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| 161. When Harry Met Sally... Director: Rob Reiner | |
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Amazon.com essential video Reviews (184)
I was really surprised that I enjoyed this one, usually I don't like Billy Crystal but there was some excellent dialogue in this film that helped him out, Meg Ryan looked great (when she didn't have an awful '80's perm - note to ladies on here - it looks really dumb as do ugg boots and jeans that show off your butt cleavage or fat rolls). I really wish the whole "I'm having what she's having" statement was not said as I've had to endure countless cheesy commercials based on this scene but all in all had some fun with this one. That said, too many f words, about 8, and too much of the fornicating already, try getting to know someone properly first then marrying them as a lifelong commitment before sleeping with them Also, you can have platonic friends of the opposite sex, and unless you've got a lust problem you won't be thinking about bedding them all the time. Thanks for reading, and come out of them you lustful demon!! ... Read more | |
| 162. Beauty and the Beast (Disney Special Edition) Director: Gary Trousdale, Kirk Wise | |
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Description Reviews (332)
Beauty and the Beast really is one of Disney's top 4 animated films. How they managed to combine a massive cast of characters into the main plot is amazing. Beast is one of my favorite Disney characters after re-watching this. There's so much emotion inside of him. Anger, rage, pity, ambition, and love. You'll really care for him from the moment he appears on screen. Belle is possibly the most humble heroine to date. She doesn't see that she's beautiful, but just cares for helping others and reading books. The supporting cast is just as good. Gaston, the villain, is just a....well I can't use the word. You can bet your money you'll feel the same way. But the characters are just the icing on the cake. The story is what the strong point's always been. Disney did a great job adding so much more to it, whereas the original didn't focus on anyone but Belle and the Beast really. But I'm sure you all know the story, so I'll just get into the features on this DVD. On the first disc, you get 3 different versions of the film- theatrical, work in progress, and special edition. The theatrical is what you saw in theaters or on the home video release. Work in progress is mostly drawings in black and white while the voices and everything else is put in. The special edition has a few lines changed here and there, and the added musical "Human Again" into the film. Personally, I hated "Human Again". It comes right after and before other songs in the film, making you want them to just get on with the story. Plus the animation in it really stands out since it's newer and has those annoying shadows on every character that you see in so many made for video animated movies. There's also a commentary track that adds a lot of depth and information, and a game that unlocks another game. People complain about the picture quality of the movie, but it's not that bad. On a scale of one to ten, I'd give it a 7.5. The second disc has a well done documentary on the making of Beauty and the Beast, story origins of a few other Disney movies, art galleries, music videos, more games, and much more. Amazon lists that the Broadway Musical is on this, but it isn't. It's mentioned in the documentary, that's all. This sets the standard for extras on Disney special editions of their movies. It's too bad The Lion King has nothing compared to this. Either way, if you like Disney at all...or just movies, you should go for this while you can. It's a masterpiece, and getting harder to find.
Despite the animated characters, I felt like I was watching an old musical. The movie opens with a scene reminiscent of "The Sound of Music," with our heroine, Belle, singing on a hilltop about wanting more out of life. The "Be Our Guest" scene, featuring a Lumiere (the Maurice Chevalier-inspired singing candlestick), dancing dishes and champagne corks popping like fireworks, reminded me of the Busby Berkely musical extravaganzas of the '30s. A big appeal for me is that Belle is a much different heroine than the Disney princesses of my childhood. Belle isn't looking for a man to rescue her from her life of drudgery. She loves to read and longs for a more interesting life. She already has the "town catch," Gaston, wanting to court her, but she's having none of it. Belle's escape from "her provincial life" begins when her father, a kooky inventor, doesn't return from his travels. (He has sought shelter from a snow storm in a spooky enchanted castle and is being held prisoner by the Beast.) Belle tracks down her father and, out of concern for his ailing health, takes his place in captivity. The Beast, who has been placed under a spell, wonders if Belle might be "the one"--the young woman whose love will return him to his original human form. The enchanted furniture, candlestick, clock and dishes added lots of fun characters to the traditional story. Cogsworth, a stuffy clock, and Lumiere, the match-making candlestick are a great comic duo. Cogsworth's romantic advice to Beast about wooing Belle is especially funny: Give her "flowers, chocolates, promises you don't intend to keep." Gaston, meanwhile, wants to woo and wed Belle himself. He sings about his he-man attributes in one of the funniest ode to a redneck that I've ever heard: "I use antlers in all of my decorating," Gaston sings about himself. When Gaston realizes that Belle loves the Beast instead of him, he stirs up an angry mob to head to the castle. In another twist on the traditional fairy tale ending, Belle ultimately rescues the Beast--not the other way around. "Beauty and the Beast" is a delightful classic whether you are a child or a grownup who knows how to feel like a child at times.
BEAUTY AND THE BEAST has no down moments, with each fresh plot advancement heralded by stunningly effective animation and song. This film was a deserved nominee for Best Picture in 1991, and with repeated viewings, one may rest assured that the alternately gloomy and resplendent halls of the Beast will eternally resonate with the same cachet that gives Tara, Oz, or Rick's Cafe a ticket that allows the bearer to see just how awesome the human spirit can be.
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| 163. Grease Director: Randal Kleiser | |
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Amazon.com essential video Reviews (221)
As you can see, there are some VERY bad songs, but for the most part, the songs are pretty good. The whole movie was even better than the songs. The whole idea of the movie is a senior high schooler comes to the U.S. and goes to a cheap high school. There, she runs into a guy she met in the summer, who is in a car gang that is against another car gang. Throughout the year, this girl ( her name is Sandy) and her friends deal with the guy(his name is Danny) and his friends. The movie pretty much told about the "typical" high scholl senior's problems, except in a more 60's background. The movie actually took place in the 70's. At the end, Danny's car gang beats the rival gang in a car race, and at the end of the movie, the whole gang of guys and girls gets back together without any problems at the end of the year. The movie is all in all VERY good. Buy it today.
Anyway, "Grease" is one of my favorite movies. It's just one of those timeless gems that will never die (can't say the same for the sequel, though). Every song is a joy and the film couldn't have been casted any better. John Travolta, Olivia Newton-John, Stockard Channing; all involved give indelibly charming performances. A lot of great films came out of the 70's (The Godfather, A Clockwork Orange, Taxi Driver, Chinatown, Jaws, One Flew Over The Cuckoo's Nest, etc., etc...) but "Grease" is still able to hold it's own after all these years. A quintessential film to add to your collection. As far as the DVD goes, well... it's typical of Paramount to stiff us with what could have been a solid release. If you take into account that almost everyone who buys the disc already knows all the songs and dialogue by heart, the studio could have done lots of fun things with the material. Alas, we only get a songbook (which is admittedly kinda cool) and a documentary. Oh, yeah. And a theatrical trailer. How rare. *scoffs* "Summer lovin'... had me a bla-haaast..."
There's a line in this movie about eating sh*t...I agree. ... Read more | |
| 164. Free Willy Director: Simon Wincer | |
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Amazon.com Reviews (29)
Jesse is the star of this movie and is at first a troubled kid who keeps thinking his mother will come back to take him home. Willy is the whale who was also taken from his family, so the two find common ground. When Willy saves Jesse's life, they form a bond of friendship and Jesse is the only one who can train the whale. The owner of the Pacific Northwest Aquatic Park plots to get insurance money by destroying the tank and when Jesse hears of the plans he has to race against time to save his friend. The scenes of the Pacific Northwest are spectacular and the whales playfully dancing in the water is a pure display of joy. These are truly on of God's most magnificent creations. Keiko, a 7,000-pound Orca is the whale star, but they also have back-up from a full-sized "animatronic" whale. I could not tell the difference between the whales, it was that good. One of the best parts of the film is when Jesse spends his pocket money to buy the whale his favorite treat, salmon. I just thought that showed Jesse's true character. While he acts tough on the outside, he seems to be fascinated with nature and animals and that brings out his more loving side. Throughout the movie, the theme of family is very important and I think that might be why this film is such a favorite. There is a music video at the beginning of this video and there is also information for children about helping save whales from becoming extinct. Overall, I felt this was a great movie for children and adults and it teaches such great lessons: that we all need a family and that we should respect animals. I was captivated from beginning to end. A wonderful movie for all ages.
Jesse's life takes a turn for the better when he encounters Willy, a giant orca, at a marine park nearby. Jesse's fascination with the whale leads to an emotional bond based, at least in part, on their similar circumstances. Willy misses his mother and, like Jesse, tends to 'act out' once in a while. I saw "Free Willy" in 1993 when it was released in theatres. I remembered agreeing with the critics who praised it as great family entertainment and I'm happy to say that the film remains very effective today. My niece (age 8) was thoroughly entertained by this movie but the younger children in the group were alienated by the somewhat advanced, dramatic themes of abandonment, responsibility and love. For what it's worth, I enjoyed the film immensely. Over a decade since its release, "Free Willy" holds up quite well. I got "misty" and "choked up" throughout the desperate climactic rescue sequence that gives the movie its name. The opening sequence, during which Willy is captured, is also quite touching. This is efficient storytelling offering a steady, sustained buildup to a thoroughly satisfying climax. "Free Willy" also offers believable performances by all members of its small ensemble cast, including Michael Madsen, Michael Ironside, Lori Petty, Jason James Richter (as Jesse) and Keiko (as Willy).
If you can get over that, it's a beautiful piece of work. The best part is Basil Poledouris' wonderous score, which should have been released on its own without all the clutter of pop songs. ... Read more | |
| 165. Amazing Grace and Chuck Director: Mike Newell | |
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Reviews (9)
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| 166. The Godfather Director: Francis Ford Coppola | |
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Amazon.com essential video Reviews (179)
The movie has a long list of big name actors including Marlon Brando, Al Pacino, James Caan and Robert Duvall, and was directed by Francis Ford Coppola. It seems to be filmed rather darkly with muted colors, though many posts here complain about the transfer. I had big expectations for this movie, but at the one-hour mark I was so bored I turned it off. Later I started over with the commentary, which was a bit more interesting. I took a nap in the middle, then came back to finish this 3-hour exercise in tedium. Mostly OK acting. Good photography. Famous theme. I liked 2 lines of dialog, but that's about it.
I give it three stars because, I'm sure when this movie was originally released, it was "Epic", but it just hasn't stood the test of time. Some of the scenes are well acted, but are overshadowed by lack of plot and some particularly bad acting as well. Aside from the movie itself, Francis Ford Coppola should be embarrassed about the quality of this DVD transfer. It has several flaws (scratches, flickering, low lighting, etc.) and really looks bad on a large screen television. Perhaps he should let George Lucas have a go at a Special Edition version of his movie to "clean it up" and bring it up to date (Whatsa Heesa Deesa Meesa?) - of course I'm joking. ... Read more | |
| 167. There's Something About Mary Director: Bobby Farrelly, Peter Farrelly | |
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Bottom-line: This is a light-hearted, funny and fun film. It's not high art, strong social commentary, nor stirring dramatic fare. However, it is often witty, and always cute. P.S. I also thought the dog scenes were hilarious slap-stick comedy. Maybe he--rather than Cameron--should get Most Valuable Player Award?
To adults this is mindless garbage.
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| 168. Hamlet Director: Franco Zeffirelli | |
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Amazon.com essential video Reviews (124)
The most enjoyable scenes are when Hamlet expresses his thoughts in soliloquies and gives insight into what his character is feeling. Mel Gibson becomes Hamlet and I thought this was perhaps some of his best acting ever! Glenn Close is exceptional as Gertrude, the incestuous mother. The uneasiness and distrust in Denmark since King Hamlet's death and Queen Gertrude's remarriage sets the mood for the rest of the movie. The story begins on the outer ramparts of Elsinore castle. A ghost appears and Hamlet, speaks to his deceased father. The ghost asks Hamlet to revenge his "most foul, strange, and unnatural murder." Hamlet then deviously plots a psychological revenge by putting on a play in which a scene portrays the actual murder of his father. "I'll have grounds Once guilt takes hold of the King, the pieces of the puzzle start to fit together and you realize that one immoral action only makes another wrong even more probable. Throughout the play, Hamlet shows his intellectual superiority and states his case by saying: "Do you think I am easier to be played on than a pipe?" While he desires to have the upper hand until the end, he cannot of course know all the intentions of those around him nor can he escape his own fate. An Unforgettable story that made an impression on me in school and still holds a "It is in my memory locked." -Ophelia
The Olivier version is more accurate to the stage version but the camera techiniques are over-blown and hokey (circling the swords before the duel to see which one is tipped, it made me dizzy). the Branagh version, while creative in it's set up (modernizing it to imerial Russia), and using the entire text, complete with Prince Fortinbras of Norway, is SO long and SO over-acted (especially on the part of Branagh) that i needed a nap after i saw it. and i choose not even to dignify the Ethan Hawke version it was so terrible. This one is my favorite, all the scenes which are cut aren't necessary for the forwarding of the plot in my humble opinion (the opening scene with the palace guards meeting the dead kingis cut yet horatio's explaination of this happening later in the movie is sufficient). Gibson chooses to play Hamlet as insane (that decision is left to the director) and as i am in the camp that Hamlet IS insane, you could also see why i favor this version. Glenn Close is EXCELLENT as Gertrude as is Helena Bonham-Carter as Ophelia. solid performances with a great cast, what more does a 400 year old play need?
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| 169. Groundhog Day Director: Harold Ramis | |
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Amazon.com Reviews (239)
This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis. The features are well worth the money too.
Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again. The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it. What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life". Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie. Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption. Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?" Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory. Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile. There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.
Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time. The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes? This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people. He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself. Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with. So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.
I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue. It gives one pause to consider what each of US would do in a similar circumstance. Oh, it's really funny, too.
Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable. He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic. However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns. Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania. Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism. Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing. LOL ... Read more | |
| 170. The Great Caruso Director: Richard Thorpe | |
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Let's be honest from the outset: the movie bears little resemblance to the real Caruso's life, and, yes, it is corny in the grand tradition of Hollywood musicals. But who cares? Lanza's singing is perfection itself, and his vibrant personality overflows in practically every scene. The rest of the cast is good, with top-notch operatic singers Blanche Thebom, Giuseppe Valdengo, et al providing Lanza with some worthy (and rare) vocal support. Highlights include a superb Vesti la Giubba, a moving Ave Maria and a rapturous Because. In all the movie contains 27 vocal items, with not a dull moment to be found amongst them. See this movie and revel in a unique vocal talent. In the words of one admirer, Mario Lanza could "outsing the entire Mormon Tabernacle Choir", and the movie is a stark reminder of how bland today's singing idols really are. Viva il grande Lanza! ... Read more | |
| 171. Heaven Help Us Director: Michael Dinner | |
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Description Reviews (23)
Heaven Help Us reminded me of the crazy things that go on in a school where you don't have to worry about embarrasing yourself in front of girls. We were kind of in our own world. I remember the all girls school just a couple of blocks away, as in the movie. When the priest came over to the five characters in the assembly, I was reminded of when a priest did the same thing to some of us during a high school mass. This is a coming of age story and I haven't found a person who has hated the movie. It's too bad that it's not as acclaimed as it should be. It should be considered an American Classic. To me it is. The scene where the student is snatched away from mass for using his own clicker to make the student body sit and stand is 100% classic!
"Heaven Help Us" is a comedy about teenage boys trying to survive their days at a Brooklyn all boys Catholic high school in the mid-1960s. It's a rather episodic film dealing with how school, home, girls, and the Church effect the lives of these teenagers. Set in the pre-Vatican II days of the Church, the movie shows the influence that institution then had on the everyday lives of its followers. "Heaven Help Us" is a comedy, but it also has several serious and very sentimental moments, which are quite well done. However, those serious scenes may be the reason why this film bombed at the box office. If I remember correctly this movie was mistakenly advertised as a sort of "Porky's Goes to Catholic School." Thus, people, who went to see it thinking it was a raunchy, teen, sex comedy, came away disappointed because it's not a sex comedy! There is a nice romance, an on-going joke about one character being unable to "master his domain," and another character is stopped in his advances towards his drunk girlfriend in a very gross way, but no real sex. However, people, who may have been interested in seeing a comedic, coming of age story (which is what "Heaven Help Us" really is), did not see it either due to its poorly thought out ad campaign. This movie is occassionally shown on television, but it's usually hacked to pieces because of some of its language. Kevin Dillon's moronic character has a penchent for using a homosexual slur against everyone and everything, which is a realistic thing for a teenage boy to do, but not allowed in our PC world today so his lines are always edited. That's a shame because those are among the funniest lines in the movie. ... Read more | |
| 172. Friendly Persuasion Director: William Wyler | |
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Description Year: 1956 Director: William Wyler Starring: Gary Cooper, Dorothy McGuire Reviews (26)
This is a great movie for everyone in the family, adults and children alike. "Wholesome" is an old-fashioned concept, this this movie lives up to that billing.
Usually touted as an anti-war film, Friendly Persuasion deals with young Josh Birdwell's (Anthony Perkins) crisis of conscience over whether to fight the Confederate forces that have invaded his home area. But, the film has a broader sweep as well, fitting Josh's struggle into the broader life of the Family. Sister Mattie is in love with a Methodist, son of Papa's friend Sam Jordan, with whom he races to Meeting and/or Church on Sundays. Little Jess, the youngest, has a mortal fude with Mama's pet goose Samantha. And, Mama and Papa? Different as their outlooks on life seem, they love each other very much. Without sinking to the maudlin this film, like The Sundowners, portrays two people who have been married for about twenty years and are totally, charmigly in love. The story takes place over just a few weeks, but the brief time-span allows for a depth of realization which, by the end, leaves the viewer feeling that she/he kknows and is very fond of this family. Perfect for snuggling with that special someone, or watchig as a family project.
The trip Josh takes with his father to Ohio and meets a widow and her three very single daughters is delightful. Anthony Perkins is fabulous as he tries to keep away from the girls who hardley ever seen men! THings turn serious as the Civil War which was always somewhat distant (even with Gard, Mattie's suitor and Sam Jordan's son, coming home on furlough wounded in battle) finally comes to fore. Enoch, the hired hand and runaway slave, must leave to save himself from the Confederates and Josh must choose between his country and his religion. The war literally comes to their front porch as Eliza, the mother and minister, Mattie and Little Jess are left defenseless at home. One of the best parts is the culmination of the courtship between Gard and Mattie where he asks her to marry him. What will they go through during and after the war as Mattie will have to reconcile the conflict between her religion and Gard's occupation and what will her family's reaction be? There's a sense that her father doesn't mind Gard and would welcome a marriage between Gard and his only daughter. She could honestly not do better. The man is the son of her father's friend and is highly trusted by the family. The characters and stories are delightful and I've rewatched this film several times over and still find great things in it every time. Well worth owning.
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