Description

Frustrated with the general corruption of life in the big city, a New York city planner, his girlfriend and best friend, rob a bank. With determined police, and all of the madness of New York to contend with, the trio discover that it's easier to rob a bank than to getout of the city. ... Read more

Reviews (33)

New York's Finest Thieves
Bill Murray, Geena Davis and Randy Quaid play New York's perfect criminals. They have the perfect bank robbery plan. It's perfectly executed. The only thing that gets in the way is the city in which they operate. The city that spawned these crooks, also spawned the madness (the same madness that frustrated Jack Lemmon and Sandy Dennis in THE OUT OF TOWNERS) that get in the way of their getaway. From the opening scene of Bill Murray in a clown costume, I knew I was in for a quirky film, but it was much more than that. This was a surprisingly funny movie that captures the essential oddities of the city. Philip Bosco plays a bus driver who would better be suited as a Marine drill sergeant at Parris Island, and he's just one of the eccentrics. I won't give anything else away. Just take my advice and give this underrated film a look.

Possibly Bill Murray's Most Underrated Movie
Quick Change was hardly the most amusing film I saw at first viewing when it was released. With each successive viewing since, I have been more and more pleased. The directing is very good and Murray's comic nuances really become apparent the more I see this movie of comic twists and turns. Murray doesn't monopolize the great comedic acting here. On his level are Geena Davis, Randy Quaid, and especially the veteran Jason Robards. It's an interesting twist that we the viewer are led to sympathize and root for the criminals.

PUT IT OUT ON DVD ALREADY!!!
I've been waiting months and months for it to come out, and nobody wants to move a finger to put it out on DVD. There is so much crap out on DVD, so why cant they put out something actually GOOD?!? This is one of Bill Murray's best, and is my third favorite movie, apart from Groundhog Day being 1st, and Harold and Maude being 2nd. Please produce this on DVD. PLEASE!!!

Undernoticed But Definitely Worth Owning and Watching
This is one of my favorite movies. It's a comedy with classic performances by Bill Murray, Geena Davis and Randy Quaid, a great supporting role by Jason Robards, and a wonderful cameo by the late Phil Hartman of SNL fame. The movie pokes great fun at all the foibles of New York City. The plot is very clever, the twists and turns incredibly funny, and the result is a movie that keeps viewers laughing throughout. It's not just a movie to watch once, but one of those rare movies you can watch over and over again, yet never tire of. If only they would put it out on DVD!

Another Murray Classic
Although not very well known, this remains one of Bill Murray's funniest & most original films. Feeling frustrated with his life and NYC in general, a city planner comes up with the perfect bank robbery scheme, with the help of his girlfriend and best friend. Getting away with the money ends up being the easiest part of their day. Everything imaginable that can go wrong, does as the three attempt to make it to the airport. Quaid is especially good as the dimbulb best friend, and Murray is dead-on perfect as the subdued brains behind the almost perfect crime. Murray also co-directed.

Highly underrated, & more then worth checking out. ... Read more

Reviews (16)

Animated Christmas classic... but not for the little ones
As others have pointed out, this should not be confused with the live action version of "Carol" filmed in 1951. This is the animated version of "A Christmas Carol" that won the Academy Award for Best Animated Film for 1972. It aired on TV a few years later and has not been seen on televsion since.

It was produced by Chuck Jones (How the Grinch Stole Christmas) and directed by Richard Williams (Raggedy Ann and Andy). But don't be fooled into thinking that this is a cartoon for the little ones. This is a serious animated 30 minute film that *will* scare small children. Believe me, I know. I first saw this version when I was six or seven years old and the sequence with Jacob Marley in particular scared the you-know-what out of me.

Bottom line: if your kids gets spooked easily, you're better off buying them a Disney video for Christmas instead. But older children and adults should enjoy this intelligent, well- animated film immensely.

A Christmas Miracle
To begin with, a warning: many of the reviews you'll find here are incorrectly filed and unrelated to this remarkable animated gem. Many of the reveiwers here seem to be talking about the Alister Simms original live action feature--a classic in its own right and deserving of all due praise--and not discussing this specific version of the Dickens classic. This can be confusing and frustrating (at least it was for me during my initial attempts to locate this lost classic at AMAZON.com). That said, let's proceed.

You, dear viewer, are truly in luck. You have stumbled upon one of the few genuine miracles of Christmas: Chuck Jones' animated version of the Christmas Carol. I saw this amazing presentation during its original broadcast (I believe it was on ABC, lo these many years ago) and I have NEVER forgotten it. If you are a Dickens fan, a Christmas Carol fan, or simply a fan of remarkable animation, you MUST own this video. That it was not immediately enshrined as a Christmas Classic to be repeatedly viewed after its initial boradcast remains one of the great, tragic mysteries of our times. I dare say this version of the Dickens tale (which I must confess I consider not simply a "beloved Holiday tradition" but a genuinely brilliant piece of modern literature worthy of all the stuffy academic consideration often heaped upon more "serious"-- but far less gifted--written endeavours). I searched in vain for more than twenty years, hoping to stumble upon the minor wonder again. And now, thankfully, I can share my happy fortune with you, Constant Reader.

Rendered to capture the flavour of the original pen and ink sketches and etchings which accompanied Dickens tale in print, this animated version brings home the world of Scrooge's England in a way both startling fresh, yet immediately familiar. The fine line work of the graphic design lends a rather fleeting, spectral quality to the entire affiar--perfectly in keeping with the tone and context of the story itself. I defy a child not to be captivated by this animated version's mesmerizing visual character. Supported as well by wonderful voice characterizations and carefully edited music and sound, this ANIMATED CHRISTMAS CAROL should make everyone's Top 10. To see it, is to be transported. Buy this video and you will own a treasure to be cherished for every Christmas to come. GOD BLESS US EVERY ONE!

One of the Best Christmas Carol versions
All the comments made by the other reviewers are true. This twenty-three of so minute classic is, in my humble opinion, in the top four or five versions of Dicken's Christmas Tale. The first being the other Alastair Sim Christmas Version (1954). This ranks up there with either two or three as the "BEST."

It is sad that like so many other fine versions of A Christmas Carol, this hasn't been shown very regularly on any network or cable channel in recent years. This makes it all the more imperative that it come out on DVD.

So Goodtimes Video (or whoever owns the rights). Please put it out on DVD. It's worthy of DVD release.

Sincerely,

JThree

carolyn@dia.net

YOU'VE GOT TO SEE THIS ANIMATED FILM!!
I, like the other reviewers, saw this spooky, animated version of "A Christmas Carol" about 30 years ago. The networks never showed it again. I found it on Amazon.com, recently, & bought it --- It's as incredible as I remembered it!!

The short, 27 minute long, animated film is beautiful to watch. It is so well done. The film is not for the very, very young, who might be frightened by the haunting images. You will definitely enjoy this classic animated film, just as much as the younger people.

You will not forget it. I can't understand why the networks haven't shown this film every Christmas Holiday. Buy it -- you'll enjoy it!!

5 * IF it had been longer but still wonderful!
I ordered this on Christmas Day 2002 after learning that it did indeed exist on video! I got it yesterday (Kudos to Amazon for fast shipping!) and watched it this morning. It lived up to my memories of seeing this 30 yrs ago & did not disappoint me. Moving and creepy like any authentic A CHRISTMAS CAROL should be!
(Marley & the Phantoms, and the Waifs at the Christmas Present Ghost's feet may disturb small children- they sure gave me the chills this morning *L*) ... Read more

Reviews (25)

No other movie was so ahead of it's time!
Claudette Colbert and Louise Beavers star in this 1930's melodramatic tale of two mothers struggling for their children. Colbert plays Beatrice "Bea" Pullman, a widow with a young daughter. Life is hard for Bea until Delilah Johnson, Louise Beavers,arrives with her daughter and becomes Bea's maid. Delilah cajoles Bea to give her a job as her maid. Bea discovers that Delilah has a delicious pancake recipe. Bea acquires this recipe, and uses it to start her empire; with Delilah getting a not so equal cut. However, this empire has a price for both. For one, the price is happiness in a relationship. For the other, the price is dealing with racial confusion. Ironically, their daughters serve them the check. No movie of it's time dared to go into the deep waters of racism and self sacrifice! This movie is said to be a "imitation", but in fact some of it's scenes parrallel to the sad realities of life. When Bea and Delilah retire for the night, the scene emphasizes the seperation of races during this time. Claudette Colbert and Louise Beavers give powerful and underestimated performances in this movie. Colbert has a real and caring presence in the movie. Beavers shows suffering like never before, and she proves that servants have lives outside of serving. With wonderful performances by Warren William as understanding Stephen Archer, Fredi Washington as the misunderstood and confused Peola, Rochelle Hudson as the lovelorn Jessie, and Ned Sparks as the sarcastic Elmer. "Imitation of Life" blazed a trail for movies dealing with the triumph of the self and the power of family love.

Tearjerker
Classic, compulsively watchable rags to riches tearjerker from a Fannie hearst novel. Claudette Colbert and Louise Beavers play the white and black women who go into business together, and Rochelle Hudson and Fredi Washington play their daughters. Ross Hunter produced a remake in 1959 starring Lana Turner, which pulled out all the stops. In both versions you want to laugh at yourself for choking up, but at least, in this earlier more enjoyable version, it doesn't feel as if the sobs are being torn from your throat. The cast includes Warren William, Ned Sparks, and, as servants: Hazel Washington, Hattie McDaniel, and Madame Sultewon (the black actress who worked with D.W. Griffith)

The original, and still the best version
Most viewers are far more familiar with the campy, 1959 version of this film, starring Lana Turner. But, this is the original version, and I find it far superior to the remake for so many reasons.

First of all, it takes place in the early 1930's, putting us smack dab in the Depression, and a time period which suits the subject matter. Claudette Colbert, a much better actress than Lana Turner, is one of the first reasons I prefer this version. But, mainly, the incredible Louise Beavers is absolutely unforgettable as the black maid, Delilah Johnson, whose light-skinned daughter, Peola, is raised alongside Colbert's daughter, Jessie.

When the girls grow up, Peola realizes that she can "pass" for white, and in the 1930's, with racism and joblessness rampant, her choice makes sense, for the times. When Peola, played by Fredi Washington, completely rejects her mother, it is heartbreaking. To see Louise Beavers sobbing onto the counter in the department store is truly painful.

Peola breaks her mother's heart in order to fit into a world that would not accept her otherwise. In the end, she regrets the pain she causes her mother. This is another time and place, and we don't hate Peola for hurting her mother. Still, our heart bleeds for Delilah.

The acting is top notch, and I will take this more entertaining and serious version of the film over the campy re-make any day.

Very long movie
At 1 hour, 51 minutes, this movie is in no hurry to get to the end. I guess Depression-era audiences were happy to sit in a cool theater that long. Scenes are long, slow, and drawn out, like in real life. Claudette Colbert is is no hurry to move along to the next scene. And why should she when she doesn't age a bit in the 15 years this movie spans? And doesn't Warren William look like John Barrymore!! Same profile. If you are a fan of the Lana Turner version, you really ought to see this.

Unrelentingly grim, but a must-see
This film stands as a raw, no holds barred look at racism in 1930s America. Many people have problems today with the Louise Beavers (the maid) character's acceptance of her lot, but one must remember that oppression sometimes causes people to give up hope for a better earthly life. Ned Sparks provides some badly needed comic releif in this weeper, and one wonders what audiences of the time thought of it. This would be good to show and have a discussion session with younger viewers. ... Read more

Amazon.com essential video

Otto Preminger turned this 1959 courtroom drama, based on the popular novel, into terrific adult drama. James Stewart stars as a small-town lawyer who defends an army officer (Ben Gazzara) accused of murdering a bartender who assaulted his wife (Lee Remick). The taut script, large performance by Stewart, and then-daring elements of the story (words like "panties" are spoken in the context of discussing a sex crime) give the action a certain immediacy--which you don't find very often in today's movies about jurisprudence. Nice work by Remick and Gazzara, as well as George C. Scott, Arthur O'Connell, and real-life judge Joseph N. Welch, who plays the judge in this film. A very good experience all around. --Tom Keogh ... Read more

Reviews (48)

One of the finest courtroom dramas ever filmed.
Anatomy of a Murder is one of the finest courtroom dramas ever filmed -- on a par with Witness for the Prosecution and Inherit the Wind. Jimmy Stewart gives one of his finest performances as a small town attorney defending an army officer who has coldbloodedly killed a man alleged to have raped his flirtatious wife. The rest of the cast is uniformly good, especially Lee Remick as the beautiful sexy wife and Ben Gazzaro as her jealous husband on trial for murder. Stewart's character is assisted by his old friend, an alcoholic former attorney convincingly played by Arthur O'Connell -- an outstanding character actor whose work, unfortunately, is often overlooked. A young George C. Scott (in one of his first films) plays a skilled and implacable prosecutor. This is movie making at its best; a true classic.

Good movie, if you haven't read the book. Otherwise, lousy
I had the great misfortune of reading the book before watching the movie. The book was a masterpiece, arguably the best piece of courtroom fiction ever written. John Grisham's a head of lettuce compared to Robert Traver's brilliant, accurate portrayal of the controversial (fictional) trial of Frederic Manion.

But if you've read the book, DO NOT WATCH THE MOVIE. It will be a massive dissappointment.

You will be put off by the Duke Ellington soundtrack. Sure, it's good music, but this is the story of rural northern Michigan, not the nightclubs of NYC. Duke's jazz does a disastrous job of complementing the setting of the film, and seems quite jarring in spots.

You will be put off by the inaccuracies, like Biegler's ability to play the piano, which never happened in the book (and which only happens in the movie to make Duke's score fit). You will feel that the story could have happened anywhere, anytime, whereas the book was distinctively Upper Peninsula in atmosphere.

You might agree with me that Jimmy Stewart was miscast. Sure, he does a great acting job as always, but whenever I looked at the screen, I saw Jimmy Stewart: Jimmy Stewart is talking to the bartender, Jimmy Stewart is arguing in a courtroom--as opposed to seeing Paul Biegler. It's like watching a movie where Jimmy Stewart's the lawyer, not Paul Biegler. Jimmy Stewart, defense attorney.

The only real highlight, what saves the movie, is the superb acting job by George C. Scott, whoever played the Irishman, and others. If it weren't for them, I'd be giving this movie a one-star review.

Perhaps if you haven't read the book you'll delight in the movie. It's a good stand-alone movie. It's fairly enjoyable despite its faults. But if you've read the book first, you'll hate it. And if you haven't read the book, I highly recommend you read it now. It's far superior to the movie in every way.

Think of it as a Courtroom Film Noir
The excellence is Anatomy of a Murder lies is how it doesn't try to cram itself down your throat. The movie takes its own sweet time telling an intelligent and challenging story. There really aren't any good guys here and there are no easy answers. That's the point of film noir. Everyone is bad in some way, everyone has motives, and happy endings rarely take place in real life. Very direct for a movie made in the late 50's. A woman's alleged rape and the murder of her alleged rapist by her husband is described repeatedly and in detail. James Stewart is surprisingly effective as a weary cynic who takes the case not because he thinks the accused is innocent or a swell guy but because he thinks he can win and get the guy off. After Stewart returned from the horrors of WWII, he turned away from the cheerful harmless fare of his younger days. It can be fairly said that he had two careers. His post war career is much more serious and mature. Introspective characters. Deeply troubled men. Obsessed men. Men of dubious morality and hard bitten practical values. Stewart never made a WWII movie. He didn't need to, he lived it.

"I beg the court...let me cut into the apple"
This film hooks you in the first minute with Saul Bass' brilliant titles and Duke Ellington's music, and then has you caught for the duration in the next few scenes; the dialogue is sharp and intelligent, and at the age of 50, Jimmy Stewart gives one of the best performances of his illustrious career, as Paul Biegler, an attorney who would rather be fishing than getting fees for his work. Stewart is so natural, so real, and so immensely likable. He's the kind of guy you wish you could have in your family, but wily enough to argue a good defense in court.

Lee Remick has just the right amount of provocative sensuality as Laura Manion to make one wonder what exactly happened on the "fateful night" in question.
After playing Southern belles in both "A Face in the Crowd" (1957) and "The Long Hot Summer" (1958), Remick was offered the role of Laura because Lana Turner, who was supposed to play the part, refused to wear an "off-the-rack" wardrobe, and wanted dresses designed by Jean Louis (hardly what a Army wife would be wearing). It was a big break for Remick, and she makes the most of it.

The entire supporting cast is superb: Ben Gazzara as the intense Lt. Manion, Arthur O'Connell as Biegler's assistant and friend, Eve Arden as Biegler's loyal secretary. George C. Scott is Dancer, the Assistant State Attorney, and Joseph N. Welch, who gained fame for being the Special Counsel for the Army in the Army-McCarthy Congressional hearings, is a delight as Judge Weaver. Duke Ellington makes a cameo appearance as Pie Eye, and even Muffy the beer drinking dog does a great job. Otto Preminger's direction flows at a lovely pace, with a balance between the dramatic tension and thoughtful scenes tinged with humor.

There were Oscar nominations for Best Actor, Supporting Actor (both O'Connell and Scott), Picture, and Editing (all losing to "Ben Hur"), as well as Sam Leavitt's beautiful b&w cinematography (lost to "The Diary of Anne Frank") and Wendell Mayes marvelous screenplay adaptation of the Robert Traver best-seller (lost to "Room at the Top"), proving that 1959 was a great year at the movies.
I love courtroom dramas, and this is one of the best ever made; it's unpredictable, with a very authentic feel to it, perhaps because the author, using the pen name of "Robert Traver", was actually Michigan Supreme Court Justice John D. Voelker.
Total running time is 160 minutes.

A legendary film
Otto Preminger was one of the most creative and brave directors of the american cinema in the fifties and sixties.
His works were loaded with a ravishing realism , they were very expilict , challenging and disturbing .
Imagine what it means the plot around the adultery commited by the wife of an officer in that age . You can reply me with From here to the eternity but this film is more shocking , and overcomes in dramatic punch to From here ...The other examples you may think is Baby doll and Dial M for murder in the fifties, but this one wins the match.
The powerful sequence in the Court has only a serious match in The Nuremberg judgement . Never before there was not a previous film so disturbing like this that film who explicitly turned around the bitter and awful consequences about the adultery .
The plot is overwhelming , magnificient built , without any hole . The cast is incredible . Consider these giants actors as Ben Gazzara , George C. Scott , Arthur O'Donell, James Stewart and Lee Remick in her screen debut .
This film was nominated as the best film but was unlucky , because Ben Hur literally won all the prizes and somehow that fact stroke the undeniable virtues of that superb work.
However the time seems to set in the right place this picture.
Acquire this one.
One of the most remarkable films in the american cinema story.
If I could give this film ten thousand stars , I 'd do it . ... Read more

Amazon.com essential video

There's no getting around a simple, basic truth: watching Lawrence of Arabia in any home-video format represents a compromise. There's no better way to appreciate this epic biographical adventure than to see it projected in 70 millimeter onto a huge theater screen. That caveat aside, David Lean's masterful "desert classic" is still enjoyable on the small screen, especially if viewed in widescreen format. (If your only option is to view a "pan & scan" version, it's best not to bother; this is a film for which the widescreen format is utterly mandatory.) Peter O'Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It's a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. --Jeff Shannon ... Read more

Reviews (278)

DVD the best looking version yet
Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.

The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.

The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

Arabian Winner
Lawrence Of Arabia is one of the biggest and grandest films ever made. Director David Lean crafted a stunning epic that tells the tale of World War I British soldier T.E. Lawrence. Lawrence joined the various desert tribes of Arabia against the Turks and the desert battle scenes are breathtaking. Peter O'Toole is amazing as Lawrence in what would be a star-making turn for him. Omar Shariff, Anthony Quinn and Alec Guinness provide strong support, but this is Mr. Lean's film through and through. His direction provides sweeping shots of the desert vistas and gives the film its big look, but he also allows the story to flow and we really get inside the complicated head of Lawrence and see his psychological foibles. The film is beautifully transferred to DVD and it brings justice to the film that had previously suffered on video transfers. The movie was a major success as it swept through the 1962 Oscars winning Best Picture and Best Director, but Mr. O'Toole lost out on what would be the first of his of his seven unsuccessful Best Actor nominations.

Conservatives support slavery? This movie makes the case
Hi. My name is Steven Thulen. You might know me from such reviews as "Bowling For Columbine" and "My Life." I am here today to talk to you about "Lawrence of Arabia." While this may shock and astonish you, I will offer a long-winded review without actually discussing this film.

I am that good.

First, a history lesson. In the year 1492 Columbus sailed the ocean blue. He landed in Haiti and raped the native there, then enslaved them. Later, many Africans were captured and made slaves by white people. White people continued to terrorize other races throughout the latter half of the 19th Century.

Finally, World War I took place. During that war, many people died, including white people. Some people who were too cowardly to serve in the world fled to California, where they became subpar sports writers. Later, World War II took place. In that war, white people dropped atomic bombs on Asians.

Peter O'Toole was probably gay and acted really well in this movie.

STEVEN THULEN
AUTHOR OF "JIMMY KEY: BASEBALL'S BATMAN"
(...)

The Greatest Historical Epic Ever
LAWRENCE OF ARABIA is, without a doubt, the greatest historical epic ever filmed and the crowning achievement of David Lean's career. It's also the film that makes best use of the majestic desert landscape with shots of extraordinary rock formations, dunes, shimmering "mirages," and caravans making their way across seemingly endless sands.

LAWRENCE OF ARABIA tells the story of T.E. Lawrence and his adventures in the Middle East during World War I as he led the Arab revolt against the Turks. It is loosely based on Lawrence's book, THE SEVEN PILLARS OF WISDOM.

Even though there are battle scenes in LAWRENCE OF ARABIA, this film is, first and foremost, a character study of Lawrence who was, by anyone's account, a fascinating figure. Even the battle scenes serve to enhance the character of Lawrence rather than detailing the horrors of war and we see Lawrence's dark, embittered side as well as his heroic one.

Although Peter O'Toole wasn't David Lean's first choice to play Lawrence (both Marlon Brando and Albert Finney were offered the part), I can't imagine anyone else in the title role.

Omar Sharif is impressive as Sherif Ali Ibn El Kharish. Prior to this film, he was a virtual unknown, but LAWRENCE OF ARABIA launched Sharif on a long career that made him instantly recognizable the world over.

Even though O'Toole and Sharif weren't well-known when they starred in LAWRENCE OF ARABIA, the film's supporting case is certainly stellar: Alec Guiness, Anthony Quinn, Jose Ferrer and Claude Raines.

Although I think LAWRENCE OF ARABIA is best viewed on a large theatrical screen, this doesn't mean anyone should pass up the DVD. It's just too good for that, especially the Director's Cut (but do make sure you get the widescreen edition; this film demands it).

Don't watch LAWRENCE OF ARABIA expecting to get a history lesson. Watch it to learn more about the fascinating man who was T.E.Lawrence. If you do, I can't see any way you'll be disappointed.

Read the book, then watch again in awe.
I have seen this masterpiece many many times, but only after reading T.E. Lawrence's book "The Seven Pillars of Wisdom" this year do I now begin to understand. This movie is a product of two of the century's greatest minds, one an author and soldier, the other a film maker. The power of Lawrence's descriptions of the desert matches the great cinematography. No film could fully project the power of the inner thoughts of this most introspective man; for that you absolutely need the book to fill in the gaps. Many of the scenes take on a much deeper meaning once you have read the book in detail. The Columbia Tri-Star two-DVD edition is faultless, something I will always treasure. I find it hard to believe that someday a better movie could possibly be made, but we can hope against hope. ... Read more

Reviews (1)

The Classic That Touched Us All
This movie is one that you can truly say has everything.
The dialogue is fabulous. It defines the era well, makes the characters believable, and will keep you rolling with laughter. The songs are pleasant and fun and have become standards and the choreography is wonderful. The story is as exciting as it is heart warming. There's a pleasant mix of suspense, adventure, humor, and sentiment.
Even with so much already going for it, the highlight of the movie is the characters, and the actors who portray them. Carol Burnett is hilarious as Miss Hannigan. She delivers a very memorable performance, and makes one of the most loveable movie villains ever. Albert Finney does a perfect job with Daddy Warbucks, and its great fun to watch him tranform from a stern business man to a father with a heart of gold. There's also a strong supporting cast that all add to the flavor of the movie.
This movie is good fun for all ages, and no matter how many times I've watched it, I've never gotten sick of it... in fact I've only found more things to appreciate about it over the years. ... Read more

Amazon.com

This lush, perfectly cast 1969 drama concerns both a doomed, royal loveaffair and a pivotal moment in British history. Based on Maxwell Anderson's 1948 play, Anne of the Thousand Days concerns the mess that surroundedKing Henry VIII's decision to rid himself of his first wife, Catherine ofAragon (Irene Papas), and marry the young Anne Boleyn (Geneviève Bujold).Anglophiles know what happened next: Henry (Richard Burton) solved hisproblems with the Vatican's condemnation of divorce by having himself named head of the Church of England (see also A Man for All Seasons), whileAnne's perceived problem conceiving a male heir made her vulnerable to plotsby the nefarious likes of Oliver Cromwell (John Colicos). Director CharlesJarrott does a splendid job bringing all of these intrigues to life, though the storyis ultimately about Anne, a naive young woman who prepares herself tonavigate some of the dangers of Henry's court. Bujold and Burton never gave better performances, and this strange, tragic chapter in the history of the kings of England has never been more compellingly told on film. --TomKeogh ... Read more

Reviews (43)

....And My Blood Will Have Been Well Spent
This movie, based on the 1948 play by Maxwell Anderson, owes much of its success to the popularity of the Tudor England film genre of the mid-to late 1960s, of which it is a part.
It is a fine, gracefully portrayed, albeit sometimes inaccurate account of the life of the mother of Queen Elizabeth I. In the title role, Quebequoise Genevive Bujold is the quintessential Anne Boleyn, whose slight French accent comes nicely into play, as Anne had just returned from the French Court when she first appears onscreen. Bujold gives a lot of strenghth and dignity to the role, happily without the neck tumour and extra digit on her right hand like the real Anne. One major accuracy portrayed in the film is that Anne originally wanted nothing to do with Henry.
Richard Burton is a beefy-looking Henry VIII, a bit slimmer than most actors I've seen in the role. With his lovely, lyrical Welsh accent, he captures much of Henry's nuances and temperment, and the scene of him dancing the galliard with Anne is particularly seductive.
Valerie Gearon captures the sense of betrayal and frustration that must have been experienced by the real Mary Boleyn when the King casts her aside, and her story is an interesting footnote in this drama. Sir Michael Hordern, as Thomas Boleyn comes across as both an amoral man willing to sell his wife and daughters into the King's concubinage to advance his position, and also as someone who is a bit intimidated by Henry.
Anthony Quayle's Cardinal Wolsey is a cold, impersonal schemer, and immoral churchman who acts as the King's procurer. Terence Wilton's spurned Harry Percy looks to have been a more suitable match for Anne, but unfortunately, the King thwarted their plans for marriage.
John Colicos'Cromwell is the ultimate snake-in-the-grass lawyer, who succeeds in making the King's power absolute, which would ultimately be to his own detriment.
Solemn Irene Papas bears little resemblance to the real Catherine of Aragon, but emphasizes the spurned Queen's piety and firmness in the face of her ordeal. Nicola Paget as her daughter, Mary has a brief scene at her deathbed. But in reality, when Anne became Queen, the only condition under which Catherine could see her daughter was if she admitted that her marriage to the King was invalid. So mother and daughter never saw each other again.
Another point of interest in the movie was when Anne asked that the lives of Henry's adversaries be spared, she gives birth to a living child; later, when she does the opposite, she gives birth to a still born son.
Things soon come to a head for this noblewoman who became ensnared in the King's lair originally through no will of her own, but who suffered greatly when she finally accepted Henry when the King becomes enamored of Jane Seymour, and Anne becomes a political liabity. The reenactment of Anne's arrest on trumped-up charges of treason is not accurate. But the scene of Anne's final moments with Elizabeth is very poignant.
Gary Bond's Mark Smeaton is a pityable charcter as the court musician tortured into a confession of adultery with Anne. Michael Johnson's George Boleyn, Anne's wrongfully convicted brother, displays a certain gutsiness when he tells off Cromwell during the trial for his life. As was the case with his impregnated daughter, Mary, we see Thomas Boleyn once more turn his back on a teary-eyed daughter in order to keep the King's favor during the trial.
The final confrontation scene between Anne and Henry is fictitious, but it provides a great piece of acting. The speech Anne made before her execution is mercifully deleted; there is no place for her to praise the King who was having her executed in this production.
One wonders about the significance of the theme of Anne's Thousand Days in the years just after the 1,000-day Kennedy Administration ended tragically.
Placed in historically accurate settings, filled with regal pomp and splendor, and costumes in colors that were fashionable at the time of its release, "Anne of the Thousand Days" enthralls a viewer with its story, and Anne's prediction of her daughter's glorious future in her abscence reminds us that destiny, even in the face of the scheming brutality of a powerful King, can be greater than any of us know.

Wonderful Performances! Warning: Spoilers
Now, if Henry VIII had looked like Richard Burton, it might have been a little more tempting to be his queen. Both Bujold and Burton are lovely onscreen whereas, their real life counterparts were not. But we can't very well have a Hollywood movie with plain looking leads can we? This a beautiful movie to watch, and both of the leads play their roles very well. The chemistry between them is electrifying and the roller coaster ride that was Henry and Anne's tempestuous relationship is well portrayed here. Yes, there are inaccuracies, but who cares? Once you get engrossed in this film, it won't matter. Bujold brings the fiery and cunning Anne Boleyn to life in a believable and honest way. She is not shy about exposing Anne's faults. Her jealousy, nagging, teasing, and enormous ambition are all laid bare here. And this just makes her human, a real person rather than a footnote in a history text. That is why it is all the more heartbreaking when the film reaches it's tragic end. The last scene shows a small Elizabeth, later to become Queen Elizabeth I, with a voice over by Bujold proclaiming that one day her daughter would be queen, and her blood "will have been well spent." It is a very touching end to a pleasing film.

Applause, applause - now please get this on DVD
A nicely done docudrama regarding the relationship between King Henry VIII of England and Anne Boleyn. Much of the filming was done on location, which adds to the " atmosphere. " Mr Burton played Henry as a strong, but majorly flawed person, as he should have. Ms Bujold was lovely, more than competent and held her own against some of the finest actors of that time. The story is as old as air, but with a twist - it really happened and it changed the course of England. How far would a man go to secure a son ? An heir ? This film lays it out beautifully and it is a eye feast and makes one want to learn more about the woman who helped bring about great social and religious change and also gave birth to one of Englands' most dynamic rulers, Queen Elizabeth I. It holds up very well.

A Wonderful Film
Just thought I would add my comments to those already here. As a small child before Hever Castle was open to the public I spent many happy holidays with friends who were in service to Lord and Lady Astor, and who lived in the Staff Quarters in the Tudor Village adjoining the Castle.

In the absence of Lord and Lady Astor the Castle and the Gardens were my playground - I had complete freedom to roam all over the Castle, and used to enjoy walkng His Lordship's dogs in the grounds.

When the film was released I was delighted to see the places I remembered so well. It's a fine film and I would recommend it to everyone

Movie Freak
A Sensible statement is worth repeating:

Another viewer stated:

PLEASE, September 2, 2003
Reviewer: A viewer from Dayton, Ohio United States
This is gonna be short and sweet. Loved the movie, it is one of my all time favorites. But would one of the studios please, please put THIS MOVIE ON DVD! I think it is about time. My tape is deteriorating fast and I won't buy it again unless it comes out on DVD. Thank you.

--------------

It's now, May 8, 2004, and I still look for this movie on DVD.

Now, I will add my two cents, and say; please, please, please! Put this movie on DVD! Genevieve Bujold was absolutely robbed of an Oscar for Best Actress in this film. When Ms. Bujold is delivering that final speech, you want to stand up and cheer for her as an outstanding actress. Those of us who love period epics have this one in our library, now we want it the way it ought to be seen, i.e., in widescreen, in all it's spectacular glory with all those wonderful words, costumes, lush settings, and incredible acting by an incredible cast. So what do you say? GIVE IT TO US ON DVD ALREADY! PLEASE, PLEASE, PLEASE. There, now I've begged enough. I feel much better now that I got that off my chest. ... Read more

Reviews (291)

'The Rocky Horror Show' Movie
There is one reason why everyone should see "The Rocky Horror Picture Show": it is the best cult film ever made. There are also three reasons why everyone should want to watch it: 1) It is one of the only 'R' rated musicals in existence. 2) It has strong science-fiction overtones. 3) It is very funny. The movie starts Barry Bostwick and Susan Sarandon (before they were stars) as the recently engaged Brad and Janet. However, they are upstaged in nearly every scene by Tim Curry who plays Frank N. Furter, the mad doctor. The cast delightfully performs many memorable songs including "Over at the Frankenstein Place" and, of course, the "Time Warp". To fully enjoy RHPS, one must not be closed minded or the picture could prove to be quite offensive. Don't think it's gratuitously violent- it isn't. Merely, the situations the characters find themselves in could shock or appall overly sensitive viewers. If you think you won't enjoy RHPS, going to a midnight screening might be your best bet. The live audience participation will guarantee you a good time, despite your opinion of the actual film. So overall, RHPS is quite a good adaptation of Richard O'Brien's original concept, which always honors its roots on the stage.

DVD = Perfect format to truly experience "Rocky" at home
I loved going to "Rocky Horror" when I was in college, but watching on home video just wasn't the same. I'm probably committing heresy but there's a reason why this sci-fi, horror, B-movie satire, rock musical didn't really make it big until theaters started showing it as a midnight movie and fans started attending in costume and talking back to the screen. The 25th anniversary DVD, with several audience participation options, really is the next best thing to being there.

For the uninitiated, "Rocky Horror" tells the story of two clean-cut American youths, uptight Brad Majors (Barry Bostwick of "Spin City") and Janet Weiss (Susan Sarandon of "Dead Man Walking") whose car breaks down on a dark, deserted road in the middle of a storm--the classic beginning to many horror movies--and who seek help at a nearby castle. Castles, as Rocky fans know, don't have phones! What this castle has instead is a cross-dressing mad scientist Frank-N-Furter Tim Curry, in perhaps his finest performance), two very creepy servants, Riff-Raff (Richard O'Brien, who wrote the musical) and Magenta (Patricia Quinn), and various other hangers-on, including lovers Columbia (Little Nell) and biker Eddie (Meat Loaf). Brad and Janet walk in on a party celebrating the creation of Frank-N-Furter's muscle-bound boy-toy "Rocky." Bed-hopping chaos soon ensues, until the servants reveal their true identities and take control.

Punctuating this wacky plot are some of the wildest rock-musical songs ever written. In addition to the classic "Time Warp," there's O'Brien's salute to cult-classic B-movies, "Science Fiction Double Feature," Meat Loaf's "Hot Patootie," and Sarandon ode to sexual self-discovery, "Toucha Toucha Touch Me!"

So much for the "Rocky virgin" portion of the review... What makes the DVD so exceptional is the chance to experience "Rocky Horror" at home nearly like you would in the theater. The DVD has the option of turning on the audience screen comments as well as another option for viewing members of the Rocky Horror Fan Club performing select scenes before returning to the main movie. For those less familiar with audience participation, the DVD can prompt when to throw toast, toilet paper, rice, etc., light a match, put your newspaper on your head, etc.

The second disc contains fascinating interviews with cast members, where fans can find out about their reaction to starring in this cult classic. Meat Loaf's description of not realizing what "Rocky Horror" was going to be about and running out of the theater when Tim Curry entered wearing fishnet stockings, spiked heels, a merry widow, and a leather jacket and singing "Sweet Transvestite" is hysterical. Patricia Quinn talks about how her fondness for the opening song, "Science Fiction Double Feature" made her want to take the role even though she hadn't read the rest of the script. What? Don't remember Quinn singing that number? In the stage versions she did, but the song got reassigned in the film version--and Quinn makes her feelings about that QUITE clear. Sarandon makes the interesting observation that "Rocky Horror" probably kept a lot of art house theaters in business over the years, since they could count on good revenue from the midnight movie, even if the latest regular-hours offering flopped. In Bostwick's interview, however, the actor sounds a bit like William Shatner giving his anti-Trekkie diatribe on "Saturday Night Live."

The only disappointments on the DVD are that the outtakes really aren't that interesting and actor bios aren't provided. I would have liked to see what else the "minor" cast members did after Rocky, but that information is limited to a few lines in the companion booklet. Also, some of the audience-participation comments are nearly impossible to understand because fans are talking over each other. But then that's part of the modern-day theater experience. Even Sarandon noted in her interview that talking back to the screen has gone from the more unison catechism approach to a loud free-for-all.

What seemed so risqué and shocking a few decades ago seems much more innocent today, but it was great when it all began and it's still great! If you've never ventured into the theater to experience "Rocky Horror," this is the best way to experience it at home.

Mesmerizing film.
This is a very outrageous movie. The rock is the background to tell us a horror movie but also spiced with sex , ransvestism and above all a splendid tribute to the movies specially King Kong .
One couple strands in an old house full of weirdos . This movie (here between you and me)could have inspired for Tim Burton in Beetle juice .
In this decade there were great visuals films too . Sherman built a magnificent story absolutely free , intelligent and sarcastic, irreverent and bitter . You might state that Fellini's influence (dressed of english manners and clothes) is present all along the film .
Inmediatly after its release this one acquired the status of cult movie.

The original is still the best!
Don't bother with the play, or the music from the play. The original is still the best. Nobody can fill the shoes of Sarandon, Curry, etc. They originated the roles and have been associated with them for far too long for anyone else to come in try to change them so many years later and attempt to redo them. Stay with the best.

Those Gold Shorts!
Ahhhhh...Rocky had such a lovely outline showing in his gold lame shorts. ... Read more

Reviews (26)

Home on the Range
"Home on the Range" may be the last hand-drawn Disney feature for the foreseeable future. Disney is going the way of computer animation and forsaking the old ways. That being said, "Home on the Range" represents Disney's animated films going out with a whimper. Well not a bad movie, it is not a great one either. It falls somewhere in the "who cares?" range, and will probably be easily forgotten.

The Patch of Heaven ranch is facing foreclosing, and the owner will not sell her cows because they are like family. The cows get the bright idea to track down Alameda Slim, a wanted outlaw, and collect the reward that just so happens to match the amount needed for the ranch.

The voices are middle of the road too. Roseanne Barr voices the main cow, and she is just as obnoxious sounding as ever. Judi Dench gives us a British sounding cow, and Randy Quaid voices the bad guy. The songs are average as well.

In the end, kids will probably enjoy it, but it may wear on adults patience. Some adult humor is sprinkled in (giving the film a PG rating), but it actually seems out of place. The best bet on this one would be to wait until it comes out on video.

Home on the Range
This is NOT for kids. This NOT a kid movie. Funny, but why make a utter (pun) joke into this movie.

Ummmmm............
Well, traditionally-animated movies by Disney went out not with a bang, not with a wimper, but something along the lines of a giggle, and with Home on the Range, the once proud Walt Disney Studios enters the frightening world of burp-and-bathroom-humor kids' movies.

The House That Mickey Built seemed to just copy themes from other films and make a new movie out of them: the basic premises (save the farm, would-be heroes) have been seen several times before. Humor goes to the dogs....er, cows, with crude humor (including a Disney limit-pushing quirk at udders). The animation, aside from the ocasionally gorgeous backgrounds, is pure lazy, and the cartoon cattle bear little resemblence to real livestock.

In conclusion, Disney needs to take a hint from Pixar and get back to doing what it does best: making original and entertaining movies for the whole family.

Destined to become a Disney Classic
This is an excellent film for young and young at heart alike. I really enjoyed it. The animation was very good as was the score. I understand that this may be the last animated Disney film to be drawn frame by frame by their talented artists. That is truly a shame. I thought the animation in this film was truly nostalgic. If this is to be the last hand-drawn full length animated feature by Disney than I will cherish this film. It deserves it.

Not the best, but far from the worst.
The state of animation at Disney is no where near as awful as most critics would have you believe. However, what is awful is that the company is abandoning the traditional animation market, a market that single-handedly saved the company in the early 90's. The final traditionally animated movie from the company was "Home on the Range" and it's obvious that the company simply didn't care anymore. Fortunately, the filmmakers did. "Home on the Range", while far from the delirious heights of the best Disney movies, is still a fast-paced entertaining film with bright visuals and vivid characterizations. Interestingly enough, the movie that most resembles "Home On the Range" isn't another Disney movie, it's "An American Tail: Fievel Goes West". Both movies have a very similar color scheme and are more comedy than old-fashioned western. "Home on the Range" may not make your spirit soar, but it provides some solid laughs and a very enjoyable outing at the movies. ... Read more

Reviews (40)

Roughriders- true to form, accurate and inspiring!
Of all of the recent genre of movies depicting vignettes of American history, Roughriders goes the extra mile to capture the essence, mood and feeling of Victorian America as it flexed it's international muscles for the first time! Berenger and the supporting cast are outstanding, and the battle scenes are among the most accurate ever made. This is a must see!

Cowboys become Military Legends
This excellent mini-series (directed by John Milius) details the training and employment in battle of one of the most legendary units in American military history: the 1st United States Volunteer Cavalry, better known as the "Rough Riders".
Raised by then-Assistant Secretary of the Navy Theodore Roosevelt, a New York aristocrat-turned Dakota Territory rancher, the Rough Riders were perhaps the most unusual of all the volunteer regiments to be raised to fight in Cuba in 1898.
Comprised predominately of cowpunchers and lawmen (with a small sprinkling of outlaws), as well as a few Park Avenue socialites, the Rough Riders went on to be employed as (next to the 10th US Regular Cavalry, one of the regiments of "Buffalo Soldiers") some of the most effective troops in the War. The taking of the Spanish strong point in the San Juan Heights was pivotal to the defeat of the Spanish in Cuba.
Milius gives us a story which is equal parts western, period piece and war movie. The casting is especially masterful. Western stalwart Sam Elliott plays the commader of "G" Troop, Captain "Bucky" O'Neil, an Arizona Territory sheriff who ultimately falls victim to the bullet of a Spanish Mauser rifle in front of the San Juan Heights.
Tom Berenger portrays Theodore Roosevelt, and we see Roosevelt go from enthusiastic amateur soldier to hardened warrior. We also see the genuine affection Roosevelt felt for his regiment of cowboys. Gary Busey is thoroughly enjoyable as Maj. Gen. "Fightin' Joe" Wheeler. Wheeler was a Democrat Congressman from Alabama who led the Cavalry Corps of the US expeditionary force in Cuba. More significantly, he was a West Point graduate...and had served as a CONFEDERATE cavalry general in the Civil War. His command in Cuba was seen as being a significant step in the reunification of the US following the Civil War.
The battle scenes are well choreographed and the acting is superb throughout. Elmer and Peter Bernstein's score reinforce the "western" flavor of this film. My only regret (and it's a small one) is that the uniforms worn by the actors were not more accurate in detail. They retained a bit of "Hollywood" in watching the budget, and this shows in some of the small things (such as the hats worn by the actors portraying soldiers). Other than that, I have no complaints with this movie. It's fun, inspiring....and makes me proud to be an American, but above all else, proud to be a Westerner!
Gotta like it when cowboys save the day....and they did historically in 1898 at a hill in Cuba....

Great war movie, great cast, great future president
This movie deserves to be better known. It's primary subliminal lesson is that the Spanish-American war was not the kind of cakewalk that folks who use John Hay's oft-quoted phrase, "A splendid little war," make it out to seem. Quite to the contrary, it was deadly beyond imagining.

And it brought forth some great heroes, too, some of whom you will meet in this movie. The most famous, of course, is TR himself, Teddy, the "cowboy" who became our 26th president -- portrayed in the film delightfully human (as when he flirts with his wife) and courageous by Tom Berenger. Another familiar face (Gary Busey of "The Buddy Holly Story") portrays General Joe Wheeler, the only Confederate general to wear blue in the war of 1898. And Sam Elliott is cast in the role of another one of the Rough Rider heroes.

This film is a magnificent tribute to the men who fought the war that finally re-united a nation in an act of bloodshedding that was all but routine. "Rough Riders" makes clear just how far from splendid this "little war" really was, as well as just how heroic were the men who fought in it.

Please put this classic on DVD!!!!
There's not much to say here that hasn't been said by others.
This is one great film, historically accurate, and fun too,
while it gets all of this across. Why this is not yet on DVD,
when a great number of lesser films are, is anybody's guess.
I'll add my plea here too: PLEASE get this great film onto a
DVD format!

Outstanding!
John Milius did an absolutely amazing job of putting together a film that depicts the establishment and deployment of the 1st U.S. Vounteer Cavalry. Milius has done wonderful justice to his longtime hero, Theodore Roosevelt, who he once said was the embodiment of everything great about America.

As Americans, we take so much of our heritage for granted. In this day and age of our all-volunteer armed forces, high technology and limited warfare, any discussion of our heritage and sacrifice in the blood our ancestors made is neatly compartmentalized for Memorial Day and the Fourth of July. This is a shame.

Sometimes, the people who are supposed to be leading us aren't much help, either. Our elected and appointed officials often flounder in the face of bad press without explanation. The end result is that no one can understand how our government can ask people to fight and die in places far away, for causes that sometimes seem to have more to do with whether or not we can maintain our standard of living than anything else. The wars we fight now seem to be fleeting events that come and go. Tragically, the dead are gone, and life goes on without them.

In his various career incarnations as Governor of New York, the Secretary of the Navy, and as President, Roosevelt was always one to inspire controversy. As a Lieutenant Colonel assigned to the 1st U.S. Volunteer Cavalry, he was no different. To Roosevelt, war was not the drudgery of hell on earth, but an enobling excercise, one which all Americans should aspire to. Amusingly, after one visit with Roosevelt, author Mark Twain remarked that it was easy to see the Roosevelt was "cleary insane."

Whether you agree or disagree, Tom Berringer is the perfect Roosevelt. He portrays TR as a man of vision and backbone, as the sort of man who would one day forge the United States into the awsome power that it is today. Berringer's performance in "The Rough Riders" is possibly the best of his career.

In 1898, the American nation was, in many ways, still rebuilding from the civil war. For the people of America, this was the dawn of an industrialized nation, and for the first time, American industry was forging the tools that would take our Naval Forces into the twentieth century. Yet it would be twenty years before the new technology of the tank and airplane would be implemented in land warfare. The Spanish-American war is unique in that in many respects, both politically, strategically and tactically, it was a prelude to World War One.

Without going into a plot synopsis (I'm not going to explain something you can see for yourself), I will say that the story unfolds perfectly and the direction is impeccable. All of the supporting actors, Brad Johnson, R. Lee Ermy, Dale Dye, Brian Keith, Sam Elliott, Gary Busey and George Hamilton are superb in their roles.

Yes - this is a film that should have been a theatrical release. Yes - this is a film that ought to be put on a two-dvd set with lots of extras. Yes - this is a great film.

The "Rough Riders" was made for presentation as a made for TV film for Turner Broadcasting. It was first broadcast in 1998, roughly 100 years after the Spanish American war. I'll give Ted Turner credit; I don't agree with him on very much, but I will say that Turner Broadcasting performed a great service in broadcasting "The Rough Riders".

In a day and age where films depicting shoddy characters with even shoddier values are routinely churned out and targeted for specific demographic groups, "The Rough Riders" is an anomoly. It is an inspired film. ... Read more

Reviews (10)

Inside the third reich - Great movie to experiment
This is the type of movie I love. I recently bought the whole collection of Winds of War and War and Remembrance and this movie fits right in this line of drama. What's special in this movie for me is I saw it on TV years ago. I just completed my engineering degree at University and this moview woke me up. I could understand where Speer offered his technical knowledges for the 3rd reich. Conflicting for an intellectual but probably brought him a lot of satisfaction in terms of achievement and exceptional designs. Everytime I see a movie with the Nazi banners, I think about Speer who brought that to the NSDAP. It's just amazing to see him when they walk in the new chancellerie. The music, the scenes and Speer's fase expressions, are just touching deeply any technical designer. I recommend this movie for anyone that is ready to put himself (herself) into the character and accept what he's doing in the movie. Yes, he was part of the nazi movement, but we are talking about exceptional design productions. It's sad to see pictures at the end that shows the buildings destroyed. These were built to last 1000 years. Imagine which building today will last 1000 years!!!

Inside The Third Reich
This has got to be the worst movie on the Third Reich. Dates were wrong, the screenplay was horrible. It was funny that in almost every scene in the movies from the 30's until 45 Himmler,Goering were always there, when in real life they were off doing there own things. Randy Quaid playing Ernst Hanfstaengl that was real bad. The uniforms had the wrong insignia and rank and everything was just a mess. Also you can tell that the whole movie was filmed in th fall and mostly winter. There are many scenes that add to this, such as when Hess flew to Scotland in the movie it was snowing in real life it was May and hot. Also when the attempt on Hitlers life on July 20th everyone is wearing winter clothing and there is snow outside. If Speer wouldn't died before 81 this movie sure would of done the job.

Best of its genre
I watched all the WWII and nazi-related movies and miniseries from the 1980s and I must say this one has stuck with me ever since. Derek Jakobi's performance of Hitler is spellbinding. The scene of him practicing his gestures before a mirror is compelling. Hauer gives a competant though understated performance as Speer. But I must tell you if you watch this movies for no other reason it is the lengthy scene, without dialogue, of Hitler walking through the rooms of the new reich chancellory. The haunting soundtrack music and Jakobi's eyes as he takes in Speer's handiwork are memorable and at the end of the scene, with tears he looks at Speer and say "Well done." When I watch that scene, ever 20 years later, it still gives me goosebumps. This two-part movie is definitely a cut above others from the era. Well worth it to watch.

Nazi purists may disagree, but...
...this TV movie isn't as bad as some reviewers claim. At moments it gets quite interesting and it features a once-in-a-lifetime-never-to-be-seen-again cast that includes John Gielgud, Trevor Howard, Ian Holm, Elke Sommer, Blythe Danner, Robert Vaughn, Rugter Hauer (Albert Speer) and the great Derek Jacobi as Hitler.
Tends to be somehow an apology for Speer (couldn't be otherwise, it's based on his memoirs) and, true, it fails to inspire much emotion (except for the rage of a few reviewers, it seems). It's also rather long (a miniseries, actually) and may not be as accurate as some would like it to be. Personally ...who cares? If you're that obsessed with facts and dates read the book instead!
So, not a life-changing movie experience for sure (I hope), but interesting if you're into WWII within reason.

Good, and reasonably faithful to the book.
This movie is fairly faithful to "Inside the Third Reich" authored by Albert Speer while in prison. While it has gotten a barrage of criticism here on Amazon, I liked it. Rutger Hauer puts in a fine performance as Speer. The actors who play Hitler and the other major characters also do good jobs. This movie does a creditable job explaining who Speer was, and what he did, at least according to Speer as based upon his book.

This is very watchable historical drama. I hope it is soon available on DVD. ... Read more

Description

Two-time Academy Award(R)-winner Meryl Streep (ONE TRUE THING) stars with Angela Bassett (HOW STELLA GOT HER GROOVE BACK) in a heartwarming, acclaimed true story of how one woman's musical gift affected those who least expected it! A single mother with little more than talent and the determination to make a difference, Roberta Guaspari (Streep) overcame the skepticism of everyone who didn't think she should be teaching violin to students in a tough inner-city neighborhood. But even after a decade of ever-growing popularity and countless success stories, Roberta and her kids must rise to meet an even greater challenge: budget cuts aimed at shutting down her valuable program for good! Also starring Aidan Quinn (PRACTICAL MAGIC) and Grammy-winner Gloria Estefan in a stellar cast, this extraordinary story will inspire anyone who's ever thought their dreams were too far out of reach! ... Read more

Reviews (58)

Fascinating true story gets lackluster film treatment
Meryl Streep got her twelfth Oscar nomination for her portrayal of Roberta Guaspari in Places in the Heart. Her performance is excellent [when has she been anything but?], yet it is not enough to bring the movie completely to life. This true story, which has been filmed before as a documentary called Small Wonders, is about a teacher who created a music program in the schools of the impoverished East Harlem area of New York. A single mother of two boys, Guaspari, who was trained as a classical violinist but who had little teaching experience, was given a job as a teacher in the 1980s by Janet Williams, a principal at one of the schools. There was no real budget for a classical music program, so she was hired as a substitute. Guaspari herself supplied the first violins. Ten years later, she had taught 1,400 youngsters. When the program was in danger of being axed due to a school budget crisis, Guaspari enlisted the aid of some friends, who arranged for her to give a benefit concert with her best students at Carnegie Hall. Famous violinist like Isaac Stern participated, and the Program was saved. In 1999, money was found by the city to assure its continuation.

I don't know who was responsible for Music of the Heart's rather uninspired telling of the story. It certainly wasn't Ms. Streep. It may have been director Wes Craven, who until now has made his mark in the horror genre, with creepy teen fare such as Nightmare on Elm Street and the Scream trilogy. His choice to make a straight drama raised a few eyebrows, and perhaps he was overly cautious with the material. Some of the problem lies within the screenplay. Writer Pamela Gray concentrates on the main character almost exclusively. Ms. Streep is in nearly every scene. Except for some fairly good interaction between Roberta and her boys, most of the characters float in and out, acting almost as stage props. There is little that is memorable about them, and, as a result, we wind up not understanding Roberta Guaspari very well. We see what she does, and we understand that her work is noteworthy and inspirational. Yet the picture does not fill us with inspiration. It's not that it's a bad move, it's that it never soars, as movies about noble, dedicated people can when well done. While it is not a given, what usually provides the drama for such true tales is understanding what personal sacrifices an individual must make to fulfill a difficult goal. I feel certain that this happened to Ms. Guaspari in real life, but we see almost none of it in this movie. It is strongly hinted at a couple of times, but then the film simply glosses everything over and moves on the something else.

Music of the Heart is certainly worth watching for Ms. Streep's performance. The story is a fascinating one, but much of what makes a good story is the way in which it is told. Music of the Heart is not that much of a story teller.

Inspiring story and bravura performance by Meryl Streep
This is a powerful, moving and triumphant true story, which springs from a documentary about a music teacher and her students. This is the story of Roberta Guaspari-Tzavaras (Meryl Streep), a violin teacher who single-handedly created a program to teach violin to inner city kids in East Harlem, New York. The film follows her from the dubious inception of the program, which started as a substitute teaching job, through the ensuing 10 years where so many children wanted to be in the program that it had spread to three schools in the district and a lottery had to be held each year to limit the number of students. The last part of the film is devoted to her fight to continue the program after the board of education killed its funding. It culminates in a triumphant benefit concert supported by some of the greatest violinists in the world to raise private funds to save the program.

This film celebrates the dogged determination and courage of one woman who proved that a single individual can make a difference. Her life was not a pretty picture. Her husband left her for one of her friends, turning her into an emotional basket case. Music was her only solace and teaching was her gift. Unfortunately, her lack of experience in the education system made her unqualified to get a position. So on the recommendation of a friend she convinces an East Harlem principal to give her a chance as a substitute violin teacher. She even supplies the violins.

The story from there is an example of life often being more remarkable than fiction. The results she achieved with these children were astounding. My only criticism of the story was that it contained a little too much treatment of her personal life. Almost her entire relationship with Brian (Aiden Quinn) could have been eliminated without hurting the story. I know that director Wes Craven was trying to give us some character development on how tough her life was and how difficult a person she was, but it was superfluous and the digression only bogged the story down. The real story here was about her and the kids. He should have stuck to that. Otherwise, Craven did a fabulous job of directing, delivering an emotional story with great power and effect. I was quite impressed, especially given the fact that prior to this film, he was almost exclusively a one genre director (Horror. Think 'Scream').

The acting by Meryl Streep was nothing short of brilliant. I have read criticism of Streep's performance as too harsh, it seeming as if she didn't really LIKE the children. In actuality her performance was dead solid perfect. I was lucky enough to rent the Collector's Series DVD of this film which included a separate disk of the original documentary about the real Roberta Guaspari-Tzavaras and her students, including the actual concert at Carnegie Hall. If you watch that documentary you will be in awe of how well Streep utterly nails her character. We get to see the real Roberta teaching her students and she is like a drill sergeant barking orders, throwing kids out of practice for not having their violins, reproaching them angrily about plucking their strings while she is speaking, and generally tolerating no nonsense. She is impatient with them and completely intolerant of anything but their best.

The children who made comments about the real Roberta said things like, 'I wouldn't have the discipline I have if it weren't for Roberta. That discipline not only helps me with the violin, but with everything else.' Another child said, 'I have to pay attention to what I'm doing or Roberta will get mean. But if I do good, she is pleased and that make me feel good.' Yet another, 'I want to work really hard so Roberta will be proud of me.' Clearly, these are not the comments of children who were being negatively affected by Roberta's no nonsense style.

Streep said in the featurette included in the DVD that it is very difficult playing a real person because there is no leeway for artistic interpretation. Translation: If she was to play Roberta Guaspari-Tzavaras, she had to become Roberta. This she accomplished with stunning accuracy. Streep captures not only Roberta's irascible demeanor, but the essence of her drive and passion for drawing the students very best. Roberta is a complex and difficult character to play and Streep throws herself into the role, delivering a tour de force performance that very few actors have the range and depth to accomplish.

This film is a must see for anyone who loves the arts and anyone who can appreciate a great actress giving a career performance. I rated it a 9/10, subtracting a point for Craven's unnecessary digression into Roberta's private life. That is, however, hardly a reason to miss this bravura performance and an inspiring story.

Most unrealistic portrayal of a classroom ever on film...
Whoever wrote this screenplay had NO idea what the inside of a classroom looks like.
My goodness. I've seen more realistic depictions of school life in a few B-movies.
It's like the makers of this particular movie were SO interested in making a movie about MUSIC that they paid very little attention to making a movie about SCHOOL.
I could go on and on and on about how this movie falls flat on its face in the depiction of a contemporary classroom, particularly an inner city classroom, but let me just demonstrate but ONE ridiculous unreality this movie commits: In this movie, the school children all pretty much speak proper English. What?!!??? In the inner city???? School children not using barbaric slang in the inner city but instead speaking proper English and doing so naturally, like that's what they do all the time???
Yikes. You've got to be kidding me.
The 5 star reviewers on here ought to be ashamed of themselves for settling for such cartoony realism; better yet, they and the these out-of-touch moviemakers ought to actually go spend some time studying their subject matter, the actual daily war zone that is the contemporary American inner city classroom.

Wes Craven Shines!
Can you believe this film was directed by Wes Craven? What a moving story! Everyone should see this movie. One thing-why is Gloria Estefan on the cover???!! Don't get me wrong I love her music, but she hardly had any part AT ALL! Maybe she had 7 lines in all, so it kind of doesn't make sense. Anyway, this movie is great-so watch it, NOW! :-)

Outstanding.
Streep and Bassett are wonderful in this heart-felt drama about a music teacher who "belives" and makes a tremendous difference in the lives of young inner-city children. Funny and poignant.

Very highly recommended. ... Read more

Reviews (55)

Quaint, entertaining and enjoyable
This droll English comedy kept me enchanted and amused throughout. Grace Trevethyn (Brenda Blethyn) is widowed by her husband when he takes a flying leap out of an airplane without a parachute. Upon putting their affairs in order, she discovers that he spent all their money and mortgaged the estate leaving her penniless and steeply in debt. In a last ditch effort to save the estate, she hits upon the idea of using her hothouse and her considerable skills with plants to grow and sell high quality marijuana. Thus, the formerly wealthy widow collaborates with her gardener to grow and process the weed and attempt to bring it to market. The results are often hilarious, especially her negotiations with the drug kingpin and the reactions of the local residents.

The film is well directed and written with numerous funny situations throughout. Director Nigel Cole keeps the pace brisk and works well with the actors to produce a good deal of physical comedy laced with comical reaction scenes by various characters. He also treats us to some terrific locations that show off the wonderful English countryside. The acting is excellent, especially by Brenda Blethyn, who is quite humorous as the fish out of water determined to make her way in the drug culture. She has a quality that makes her equally believable as a proper English aristocrat and a common conniver. Craig Ferguson is also good as her partner in crime, a hapless fellow whose harebrained ideas are always getting him into trouble.

The story is not very original, the film having thematic similarities to numerous