's historic orbit.

Director Philip Kaufman (just look at his resume; what an incredible career, with Henry and June, Unbearable Lightness of Being and Quills among his films), brings a humanness and respect to his characters, and dots the script with bit of humor and tenderness as well. He depicts the Mercury astronauts as heroes, an aspect that unfortuantely has gone away. These men (and their wives) pushed the envelope to it's capacity, went to the top of the pyramid.

We live in a time in which we no longer look up when a plane passes overhead, where, instead of real people risking their lives to further technology and science, our heroes are born out of comic books or the sports pages.

The Right Stuff is truely a very special film! They don't make 'em like this anymore!

New Stuff
The Right Stuff is Phillip Kauffman's sprawling three-hour epic about the Mercury Space Program. Based on Tom Wolfe's amazing book, the movie is a visual stunner with a top-notch ensemble cast. Sam Sheperd stands out as Chuck Yeager, the first man to break the sound barrier. He portrays Yeager as a cowboy who flies jets instead of riding horses. Mr. Sheperd gives a cool and impressive performance. Ed Harris first sprang to attention with his performance of John Glenn. He gives a gentle and passionate performance and the scenes with his wife (who was hearing-impaired) are touching. Fred Ward gives a blustery and gruff performance as Gus Grissom who appears to be on the verge of cracking after his space launch goes awry. Scott Glenn adds a touch of humor to film as Alan Sheppard the first American in space. Dennis Quaid is brash and cocky as Gordo Cooper. This 20th Anniversary two disc special edition is an immediate upgrade over the original dvd, which was one of the first films to be released in that format. The film is perfectly suited for the dvd landscape and while the picture quality was excellent on the original release, the digital transfer adds depth and scope to the film. The real bonus is the 5.1 Dolby Surround Sound. The film won four Academy Awards and two were for Best Sound and Best Sound Effects and the remastered audio increases the powerful and majestic tones of the film in home viewings. The extras are great for any space program aficionados as there are interviews with the real life astronauts from the film.

well done
Hollywood has mostly ignored one of the most dramatic events of the modern age, the space program. It's been willing to lavish millions on sci-fi and fantasy but has been meager in detailing the real drama. Tom Wolfe's marvelous book has been captured in this film with the same blend of irony, whimsy, humor and real drama.
The astronauts were accidental heroes, men who never expected to be elevated to such a public Olympus. They were never what the PR machine promoted but they got the job done and eventually earned the heroic status they were automatically granted by the propaganda machine of the time.
An interesting film that genuinely manages to distill out the essence of the 'right stuff.'

The Greatest American Epic
The fact that "The Right Stuff" lost the Oscar for best picture to "Terms Of Endearment" is beyond me; this movie should have won. The fact that it wasn't a hit at the box office back in 1983 is also beyond me. We are talking about what I think it's the best American epic in all the sense of the word.
It's strange that a Venezuelan-born like me should talk about a movie like this, but I feel that "The Right Stuff" should have been a classic -well, it is for me. The story of the "Mercury" astronauts is portrayed marvelously by Philip Kaufman's direction, showcased beautifully by Caleb Deschanel's stylish photography, and supported by an incredible cast including Scott Glenn, Ed Harris, Barbara Hershey, Sam Shepard, Pamela Reed, Kim Stanley, and Veronica Cartwright.
In fact, I remember when I was watching that movie at home, and my late father asked me if a man that appeared on the screen was astronaut John Glenn because he looked just like him. Of course I told him he was an actor who was playing his role. That said, it's incredible to see how Ed Harris is perfectly cast as Glenn.
And I don't want to forget one of the reasons why I love this movie, and that's Bill Conti's spectacular music score. Of course it may sound a little like Holst's "The Planets", but I usually weep every time I listen to the main theme.
I'm glad that a special edition DVD of "The Right Stuff" has been released, with fantastic extras that include new interviews with the cast and crew, deleted scenes, and an incredible documentary on John Glenn. I'm also glad about it because I think that this movie should be rightfully appreciated not only because it deals with historical events like the breaking of the sound barrier and the first American astronauts, but also because, as I said before, this is a classic.

FABULOUS
"The Right Stuff", based on Tom Wolfe's book and directed by Phillip Kaufman, was a wonderful American story about the Mercury space program that told the tale of U.S. pilots just brimming with gusto, bravado and...the right stuff.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
STWRITES@AOL.COM ... Read more

Description

A lost band of outlaws wanders into a peaceful little town. At first, they mistake the quiet inhabitants of Refuge for easy marks. Then they recognize Doc Holliday, Billy The Kid and Wild Bill Hickok and realize this town is really purgatory, the deciding ground between heaven and hell. Which makes them...dead. ... Read more

Reviews (45)

Purgatory
As you can see from the past reviews, nobody has scored it less than 5 stars. What an amazing movie! It's too bad this didn't go to theatres first so it could be enjoyed on the big screen. It definately deserves a transfer to DVD with all the extras so hopefully that will be coming soon. I'm very picky about the westerns that I'll watch since a good one so rarely comes along these days. But Purgatory is great! Like others have said, it's a western with twists and surprises like no other before it. And for "Hollywood" or TNT as the case may be, to put out a movie with a moral or faith based message, well that's just very incredible and very welcome considering the messages that are conveyed in most movies today. Purgatory is 5 stars and then some. And at this price, you can't go wrong!

Great acting ... good movie ... (if you have FAITH ) !
PURGATORY is a well-directed combination of TWILIGHT ZONE and hard-charging action Western. More than many movies of this ilk, its success absolutely depends on the viewer's acceptance of the town of REFUGE's premise. Refuge and its strange populace and "special rules" can be regarded with keen interest or merely observed as an intriguing, clever gimmick. The fine acting and ironic plot employing several well-staged confrontations between good "bad" guys and very bad, bad guys can devolve into a puzzle being "worked-out" (much the way the highly overrated, in my estimate, PI is). Or, it can develop into an existential drama concerning ULTIMATE CHOICE and its CONSQUENCE rendered in a violent climax. Sam Shepard and Eric Roberts are excellent as the film's well-matched protagonists where the ambiguities of goodness must confront clear-cut rapacity and viciousness in evil. Brad Rowe is the man-in-the-middle who has lived a life of fantasy and must suddenly make a deliberate choice between a dangerously real GOOD (and love) or dangerously real EVIL (and damnation). Ultimately, the movie depends on PERCEPTION: what one chooses to regard as reality and the nature of goodness and evil, both presented as Temptation. PURGATORY is a good movie...maybe a great one... if you watch it with a bit of FAITH!

Goodness in the heart can ALWAYS prevail
I have always despised just about every western made except for less than a handful. "Purgatory" and "The Quick And The Dead" are just about the only ones that I enjoy. "Purgatory" has such a deep underlying meaning to me...it's very hard for me to put it into words. But I can say that this movie shows to its viewers that through one's own personal convictions, no matter how rough life's road may get...salvation and peace of mind can and will be one of the eternal rewards. Sam Shepherd does a GREAT JOB as Sheriff and even though I love Eric Roberts, I thought that he was a "real S.O.B.!!!!!". I mean...whatever happened to "love thy brother" especially your own blood? My own brother is a real ass and even though I don't like him 90% of the time...I STILL LOVE HIM. Watch this movie, you won't be disapointed.

the big fight scene is the best
The overall movie is great. It takes a few minutes to discern the town of Refuge and what it's all about. Roberts is great as usual as a real bad guy and Sonny is so innocent it's a wonderful contrast. But the best parts are the kicking big showdown fight and the indian. I can't wait to get this on DVD. Oh and the gore isn't bad compared to most movies now.

i loved this movie
the first time i saw this movie was on tv.it was so good. every thing seem so real. it took me just a few min, to find out that all these people were dead, eric roberts was great in purgatory. you will not go wrong buying this movie ... Read more

Amazon.com

Kathleen Turner and Dennis Quaid are an unlikely couple in this unfortunate attempt at a comedy thriller. They play a pair of married spies who have taken parental leave and are vacationing in New Orleans with their year-old son. But they're called back into action to stop the sale of a shipment of stolen weapons. Ho-hum. Though both the leads have preternaturally cheery dispositions, it can't translate to the soggy script. The action is formulaic and the jokes nonexistent. The film's only bright spot: Stanley Tucci as a bumbling assassin whose wild streak of bad luck enlivens his numerous welcome appearances. --Marshall Fine ... Read more

Reviews (54)

A movie that seemed to have a script
UNDERCOVER BLUES was a movie that seemed to have a script; flawed script as it was. I bought this movie to watch the likes of Bacalique Kathleen Turner and that movie star, Quaid. I saw them--with a baby to tend-- try to stage a spy-comedy story, but strangely the outcome reminded me of 101 Dalmations. REALLY! Lucky for an audience was this comic character, Stanley Tucci, who stole the show. Otherwise, Turner and Quaid--CIA Undercover--were too, too suave for spy characters. Their James Bond quip comedy lines just didn't work. Here is another movie that couldn't make up its' mind: is it a comedy, drama, suspense, mystery, n'importe quoi kind of story. Nevertheless, for all of its' flaws, UNDERCOVER moves along and keeps your attention. You are going to laugh somewhere along the line. And keep your eye out for Cruella. She's there with her sort of funny bad guys.

Undercover Excellence
I have rented this movie on more than one occassion and have loved it every time. I am fixing to buy my own copy from Amazon within the hour. I would definitely have this film on the top of my list of recommended movies. It's funny, romantic, full of good ol' fashioned action, and it's something anybody can watch. There's really only one word of profanity in the entire movie. The cast is incredible and I don't think you could find that kind of chemistry in just any movie. Quaid and Turner are fantastic together, and Tucci makes the most of a character that most people would blow off. I don't think the original critic watched the same movie I'm praising (the couple has an 11 month old girl, not a one year old boy, for clarification). Definitely one of the best and one of my absolute favorites!

I Got a Right to Sing the Blues
I love this movie, and it is with great reluctance that I'm rating the DVD with fewer than five stars. However, it seems that little work was done digitally mastering the film: there's a lot of grain and artifacting on the DVD (to be fair, the VHS doesn't look great either, but the blur of the tape reduces the grain in the image; on the DVD you get nice, crisp speckles and blotches). Basically this is a 5-star movie with 2-star production values, split the difference and round up, you get four stars.

The plot provides a so-so post-Cold War backdrop for the actors to do their thing. There hasn't been such a breezy, fun-loving, crime-fighting couple since Nick and Nora Charles. Dennis Quaid's dazzling smile and cheeky attitude brighten up the film, and Kathleen Turner provides a street- and book-smart turn as the brains of the operation. Add in Larry Miller's supporting role as the lisping, soft-spoken Detective Sgt. Halsey (that'th eth-ee-why, not eth-why), Stanley Tucci's shrieking tough guy, Muerte, and Fiona Shaw's devilish Paulina Novacek and you've got ninety minutes of comedic gold.

Unfortunately, along with the straight-from-video transfer, no expense was spent in providing extras on the DVD. There are a handful of trailers and that's about it. The menu screens look good, but if you go to a restaurant and the best thing you can say about it is "nice menus," odds are you won't be eating there very often. That's a shame really, because this is a good movie that's getting a raw deal from poor packaging and a lousy transfer.

If a remastered version of this disc comes out - with or without all the bells and whistles in the bonus department - swoop on it without delay. In the meantime, VHS is actually your best bet: the film's flaws aren't as noticeable and you've been making allowances for such things for years now anyway.

glad it's finally on DVD!
Wow, this is one of my favorite funny movies, no matter what the critics say!! It's obvious that other viewers feel the same. I've watched it many times since the first time I saw it 9 years ago, and always laugh 'till my sides hurt. The way Turner and Quaid interact is great, and I love the people they meet throughout the movie (such as Morty I mean Muerte). The music is great, and I like the New Orleans scenery.

I'm always quoting these lines:
"That's funny"
"Funny ha-ha or funny strange?"

Buy it and enjoy!!

I love this film. Stanley Tucci plays a great loser!
I happened across this film on a cable network that will remain anonymous. I saw that Kathleen Turner and Dennis Quaid were in it, and it was a comedy, so I watched it. All I can say is....I laughed my butt off! I was shocked because I had never heard of this film. It must have been made and send directly to video, although that's no indication of it's quality.

"My name...is Muerte!" The supposedly streetwise thug played by Tucci says when he mugs his victims. Morty, as Quaid calls him, meets his match when he meets ex-CIA, ex-FBI agent Jeff (played by Quaid).

On vacation after the birth of their first child, Quaid and Turner go to New Orleans to enjoy some good food and music, but end up getting pulled back into service of the government when a terrorist organization is trying to buy up a lot of an experimental high explosive.

The action is good, and the comedy even better. There is no adult humor in this film, so it's suitable for even younger children, although the fight scenes might be a bit much for very young kids.

If you like any of the actors in this film, or just like comedy, you should pick this up, it's one of the best comedies out there. ... Read more

Reviews (7)

Vestron Video vs. New Star Video release
I was a little hesitant in ordering this DVD when I read some of the previous reviews for this '80s trash-flick. Points mentioned like the frame stability of the movie, blurry transfer etc. Having the original Vestron VHS from 1985, I figured I would take the plunge & buy the DVD to make a comparison & make your decision to buy this '80s drive-in movie easier. First off, New Star has retained the original box art of "Savage Streets" that was used for the Vestron VHS version. The only difference is that the artwork has been compressed so that Linda Blair doesn't look as wide as on the VHS box art. The "Savage Streets" logo has changed to a white block letter font compared to the pink lettering used in the original artwork. The same synopsis has been used on the back of the DVD as the Vestron version. For the picture quality, it's about the same. This movie has always had a misty-veiled look to it. It's in focus & the fleshtones on the DVD are a little more natural than the Vestron VHS version. With the Vestron VHS, the flesh tones looked a little washed out & pastey. One thing that stands out is the frame instability of this movie. It's more apparent on the New Star DVD than on the Vestron VHS version. The beginning credits move up & down in both versions & some scenes throughout this film, but the DVD really shows up this filming flaw more. I never noticed a problem with the sound on the VHS version, but the DVD version is very clear, even on a circa 1982 mono Electrohome console TV. Finally, in the DVD version, there are a couple of scenes that show a clear horizontal noise line which looks like it has originated from the master tape. This is not a big deal, but you would think that if Jef Films (New Star) invested in digitally remastering this movie, then they would at least get a prestine print of it. My only complaint is that at the beginning of the disc you are forced to sit through a preview of "Cannibal Taboo". It doesn't allow you to exit this preview, you have to fast-forward through it to get to the main menu. The only added feature on this disc is a written biography of Linda Blair & a list of her theatrical releases(her made-for-TV ventures are not included). There are also scene selections, which is basic fare for a DVD. In conclusion, if you are a fan of Linda Blair, like I am, or you like '80s vigilante flicks, then this New Star DVD release is not as bad as previously reviewed. It would have been a nice touch to include the original movie trailer, and a keepcase insert of the original movie poster, but that's just a suggestion on my part. There are far worse DVDs out on the market, so with this one I give 5 stars for the movie & 4 for the actual DVD production.

hooked on linda
Well to say the least i must be in love with linda blair,
because to except the dvd SAVAGE STREETS i must be.
It appears to be another one of those bad transfers its almost,
like watching a vhs the qaulity is ok but if i wanted it on vhs,
i would have bought a vhs.But anyway this movie is in my opinion one of her better roles.Even though this movie is a low budget flick it will maybe keep your attention.The start of the movie is most interesting linda dresses in that old style spandex and a very tight and reveling shirt.Ive said too much already.
But how i wish it was dvd qaulity but anyway i will add it to my collection and someday maybe someone will release a real dvd version.

thanx
linda fan

A good perf spoiled by the remastering
A small thriller with the good actress Linda Blair ruined by the absence of technical treatment ( the film is almost 20 years old)
the sound is fine. But the image shakes a lot at the beginning it is awfully blurred and waned as if the technician brought a digital camera in a movie theater to record the film... on the screen !
Avoid this version (New Star Video) that is supposed to be digitally remastered.
too bad for the original I appreciated in 1984

one of Linda Blair's Best!
This is one of my, if not my favorite Linda Blair film. It's about Linda Blair and her friends who are in a fun loving but tough gang. after she and her friends play a joke on the local bad boy gang "scars, they get even with her. ... blair goes after them for revenge... her way. this is one i have seen countless times and i could watch it again. the only scene that i thought went too far was the rape scene. that was horrible.
Linda Blair is one of my favorite actresses and i remember seeing the ads for this in the paper when i was about 10! I should've snuck into the theater! This is one of those movies many consider trashy but i think its great. classic one liners are everywhere. see this movie!

girl power
This is one of my favourite 80's movies. The rape scene and the violence is quite intense but frightfully realistic. At times your so drawn into the movie that your full of compassion. The music draws you into the whole 80's experience... ... Read more

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A heartfelt epic from Irish director Neal Jordan (The Crying Game, Interview with the Vampire), Michael Collins is the biography of the charismatic and controversial Irish rebel leader who led the fight for independence from Britain. Among the most beautiful and atmospherically photographed movies of the '90s, Michael Collins is also a rich and intelligent study of the nature of politics and leadership: the IRA spokesman, full of fiery convictions, eventually gives way to the more mature negotiator who strives to reach a compromise solution and is politically undone in the process. Liam Neeson gives a grand and towering performance as Collins, but for all the character's legendary, heroic, or otherwise larger-than-life attributes, Jordan and Neeson also keep him human. This is sweeping historical filmmaking of the kind we haven't seen since the heyday of David Lean, but with Jordan's characteristic touches of complexity and ambivalence. --Jim Emerson ... Read more

Reviews (55)

THE IRISH "BRAVEHEART": LENGTHY BUT ENGROSSING
Passionate screenplay and breathtaking cinematography, supported by Goldenthal's top notch background score: this film truly surprised me.

Plot-wise, you will learn a lot about the Irish rebellion against the British. The story, I found on some googling, has some crevices (e.g., Ned Broy was NOT murdered by the Tans as shown in the movie, in reality he survived the whole thing and went on to become the first head of the Gardai, the unarmed Irish police force.)

Yet, the superbly executed plotline unravels with an exciting pace, and is easy to follow. I was riveted.

Acting-wise, tight convincing performances all around, seems they couldn't have selected anyone better than Liam Neeson to portray Collins, although Julia Roberts was a bit expendable (and what's with that ill-achieved Irish accent!) Alan Rickman as de Valera was stunning as usual.

Despite its length, the film does full justice to the inspiration character of Collins. Recommended!

A Superb Film
I am not qualified to argue the history of modern Ireland, but have a general understanding of it and have experienced British arrogance first hand. No wonder this movie offends Anglophiles. Liam Neeson should have won an Oscar for his portrayal of freedom fighter Michael Collins. The acting and scenery are fantastic and I feel this movie captures the Irish soul. Critics are reduced to sniping at Julia Roberts Irish accent, but she does a fine job overall. If you liked Braveheart, then you will probably enjoy Michael Collins. I came away from this film thinking that Michael Collins is Ireland's greatest hero and would like to know how Irish citizens view the "Big Fellow".

Eire gu Braugh
Liem Neeson is absolutely magnificent. The movie is heart-joltingly rivetting. If you are interested in Irish History at all, you need to see this movie.

Something else altogether!
I'd usually steer well clear of films with alot of death in them (half because it turns my stomach, and half because it's so fake) but Michael Collins has to be an exception. This film is just so *real* in some parts. You can credibly believe the cruelty being doled out by both sides - neither Irish or English side is idolized as being the righteous one - and the pure shock will have you shaking just as much as the characters on screen.

The relationships here are beautiful, whether they're platonic (Michael's dealings with Harry, his best friend, and De Valera who in certain places would have you believe that they are like brothers) or romantic (with Kitty Keirnan) and the reactions of the actors are fantastic - especially De Valera (Alan Rickman)

However, if you're looking for historical accuracy... read the history first. The film takes plenty of liberties, to the extent of having one attack in Croke Park (Pairc Ui Crochaigh) that never actually happened and inaccuracies in the manner of some deaths.

And good gracious, someone kill Julia Robert's voice coach!

If you'd like to sit down with a moving film that never lets up, Michael Collins is perfect ^^;;

Shallow and inaccurate
Set just after the 1916 Easter Rebellion in Dublin, Neil Jordan's film follows the life and times of Irish revolutionary Michael Collins (Liam Neeson), detailing his relationships with Kitty Kearnan (Julia Roberts), Harry Boland (Aidan Quinn), and Eamon de Valera (Alan Rickman). It essentially covers the period leading up to the Civil War in Ireland, and ultimately Collins' untimely death.
It must be said the movie proves to be an opportunity missed, considering the budget and all involved. While it is usual for historical epics to have inaccuracies, "Michael Collins" is rather a disaster. After a very self conscious opening scene, the film seems to loose it's way and trods a distinctly uneven and incomprehensible path. It tries to hard to be all things: epic war film, romantic movie, and politically descisive. It fails on all counts, essentially because it is biased towards one side of the argument, and ridicules the other. The script seems to make no attempt at exploring the intricacies of the politics involved which led to Civil War, and the picture ends up like something a not very knowledgable schoolboy would write in primary school. Despite Liam Neeson's historonics, the casting in disasterous - particulary Aidan Quinn as an americanised Harry Boland, and Julia Roberts resembling a cross between Maureen O'Hara and Tinkerbell. What ultimately comes across from the acting is a cast who just want to pick up their pay check as quickly as possible and move as swiftly as they can onto their next, more serious, production.
The film is particulary offensive to those brave men and women who would not accept half measures, and took the view that the Anglo Irish Treaty was not the Republic of Easter Week 1916. Certain historical figures are missing, especially Arthur Griffith and Cathal Brugha (although Gerard McSorely appears in a brief scene with a "mcsorely" wig on his head which looks like something one would find in the middle of a cow field.

The Boland familly in general were outraged by the production, and the film did extremely well in Ireland, but flopped like a pan cake outside our four green fields.
It also suffers from the tendency to point to the indigenous population saying "Isn't this cool, we're all so important on this production. Yes I played such and such in the movie". I myself turned down any part of it with utter contempt, as I have taken the view that regardless of what side one was on during the Civil War, all concerned were heroes with no villins. Was Robert E. Lee any less in greatness then Grant? Both men are held with equal respect by the American populace.
RTE produced a much rounded and interesting production "The Treaty" which deals with the period in a more mature, intelligent way. The great Brendan Gleason appears as Collins, and the equally excellent Barry McGovern as de Valera.
"Michael Collins" is a total fiasco and an embarrasement ... Read more

Amazon.com

"The legend of Union Pacific is the drama of a nation, young, tough, prodigal and invincible, conquering with an iron highroad the endless reaches of the West."This stemwinder of a foreword strikes the pseudo-biblical/American Empire keynote for Cecil B. DeMille's "history" of building the transcontinent railroad.Only the bombast--and Arthur Rosson's second-unit direction--rises to the film's epic mission.The mustache-twirling villainy is right out of 19th-century melodrama, and the romantic triangle of Joel McCrea's railroad troubleshooter, Barbara Stanwyck's aggressively "Oirish" postmistress-on-wheels, and their black-sheep chum played by newcomer Robert Preston is a feeble distraction.Worse, the stars do their stuff on studio sets, in sterile isolation from the locomotives, Indians, and buffalo hovering slightly out of scale on process screens behind them.There's not one but two train wrecks (always a DeMille favorite); in every other department, John Ford had C.B. beat 15 years earlier with The Iron Horse.--Richard T. Jameson ... Read more

Reviews (7)

A Better Than Average De Mille Film
If it's directed by Cecil B. de Mille, you know there's going to be plenty of spectacle, and this film is no exception. Joel McCrea stars as a man hired by the Union Pacific railroad to be a troubleshooter as the build the railroad across the country. Not everyone wants to see it built, so sabotage causes lots of delays. Things get even more complicated for McCrea because his old pal Robert Preston is partnered with Brian Donlevy, one of the men trying to delay the construction. To add to it, Preston and McCrea are both in love with the same woman, an Irish lass named Molly played by Barbara Stanwyck. Train wrecks, Indian attacks, brawls, and other De Mille touches enliven the story. The actors aren't given much to work with, as in most De Mille spectacles, but they do well enough, although Stanwyck's accent is a little hard to swallow. Akim Tamiroff and Lynne Overman, as men hired to protect McCrea, add a lot of humour to the film with their knowing performances. The story moves along at a good pace, and although I like to make fun of Cecil B. De Mille movies, I must admit that I enjoyed this one more than some of the others I have seen. I like the time period and the trains, and in De Mille's hands, it's certainly not boring.

MOLLIE MONAHAN
Cecil B. DeMille's contribution for that sterling movie year of 1939 was, of all things, a Western; but it's a brawling, two-fisted, action-packed Western. It is the story of the Union Pacific Railway, which was destined to link two oceans and open up the West. It's like a rough-and-tumble heavyweight slugfest-exciting, thrilling, gory and cumbersome. Stanwyck is excellent as the Irish Molly Monahan and as Jeff, Joel McCrea is first-rate - as Dick Allen, Robert Preston is terrific. DeMille's first choice for Molly was Jean Arthur; when she was unavailable, her turned his favourite, Barbara Stanwyck - they had worked together many times on the LUX RADIO THEATRE. The exterior shots were filmed in Iron Springs, Utah and Canoga Park, California (to double for Promontory Point). Interestingly enough, the golden spike used in the movie was the actual one used at Promontory Point. DeMille had it exhumed from the vault of Wells Fargo in San Francisco! Joel McCrea commented that Stanwyck was "Absolutely fearless and has more guts than most men". Also: "I have never worked with an actress who was more cooperative, less temperamental and a better workman, to use my term of highest compliment, than Barbara Stanwyck". - Cecil B. DeMille.

An epic huge-scale western
I hate the way people look at a black and white classic film and automatically think that the movie has to be bad. People only see the poor special effects and the absense of color but never judge a book by it's cover. " Union Pacific " is has a great western backed by a terrific director, great actors, and a large scale plot. Definently a great movie and a true classic.

Carry Your Brains in Your Holster?...
This is artful entertainment; this is Cecil B. De Mille presenting an odd blend of celebration and deconstruction in his portrayal of the burgeoning American empire. Far-sighted statesmen and greedy corporate barons; vigilante "justice," racism, ridicule and praise for the durable Irish immigrants, a bolloxed love triangle, a spunky and noble Irish lass, a dissipated lover, a grim strong and silent type, a comic Mexican thug: De Mille's scriptwriters seem inspired to throw in as many elements to the plot as their imaginations allow; and the result isn't the mess you'd suspect but fascinating fun, some gripping action sequences, and a lovely story of confused love.

Barbara Stanwyck plays a guileful innocent, a warm-hearted dame better than both her suitors in her generous and wise understanding of human nature. Joel McCrea plays a super-stolid hero whose better part is realized by his attraction for Stanwyck's character; and Robert Preston is a flim-flam man, a gambler and crook whose love for Stanwyck's "Molly Monahan" redeems his otherwise unrepentent self.

De Mille plays this beguiling troika against the "canvas of history" and so personalizes the abstraction of history. John Ford's "Stagecoach," also released the same year, 1939, is more accomplished and its story more subtle, but not so much more. De Mille obviously enjoys his broad canvases, and his "history" tends to pompous pronouncement at times, but all history is biography for him, which means that -- just as with Ford -- the individual stories are what is important.

You'll like this movie: you'll love "Missy" Stanwyck, McCrea and Preston -- you'll even forgive its somewhat more than occasional moments of silliness.

One More Reason why 1939 was "The #1 Hollywood Movie Year"
Amidst the glamour of "Gone With the Wind" and "The Wizard of Oz", this b&w Cecil B. DeMille Historical Fiction Classic received its share of eager 1939 movie theatre audiences.

Starring a wholesome Irish immigrant Barbara Stanwyck, a noble law man Joel McCrae and a dashing dare devil Robert Preston, "Union Pacific" delivers a love-triangle centered around the historic 1869 joining of rail road tracks to connect the Western and Eastern borders of the United States. The love story is "formula", but delivers several "moments" where many viewers will fumble for their Kleenex. The climactic final scene showing the pay-off for all of the material and human sacrifices is priceless!

The very last of DeMille's b&w ventures, Union Pacific is one of those gems that endured the test of time, endearing the "glorious black and white" to generations of viewers. I first saw this classic as a child; I loved it then, as I still do today. Of all of the Hollywood movies ever produced, no single year of film-making has ever stood out from the rest like 1939. "Union Pacific" helped solidify this status. A true Hollywood Classic!***** ... Read more

Amazon.com

You know exactly what you're getting in National Lampoon's Christmas Vacation: another goofball, slapstick comedy of chaos and catastrophe with Clark Griswold (Chevy Chase) and family. This time, there's no traveling involved: Clark and Ellen (Beverly D'Angelo) prepare for a nice Christmas with the kids (played by none other than Juliette Lewis and Roseanne star Johnny Galecki), when their home is invaded by backwoods cousin Eddie (Randy Quaid) and his brood, along with assorted other crazy and/or stuffy relatives. Complications, of course, are inevitable. The film is preceded by National Lampoon's Vacation (1983) and National Lampoon's European Vacation (1985) and followed by National Lampoon's Vegas Vacation (1997). Directed by Jeremiah Chechik, who went on to do Benny & Joon and the Sharon Stone remake of Diabolique. --Jim Emerson ... Read more

Reviews (209)

A Christmas Classic!
The film that inspired a whole generation of exterior illuminators! Subsequent to the release of this film, houses soon began Christmas-light makeovers, which I think really adds to the atmosphere of the season! Chevy Chase and Beverly D'Angelo are superb in this John Hughes classic Christmas comedy - as is Randy Quaid. Clark W Griswold Jnr is anxious to have the 'perfect' old fashioned, fun, family Chritmas. But, as usual, nothing goes according to plan: Getting stuck under a truck in the opening minutes... becoming psychotic over the failing of the thousands of lights he's added to the building... ruining the Christmas of Tod and Margo (their yuppie, bourgesois next door neighbours)...Eddie (Quaid) kidnapping Clark's boss because Clark didn't recieve his bonus cheque, needed to pay for a swimming pool...a storm sewer exploding (and the poor cat!)...the tree getting burnt...etc...Leading to the house teetering on 'the threshold of Hell'! There are many great moments in this movie. My personal favourite is when he takes Eddie and the kids sledging: a silicone-based kitchen lubricant Clark's company invented is smeared onto his sledge, propelling him like a rocket! The scenery is so Christmassy here. I have a selection of Christmas movies I stack around the video at this time of year. Christmas Vacation takes prime position. I have seen it *so* many times yet I am still not bored with it. Note: There is mild bad language in the PG version, but for those with younger children, some versions have worse. I really don't know why Hughes had to do this; this film could be accessible to all, as with Miracle On 34th Street (Hughes' remake). As is usual with John Hughes, those typical huge mansions (as with Home Alone, Ferris Bueller and Uncle Buck) feature. The photography is very Christmassy and it just might get you in the mood... The DVD has the trailer (including the other Vacation trailers), different language options, production notes etc... I am glad to have found a site that sells those reindeer egg nog glasses too!

At Long Last!!!!!!!!!!
Finally, after all this time, Warner Brothers have come to their senses. On October 7th, we will be treated to a heftly helping of one of the greatest Christmas films to ever grace the silver screen............in WIDESCREEN.

I was extremely disappointed with the previous DVD release of this film which contained a pan & scan presentation and nothing more than a theatrical trailer in the extras department.

What we have here is a special edition of this great movie, which will contain audio commentary from both Beverly D'Angelo and Chevy Chase, a "making of" featurette, as well as other stocking stuffers which have yet to be disclosed at this present time.

Being a huge fan of this movie, I honestly can't wait for this release. "National Lampoon's Christmas Vacation" has become a holiday tradition in my home, and to be able to see it the way it was intended to be seen is truly a treat for me.

Aside from the features of the disk, the film itself is the true gift. One of the funniest movies today which still withstands the test of time even 15 years later. The premise is simple. Clark W. Griswold (Chevy Chase) is hell bent on having an old-fashioned family Christmas in his home, relatives and all. Of course, the hilarity kicks in when things start to go awry. There are so many hilarious scenes in this movie, it would be difficult to list them all. You have everything from an electrocuted cat, to a house with the brightest Christmas light display known to man. Let's not forget the dried up turkey, the saucer sled and the dog/squirrel chase! There's so much more I could say to praise this movie, but if you haven't already seen it, [I won't say more]

The Griswalds are great
The group at national lampoon have a real winner in this one. It is the christmas from hell, and about the greatest christmas comedy there is. It is decided to have an old fashion christmas... all the family on both sides gathering together to celebrate christmas, and the joy of family. Well, it is national lampoon, so you know thats not all together whats going to happen. When you mix in-laws, snooty neighbors, alcohol, and the less desirable part of any family, you get something great! It's 97 minutes of National Lampoons best!

Phenominal
This has to be one of the best "Vacation" movies made yet. I cannot express this enough. It's definitly on my list of all time Christmas Classics, and you can still watch it throughout the year!

The "Vacation" movies really dig into almost any typical American's search to make the perfect vacation, life, experience for their family. Chevy Chase and Beverly DiAngelo just highlight it and make it all funny. I have had many friends and neighbors we could dub "the Grizwolds" over the years because of the bumbling things they've tried to do and these movies hit home, especially Christmas Vacation.

Buy it, love it!

The Griswold Family's Christmas From Hell
It's amazing that Chevy Chase wasn't maimed or killed during the making of this movie. I know, there were plenty of stunt players who fell off the roof, crashed through the attic, were flung about into brick walls, etc.---but still! Chevy, who had a well-publicized stint in the Betty Ford Clinic for addiction to painkillers (due to extreme back pain caused by, of all things, his numerous falls on "Saturday Night Live" in the 1970's while spoofing then-President Gerald Ford---how ironic is that???), certainly took on a certain level of risk in reprising his role as the perpetually clumsy, but good-intentioned, WASP patriarch Clark Wilhelm Griswold, Jr. in this, the third installment of the VACATION series by Chase's old comedy troupe, National Lampoon.

Having not seen (as of yet, believe it or not) either VACATION or EUROPEAN VACATION, I was a bit unfamiliar with the main characters; however, CHRISTMAS VACATION got me to know them real fast. I have to admit, I have not been a Chevy Chase fan since the '70's, during and immediately after his SNL days. (Let's face facts, the show made him an instant star, but he was never really one of the funniest members of the Not-Ready-for-Prime-Time Players.) However, I believe that he gives a truly inspired comedic performance in CHRISTMAS VACATION. I'm not even referring to the copious physical comedy he displays. I'm actually talking about his comedic acting! I love the manic energy with which Chase infuses his role, and the crazed look in his eye when his character is pushed over the edge. Beverly D'Angelo, as patient but frequently unamused wife Ellen, provides a good low-key foil for his over-the-top antics. She's well-cast and, I must say, beautiful.

As far as acting talent goes, this film has no shortage in this department. A pre-stardom Juliette Lewis is welcome as Griswold daughter Audrey, and a very young Johnny Galecki is engaging as her kid brother Russell (three years before he was cast as Darlene's lazy boyfriend David on the hit TV show "Roseanne"). We also get memorable performances from E.G. Marshall, Doris Roberts, an unrecognizable Dianne Ladd, and a hysterically funny William Hickey. Rounding out the mix is Randy Quaid as filthy slob Cousin Eddie (who parks his trailer in the driveway), Nicholas Guest and Julia-Louis Dreyfus as the bland and stuck-up neighbors next door, and Brian Doyle-Murray who serves up good moments as Clark's old crabby boss.

The problem with CHRISTMAS VACATION is that, while it does contain some very funny scenes with lots of great, memorable one-liners, it is marred by inferior direction on the part of first-time director Jeremiah Chechik. He tends to interlace the fast-paced physical scenes with long, slow ones that grind the movie to a dead halt every time. While I didn't expect the level of non-stop, lightning-paced zaniness a la AIRPLANE!, these extended slow breaks (that usually focus on a character staring dreamily into the sky) are awkwardly placed and paced, and thereby create an uneven viewing experience. However, John Hughes' smart and wickedly funny script pretty much saves the day. I wouldn't add this to the list of perennial must-see Christmas films (such as A CHRISTMAS STORY or IT'S A WONDERFUL LIFE), but CHRISTMAS VACATION does offer a lot of fun for the whole family (except for kids under the age of 10, as the language is well-seasoned with four-letter words). If it does nothing else, this film should make you feel a lot better about your Christmas!

MODERATELY RECOMMENDED ... Read more

Reviews (4)

Extraordinary performances in sterling production
This is the performance of All My Sons to own since the play is done in its entirety, unlike the watered down 1948 film version where the role of Kate Keller is reduced to tatters. Here the play takes on full dimensions buoyed no doubt by the extraordinary performances of a cast consumed by their work. Special note must be given to Michael Learned who brings such power and intensity to the mother, she transcends her own mastery. And as the son of Steve Deever, the former partner of Joe Keller who is still serving prison time, Zselko Ivanek's George is a small gem. The vhs may be pricey but worth every penny. This is a production Arthur Miller would have cheered for.

A wonderfully performed play with a surprise ending
When I saw the name 'Aidan Quinn' on the cover of this movie, I rented it instantly. However, by the end of the film I was so taken aback by the shocking ending that I would recommend "All My Sons" to even people that are not familiar with Mr. Quinn. James Whitmore is outstanding as the WW II father who finally realizes how much his mistakes cost his family. Aidan Quinn and Michael Learned are memorable as the son and wife who remain in-the-dark to Whitmore's deeds up until the end when Whitmore's conscience begins to overwhelm him. The ending blew me away, and I am sure it will do the same to anyone who sees the film.

Miller's finest work
I haven't seen this work since it first came out, yet its impression has been burned into my memory. I will disagree with the other review only that individual performances CAN indeed be singled out. James Whitmore brings all of his charisma to the father's exterior. It is his performance that is the most demanding of all, yet the most sensitively underplayed. Michael Learned was astounding and electric with energy and neurosis... And very, very young, just out of diapers performances by Aidan Quinn and Joan Allen show just how much talent they had right from the start. This is a definitive production of Miller's most visceral work. Worth every penny of the (sadly) inflated price!

Wow
I rented this movie basically on a whim, and I was schocked by how good it was in all aspects. The play, Miller's first hit, is not just the sign of a young playwright's beginning as a true artist, it is a typical example of his psychologically probing work. This would be the crowning acheivement of many lesser playwrights careers. This is a play about comming to terms with the past, and how difficult that becomes as time passes. It is also a play about the role of the family and one's responsability to it. (Sounds like Death of a Salesman, but it ain't.) The performances are strong in all accounts, illustrating the many facits and layers of Miller's play. No one performer can really be singled out because they were all amazing. The direction and technical aspects or the production are up to par with the rest of the "movie." This is a gem of American theatre, and should the genre. ... Read more

Reviews (5)

Lucy (pre Xena Lucy) Lawless is in this!!
Hercules and Ioleus visit a village that is frequently under attack by a local Amazon tribe. To prove himself to the Amazon Queen, Hippolyta, Hercules must endure the worst of Hera's torments. All in a day's Hercs. Great fun, touch of romance, tweak of corny humor. Enjoy.

Top Notch Fantasy
Hercules and the Amazon Women can be said to have everything, action, humor, romance, and a great cast ranging from Kevin Sorbo and Anthony Quinn to Roma Dowmey. If you love the Hercules T.V. show, check this one out! also keep a look out for Lucy Lawless in a role before Xena.

Hecrules and the Amazons
This is such a great movie. Thr first time I saw it I was on the edge of my seat. It's wonderful how you can see it over and over and notice things that you didn't notice before. And after Xena Warrior Princess became such a hit anyone can pick her out of the Amazons. She does an extraordinary job of portraying her character. Roma Downy does an exceptional job of playing Hippolyta. And Kevin Sorbo, what can I say, he always does a great job of playing Hercules. I love this movie!

The First and Best H:TLJ Movie!
From the moment you hear a voice giving you an over-view of Hercules, his adventures, and Zeus, The King of the Gods -- you find yourself hooked! The scenery, acting, special effects and sheer cleverness that goes into the H:TLJ movies is enough to make one feel satisfied if slightly unsure. However, when you get use to the "Ancient Greece with 90s Jokes" scenerio a viewer can REALLY have a good time. Kevin Sorbo shows that he was the best pick for Hercules and Anthony Quinn is, as always, masterful. Also special is New Zealand actor Michael Hurst as Iolaus, Herc's best friend and a hero-adventurer that the more human of us can get behind and admire. For those of you used to the series and who have never seen the movies it might shock to see Iolaus (later the essance of a foot-loose bachelor) actually ENGAGED to a very pretty girl in this first movie. Also, the usually free thinking Hercules has a rather sexist attitude about women -- About Hera: "That's what happens when you give a woman too much power." But the gang was just getting started here (clothes are different too, BTW) and it all comes out well in the end. Also, make a note that Roma Downy (f/ Touched By An Angel)and Lucy Lawless (Xena) also appear as amazons. If you are a HERCULES fan do NOT miss this movie!

Another great Hercules Movie
Hercules saves the world after he is captured by the amazon wome ... Read more

Reviews (87)

Whimsical Romantic Comedy
This movie was filmed in my hometown in Washington state. I got to see part of it being filmed. The diner in the film, where Julianne Moore works, is my brother in law's. So, needless to say, this interesting film hits close to our hearts. In the film, Johnny Depp stars as an eccentric character who goes to live with Benny(Aidan Quinn), and his mentally unstable sister Joon(Mary Stuart Masterson). You see, Benny lost a poker game and had to take Sam(Depp)in. That part is a little hokey. The two eccentric characters of Sam and Joon click and start a secretive relationship. They don't want big brother Benny to find out. There are a few delightful moments of whimsical silliness that makes this movie quite charming. Depp showcases his brilliant talent for physical comedy. His Buster Keaton routine is priceless. His Chaplin shtick in the diner is a classic. By the way, the jukebox in the diner was a prop. It's not ours. Masterson is quite effective as Joon. They are both very believeable. Aidan Quinn is solid as the overprotective brother Benny. A good performance. Dan Hedaya and CCH Pounder also star. The movie was directed by Jeremiah Chechick, who also did "National Lampoon's Christmas Vacation". This is a sweet little movie with a sweet little story. Might want to check it out.

LOVE CONQUERS ALL...
This is a quirky romantic comedy about two people who, deemed as misfits by society, fall in love with each other. Featuring outstanding performances by the entire cast, this is a film that lets the viewer know that there is, indeed, someone for everyone.

When eccentric Sam (Johnny Depp) enters the lives of a brother and sister, Benny (Aidan Quinn) and Joon (Mary Stuart Masterson), he changes their lives forever. Benny, it seems, is always worried about his sister who seems to be autistic. He treats her like a baby, making sure that she is never left alone. Highly intelligent, creative, and articulate, Joon, however, chafes a bit under the thumb of her protective older brother, but she does have some issues, as there are certain things that act as triggers for some odd behavior on her part.

When Sam begins living with Benny and Joon, acting as a housekeeper-babysitter, Sam treats Joon like a regular person, and before you know it they are falling in love, each accepting the quirks of the other with complete equanimity. Meanwhile, Benny is attracted to Ruthie (Julianne Moore), who owns the local diner. The only thing is that he cannot seem to concentrate on romance, as he is so worried about what the future holds for his sister.

There are some twists and turns in the romances between Sam and Joon, as well as in that of Benny and Ruthie. There are some very funny moments, as well as those filled with genuine pathos. There is also a certain amount of physical comedy reminiscent of that of Charlie Chaplin and Buster Keaton. In the hands of the adept Johnny Depp, it works.

This is a film that will be enjoyed by those who love off-beat, beautifully acted films. Bravo!

He's On A Roll!
The scene with Benny, June and Sam in the diner makes it worth buying this movie! The roll-and-fork scene and plate juggling, shows that Depp is SO much more than a handsomely pretty face.

Beautifully acted love story.
This film features Johnny Depp as Sam a quirky off beat character who moves in with brother and sister, Benny and Joon (played by Aiden Quinn and Mary Stuart Masterson) after Benny loses at a card game.
Benny takes care of his ill, troubled sister and initially is grateful to have Sam there to help care for her, especially as Sam seems to understand Joon and brings laughter into their home. As Sam and Joon's relationship starts to deepen into love however Benny protective instincts kick in and he becomes hostile and angry.
Very strong acting from all the leads stop this film from becoming too schmaltzy. The result is a beautiful film, which has a perfect balance of humour and pathos. Highly recommended

Johnny Depp is excellent
But what else is old? "Benny and Joon" tells the unlikely love story of a mentally ill woman, Joon (Mary Stuart Masterson) and an odd man who walks around doing Buster Keaton impressions, Sam (Johnny Depp). Sam comes to live with Joon and her brother, Benny (Aidan Quinn) after Joon loses a card game in which Sam was part of the stakes (he had previously been living with his cousin, who could not stand him). Sam and Joon fall in love, leaving Benny in the dark as he tries to sort out his own romantic life involving a waitress (Julianne Moore).

The movie is charming, funny, and not as by-the-book as one might think. All of the actors give great performances, but the standout is Johnny Depp, as usual. He obviously put a great deal of time into preparing for this role, studying the old silent film stars. It pays off greatly. It's hard to rank Johnny Depp's performances, but I would put this one up towards the top.

All in all, if you want to see an original romantic comedy, rent this movie. It's extremely entertaining. I just cannot recommend it enough -- see it as soon as possible. I give it four stars because it's by far not the best movie I've ever seen, but nonetheless it's very good. ... Read more

Reviews (104)

Lucas' Nostalgia
American Graffiti was the movie that broke George Lucas into the mainstream. The movie is based on his teenage days growing up in the early 60's in a small Northern California town. The movie starred virtual unknowns who went on to big Hollywood careers. Ron Howard was the only well known actor and the role of Steve was his first chance to play a more adult role. The film takes place over the course of one night where Mr. Howard's Steve and his best friend Curt are preparing to leave town and head off to college on the East Coast. Richard Dreyfus plays Curt and Cindy Williams plays his sister and Steve's boyfriend. Paul LeMat plays John Milner who is the cool guy in town with the fastest car around. He gets tricked into picking up the 13 year old MacKenzie Phillips and spends the night driving around with her. Charles Martin Smith plays the nerdy Terry the Toad. Steve entrusts him to watch his car while he's away. he cruises around and picks up Candy Clark and through a series of elaborate lies, gets her to park by the lake. The car is stolen, but they get it back with the help of John. The movie closes out with a drag race between John and Harrison Ford's Bob Falfa. The movie is spiced up by its soundtrack which helped bring back the 50's nostalgia that permeated the 70's. The film also introduced the infamous DJ Wolfman Jack to the country. The film is an unapologetic feel good, warm movie and its major success allowed Mr. Lucas to make another little movie by the name of Star Wars.

A classic film gets a good DVD.
George Lucas's "American Graffiti", more than any other film, captures what its like to be teetering on the brink of adulthood after school is over. Steve (Ron Howard) only wants to be with the love of his life, Laurie (Cindy Williams), but almost blows it with her completely. Her brother Curt (Richard Dreyfuss) isn't sure if he wants to leave for college. He becomes attracted to a blonde (Susanne Summers in a cameo) he briefly sees in a car, but doesn't know who she is. He winds up spending half the night with a street gang (led by Bo Hopkins). John (Paul LeMatt) loves to race cars, but ends up driving around with an underage girl (Mackenzie Phillips). Terry the Toad (Charles Martin Smith) is a nerd trying to impress a girl (Candy Clark, who earned an Oscar nomination) that he's just met. Of course, it ends in disaster. All of this is observed in a funny, heart-felt way. Memorable moments include Curt's meeting Wolfman Jack, John's ongoing fued with another racer (Harrison Ford in a small part), John and the young girl demoiishing a car with with shaving cream, and Toad's fight with the guys who stole his friend's car. George Lucas captured it all nicely with a top notch soundtrack of early rock and roll classics in the background, which enhances the period detail. Nearly the entire cast prticipates in an excellent "making of" documentary that it is included with the DVD. Lucas and producer Francis Coppola are interviewed as well. The documentary runs about 80 minutes, and everyone involved has an interesting story to tell. It also includes screen tests that were done for some of the cast. It more than makes up for tha lack of any commentary track on this DVD. This DVD is a worthy purchase for any fan of "American Graffiti".

The 'forties were even better, except '41-'45

Director: George Lucas
Format: Color
Studio: Universal Studios
Video Release Date: December 26, 2001

Cast:

Richard Dreyfuss ... Curt Henderson
Ron Howard ... Steve Bolander
Paul Le Mat ... John Milner
Charles Martin Smith ... Terry 'The Toad' Fields
Cindy Williams ... Laurie Henderson
Candy Clark ... Debbie Dunham
Mackenzie Phillips ... Carol
Wolfman Jack ... XERB disc jockey
Bo Hopkins ... Joe Young
Manuel Padilla Jr. ... Carlos
Beau Gentry ... Ants

Harrison Ford ... Bob Falfa
Jim Bohan ... Officer Holstein
Jana Bellan ... Budda
Deby Celiz ... Wendy
Lynne Marie Stewart ... Bobbie Tucker
Terence McGovern ... Mr. Bill Wolfe
Kathleen Quinlan ... Peg
Tim Crowley ... Eddie
Scott Beach ... Mr. Gordon
John Brent ... Car salesman
Gordon Analla ... Bozo
John Bracci ... Station attendant
Jody Carlson ... Girl in Studebaker
Del Close ... Guy (man at bar)
Chuck Dorsett ... Man at accident
Stephen Knox ... Kid at accident
Joe Miksak ... Man at liquor store
George Meyer ... Bum at liquor store
James Cranna ... Liquor store thief
Johnny Weissmuller Jr. ... Badass #1
William Niven ... Clerk at liquor store
Al Nalbandian ... Hank Anderson
Bob Pasaak ... Dale
Chris Pray ... Al
Susan Richardson ... Judy
Fred Ross ... Ferber
Jan Dunn ... Old woman
Charlie Murphy ... Old man
Ed Greenberg ... Kip Pullman
Lisa Herman ... Girl in Dodge
Mark Anger ... Mr. Kroot
Kay Lenz ... Jane (girl at dance)
Caprice Schmidt ... Announcer at dance
Joe Spano ... Vic
Debralee Scott ... Falfa's girl
Ron Vincent ... Jeff
Donna Wehr ... Carhop
Cam Whitman ... Balloon girl
Jan Wilson ... Girl at dance
Suzanne Somers ... Blonde in T-Bird
Warren Knight ... Herby And The Heartbeats
Sam McFadin ... Herby And The Heartbeats
Kris Moe ... Herby & the Heartbeats
Linn Phillips III ... Herby and the Heartbeats
George Robinson ... Herby & the Heartbeats saxophonist
Linda Christensen ... Girl

A classic depicting the youth of the 1950s as they would like to have been. They are sooo young! One especially good scene is where the kids chain the rear axle and differential of a parked police car to a fixed pole, the draw the cops into giving chase.

This is the story of young people who are faced with great changes--heading for college, leaving their childhood behind, giving up old relationships including "puppy love", and facing the future, with all of the pain, humor, hubris, pathos and pain that follows.

This is really a great film with, just maybe, a hint of what the 'fifties were really like.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Alive and Well At the Dawn of Rock
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