Reviews (817)

I Found A GREAT Film in "Finding Nemo"!
Disney's PIXAR studios have re-defined the world of animation time and again with their many film efforts. Such movies as "Toy Story," "Toy Story 2," "A Bug's Life" and "Monsters Inc." have introduced audiences around the world to the potential of computer animations as a medium for creating the "next generation" cartoon.

But nothing yet compares to the unparalleled quality of animation, storytelling and pure magic that was produced in their most recent effort "Finding Nemo".

The story centers around a clown fish whose son is taken by divers somewhere off the coast of Sydney, Australia. Marlin, father to Nemo, is an overly protective dad who will do anything to keep his son from danger. You see, his mate and all their other offspring were lost when they were attacked by another fish. So in a desperate act to save his one remaining child, Marlin sets out across the ocean to rescue his son.

The movie brings the ocean to life with rich, vibrant colors that are serene and immensely beautiful. The close attention to detail in this film gives the settings, characters, indeed the entire film, a level of depth and quality not commonly seen in a "cartoon". The animation is so completely convincing that viewers often lose sight of the fact that they are watching a cartoon and instead they become immersed in the beautifully detailed world created by this team of animators from Pixar.

The movie has many wonderful characters created by a cast of all star talent. Marlin is played by Albert Brooks, whose voice has so much inflection in it that he gives a vitality to the character that equals or surpasses the animation of his character. Ellen Degeneres plays "Dory", an absent-minded lady fish who serves as Marlin's companion on his adventure and serves much of the comic relief of the film. Other celebrites making an appearance in this film include: William Defoe as Gill, and Geoffery Rush as Nigel, an empathetic pelican who helps save the day.

The movie mixes humor with human emotion, giving "Nemo" a vitality most animated films lack in this current medium. The film is at once touching and compassionate, clever, witty and funy, combining tongue-in-cheek humor with a tender honesty that will make all audiences young and old a fan of this film.

The DVD set contains enough extras to keep families entertained for hours, even after the film itself has ended. Provided in this collection are both wide screen and full screen editions of the film, along with several shorts from Pixar studios, and a particularly memorable and entertaining short documentary "Exploring the Reef", which stars Jean-Michael Costeau (son of famed undersater explorer Jacque Costeau), as well as some of "Finding Nemo" favorites.

So, for those of you who have reservations about watching a "kids" movie, set them aside and give this one a chance. It is really a film for all ages, with enough humor, action, adventure and entertainment to provide entire families with an experience not soon to be forgotten.

Scott Kolecki

Pleasing, funny family film
Finding Nemo was one of last summer's big box office smashes and, given the success of past Pixar movies, and the cool image portrayed by this movie, it's easy to see why. The story has Marlin (voiced by Albert Brooks) trying to find his only son Nemo after he is scooped up by a scuba diver and forced to live in a dentist's aquarium. Along the way Marlin meets with mild-mannered Dory (Ellen Degeneres), who can't remember things for more than a few minutes, but has a heart of gold.

And there we have it, a simple journey plot through the ocean, meeting weird and wonderful creations courtesy of the wonderful special effects at Pixar. They really are incredible - the water effects especially are brilliant. Remember when Monster's Inc came out and the big development was the minute details of Sulley's fur. Well, this is even better technically. However, there's a certain breed of familiarity here that makes you think that the people at Pixar are capitalising on their previous films' success, because Finding Nemo is probably the least distinguishable of the lot. Of course, the Toy Story movies have already deservedly achieved classic status, but the key different between the previous Pixar movies and Finding Nemo is that they focus a lot less on the adult audience and more on the children. This isn't necessarily a bad thing, because as a kid's film Nemo is fantastic, and much more endearing than something like Shrek which, although good, was never really as layered as Toy Story. For instance, all of the characters are endlessly endearing; from the cute little Nemo, to the lost Dory to Squirt, the baby turtle. This isn't to say Nemo doesn't have its flairs. There are a few more adult jokes along the way, not least a group of sharks professing that fish are friends and not food, desperately trying to rid themselves of their stereotypes. The turtles using 'surfer' talk are also very well observed. Add to the mix a great turn by Willem Defoe as Gill, a hard-bitten aquarium fish who helps Nemo escape, Geoffrey Rush as a pelican, manic seagulls screeching 'Mine, Mine!' and you've got an effective engaging movie. Still, it's a shame that every Pixar film will live with the shadow of its predecessor hanging over it, especially when this is a brilliant family movie, but the nagging resonance of the brilliant Toy Story is always in your head.

It should be called EATING NEMO.
If I sit through Finding Nemo ever again, I swear I will shoot myself.
It is probably the worst movie I've ever seen, with jokes that lead nowhere.
Althought the animation was pretty good, a cutsie aspect was terrible and pretty unbelievable.
Monsters Inc was better for the kids and adluts.
Im sick and tired of people saying that Finding Nemo is the best Disney....ARE THEY FORGETTING THE LION KING and other classic such as Beauty and The Beast, Aladdin and Sleeping Beauty.

This movie so totally rocks!
From the very begining, as every Disney Pixar movie does, Finding Nemo touches your heart. This is a very heart warming wonderful tale of a clown fish boy and his father, who go through two quite magnificent journeys. Along the way they run into some wonderful fun loving characters, who you can really relate to in your own life. This movie is great for the whole family and has something for everyone adventure, action, and plenty of comedy. It has a great all star cast. Finding Nemo will keep you glued to the screen unto the very end. Thank you to Disney and Pixar for another well put together masterpiece!

PIXARS BEST!
THIS MOVIE WAS WONDERFUL!ME AND MY BROTHER WATCH IT ALL THE TIME!A GREAT MOVIE FOR AGES 2 AND UP! ... Read more

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Sometimes movies are built around a great idea begging for a story, in this case pairing ballet legend Mikhail Baryshnikov with tap great Gregory Hines. The resulting storm of dance in White Nights, as one would expect, is great, but the story is a little forced. Baryshnikov plays (in parallel to his own life) a Russian defector to the U.S. who ends up a prisoner in the motherland after his plane is forced to land in Leningrad during an emergency. Hines is an American expatriate who gets involved with the situation. Director Taylor Hackford (An Officer and a Gentleman) punctuates an escape scenario and relationship dilemmas with as many dance sequences as possible, and the result is a wobbly, unconvincing tale with some furious footwork. Fortunately, performances carry the day, as the two male leads are both very strong as actors, and the supporting cast--Isabella Rossellini, Helen Mirren, and filmmaker Jerzy Skolimowski (Moonlighting)--is terrific.--Tom Keogh ... Read more

Reviews (29)

It was great when I saw it in high school...
I recently saw this again and sheesh.... it's all about perception. This film is very 80s...very very very '80s. Seeing Mikhail Baryshnikov dancing in tights was worth the experience of the rest of the movie when I saw this back in the carefree days of high school.

Great and convincing acting by Isabella Rossellini, Helen Mirren and Gregory Hines don't save this from being what seems in this day and time to be a ridiculous story. It's easy to forget what a threat the Soviet Union was at the time... and how scary the thought of being trapped in communist Russia really was... neighbor spying on neighbor, eavesdropping equipment everywhere and just cold, dreary days one after another. This is a film best enjoyed by folks who can remember what it was like be around in the 80s w/ the fear of nuclear war. This is hardly a "timeless" piece, but still enjoyable.

Eleven pirouettes!
Baryshnikov does eleven pirouettes straight. What more can you ask for? Anyway, the movie was very good. It was a dark, communist Soviet Union film, with a lot of tension. But most importantly, Gregory Hines and Mikhail Baryshnikov were fantastic. It is superhuman what they can do.

every thing
the beauty,grace, and syncronozation of these two men dancing from such different backgrounds and styles was magnificent. The love, trust, and faith under such difficult situations was indescribable. The story with its action and psychological background kept me riveted to the screen (5 OR SIX TIMES OR MORE!) When do I order my dvd?!!!

Breathtaking!
Wonderful dancing, great story, good music too and Barisnikov back to his roots. Altough the Kirov scenes were filmed in Portugal. Opening scene is lovely.....

Most beautiful!
I love this movie. It's my all time favourite and it's great to see it's out on DVD. Mikhail Barischnikow is of course the greatest dancer and performs his artistry. The storyline is breathtaking. All actors and actresses are simply supreme. It was Isabella Rosselini's first movie role . I saw this movie the first time in the cinema and it was the first time I saw Gregory Hines - who will truely be missed. He was a great actor and step dancer. This movie is one of the greatest but only a few people seem to know ... Read more

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Diana Ross stars as legendary blues singer Billie Holiday in this biopic that chronicles her rise and fall. It begins with her late childhood, a stint as a prostitute, those early days as a blues singer, her marriages, and her drug addiction. Overly glossy and lacking depth, this is worth seeing only for the performances. Diana Ross was nominated for an Oscar for her acting debut. A dynamo with sparkling screen presence, she realistically conveys the confusion and unhappiness that caused Holiday so much grief. Her performance is almost matched by romantic interest Billy Dee Williams. Watch for Richard Pryor, who is most powerful in a dramatic supporting role as the piano player in a brothel. --Rochelle O'Gorman ... Read more

Reviews (29)

Awesome story, even better acting and producing!!!
I have always been a huge fan of Diana Ross and Lady Day, but putting that aside this movie is truly worth every penny, every minute you spend watching. The Billie Holiday story stands by itself as an incredible testimony to what it was like to be black in 1930's America, but add to that Diana's vulnerability and beautiful voice and you have one of the best stories ever put on film!!!! I just can't wait until it is put on DVD with 5.0 dolby digital sound..........does anyone out there know when that might happen????? :) Buy the movie, you will not regret it.

Not Billie's real story, but I give Diana props
I'm not a Diana Ross fan, but in this movie, she was excellent and convincing as Lady Day. Dynamic performances by Billy Dee Williams and Richard Pryor as well. My only fault with this movie that it was not Billie Holiday's real story. It was filled with inaccuracies and purely fictional situations. Even Berry Gordy, Ross' one-time lover and mentor, admitted that the script was bogus, but it still was very riveting. This was Ross' first film and even though she never took a drama lesson in her life, she pulled this off with no problem. Definitely worth checking out.

Not only is the film historically inaccurate,
but it's an absolute DISGRACE to the memory and legacy of the real Lady Day. Diana was a decent (solo) to great(Supremes) soul singer, but she's no great actor. She's simply competent ... watching Mahogany proves that beyond a shadow of a doubt. To do the story of Billie Holiday, easily one of the most influential and lasting jazz/torch singers of the 20th century, and not cast a known quantity was a serious mistake on Gordy and Motown's part. Not only didn't Ross look the part, she certainly didn't act it, and her voice is nothing like Billie's;it's far weaker and devoid of the "body" Lady Day had. The only bright spot in this was Rochard Pryor's part, even though, again, it was 99% fiction. Save your time, save your money. Buy a Billie Holiday CD, her autobiography, and enjoy the real thing. Maybe one day someone will make a REAL film bio of the Lady.

Inaccurate, but the performances are powerful
The complex life of jazz singer Billie Holiday cannot be summed up in a two-and-a-half hour film unless it's a documentary. Therefore, LADY SINGS THE BLUES misses the boat in portraying Billie's life, but hits the target in casting Diana Ross, Billy Dee Williams and Richard Pryor. The chemistry between these three thespians are a joy to behold. And Ms. Ross sings Billie's songs very well without resorting to imitating the jazz legend.

MINUS 2 STARS FOR INACCURACY...
But a STRONG 3 stars for Diana's acting and rendering of Billie's tunes (I got chills when she sang "Strange Fruit"). This story doesn't represent the life of Billie Holiday AT ALL, but it was a nice fantasy. I must admit that Billie Dee Williams' over-the-top performance was really annoying, hokey and downright laughable. Richard Pryor added a lovable and humorous spark to the flick that was unforgettable! I'm hoping the reason it's taking so long for this movie to come out on DVD is that they are going to make it fabulous with all sorts of extra features and whatnot. Otherwise:

WHAT'S TAKING SO LONG FOR THIS MOVIE TO COMING OUT ON DVD?!?!?!?! ... Read more

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It's hard to know who thought it would be a good idea to make a live-action version of Disney's animated classic. The one bright notion anyone had was casting Glenn Close as Disney über-villainess Cruella de Vil; her flashing eyes and angular features are a perfect match and do credit to what is one of the most indelible animated characters Disney has ever created. The story remains essentially the same, focusing on Cruella's plot to kidnap the puppies of a young married couple (Jeff Daniels and Jolie Richardson) and make them into a coat. But the dreaded John Hughes, who wrote this script, fills it with sadistic slapstick and far too few genuine laughs. The human actors work hard, but to little avail; thankfully, there's a passel of puppies to regularly steal scenes when the going gets dreary--although there are only so many laughs to be had from inappropriate dog puddles. --Marshall Fine ... Read more

Reviews (48)

Delightful story with puppies that will steal your heart
It was a stroke of genius for the legendary Disney Studio to decide to remake their classic 1961 animated feature "101 Dalmatians", as a live action feature. Never a great fan of remakes, I feel this story is a natural for a live action version and on first viewing it totally won me over. It has so much to offer viewers of all ages, whether it be its 99 gorgeous Dalmatian puppies that would melt the heart of any dog lover, a top class production with terrific sets, locations and stunts or a wonderfully wicked villianess in the incomparable Cruella De Vil played to perfection by gifted actress Glenn Close.

The film follows closely the original story and tells the tale of London couple Roger and Anita who meet through a Dalmatian dog mixup in a London Park and fall in love, marry and find themselves the happy "parents" of 15 beautiful Dalmatian puppies when their Dalmatians Pongo and Perdita begin a family of their own. Their happiness is short lived however when Anita's boss the dastardly Cruella De Vil spots the puppies and immediately makes plans to have the puppies kidnapped so that she can turn their pelts into the extravagant spotted fur coat she has always dreamed of having. What ensures is a comical tale full of laughs, great stunts and hilarious situations of the "boo the villian, cheer the dogs" variety. The Dalmatian parents, with the aid of many assorted members of the animal kingdom from woodpeckers, squirrels, and assorted sheep pigs, and dogs not only succeed in tracking down the missing puppies in their hideout but also outwit Cruella and her incompetent accomplices at every turn. The animals revenge on Cruella and her accomplices makes for most of the humour as they find themselves being dumped through falling roofs, landing in tubs of gooey molasses and being smelled out by skunks!

No expense was spared on this production and indeed all the live action characters bare an amazing resemblance to their cartoon counterparts. Gleen Close towers over the whole production in her performance as Disney Studios most famous villianess the totally over the top Cruella De Vil. Her makeup, hair styles and clothing is everything you would imagine Cruella to be. It is to the credit of Glenn Close that she succeeds totally in bringing to life such a well known and "loved" cartoon villianess. A supremely talented actress as seen in such diverse roles as those in "Fatal Attraction", "Dangerous Liaisons", "Meeting Venus", and "Paradise Road" among others, she is a total riot as the bizzare fashion designer with an extreme fur fetish. It is she who makes "101 Dalmatians" such memorable viewing and her encounters with the animals in the second half of the film will have you laughing for ages. The sight of Cruella rising out of the tub of molasses where she has been unceremoniously dumped by the animal brigade will bring fits of laughter to the viewer. The film also boasts the great talents of Jeff Daniels and the lovely Joely Richardson as Roger and Anita the loving couple drawn to each other by their fondness for Dalmatians, and the gifted Joan Plowright as Anita's former Nanny who finds herself performing the role again but this time for the 15 puppies in the house. Much of the comedy stems from the great playing by Hugh Laurie and Mark Williams as the wacky Jasper and Horace employed by Cruella who's job it is to steal the puppies for Cruella. They receive the main brunt of the animals "revenge" to great comic effect as does John Shrapnel in the role of the sinister scarred Skinner who is employed to turn the puppies coats into Cruella's new coat. The animal stunts performed in this film will have you gasping as the animals seem top take on human personalities of their own to brilliant effect. The location photography around London and in the snow scenes at Cruella's hideaway also create a very pleasing look to the film.

I never fail to watch "101 Dalmatians" without finding a smile appearing on my face. It is a totally delightful film that is just as much for adults as it is children which is a real credit to the Disney Studios. Glenn Close really makes the film a viewing experience with her over the top playing here but if you are in anyway a dog lover you can't help but be totally captivated by these delightful 101 spotted creatures charming the audience in "101 Dalmatians". Enjoy!

"101 Dalmatians"
Having watched both the live-action and the animated versions of "101 Dalmatians," I find the live-action version to be vastly superior. This updated classic has a fresh, fun storyline. The actors who play the characters seem perfectly suited for their roles. Glenn Close is particularly good as Cruella De Vil. The movie was filmed in England and each scene is beautifully crafted. The director has done a remarkable job of giving the dogs respected status as emotion-feeling, three dimensional characters without resorting to the silly and mundane method of giving them human voices. Being a dog trainer myself, the thing I most enjoy about the movie is the absolutely phenomenal job done by the dog handlers. Not only are the trained behaviors remarkable, but the handlers have elicited responses from the dogs that readily convey understandable "emotions" to the audience. The ONE glaring fault of this movie is the final scene where all of the dogs have been allowed to breed ad infinitum. I find that totally irresponsible and the reason this movie gets 4 stars instead of 5.

CORNY!
One of the WORST films by Disney is this "101 Dalmations", which is a live-action version of the original cartoon movie & is nowhere near as good. All it was is just a retelling of the story obviously, but very little excitement and fun, bad acting and cheesy, cheesy, cheesy special effects. (not to mention the jokes sucked!) It is also TOO short! They could've added in more and it would've been better but it all ended too soon. Disney is really going downhill with these sequels and remakes and I suggest that they STOP now!! How anybody could like this film is beyond me! This is the stupidest, crappiest movie remake ever! Save your money and buy the original cartoon version instead cause it's 100% better than this smelly pile of dog crap! Your kids will also like it more.

A dog's life
Don't expect this type of overacting Disney movie that can be a sweet movie. It was pretty funny. It will be better than the second movie 102 Dalmatians.

Calling all dogs, we must find the puppies!
We purchased the cartoon version at our first opportunity, and this has been a heavily watched movie by our kids, especially when they were pre-kindergarten. This is still my 6 year old daughters favorite movie and the family voted it #8 of 41. Not quite up to the production standards of other Disney movies, this one was popular with all 5 children and is very watchable with repeat viewings. It narrowly beat out Fox and the hound for the 8th spot.

Cruella De Vil sees the 15 puppies of Pongo and Perdita and decides that she needs to make a polka dot Dalmatian coat with their fur. Her henchmen kidnap 86 puppies from around London and with these 15 she has 101. Pongo and Perdita call upon their doggie friend to search for the lost pups in hopes of engineering a rescue.
We had a lot of fun by gathering the family together to rank the 41 Disney movies we have that include some cartoon work. All the kids, ages 6 to 27, participated along with mother and dad. Peter Pan is no Codfish, we rank it #2. Lion King was selected number 1 of the 41 as the family favorite, but narrowly. Peter Pan was 2. Pete's Dragon 3, Beauty & the beast 4, Sleeping Beauty 5, Snow White 6 and Robin hood 7. These 7 movies all received a 5 star rating from us and complete our magnificent 7. ... Read more

Reviews (19)

"SPRINGTIME, LOVETIME, MAY"
So ends the haunting refrain of Sigmund Romberg's lovely "Will You Remember?"--the signature song of his wartime hit "Maytime." Otherwise known as the Sweetheart song ("Sweetheart, sweetheart, sweetheart..."), this song of songs is the recuring theme of this 1937 MGM musical masterpiece.

The screens own singing sweethearts, Jeanette MacDonald and Nelson Eddy were at the peak of their vocal powers and this opulent film was their crowning victory. Miss MacDonald claimed this as her own personal favorite.

Marcia (Jeanette), an American opera singer in Paris, and Paul (Nelson), an American voice student, fall hopelessly in love in a chance meeting followed by an enchanting outing at the Maytime festival. Unfortunately it is too late, for she has just accepted the proposal of her egocentric voice teacher, Nicolai, (marvelously played by John Barrymore). Separated for years, the sweethearts are finally reunited as Paul now has an international career of his own. They are paired for "Czaritza", an original MGM confection skillfully using Tchaikovsky's infectious Fifth Symphony", but Nicolai's jealousy ultimately leads to tragedy.

As the film opened with the aging Marcia Mornay reflecting back on her illustrious career and upon her unfulfilled love for Paul, so does it end. Life slips peacefully from her frail body as her spirit is once again united with her lifelong love, who had gone before her, and the two of them stroll longingly down their celestial lane as apple blossoms fall blushingly to the ground. This is one of the most poignant scenes in cinematic history. The music is glorious--almost beyond description. The costumes and sets are lavish in style and detail. "Will you remember?" Indeed you will! This is a joyous reminder of the nostalgia and happiness we feel each year in "Springtime, Lovetime, May."

A MUST SEE FOR MAC & EDDY FANS!
Maytime is the best movie this duo ever made. Unlike some other movies of theirs together this one isn't cheesy. The plot line is great, the romance is beautiful, the acting fantastic, and the music gorgeous! Plus it's a great tear-jerker. Watching the love bloom between Marcia (Mac) and Paul (Eddy) is as entertaining and romantic as ever. John Barrymore does a superb job as Marcias obsessed voice teacher. He definately makes you hate him. And no matter what anyone says the ending makes the whole movie! It wouldn't be Maytime without it. And even if you don't like the ending, the movie is worth watching just to see Nelson Eddy sing "Ham and Eggs" or the Prima Donna song. It's such a shame that Hollywood doesn't make good movies like this anymore.

My Favorite Movie
For many years, I would watch this movie on TV every May 1st.I would wake up in the middle of the night to feel the emotion and joy of Marcia and Paul in love. Now that I have it on VHS, I can watch it as often as I wish.
They do not make love stories, nor musicals like this any more.It is a classic. It moves me every time I watch it. And when they sing at the fair "Sweetheart" I get very tearful.
Thank you Jeanette and Nelson, for making this beautiful film.

More than happy
When I bought this vhs, I was not expecting such a quality in sounds and clearness. This film was made in the 30 after all. And what made me happier is that the story keep us awakened from the beginnig till the end. The lovely voice of Jeanette MacDonald is an enchantment in all the opera'a arias she sings. Nelson Eddy is also good, but not enough to be the opera singer they expected from him. But what a story! And, woudl it be only for Jeanette lyrics and her fascinating eyes, it is worted more than the price I paid for it. Three times BRAVO!

THIS IS ONE OF THE BEST MUSICALS I'VE EVER SEEN!!!
Though usually I don't like to watch anything of this sort I enjoyed the thrilling plot. It was wonderfully acted and is one of the best videos I've seen from the 1930's. ... Read more

Reviews (142)

A sumptuous Renaissance feast!
Franco Zefirrelli's 1967 film was revolutionary in using teenaged actors to play the two most famous lovers of all literature. Olivia Hussey is heartbreakingly beautiful, a vulnerable and courageous Juliet, while Leonard Whiting's poetic good looks make him a sensitive and appealing Romeo. Zefirrelli's career as an opera director is put to spectacular use here--each scene is meticulously crafted to be an exact replica of the Renaissance. Stunningly beautiful clothing, jewels, furniture, food, glass, sculpture--it is an overwhelming feast for the eyes. The preserved medieval towns of Tuscany, and the lovely Borghese palace where the balcony scene is set, give the film the look of an animated Renaissance painting. Zefirrelli took some liberties with Shakespeare's original script for the sake of brevity, but unless you are a die-hard purist, this is a minor flaw. I saw this film a dozen times in the theater, and never without the sound of girls weeping by the end--I was often one of them. Leslie Howard was a better actor, and Leonardo DiCaprio/Clare Danes more modern, but if you love beauty, this is THE quintessential Romeo and Juliet on film. END

Zeffirelli's Quintessential Version! Every Aspect Excellent!
This is THE must see version of Romeo and Juliet. Zeffirelli's 1968 masterpiece stars 17-year-old Leonard Whiting and 15-year-old Olivia Hussey with great music by Nino Rota. Filmed "on location" in Italy this version also has the fingerprints of the 1960s all over it, from moddish long hair, the debut of Michael York as Tybalt, John McEnery as Mercutio, the lush balcony scenes, the nude scene, and an emotional intensity throughout. McEnery brings just the right comic touch to the comi-tragedy and screenwriters Franco Brusati, Maestro D'Amico, and Zeffirelli keep true to Shakespeare with a take on the story that's easily accessible to a wide audience, thereby making this one of the most popular films of the '60s.

Especially effective is the ambiguity of intent of the Tybalt-Mercutio duel, and the overall editing of dialogue just enough to keep it succinct and believable yet retain the poetic and philosophical virtuosity of the playwright's playwright. The music is used effectively and as it rises during the love scenes it's a manipulation that's an enhancement to rather than distraction from the emotion--a rare successful pull-off of this. And that balcony scene is extraordinary, the lush dark atmosphere, Romeo's giddiness, Juliet's beauty...I believed it.

Milo O'Shea (who later played the Judge in "The Verdict") does a believable Friar Laurence and Robert Stephens (I)(with a long list of Shakespearian roles to his name) an intensely serious Prince of Verona. It's hard not to fall in love with Olivia (watch for her new film role as Mother Theresa).

Some bits of trivia: Before 1968 Romeo and Juliet was not generally taught in US high schools and this film's popularity changed all that as most of you reading this had it in high school. Michael York turned down the role of Oliver in Love Story--one may read into this he felt it was a poor man's Romeo and Juliet...just a thought. Also Olivia Hussey briefly dated Prince Charles. And here's the clincher: Paul McCartney got the original offer to play Romeo. I'm glad he turned it down, as Whiting is perfect here. And for those who wonder, the story did not originate in historical fact, though one may wish it so. The story came from mythical legend starting in 5th century Greece, later evolving into "The Tragical History of Romeus and Juliet" translated into English in 1562 by Arthur Brooke and originally written about 1530 by Luigi da Porto., 'til Shakespeare got a hold of it (circa 1594) and breathed into it the life that will last as long as humanity does most probably.

This towers over the 1st film version with a 34-year-old Norma Shearer and a 43-year-old Leslie Howard, and as for the 1996 mess sorry guys; American accents, present day gang violence, over-the-top overacting, LA locales, and Leonard DiCaprio do not great Shakespearean tragedy make. This 1968 one is the one to see over and over.

Excellent movie...Great actors
Watching this as part of a highschool assignment, the teacher only allowed us to watch about 15 minutes of it. When I saw it playing on cable, I sat down to finish it. This, I must say, is the best version of Romeo and Juliet. In the '68 version The actors are young and even though it was made in '68, you can relate to them in this day. The acting is superb, no one better could have been picked for the parts. It was a real tearjerker. Not to mention the soundtrack...the songs were just amazing to hear. Just watch the movie once, you'll fall in love with it.

The Defintive R & J
I could watch this version of Romeo and Juliet over, and over, and over. The performances are dead on, especially John McEnry's turn as Mercutio (you understand the reason why he's killed off: people would have cared more about him than about the tragic heroes if he'd been around too much longer!). I would advise teachers, however, that this is not the first version they show students of the show. While most ninth graders read this play, the giggling that can abound in a classroom watching Romeo in tights often distracts from the meaning of the film.
So, for with the exception of ninth graders, this is the Romeo and Juliet to see.

Zeffirelli and Shakespeare: A Perfect Match
There is nothing worse than bad Shakespeare but not to worry here-- Franco Zeffirelli and Shakespeare come together here in a lavish, opulent production of ROMEO AND JULIET, just when we thought there was nothing fresh to say about them. Zeffirelli has broken new ground by casting Leonard Whiting, who is 17, and Olivia Hussey, who is all of 15 but looks even younger, in this timeless classic story about "star-crossed" lovers. With the possible exception of some parts of the musical score-- although much of it soars-- this film is as good today as it was when first released in 1968. (The musical theme was beautiful the first 50 times I heard it on the radio. Then it became trite.)

There are no bad actors here. In addition to the two lovers, Michael York as Tybalt and Pat Heywood as the nurse give outstanding performances, just to name two. My only negative comment about the acting is that Romeo always seems to run to and from an event or meeting; he never walks. Perhaps that is what a seventeen-year-old, testosterone-laden lad does, however. On the other hand, Romeo and Juliet's tragic story is completely believable and will put chills on your spine. Additionally, the dance scenes and duel scenes are quite wonderful. The wardrobe department got everything right as well.

A word about the language-- it goes without saying that Mr. Shakespeare is and ever shall be the greatest writer in English. Hearing his words again is a transcendent experience. ... Read more

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Louis L'Amour's easy voice with its gentle rhythm sets the tone and pace of the film in a spoken introduction to this loping, rambling three-hour-plus TV-movie adaptation of his novels The Daybreakers and Sackett. Sam Elliot stars as the elder Sackett, a nomad hunting and trapping in the mountains who happens upon an ancient treasure. Tom Selleck and Jeff Osterhage are his younger siblings, forced to leave home to avoid a Hatfield and McCoy situation. As the Sackett brothers wind their way across the Midwest prairies and mountains we join them on cattle drives and gold hunts, in gunfights and fistfights, and in a climactic showdown as they find their place in the world. This 1979 film rambles and meanders like a lazy river winding through a beautiful landscape of peaks and plains and forests, punctuated by the occasional gunfight and enlivened by a story that celebrates both the open range and the taming of the towns. Elliot looks almost young but flashes his savage eyes behind a thick black beard, while Selleck's easygoing manner is backed up with a stony-faced determination. The excellent cast includes a veritable who's who of Western character actors: Glenn Ford, Ben Johnson, Gilbert Roland, Gene Evans, Jack Elam, Slim Pickens, L.Q. Jones, Mercedes McCambridge, and Pat Buttram. Followed in 1982 by The Shadow Riders, which reunited the three stars and even a few members of the supporting cast in a tale of three different brothers. --Sean Axmaker ... Read more

Reviews (8)

The late Louis L'Amour wrote this

This is a three hour, two disk barn burner. The late Louis L'Amour (Lamoore) wrote half a library full of Westerns and a few contemporary novels. He churned them out like there was no tomorrow, but he knew of what he wrote. He had been a cowhand, miner, merchant seaman, circus roustabout and a few other things. I think that he said he'd been a U.S. Marine, too, bless his heart. He did the narration on this film.

L'Amour did a bunch of books on the Sackett family of Tennessee, and this is a sort of compilation of some of them. Tell Sackett is the oldest brother (Sam Elliott), Orrin is the middle one (Tom Selleck), and Tyrell was the youngest (Jeff Osterhage). All played their parts very well. The bad guys included (but were not limited to) Jack Elam, Slim Pickens and L.Q.Jones. Mercedes McCambridge played Ma Sackett. Gilbert Roland played a Spanish (read Mexican) land-owner who the anglos were trying to push off his land in the new territory of New Mexico.

I liked the way everyone played their parts, but particularly Sam Elliot, when he was strolling drunkenly down the main street of Pugatorie, singing quietly to himself in his deep bass, "That's the way she goes, first your money and then your clothes..." just before he caught the guy who was trying to roll him, and shaved him with an Arkansas toothpick with a foot-long blade. Shaved his mustache clean off!

This is a wonderful L'Amour Western. I hope you like it as much as I did.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

KILLIN DONT MIX WELL WITH A MANS SUPPER BUT THIS MOVIE DOES.
THIS TV MINI SEIRES MAY WELL BE THE LAST GREAT ROUND UP OF WESTERN CHARACTER ACTORS, AND WHAT A LOSS THAT IS.
THE SUPPORTING CAST READS LIKE A WHOS WHO OF COWBOY GREATS; SLIM PICKENS, JACK ELAM, BEN JOHNSON, GLENN FORD, BUCK TAYLOR AND OTHERS, MOST OF WHICH HAVE GONE TO THAT GREAT CORRAL IN THE SKY.
CONTEMPORARY ACTORS SAM ELLIOTT AND TOM SELLECK STAR IN THIS STORY OF BROTHERS DISCOVERING THE AMERICAN WEST AND EACH OTHER IN THE PROCESS.
BASED ON LOUIS LAMOURS NOVEL "THE DAYBREAKERS" 'THE SACKETTS'
IS A CLASSIC SHOOT EM UP WITH ROMANCE AND SUSPENSE THROWN IN FOR GOOD MEASURE.
THE DIALOUGE IS GREAT, ESPECIALLY THE SCENES WITH SAM ELLIOTT.
AS ELLIOTS CHARACTER ENJOYS A STEAK WITH FELLOW PROSPECTOR BEN JOHNSON, A YOUNG UPSTART GUNSLINGER INTERUPPTS CHALLENGING THEM TO A WALK DOWN.
WITHOUT LOOKING UP FROM HIS PLATE ELLIOTT WARNS THE WANNE BE OF THE CONSEQUENCES OF PUSHING HIS LUCK.
BUT THE PUP IS INSISTANT TO WHICH ELLIOTT REPLIES, FINALLY LOOKING AT THE KID."YOURE FIXIN TO MAKE ME TAKE HOLD OF THAT PISTOL (WHICH SITS ON THE TABLE) AND THEN ILL HAVE TO KILL YA.....AND KILLIN DONT MIX WELL WITH A MANS SUPPER."
IT DONT GET ANY BETTER THAN THAT.
GLENN FORD PLAYS CONVINCINGLY AS AN EX LAWMAN GUNFIGHTER WHO BECOMES OBSSESSED WITH HATRED AND DIES BECAUSE OF IT.
THE ONLY DOWNSIDE TO THIS HORSE OPERA IS THE 1979 T.V. CINEMATOGRAPHY WHICH LEAVES A LOT TO BE DESIRED. OTHER THAN THAT IT IS TOP NOTCH WESTERN ENTERTAINMENT.

Response to Disappointed
I am watching a very fuzzy VHS recording from the early 90's and basically all I am getting is the audio, I decided I wanted it all and visited this site to purchase a copy of the video (hoped DVD) and encountered this review which I couldn't resist responding to. The movie follows what I remember of the L'Amour books (about to pull out of storage) which took their own sweet time in describing the characters & scenery. I admit, I didn't watch the whole recording, but from what I heard I thought it followed true to tradition, as well as a movie could.
Tim.

Disappointing.......
I've had this video for several years, and watched it again last night, after a break of about a year. I am a die hard fan of both Louis L'Amour books, and western movies, and thought a Louis written movie with this strong a cast would be totally first class.

Wish I could say it was. It's too long by about a third, which gives it a plodding, almost boring feel in places. It's obvious why this excessive padding had to happen. This was a TV project, not a theatrical movie, and they had to make it long enough to cover two nights viewing. With a few exceptions the actors seem to be pretty much just going thru their paces, waiting for somebody else to seize the moment. The one exception to this was Glenn Ford - he did a superb job. Of the other actors, Sam Elliot was probably the most believable.

The movie is very predictable for the most part. The obligatory love interests for all 3 Sacketts, for example. Then there is the final showdown: 3 good-guy brothers, with best buddy, take on the bad guy brothers, accompanied by numerous backup bad guys. In and around the livery stable, no less. Did the Sacketts change their first names to Wyatt, Morgan, and Virgil, with Doc thrown in for good measure? Then all four good guys stroll triumphantly down the street, side by side. Couldn't see Gary Cooper anywhere, tho.

Also a good part of the script is devoted to building up the racist, rich Anglo as number one bad guy, and the suspense builds as he prepares for war against the Spanish speaking citizens of Santa Fe. Then a couple of his hired guns sing like canaries to Sheriff Sacket and racist rich Anglo bad guy is meekly led off in handcuffs by the Feds, and this entire plot switcheroo happens and is over within about a minute. Soaring plot line ends with a resounding thud. And his more beautiful than life blonde daughter? One of the Sackett love interests? What happens to her? Left standing on the sidewalk as daddy is led away........ Hollywood abandoning a damsel in distress? Heresy.......

Most disappointing, tho, for me, was the lack of attention paid to historical accuracy, especially for a Louis project. Model 1873 and 1892 Winchesters in 1869? Don't think so.....

It IS well filmed, with gorgeous settings. All in all, this is an ok movie, but could and should have been so much more.

The Sacketts
I personally knew Louis L'Mamour and have ever book that he has ever written. The reason I'm trying to order this video now is because I have litteraly worn out the original I got when it first came out. I also have all the other videos that were based on his books but I feel like The Sacketts was on to the best based on his book. From the Four Corners where most of his books were written about an avid fan from Southwest Colorado. ... Read more

Amazon.com essential video

There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys on the cover of Toy Story looks intriguing, reawakening the kid in us. Filmmaker John Lasseter's shorts (namely Knickknack and Tin Toy, which can be found on the Pixar video Tiny Toy Stories) illustrate not only a technical brilliance but also a great sense of humor--one in which the pun is always intended. Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.

Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

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Reviews (81)

Toy Story
1995's "Toy Story" was the first feature length film generated entirely by computers, and Pixar's first dive into theatrical films. The movie opens as young Andy turns 7. The undisputed leader of Andy's toys, a 50's cowboy doll named Woody (Tom Hanks), finds himself challenged by the new toy on the block, "space ranger" Buzz Lightyear (Tim Allen). When Woody's plan to get rid of Buzz backfires, the two find themselves lost in the suburbs. Woody and Buzz relize they have to work together to get back to Andy's, and they eventually become the best of friends. The humor and animation is terrific, and a great start for Pixar. This lead to several other successes, such as A Bug's Life and Finding Nemo.

Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.

The Secret Lives of Toys Revealed
"Toy Story" is a modern fairy tale created with appropriately modern computer animation. Its snappy dialougue will appeal to adult viewers, the spectacle of fantastic toys coming to life will appeal to children, and adults may wax nostalgic about the toys they enjoyed as children, several of which are featured in this movie.
The story revolves around a cowboy doll named Woody, and his imminent replacement as the favorite toy of his owner, Andy, by Andy's new Buzz Lightyear doll, a multigadgeted gift that Andy receives for his birthday.
Tom Hanks'personality shines through in the persona of Woody, and Tim Allen's voice lends the right amount of charisma to Buzz.
In the process of forming an eventual friendship, the characters go through a lot of antagonism and a lot of other real human emotions. As they prepare for life in a new home, they are imperiled by the sadistic kid next door named Sid, into whose clutches they fall by accident.
It's entertaining to watch the toys interact with each other.
Buzz gradually learns that he is simply a child's plaything and not the noble space crusader he fancied himself to be in the beginning, and Woody learns to share his special place in Andy's heart. A great supporting cast including Annie Potts as Woody's sweetheart, Bo Peep, Don Rickles as Mr. Potato Head, Jim Varney as Slinky, Wallace Shawn as Rex, John Ratzenburger as Ham, and Laurie Metcalfe as Andy's mother help fuel this tale.
Seeing this innovative film made me want to buy dolls of Woody and Buzz as collector's items. But I am content with just a copy of this movie. The second installment of the "Toy Story" saga is an enhancement of the first one, and just like the first, nothing short of delightful.

Original and fun for the whole family!
This movie took me by storm when I saw it back in the summer of 1995 at the theatres and let me tell you, this movie is still one of the best computer animated movies of all time. In fact this movie shattered new grounds back in 1995 by not using drawing cel animation and instead this movie is the first of an unbroken chain of computer generated animated movies that has continued to date with "Finding Nemo".

The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules.

This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.

Computer animation wow. 16th april 2004.
The toys are great, the graphics and scenery is too. The collectables are boys mostly but the film is ace for anyone. The 3D toys look real, the colors are excellent[like finding nemo]. The talking toys are all friends, and they live with their owner andy.

Hit Me With Another One!
Give me another Toy Story and while your at it lets go for a 5th. Wow lets see...Tom Hanks and Tim Alan...Pixar and Disney...Go get it or miss out! ... Read more

Amazon.com essential video

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defense of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbor Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon ... Read more

Reviews (220)

EVERYONE SHOULD SEE THIS MOVIE
Truman Capote's influence is felt everywhere in both the book and film versions of TO KILL A MOCKINGBIRD, Harper Lee's classic, beautifully haunting story of childhood, innocence lost, and of the cruelty that exists in people everywhere. Yes, Gregory Peck is Atticus Finch, and all of the players here inhabit their roles with grace, humor and gravity, but it is Mary Badham as Scout who steals the show, as it should be. The simplicity of a father's touch, of a rapist's grimace, of the wind gently blowing through the trees at dusk -- everything in this movie evokes, from Scout's point of view, a time we each have in our lives that transforms us into adults. There comes with it an aching sadness -- as if saying goodbye to a comforting old friend -- but the revelation carries with it a profound joy. Elmer Bernstein's score realizes each emotional chord of the film, and transports us without ever lambasting us -- it is the best kind of movie score. You will be hooked from the opening credits, which are creatively brilliant -- those crayons, the haunting and beguiling theme softly begins on the piano -- through to the closing credits, at which point there will be well-earned tears softly falling down your cheek.

The Summer We Discovered Life
Every so often, as surely as night follows day, a film comes along that manages to transport us from our everyday lives and into a time and place that is recalled through memories of better and in a reversal of fortunes, turbulent times. To Kill A Mockingbird is such a film.

In a Pulitzer Prize winning novel by Harper Lee, the small town of Macomb, Alabama is portrayed in the summer of 1932, during the deepest depression that the United States had ever experienced. Over the course of the next year and a half, events will burrow inside this sleepy southern town and the lives of its residents will be transported by actions, ideas, perceptions and convictions that will influence one and all in ways that will ring true for years to come.

Atticus Finch (Gregory Peck) is a lawyer and widower, raising two small children, Scout (Mary Badham) and her older brother Jem (Phillip Alford). Into their lives enters a visitor, Dill (John Megna) from Meridian, Mississippi, come to spend two weeks with his Aunt Stephanie (Alice Ghostley). Macomb is a town with nothing to do and if there were, no money to spend on it. The stage is being set for a life shattering episode that will not go quietly into that good night.

Childhood holds its fascinations, its myths, its coming of age and through the eyes of the three children, the audience is allowed to peer into the adult world around them as perceived through the minds and souls of innocence that will be all too easily shattered as time whistles down the track. One of the stories woven so masterfully within its covers is the local urban legend of bogeyman, Boo Radley (Robert Duval), who lives on the same block as the Finch family. In a narration, rather like playing telephone, his persona takes on all the familiar attributes of a raving lunatic, a monster out for blood. His aura becomes the end all for Scout, Jem and Dill as they seek to master the mystery surrounding Boo and the ability to live to tell the tale!

Into this world of innocence, a shattering crescendo of complexity wraps itself in the lives of the townspeople in the form of an alleged rape of a white woman, Mayella Violet Ewell (Collin Wilcox) by a black man, Tom Robinson (Brock Peters). Atticus Finch is called upon to act as counsel for Robinson and in doing so, the stage has been set for a dance with race relations and the exemplary lengths that are gone to in order to allow justice to prevail in the face of malcontent.

The performances throughout To Kill A Mockingbird are stunning. Gregory Peck, as the gentleman lawyer, mired in small town attitudes and thoughts that were so representational in the southern gothic sphere, has collected and held a restrained order to his character, and in the process, he has allowed us all to be on the receiving end of hate as conveyed through the actions of small minds and small people. The children, especially Mary Badham, are siblings of more than a movie making venture. They show the absence of preconceived notions, and the guile of beings before the actions of adults can render their world as lost and gone with the shedding of time.

James Anderson as Tom Ewell is the complete representation of oily slime as Mayella's father. He embodies all of the hate and prejudice that continues to be harboured to this day in the souls of those who would attempt to wield their vision of the way things should and ought to be. He has a foul baseness that lingers like a bad rash as he attempts to invoke his arguments through drunken bullying and hatred. Collin Willcox as Mayella is excruciatingly convincing as the bored, housebound white woman who tries to tempt Tom Robinson into kissing her and through her actions sets in motion a rollercoaster of tragedy to come. Her speech to the assembled courtroom is superb and as the audience, you feel her anger and resentment at having to be put in such a position, having to lie to save face and what little position she has in the town. Brock Peters as the aforementioned Robinson is equally sure in the allotted time he spends on the screen. There is a noble demeanor to his bearing, and yet we are aware of the restrictions that blacks were held to in their relationships with whites at the time.

Robert Mulligan, the director and Horton Foote, the screenwriter, have presented us with a look into our pasts and faithfully etched a portrait of quiet and artfully rendered proportions that draw us into the canvas and the lives of those assembled. We have walked a mile in their shoes and been under their skin. Foote worried about being able to do justice to Lee's novel, but he worried for nothing. He has completely evoked an era that now rests behind clouds of dust, blown by the winds of time into oblivion.

The cinematography by Russell Harlan and the set decoration by Oliver Emert carry us back through the courtesy of black and white to a depiction seen only in old photographs and clouding memories of those who lived in those precarious times. Black and white films seem to have had a curse thrust upon them by the younger generation today, as boring and tedious, but through the courtesies extended by Harlan and Emert, we are richer for those perceptions that would harken back throughout the pages of history.

Elmer Bernstein's film score carries us like an old friend and helps us to make our acquaintances with the characters held within this framework. He has achieved much with a simple theme and persuades us that said simplicity is fulfilled with less rather than more.

To Kill A Mockingbird is beautifully haunting and having been made in the 60's, at the height of the Civil Rights movement, it garners our attention to stop and take the time to truly 'see' what the human race is all about and what it can and should be, if taken over the bumps in the road and onto a path of sincere honesty and purpose. No special effects were needed, no huge Hollywood budget, no splashing of a story that had a happy ending for everyone involved. It is an open book into the realities of a world tilting temporarily off its axis, and being brought back on track through the goodness that sits in the hearts, minds and souls of mankind, if given half a chance.

See it and be amazed at what real moviemaking is all about.

Destruction of the innocent by the evils of the society
Destruction of the innocent by the evils of the society
Kuldip Kumar Garhwal

"Mockingbirds don't do one thing but... sing their heart out for us. That's why it is a sin to kill a mockingbird." The movie 'To kill a mockingbird' depicts the destruction of the innocent by the evils of the society. Mockingbird is a symbol of innocence, characterized by Tom Robinson and Arthur Radley (Boo) where racial prejudice and ignorance are the symbol of evils in the society.

Tom Robinson, an African-American is accused by Mayela, a white woman, of sexual molestation. Atticus, a prominent lawyer of the town Maycomb, has proved that Tom Robinson is innocent but still the "all-white jury" convicts Robinson of the guilt. Tom Robinson, a "quite humble respectable Negro", becomes the victim of racial prejudice. Arthur Radley (Boo) has been emotionally destroyed by his father, as his father did not let him step outside the house. Boo is one of the "mockingbirds" in the story, who is the victim of ignorance; evil of the society which is trying to kill the good. Boo had a deep affection for children, which is later displayed in the story, when Boo saves Jim and Scout from Bob Ewells.

"There are some men in the world who are born to do unpleasant jobs for us; your father is one of them", said Maudie to Jim after his father (Atticus) lost the case of Tom Robinson. Atticus helped his children to learn values of life and he showed them how to live life by the values; preaching by practicing. Atticus allowed his children to call him by his name instead of 'father'. He wanted his children to explore freedom, but also taught them to stay in limits. Jim is brave, intelligent, and caring. He learns courage, dignity, and value of life from his father. He is transforming into adulthood.

Scout is still a kid; she does not know anything about the existence of evil in the society. She is learning about evils from the real life example of the victims (Tom and Boo) of the evils in the society. By the end of the story Scout's perspective on life develops from that of an innocent child into that of a near grown up. "Mr. Tate was right", said Scout to Atticus, after Mr. Tate, the town Sheriff explained Atticus indirectly that whatever Boo did was correct and he is not supposed to be punished for that. "It would be like shooting the mockingbird, wouldn't it." Scout shows a high level of ability to comprehend at the age of five, and understands the whole situation and judges what is right and what is wrong.

The Music Director of the movie has done an excellent job. Music plays an important role in the movie, by setting the mood for what is been screened. The movie starts with a musical note, which seems like it is played by a kid, one note at a time. The movie also has gothic music to create the horrifying or thrilling environment, when Jim and Scout were walking home after the Halloween Party and they had an encounter with Bob Ewells. Most of the places the movie has melancholy music to produce the feeling of thoughtful sadness. The pleasant arrangements of musical notes in the movie create an atmosphere where we feel that we are a part of the movie, and we go back into our nostalgic memories and look back into our childhood. The movie itself seems like a mockingbird song.

My favorite scene in the movie is when Atticus is walking out of the courtroom after the trial is over and all the "colored" people sitting in the balcony stands up to pay respect to Atticus, a white man, who tried his level best to save a "Negro." The Reverend says to Scout who was sitting, "Stand up Jean Louise. Your father is passing." The scene says it all, there is not much dialogue but the expressions on the faces of the black people was marvelous, with a slow melancholy music at the background. As it this situation there is nothing left to say, because everyone knows in the courtroom that Tom Robinson is not guilty but still the jury has convicted him of the rape, just because of racial prejudice.

_____________________________________________

Kuldip Kumar Garhwal(...)

To Kill a Mockingbird is like a sin
'To Kill A Mockingbird' is of course the movie adaptation of Harper Lee's movie with the same title. Gregory Peck is a lawyer in rural Mississippi who is asked to defend a black man accused of raping a white woman.

The movie starts however with a seemingly unrelated event, the lives of Atticus Finch's two children. His daughter is a tomboy and his son is trying to keep her from getting into more trouble. The stumble upon some strange items and look at the house of a strange man called Boo Radley.

Then the movie goes into the court case. It is of course very obvious that the black man is innocent, but this is 1930's South with an all white jury...

Then the two parts of the movie come back together again...

The acting in this movie (in black and white) is superb. I recall that Gregory Pecks perfomance was voted the best of the century. Even the little girl is superb, she even got a nominatation for an oscar. Boo Radley is played by Robert Duvall, though he says next to nothing and is only in the movie for a few minutes. He of course 10 years later would play Tom Hayden in The Godfather. For Star Trek fans: Tom Robinson, the black man accused, is Sisko's Father of DS9

Its children¿s world that evolves with racial prejudice
We shall say "To kill a mockingbird" is a classic of the century that unfolds reality into film with profound simplicity. Its character development along with the approach of realism supersedes many contemporary works of literature and film. The historic flavor of the film creates an impression of a southern community of America during the great depression. Apparently the quintessential theme of the movie is the social stigma and prejudice. We see conflicts between the blacks and whites in the same community where justice has upheld my one of the central character called atticus.

Tom Robinson, a black guy living in the same town called Mayconb was one of the central characters in the movie has been accused of raping a white woman. However, eventually he was convicted as guilty of charge and subjected to unfair justice system by the ignorant majority that have taken part in the jury. But there were other themes that also have significance to its crafts also. Its amazing reality of children's life that is so universal. It created a reality of vividing contention that helps the viewers to understand how the children see and think about the world. It also calls into attention of the activities that children by their vary nature involve in a family. For instance, Scout and Jem who are the central characters have enormous interests in scary yet joyful venture to Boo Radly's house even after being forbidden by their father. It was also important to observe how the children have collected gifts from the tree given by a isolated guy who they never been acquainted with.

The phenomenal curiosity of children is almost inescapable from the viewer's notice in the movie. They were inquisitive in every detail of what has been happening around them. That gives us the idea of their emotional reopens to the world and family relationships. As you will see, if you watch the movie, their father atticuls who has been a significant moral authority to them. He has great influence on how they develop the ideas of people and differences of good and evil that remain in their fantasy world.

The story of the movie has a unique way to tell you about a community and what is going on to its families. It takes us to the journey to reflect on our own childhood fantasy world and the adventures that still remains in our mind a thrill. ... Read more

Amazon.com essential video

The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine ... Read more

Reviews (109)

Indiana is back, and this time he's brought his dad along!
"Indiana Jones and the Last Crusade" is what I think the best of the three Indiana Jones movie. And one of the most important reasons for this conclusion is not just that it has Harrison Ford doing absolutely great, it has legendary actor Sean Connery as Indy's dad.

Harrison Ford is Dr. Henry 'Indiana' Jones, Jr. When he is asked by Walter Donovan (Julian Glover) to help go in search of the mystical Holy Grail since one of his main archaeologist has disappeared, he refuses. But when Indy is told that the missing man is his father, Professor Henry Jones, Sr., (whom he has rarely spoken to in 20 years), Indy, along with the help of friend Marcus Brody (Denholm Elliott) and Dr. Elsa Schneider (Alison Doody), try to rescue his father from... who? Can it be the mysterious men who are trying to stop him from finding the Holy Grail? Or is there more to just finding his father and the Holy Grail than meets the eye? Indiana discovers that you can't trust anybody when dealing with power seeking men who want to use the cup of Jesus for evil.

The best Indiana Jones movie AND action/adventure movie!! And the script and plot is just perfect, with plenty of lines which are just so funny! The first part where they have 'young Indiana Jones' played by River Phoenix was lots of fun, too. I like it where the explained some things like how Indy got his famous hat. "Everyone's lost but me..."

My favorite parts are when Indy 'rescues' his dad but instead has to escape from the bad guys when he is caught himself and whenever Indy and Dr. Jones are arguing. One thing though is that I didn't think much of Alison Doody as Elsa. Yeah, she was real greedy and everything but I still like Karen Allen as Marion Ravenwood in the first Indiana Jones movie, "Raiders of the Lost Ark". And of course John Williams score is just terrific. I can probably hum the whole Indiana Jones theme song!

For those of you who haven't seen this movie, well, I'm telling you to put it on you 'must see' list!

"We Named The Dog Indiana!...."
Steven Spielberg and George Lucas were back along with Harrison Ford for this 3rd and final entry in this incredibly successful and beloved trilogy of films. The film was released in the summer of 1989, which was a tough summer. Batman, Ghostbusters 2, Lethal Weapon 2, Licence To Kill, etc. Indy held his own for the last time. The film is set in 1938, Indy is battling nazis who want to find the holy grail. This time around, we are joined by two characters who were seen in "Raiders", but not in "Temple Of Doom". Those characters being Marcus Brody(played by Denholm Elliot), and Sallah(played by John Rhys-Davies). But, the most interesting character is Indiana's dad, who is played by the perfect and hilarious Sean Connery. Who better?. The dialogue between Indy and his dad are comic gems. Allison Doody(nice name)is along for the ride as the token babe. This film definitley got back more to the adventure of "Raiders". "Temple" was a little dark and violent, and this film has steered away from that. The action is expertly filmed, and Spielberg, as always, has a keen eye of direction and scenery. Once you hear the opening notes of Indy's trademark song, you instantly get shivers up your spine. River Phoenix appears in the opener as Indy as a teen. As for the rumored Indy 4, I kinda hope it happens and I kinda don't. It would be great to see another Indy film, but will it be the same without thinking that Harrison will be in his 60's by then?. I guess we'll see. Anyways, this is a wonderful entry in the series. Check it out.

Tjhe third film is also the best!!!!!!!!
A huge improvement over The Temple of Doom,The last Crusade is not only better(FAR BETTER)than the second,it is also in my opinion a even better film than Raiders of the Lost Ark!!!!!!! The story is the best of the three,the action scenes are terrific,and the acting,especially from Harrison ford and Sean Connery,who steals every scene he's in as Indy's Dad,is amazing.Overall,if you liked the first film and hated the second,The Last Crusade will please you more than the second and maybe more than the first! Note:Despite the PG-13 Rating of this film(the first two were both PG),this film is not nearly as graphic as the second.

Keeping Up With The Joneses
"The quest for the grail is not Archeology. It's a race against evil. If it is captured by the Nazis, the armies of darkness will march all over the face of the Earth."
- Henry Jones Sr. reminds his whip wielding son how important the last crusade for the Cup of Christ is in "Indiana Jones and The Last Crusade".

The third entry in the adventures of Indiana Jones, aptly titled "Indiana Jones and The Last Crusade", is a lot light hearted than "The Temple of Doom" and its dark heart, and is more in the spirit of "Raiders of the Lost Ark" but can't outmatch it.

Three years after the events in "Raiders", Indiana Jones is on a quest to find his missing father after finding out he's been abducted by sinister forces. For most of his life, Indiana's father, has been researching and trying to locate The Holy Grail. If Indiana finds his dad he also may have found The Holy Grail.

After Seventeen summers, since its 5/24/89 release, the film is still fun to watch. The cast is great, especially Sean Connery as Henry Jones Sr. I can't imagine anyone else for the role. The chemistry between Connery and Harrison Ford is what makes the "Last Crusade" a stand-out crowd pleaser. Denholm Elliot expands on his role from "Raiders" as Marcus Brody, adding some goofy comic relief as the bookish curator out of his element. Of course it isn't an "Indiana Jones" film without Harrison Ford as the title role. This a classic example of a film character that is so legendary, that it would be fruitlessly idiotic to have the character be recast with another actor. In other words I really can't see Tom Selleck as Dr. Jones, and if there isn't a fourth adventure with Indiana Jones it would suck big time, but I could live with it.

"Last Crusade" does have some really great action sequences. From Indy's first adventure, to the motorcycle and tank chases the film seems to try to outdo itself. Thats where the film hits a small speed bump. The action is so great that I couldn't help but be reminded of "Raiders" thru some of the action sequences in "Last Crusade" (especially the tank chase. It reminded me of the truck sequence in "Raiders"). But, its all good!

As for a fourth film, who knows? As of this writing, story creator George Lucas wasn't to happy with the latest draft and the whole production almost went back to square one. The film won't get made unless Harrison Ford, Lucas, & director Steven Speilberg are happy with all aspects of the script.

The Moose Hole - Triumphant 'Crusade'
Third time's a charm? Three's a crowd? These must have been the question plaguing the filmmakers and studio executives behind one of the greatest adventure series in movie history. But the lure of the charm, excitement, and most notably the rather large box office coin, of the previous two features could hold anybody down from this project. In the time since Indiana Jones & the Temple of Doom, the three main men of the series had had a mixed bag of results away from the adventurous archeologist. Steven Spielberg was coming into his own amongst the critical elite with highly acclaimed, and multi nominated, features The Color of Purple and Tears of the Sun. George Lucas, with his predominantly acclaimed Star Wars series behind him for the time being, spent his time executively producing such under-appreciated features as Labyrinth and Willow. And Indiana Jones himself, Harrison Ford, had success in Witness and Working Girl but nothing for his own work. So was there any doubt that a third was demanded amongst not only two out of the three main men but the studio executives at Paramount as well? Whether that was the case or not, Indiana Jones was on his way once again to the big screen, possibly for the last time.

The story takes place nearly two years after the original feature film, Raiders of the Lost Ark, and three years after the Temple of Doom and places our hero, Indiana Jones, once again against the nefarious Nazi empire. Barely able to catch his breathe after another perilous mission for an ancient artifact; Indiana is whisked off, this time by multi-millionaire Walter Donovan to find an object not only important to the field of archeology but to the world itself. For over forty years, Indy's own father spent tireless hours researching and recording the many secrets that would lead to the discovery of the Holy Grail, the cup that Christians believed was used by Jesus Christ at the Last Supper and was also used to catch his blood at the time of his death. It is also believed that the Grail would bring immortal life to whoever drank from it, which has certainly gained the attention of Adolf Hitler, who dreams of a superior master race to rule the world, and he will do anything to achieve that dream. That is why it is important that Indiana get to the Grail first before the Nazis do but first he must find the man who was once in charge of the operation but has mysteriously disappeared, his own father. The story for Indiana Jones & the Last Crusade is probably one of the most noble adventure films in the genre and though this deals mainly with Christianity, Spielberg manages to keep the focus generally on universal beliefs and the concept of faith itself rather then the individual denominations. He guides the audience through several complex theories and beliefs but directs it out in such a way that even the most clueless of filmgoers will get a general idea of what is behind many of the main actions of the film.

As was said about the Temple of Doom in that the Indiana Jones series isn't afraid to switch supporting characters up and that it usually works well depending on their interaction with Ford remains true for this film. Not all work though, but the mass majority pick up the slack of the less potent additions to the cast. Harrison Ford dons the famous hat and whip once again and gives possibly the best performance in the series, if not on par with Raiders of the Lost Ark. This is all thanks to his absolutely amazing chemistry with Sean Connery, who is best known for his role as James Bond. The two talented performers play off each other so well that you would believe they were actually related. Sean Connery still shows that he has what it takes to be a commanding actor despite his old age. Though the feature contains a decent amount of humor within the material itself, additional comic relief comes in the form of Denholm Elliott as Dr. Marcus Brody and John Rhys-Davies as Sallah, who reprise their fantastic roles from the original. The only cast member that just doesn't seem quite right for the series is Alison Doody as Dr. Elsa Schneider, whose lines seem so drulled out and the performance on the whole being quite tacky. Whether that was the intention of the filmmakers or not may not be known but in either case it felt over-the-top and not in the good way that it could have been. It could have been Doody's performance or the role itself but whatever it was it didn't work at all.

Overall, if this is Indiana Jones' last go-around then it is marvelous one at that, mixing everything that made the series so enduring all into one consolidating effort. Historical background, religious content, and memorable characters all come together in a triumphant achievement from the brilliant duo of Steven Spielberg and George Lucas. There is little to complain about with this film but if anything was out of place, beside Alison Doody's performance, it had to be focus taken too much away from the meaning behind the Grail itself. Granted, praise must be given to Spielberg for the film's intention on keeping the audience centered on universal beliefs, but considering you are dealing with serious Christian content, it would have been nice to keep the focus on that but no big foul called for not doing that. Outside of a small dispute, Indiana Jones & the Last Crusade is an absolute must see and the wonderful thing about it is that there is no need to watch the previous two features in order to appreciate the magnificence of Spielberg's vision. ... Read more

Amazon.com

All the confusion, pain, despair, and even hope of the men and women who served in Vietnam is captured in Dear America: Letters Home from Vietnam. Read by dozens of actors such as Harvey Keitel, Matt Dillon, and Kathleen Turner, these letters show a more human story of the war than we see in most media outlets and reveal real people in real situations trying to explain or understand. The footage, some newsreel, some shot by the servicemen and servicewomen, reveals a tension between the soldiers' actual experiences and the presentation their loved ones received from television. The soundtrack weaves the songs of the 1960s with the readings to create a compelling aural snapshot of the time, which complements the video exceptionally well. While it's not a "feel-good" movie, the viewer does get a sense of the indestructibility of human dreams. --Rob Lightner ... Read more

Reviews (35)

Grabs you by the heart and mind and doesn't let