Reviews (10)

Shirley Temple's First, and Best
Most of Shirley Temple's films are so corny, you wonder how one release kept leading to yet another. "Little Miss Marker", which was remade many times over the years, is the easy answer. It was Shirley's first movie and, yes, she's an orphan from the very start. But thanks to Damon Runyan, a wonderful cast led by Adolph Menjou, and a very original story line (again, thank you Mr. Runyan), the start of the Shirley Temple series is a comical, off-beat delight that surpasses the distilled maple syrup of her later efforts, enjoyable though they may be. Only in the early thirties would you find such a movie as this, and in no other film does the neat and dapper Adolph Menjou play such an unrepentant, but soft-hearted, slob (seeing this alone is worth the price of the movie). It would be great if Hollywood had not lost the knack for making films like this. If you don't like Shirley Temple that much, but you'd like to know what all the noise was about, you'll like this one.

VINTAGE TEMPLE
While making this film, Adolphe Menjou remarked about Shirley: "She's Ethel Barrymore at six! This heartwarming story stars Temple as the title character, who is left with bookie Sorrowful Jones (Menjou) as the IOU for a gambling debt. When her father doesn't return, it's up to Jones and his racetrack cronies to make a home for the wee tyke. The Damon Runyon story is cute and clever with the actors even portraying characters out of King Arthur to pacify Shirley; children from the ages of 5-105 will be tempted to watch these expertly COLORIZED Temple films which are still appealing to all who are young at heart! The now - forgotten Dorothy Dell had in this her best role; she had a promising future in the movies until she tragically met her death via a car accident later in the year.

Too Cute !!!!
This is a great movie for all Shirley Temple fans . Shirley plays a curly topped orphan who starts out as a sweet little girl who loves fairies and King Arthur and turns into a little mug and says things like "lay off me" and "that would be somethin'." The only thing that would keep you from buying this movie is Shirley does not tap dance or do much singing in the movie. The only song she does is " Son of a Gun." Still she is very cute in this movie and it shows one of her earlier roles.

Poor Little Rich Girl
This movie is the type of movie that children should be watching today. It had some educational back ground in it. Where Shirley was presued by a man and wanting her to go with him to buy candy. If the parents are watching this movie with the children they can point out what was wrong when she started to go with him. Other than that the movie was fun to watch and a delight to see a movie without swearing. As in all of her movies she can light up your day and at the same time make you cry.

Shirley Shines
What a fun movie!!! Shirley plays a precocious little girl who wins the hearts of a bunch of gamblers. You laugh and you cry. It is heartwarming and fun! She wins your heart from the beginning! I just LOVE this movie! ... Read more

Reviews (114)

A League Of Their Own (1992)
What an amazing movie! This has to be my favorite Madonna movie, other than Body Of Evidence. It features an all star cast: Tom Hanks, Geena Davis, Madonna, Lori Petty, Rosie O'Donnell, Jon Lovitz, Garry Marshall, and Bill Pullman.

Geena Davis stars as Dottie Hinson and Lori Petty stars as Kit Keller, two adult sisters who play baseball on a minor team in Oregon of 1943. Dottie is a married woman, whose husband, Bob Hinson (played by Bill Pullman) is overseas fighting in the war that was going on at the time. Dottie is an excellent ball player. Kit is a bitter person who is always being treated like crap. After a game, the two are in their barn milking cows, where a scout by the name of Ernie Capadino (played by Jon Lovitz) walks in and offers them a to try out for the All American Girls Professional Baseball League (A.A.G.P.B.L.). Dottie wants nothing to do with it, but Kit knows that this could be big chance for the both of them, so Kit talks Dottie into going. While on the way to Chicago for the try outs, they pick up Marla Hooch, who is an excellent batter. The three finally make it to Chicago. While getting ready to try out, they meet gal pals Doris Murphy (played by Rosie O'Donnell) and Mae Mordabito (played by Madonna). They all are chose to a team: The Rockford Peaches.

Tom Hanks is in the role of Jimmy Dugan, who is a washed up ball player, who is called by Walter Harvey (played by Garry Marshall) to coach the Rockford Peaches.

The Peaches become a smash, winning every game there ever is, all because of their most popular play, Dottie. Kit is angered at this and is traded to another team: The Racine Belles.

The Peaches finally make to the last game of the season. Their opponents: The Racine Belles. Dottie and Kit are up against each other for one final time. Who will win the championship? The Peaches? Or The Belles? Watch this amazing movie, based on the actual events of the A.A.G.P.B.L. This is a movie that is guaranteed to make you watch it over and over again.

My Absolute Favorite
This has alway been my all time favorite movie! I remember my mom and I were in Blockbuster Video store when I was nine, and she and I couldn't find anything. Then, she saw "A League of Their Own," she told me that I would love this movie. And boy was she right. I have seen this movie over 50 times, I know the entire dialogue, the songs, every moment, I can rehash line for line right now if I wanted to. I think this movie had the most well-rounded cast in over a decade. Geena Davis was amazing as Dottie Henson; a person who loved the game very much, although she tried to pull off that she didn't. Lorri Petty's best role to date, as Kit Keller, Dottie's younger sister, whom is always stuck in Dottie's shadow. The chemistry between Petty and Davis is amazing, they work so well together, they were extremely believable. Tom Hanks was fantastic as the alcoholic, ex-baseball star Jimmy Dugan, which of course, his classic urinating seen is a total laugh. Madonna and Rosie had made the laughs of the film, they were wise cracking and hilarious.

I can go on and on about this film, and the problem is, I can't quite articulate how much I love this film, and why I love it so much. I've cried many times, especially the scene with Betty "Spighetti" and at the end of the World Series. I love this film, Penny Marshall is a Goddess. She chose the perfect actors, and the perfect score, especially Madonna's "Playground" which still makes me cry at the ending sequences. This movie observes a part of history that is ignored. Many to this day, have no idea about the professional baseball league, grant it, this movie "idealized" what really happened, but it made you proud. I think this is still a must-see of a movie, it is still my all-time favorite movie, and it has been for 11 years.

Brilliant film!!
This is one of my favourite films, it made me want to watch it again and again. With an all star cast including Geena Davis, Lotti perri and Tom Hanks, who give brilliant and funny performances. This film is funny,tear jerking and an all round good film. The storyline is brilliant and what more can i say....its definately worth buying!

Good movie but......
Who in the world in Tom Hanks supposed to be. I know he wasnt a real baseball player b/c he said he hit 487 homeruns for Mr Harvys ball team, i have never heard of the guy. Was his name chaged or something? Oh yeah and Harvy Field????? Can u say Wrigley Field. But besides the little things that only people who love baseball would find it is over all a good movie.

I think this is a great movie!
Well I'm biased because my cusin is in this movie. He dances with madonna in the bar sceen.. But I still think that it's a good movie. ... Read more

Amazon.com

They just don't make musicals like this any more. There are some who would be grateful for that--the plot is but a flimsy excuse to string together song and dance numbers. Some of us, however, love big, splashy, overdone musical scenes, of which there are many. Glittering stage numbers showcase a commanding Barbra Streisand as Dolly Levy, a New York matchmaker who can find a mate for anyone. Anyone but herself, that is. Determined to marry wealthy Walter Matthau, she lures him out of Yonkers and sets about wooing him.

Don't worry about the lack of a solid story or Gene Kelly's pedestrian direction. Watch instead for the musical numbers and the lavish costumes. Listen to Jerry Herman's score, and dance around the living room when a sequined Streisand arrives in a club as Louis Armstrong strikes up the title tune for her benefit. (Just pull the shades first.) Based on Thornton Wilder's playThe Matchmaker, Hello, Dolly! won Academy Awards for best sound, art direction, and musical score.--Rochelle O'Gorman ... Read more

Reviews (79)

"Hello, Dolly!"
Mrs. Dolly Levi is inarguably the most endearing film character I have ever encountered. She is beautiful, fashionable, clever, and humorous. One cannot help but wish that Dolly actually existed. Indoubtedly, I cannot imagine anyone other than Barbra Streisand playing the part of Dolly. Her stunning voice and captivating performance make "Hello, Dolly!" a truly wonderful movie.
Besides Streisand's amazing performance, this movie includes some wonderful songs and exciting dancing scenes. However, the dancing scenes do become a bit tedious and long.
What is "Hello, Dolly!" all about? It is the story of a widow who arranges an unimaginable amount of events and places. She assists a couple's elopement, two friends' trip to New York City, and a bored man's romance.
This film features other loveable characters, too, such as a head waiter in a posh restaurant, an orchestra conductor at the same restaurant, and a hatmaker who desires to be "evil."
I would highly recommend this romantic comedy to anyone. Although the dance and song scenes are too long, watch the complete movie. Streisand's performance is extremely wonderful and endearing.

Hello, Dolly! Barbra's best intentions
Only Streisand's second movie, filmed during the politically and meteorlogically hot summer of 1968, Ms. Streisand turns in a performance that could have won her first best actress Oscar, instead of the much better "Funny Girl," filmed in 1967. Why an Oscar? Streisand knew from the start that she was terribly miscast as the middle-aged widow, Dolly Levi. Opposite Walter Matthau, twice her age at the time, it's not a believable story. The Oscar comes from Barbra's totally tongue-in-cheek performance. She is not Dolly Levi, she's really Mae West, Fanny Brice, Brooklyn Barbra, even a twinge of pre-star Dolly Parton. Listen as Barbra throws in a little southern accent here and there. But mostly watch an incredible actress do what she can with a story so silly that by the end of the film, 26 year-old Streisand changes the supposed-to-be 50+ widow into one of the sexiest screen performances in film history. Even Matthau can't hold back his disbelief when watching Barbra do her numbers. When there's no Barbra on screen, there's no film. You watch in anticipation until Barbra's next scene, wondering who she'll be. The film looks like Gene Kelly directed it in three days with many technical flaws in the continuity of blocking scenes and dialogue. Just watch Barbra. Forget that she's the best female singer of the 20th century (no pun intended). Think of her as a young, sexy actress who has such energy, fearless ambition to get her movie career going. Of course, the sets are incredible and her duet with Louis Armstrong (his last film performance) is classic, albeit about two minutes long. Watch Barbra whisper under her breath while filming the dance numbers in The Harmonia Gardens with seasoned dancers. She looks like she's saying, "What the hell am I doing here?" Actually, she's making pure movie magic happen, almost impromptu. Movie: three stars, Barbra: Five plus stars. Nice to see Michael (Phantom of the Opera) Crawford pretend he can't dance. Barbra doesn't talk about this movie, but being the most costly musical in history up to that time, 20th Century Fox got their money's worth a million times over by convincing the apprehensive Barbra Streisand to star. Sorry Carol Channing, but Barbra was the best choice.

Elephantitis
Thornton Wilder's modest little play "The Matchmaker" has been blown up as big as a zeppelin in this out-of-control Streisand vehicle. A couple of songs had been added in the original musical conversion of the play on Broadway but this Hollywood monstrosity was never on Wilder's drawing board. The play had in fact been filmed ten years earlier with Shirley Booth, Paul Ford, Anthony Perkins and Shirley MacLaine in the leads. They should have left it at that. The original point of the story of the middle-aged Dolly Levi's pursuit of Horace Vander Geller is swallowed up here by the vast sets (the New York street set was one of the largest ever constructed and was forbidden to Paul Newman for "Butch Cassidy and the Sundance Kid" for fear "Butch" would reach the theaters before "Dolly") and interminable and generally idiotic production numbers. This must be some of the worst dancing ever filmed. Hard to believe a couple of Hollywood veterans like Gene Kelly and Ernest Lehman rode herd on this fiasco.

Tune Vs Crawford: Palpable Onscreen Tension
The tension that erupted between Tommy Tune and Michael Crawford whenever they were onscreen together in this fine film was delightfully electric. Their intramural competition propagated palpable intensity not really visible or audible (they had no exchange of dialogue) -- it was more a matter of pride between two spunky bachelors, a jousting of the male wills: Tune's learned dance talent meets Crawford's raw dance energy. Both portraying young men pursuing women in the movie, their performances conveyed much more deep and lusty a purpose between them, a cocksure attitude of stretched wide smiles and leggy high-hop dancing, a genuine duel of actors in their prime. Don't miss this one because, despite their competition, both Crawford and Tune emerged victorious and grand.

The Last of the Great Movie Musicals
By Streisand's own admission, she was too young in 1967 to have made a movie about an middle-aged woman making a personal "comeback"... and we all know how wonderfully different and marvelous the film would have been with Carol Channing... however, this does not take away from the fact that this is an incredible, lush, entertaining and musically rich film. The transfer to DVD is superb and crystal clear in picture and sound. The widescreen is anamorphic and color corrected. The only drawback is Walter Matteau's typical characterization which often detracts from the scenes he appears in, and his song "It takes a woman" is only saved by the beautiful setting and the male singers and dancers that accompany him. His voice really should have been dubbed by someone who could sing. Not to worry, Marianne McAndrew (who is stunningly beautiful) is a treasure in this film.... and her songs are wonderful (not sure if that is really hear voice, but its terrific). The sets are incredible and who wouldn't give anything to dine and dance at the Harmonia Gardens? The set designs, art direction, cinematography and costumes are exquisite. ... Read more

Description

In World War II era Los Angeles, the manager of the Culver Hotel leaves his nephew in charge for a weekend. The nephew changes the name to the Hotel Rainbow and overbooks with royalty, assassins, secret agents, Japanese tourists, and munchkins (from the cast of The Wizard of Oz). Secret Service agent Bruce Thorpe and casting director Annie Clark find romance amidst the intrigue and confusion. ... Read more

Reviews (15)

Unfunny yet wellmade
When it was released in 1981 based on the standards of the day,this film was judged quite awful.Today when the pinnacle of comedey is an Adam Sandler movie this flick looks like Citizen Kane. A production assistant played by Carrie Fisher must hold reign on a huge cast of midget extras during the filming of the Wizard Of Oz.Chevy Chase plays a G-man assigned to protect a foreign leader from an assasin and Billy Barty plays an evil Gestapo midget searching for a secret map of the U.S.coastel defences who all end up spending a weekend in a run down hotel on the eve of the second world war. Sound interesting? Its not.Lots of lame sight gags and poorly written comedey bits leave the actors (and this film has a very talented cast) looking embarassed to even be on screen. And speaking of embarassing,this film has a scene in which the post Star Wars Carrie Fisher is stripped at sword point by the Nazi dwarf (no,Im not making this stuff up) and spends most of the movie wearing nothing but her bra and underwear.(this being without doubt the highlight of the film) So if you have about 90 minutes to kill,and you want to see a cast of otherwise first rate actors make fools of themselves,or your a Star Wars fan who'll get a thrill out of seeing princess Leia in her undies,give it a try ,its no worse than The Waterboy.

The premise alone is worth it...
A vertically challenged German spy is sent to California to meet up with a Japanese spy at the onset of WWII and that's just the set up...

A Japanese tour bus breaks down in front of the very hotel where the Munchkin cast for the Wizard of Oz is staying. Aboslutely brilliant. There's a subplot involving the assasination of a European king who's is protected by a US G-Man, Chevy Chase, who is flirting with the still cute and sexy Carrie Fisher. Plenty to enjoy in this absolutely awful but hysterical film..."The Pearl in is in the River"!

An Academy Award Winner....It isn't.....But........
Life is too short. I laughed when I read the review by the person giving this a one star rating. This one has problems (nay, should I say "issues" {new speak}).
Under the Rainbow is the kind of film I love. I don't want to be moved, I don't want to think, and I don't want to solve the world's problems. I only want to know that the "pearl is in the river". It was produced when a movie showing midgets and taller people as a farce was not considered anti-social. It is a scream! And for those of you worrying about what your children will see and hear (comparing it to today's films), it is clean!
The gags are obvious, Chevy Chase is obvious, and once it starts, it is a roller coaster you can yell and scream on and still feel comfortable.
I hear it asked, "why can't THEY make more movies like this?" Just open your eyes folks; Hollywood has been making great funny movies for years (Noises Off, Mouse Hunt, The Seven Chairs ...... etc.). They all don't have to be Disney pablum.
I love this film, and am happy to make it a part of my comedy collection.

Under The Rainbow-Chevy Chase, Carrie Fisher
Take Chevy Chase as a bumbling G-man, Carrie Fisher as a lovely studio executive, add in a hundred small people starring in a film called "The Wizard Of Oz", a disguise bearing Duke & his half blind Duchess, an assassin, a busload of Japanese photographers, a mini Nazi (played by Billy Barty) & a Japanese spy searching for a map of American defenses and you've got yourself a yellow brick road of fun & mini-mayhem on a grand scale. I mean sure it's not Caddyshack, or Fletch, but Chevy does some great material, and it's great to see Carrie Fisher play absolutely straight to Chase's one liner character. Not many in the cast may be familiar, save for Billy Barty (from FOUL PLAY, also with Chase) and Mako (the japanese spy, who's appeared in a countless amount of movies, even though no one ever remembers his name) and the guy running the hotel during this fiacso looks familiar too. Take 90 minute's out of your life, sit back and enjoy the fun.
Also recommended:
Chevy Chase: Caddyshack

Chevy Chase: National Lampoons Christmas Vacation
Chevy Chase: Nothing But Trouble
Carrie Fisher: Return Of The Jedi
Carrie Fisher: Blues Brothers
Carrie Fisher: The Man With One Red Shoe

Knowing the Producer
I first saw this movie in the early 1980's. I found it very funny being just 10 years old att he time. I knew the producer personally, Freddy Bauer and he is a great guy living in the suburbs of Pennsylvania. Too bad they cant get this movie on DVD. ... Read more

Reviews (117)

Tom Hanks and Meg Ryan give charming and sweet performances!
I still love this movie! "Sleepless in Seattle" is still one of the best romantic films that I have seen since...ever! The performances in the film were top-notch and the storyline was terrific! To me, this film talks about two things...fate and destiny. "Sleepless" focuses on Sam Baldwin (Tom Hanks), a recently widowed father who, because of the death of his wife Maggie (Carey Lowell), decides to move out to Seattle with his son Jonah (Ross Malinger) to start over again. One night, Jonah calls a talk radio show, who asks Sam to come to the phone and explain everything. So Sam sat down and talked about everything that he and his wife had done over the past few years, how he loved her, and such. Sam's story was such a big hit across America that women have been pouring letters of comfort at Sam's home. The story has also reached the heart of a newspaper writer named Annie Reed (Meg Ryan). Annie is single, lives in New York, and is engaged to a man named Walter (Bill Pullman), who is pretty much allergic to everything. After hearing Sam's story on the radio that night, Annie believes that she and Sam are destined to be together, due to typical Hollywood romance from such films as, for example, "An Affair to Remember". And romantic charm and trouble ensues from there on as, for example, Annie goes to Seattle to sort of "spy" on Sam to see what he is like, especially with his son, etc. "Sleepless in Seattle" marks the second teaming of Tom Hanks and Meg Ryan from their first hit, "Joe Versus the Volcano" in 1990, and before they starred a third time in 1998's "You've Got Mail", which is directed by "Sleepless" director Nora Ephron ("This is My Life"). And speaking of the director, she directed this film with a lot of heart, soul, and emotion. Nora Ephron's best work to date! "Sleepless in Seattle" has also the absolute best performances of all time from Tom Hanks and Meg Ryan. I kind of liked the way that Meg Ryan's hair looked in the film. To me, you don't get to see Meg Ryan with hair like that a lot. I like this film because it is one of those films where two people eventually cross paths continuously, and in the end, they meet each other for the first time and live happily ever after! I really hope that there is a sequel to this film in the making, but if there isn't, then I will still enjoy "Sleepless in Seattle" for years to come!

A Laugh-Out-Loud Funny Charmer
First of all, Sleepless in Seattle IS a chick flick, yes, and there are certainly some stretches of the imagination required as far as plot goes, but the real emphasis is the characters, and that is the strength of the movie...the entire cast is excellent, from Meg Ryan and Tom Hanks to the supporting cast (Rosie O'Donnell, Bill Pullman, Ross Malinger and Robert Reiner). The story and chemistry is charming, but more than that, the movie is hysterical. Everytime I watch the movie again (I've seen it about 5 or 6 times now) I realize how funny it is...Nora Ephron may be the best current writer of real romantic comedies. There are SO many funny little things scattered throughout the movie...even if you don't like "chick flicks," you should watch it because it's one of the funniest movies ever.

Absolutely wonderful!
I first saw this movie when I was in college with my roomate, who knows all the best movies out there. I absolutely fell in love with it, and I went out and bought it immediately. It's ideal if you are single, it gives you hope for finding that perfect someone :), at least it did for me. If you like You've Got Mail, you'll also like Sleepless in Seattle, or if you haven't seen either, they go perfect together!!

great chick flick for chicks
Tom Hanks stars as recent widower from Seattle who talks to a radio show host about his troubles and Meg Ryan plays a recently engaged woman from New York who develops a relationship with Hank's character. The plot is a bit cheesy as well as the lines, but that is how chick flicks are made--cheesy plots and lines. Though most guys will not like "Sleepless in Seattle" unless they enjoy other "chick flicks," most women enjoy this contemporary classic of long distance romance. If you like the movie be sure to check out the DVD, which has many more added features such as a music video and commentary by the director and co-writer.

Sleepless in Seattle
WOW! I LOVE this movie! It's a favorite of all my families. I think this is a great love story and almost anyone would enjoy it. ... Read more

Reviews (219)

Nostalgia for children of the 80's
Let's face it. Most of us who rate this movie highly do so because it invokes all those rosy-hued memories of our childhood decade. One only has to bring it up to another Gen-Y-er, or whistle a few bars of the opening theme song, to see eyes light up with recognition amid wistful sighs for a more innocent time.
It is the characters and rich settings that pull this film off.
Leads Barret Oliver and Noah Hathaway are both on the verge of being too beautiful to be boys. They display a rare depth for young actors, Oliver's over-dramatic portrayal being unbelievable only for those who are never around play-acting children. Hathaway's subtle facial expressions are riveting, and he deserves respect if for no other reason than for nearly carrying the entire movie. The breathtaking Tami Stromach as the Childlike Empress was every young girl's dream character before the era of the Disney Princess, and she played her enigmatic role with suitable poise and mystery. Who of this generation did NOT, sometime in their childhood, convene with schoolyard cronies to "play Neverending Story" and then argue about who would "be" the Empress, Atreyu, or Bastian? Obviously these characters strike a chord with kids.
The story bears a somewhat faint resemblance to the book on which it is based, though the original author was so dissapointed with the result that he did not want his name associated with the film in any way. I have read the book, and found it to be rich in imagination, depth, and dare I say it, moral psychology, much of which contrives to be muddy and confusing to very young readers. The film simplifies it rather starkly, but in a way I think is satisfying. Classic themes of identity, of an underdog's triumph, of imagination empowering reality, are clearly emphasized. Complaints that the movie ends halfway through the book are valid, but the truth is that the book almost becomes two stories, with the second half diverging wildly from the pacing and characterization of the first, and to try and fit it all into a two-hour film would have done neither film nor book proper justice.
Special effects were groundbreaking for the time, some more successful than others. I didn't realize until several years ago that Engywook and Urgle were supposed to be tiny gnome-like creatures! I always assumed, even as a child, that they were exactly what they are - normal sized people shot in skewed perspective with Atreyu. It wasn't until noticing that they used different sized props between them and Atreyu that I realized the perspective was actually deliberately forced! Ah well...it was a long way to Lord of the Rings.
A few complaints: some sets seem cramped. The scene in which the "ambassadors" from all over Fantasia approach the Ivory Tower sets it up as an enormous landmark where masses of representatives from every one of the no-doubt vast peoples are to convene, yet when we are given an internal view of the structure, we see a claustrophobic ballroom in which a handful of creatures loiter, and in spite of their various weird and fantastic appearances, we are given no more than a brief glimpse of a few. Costumes of the leads are simple and convincing, though.
Altogether, an enjoyable movie, and one I will definitely show my own children. There are some dark moments for kids not yet jaded by too much modern special-effects violence, so use caution. And please, please, spare anyone else from the appalling sequels...part II had little merit and was vaguely eerie, and part III was not only frankly awful as a film but downright blasphemous from the literary perspective.

Probably the best fantasy movie of all time!
"The Neverending Story" is a great fantasy movie from the 80s about a boy named Bastian (Barret Oliver) picturing a story unfold as he reads it from a book called "The Neverending Story." In this fantasy-filled story, a great land called Fantasia is being destroyed by a terrible enemy called the Nothing. It's up to a boy named Atreyu (Noah Hathaway) to find The Childlike Empress (Tami Stronach) and help her before Fantasia and all its habitants get wiped away completely. Atreyu is the only one that has a chance of rescuing Fantasia because he's a warrior and he doesn't know it yet, but he will make many new friends along the way, including one very special friend named Falkor that happens to be a dragon that looks kind of like a dog.

I'll leave it up to you to watch "The Neverending Story" and find out what happens, but I don't recommend watching it. I recommend buying it instead. A lot of people probably think that "The Neverending Story" is a movie that is only suit for kids, but they're wrong. I used to watch this movie with my mom all the time when I was a kid, and now I'm 21, and I still enjoy the movie just as much now, if not more than I did when I was a kid.

When you or your kids first watch "The Neverending Story," neither of you will probably remember everything about the movie, but what you will remember are the spectacular special effects and the entertaining characters such as Falkor the dragon, a HUGE rock creature, the mean wolf, a giant turtle that has a face that resembles that of E.T., and many other interesting creatures. But trust me, whoever you are, you will want to watch this movie over and over again for years to come and you will learn new things about it every time you watch it.

"The Neverending Story" not only has its special effects and plot working full force for it, it also has great acting and an unforgettable and catchy soundtrack.

"The Neverending Story" is in my opinion one of the best movies that a kid can watch for many reasons, but it's a great movie for ANYBODY of any age to watch, especially if you're a kid at heart. When I say that a movie is probably the best ever made in its genre, I don't exaggerate any, I compare it to all the others that I've seen of its type. Therefore, you know that I really do like "The Neverending Story" a lot! Purchase "The Neverending Story" for yourself or for someone you care about as soon as you can. You won't regret it!

Triumph of human Imagination
Sir Adam got it almost right! Good review, by the way.

This is an awesome story about the importance of the story. Yes, the moral lesson of "The Neverending Story" is the importance of the story itself (and by extension the importance of human imagination). If one has read some of Joseph Campbell's "The Power of Myth" one understands this completely. It is that Native American idea of "he who does not have the stories has nothing."

The key force of destruction in this tale is "the Nothing" literally non-existence or the lack of imagination. The world in which "The Neverending Story" takes place, Fantasia, is a conglomerate universe composed of the dreams and hopes of all people. Every story ever told and every character who has ever lived exists somewhere in Fantasia. So that somewhere in Fantasia, Paul Atreides wanders a desert landscape while somewhere else in Fantasia Alice falls down the rabbit hole.

Fantasia, this conglomerate world of human dreams, is dying. The reason is that people in the real world no longer dream... of anything. It is a very modern tale about the death of the human capacity to, as John Lennon put it, IMAGINE. Without the capability to imagine anything, people become easily manipulated by forces greater than them... this is where the real villain comes in (more about that after the next paragraph).

The main protagonist, Atreyu, is the alter ego of the real life boy who is reading the story. The real life boy, therefore, is filled with imagination, brimming with it, in fact. He exists in a real world where nobody imagines anything anymore. Therefore, the alter ego (in Fantasia) of the real life boy with imagination is a young champion who is trying to save imagination itself and its conglomerate world, Fantasia.

The real villain of the story is, at least from a Christian context, Lucifer, or the Devil himself. He is the "force behind the Nothing" who is attempting the death of all imagination. This explains the creature known as the Morg. As Sir Adam mentioned in his review, this is the major adversary for Atreyu (and the real life boy who is his generator). The Morg is, in his own words, "a servant of the force behind the Nothing." The Morg is, I believe, a demon, or fallen angel servant who has somehow crossed the border into Fantasia and put on the guise of that mythical creature of destruction, the werewolf. The Wolf image is only a guise used by the demon to try to blend in with his surroundings.

Of course, we know who wins in the end. This is a very complex movie and a VERY relevant one to the times in which we are living. I see people around me who are quite literally mental cripples who are incapable of imagination. Without the stories, we are nothing.

Best fantasy of the 80s
I grew up on this movie, but I hadn't seen it in years until I bought this DVD. I view it with and adult's perception now, so it's not as good for me as it was when I was a kid. However, because I can see that kids would love it, I think it still holds up well. Heck, I still like it.

I wish this DVD had more special features, but alas it does not. What really bothered me was that it didn't have a subtitle for when Bastian shouts out a name for the Child-like Empress. I was so looking forward to finally finding out what the heck he shouts out for her name, and I get nothing. But I researched it on the net, and apparently it's "Moon Child." It does sound like that's what he's shouting. But I'm baffled that that was his mother's name (unless he changed his mind further into the film and decided to give the Empress a random name rather than his mother's).

So overall, the movie's good and the DVD is so-so. Great picture and sound quality, but no special features and no subtitle for when he shouts out the Empress' new name. But it's the only one in the series worth buying I think. Well, maybe the second one was ok.

Speaking as an adult
Having only seen this movie for the first time two years ago, I beg to differ with those who claim that it's allure is lost to those not having been exposed to it at an early age. What makes this movie significantly superior to many other such children's films is heartful, caring use of non computer generated special effects. The challenge comes with letting yourself go on the wings or backs of the several beautifully crafted creatures we share this adventure with. It's shabby chic artisty is everywhere to be found including that great Moroder new wavey score. The best film fantasy film since the 80's? Quite possibly. ... Read more

Amazon.com

Twelve-year-old Jay Berry Lee has one goal this summer: to buy his ownpony. He plans to work long hours in his grandfather's general store toearn the money for it. But business is slow in this Great Plains farm town circa 1910, and his dream seems unreachable until the day he discovers a group ofescaped circus monkeys. Despite his father's warnings and his mother'sanger over his irresponsibility, Jay Berry tries everything in his powerto capture the comical monkeys and claim the handsome reward offered bytheir owner. During his efforts, he learns important lessons abouttenacity, charity, prioritizing his values, and, yes, monkeys.

Based on the award-winningnovel by WilsonRawls, Summer of theMonkeys brings together a snug ensemble of capable actors. The mostrecognizable cast members include Wilford Brimley (Cocoon) and the mild-mannered Michael Ontkean (Twin Peaks). Corey Sevierhandles the role of Jay Berry Lee with the right blend of preteenadrenaline and emotion. Under the direction of Michael Anderson(Around the World in Eighty Days) the characters treat this moderately paced period piece with great care.Both the story and the dialogue are sensible without being sentimental, aquality that should appeal to all family members. Its clean, upbeatstyle may remind adult viewers of Disney's wilderness family classics ofthe 1970s. --Liane Thomas ... Read more

Reviews (20)

Movie with a sweet message
This movie is not really about monkeys but a story about a young boy growing up and out of selfishness. It's wonderful to watch this boy take a big step to becoming a man by the things he experiences one eventful summer. I was satisfied to have my children watch a film with such a great message.It was also nice to watch a film with clean language. You won't be sorry you watched it.
A Concerned Christian Mom

A family classic with a rich story and wonderful humor.
Academy award-winning director, Michael Anderson ("Around the World in 80 days) brings his considerable talent to this family classic, based on the Wilson Rawls novel of the same name. Beautifully photographed in a stunning period pieced drama, this new Disney release is something the whole family will love. With charming performances by Corey Sevier (Lassie), Katie Stuart (The Crow) and Wilford Brimley (Cocoon), the movie takes viewers through a summer of growing up for Jay Berry Lee, a fourteen year-old farm boy. Through his encounter and humorous attempts to catch a rascally group of escaped circus monkeys, Jay ends up learning far more important lessons about life than he ever dreamed. Winner of numerous film festival awards, and the Film Advisory Board Award of Excellence, "Summer of the Monkeys" will keep you coming back for more.

Wonderful movie
Like a previous reviewer stated, the title didn't catch me. The cover (I was 8 and judging by the cover was the way to tell) looked bored and showed off a boring deal. It didn't help that it looked rural. It just looked dull!

How wrong I was! I haven't watched this movie in probably five years, but I remember it's magic. It was just a great, simple movie. You could relate to Jay-he was the troublemaker, yet often felt ignored. Corey Sevier is one of those actors that you see everywhere but you can't quite put your finger on it--but he's great!

The highlights of this movie are simple scenes, really. Unlike most, there's no HUGE event that leads the movie. That said, it's a simple movie that even young kids can enjoy. Kids who's favorites movie list upon the Fast and the Furious, may not like it because it's not that kind of movie-but sensitive children are sure to love it!

How far off can you get.
I always try to be fair to movies where the book is involved. Movies like The Lord of the Rings and Harry Potter are perfect example of a faithful adaptaion of the book. Summer of the Monkeys sadly does not measure up. I am forced to ask the question: how far from the book can you get and still use the same title? Obviously really far. The two biggest glaring errors are the main character's age. From the book, very first page and very first line, "Up until I was 14 years old." In the movie he is 12. This is what really bugged me; the book specifically placed the setting in the Ozak Mountains on the banks of the Illonis River in Oklahoma. Hmm... I don't think that was a prairie yet the movie filmed it in what looked like Nebraska. I would recomend renting this movie. Buy the book, as it is one of my all time favorites. Even as an adult I come back to read it and enjoy it thouruly every time. In short the movie makers did not come even close to capturing the book and it is not worth buying.

Be Brave.
During the storm scene while Jay and Daisy's Ma was reading the scripture from the bible Daisy was clinging on too her Pa Jay was praying and there Pa was holding onto Daisy so tight .They made it through the horrid storm without breaking a single bone or without getting hurt even though the storm wrecked there house they were just glad God blessed them with a miracle .Like it said on the ad a story with laughter and faith. ... Read more

Amazon.com essential video

Maybe "nobody's perfect," as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St. Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy." Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behavior. The results, however, are sublime. --Robert Horton ... Read more

Reviews (176)

COLD RECEPTION FOR A HOT WILDER CLASSIC
MGM continues to insult the intelligence of the DVD consumer with this 'special edition' of one of Billy Wilder's all time great romantic comedies. Jack Lemmon and Tony Curtis are witnesses to the Valentine's Day Massacre. To stay alive the boys shave their legs, dress in drag and join an all-girl's band fronted by sulty singing sensation, Sugar Cane (Marilyn Monroe). Featuring Monroe's inimitable renditions of "Running Wild" and "I Wanna Be Loved By You" this is a keeper in every respect.
Unfortunately MGM Home Entertainment has done a terrible job of remastering the print. Though the black and white picture exhibits exceptional contrast and clarity, the obtrusive inclusion of edge enhancement, artifacting, aliasing, fine detail shimmering and digital grit make for a really unattractive visual presentation. The sound has been remixed to 5.1, but the dated fidelity shines through. Still, the audio is presented at an acceptable listening level and without much distortion or echo.
Extras included a trip down memory lane with Tony Curtis that is overly long and really dragged down by Curtis' flamboyant hamming it up for the cameras. Oh well, I can't imagine too many people are asking him to shave his legs these days. Bottom line: If you absolutely must have the film I guess you could waste your money on this version. My hope is that someone at MGM will want to revisit this classic at a later date and with a more reputable transfer. Here's to hoping. Besides - nobody's perfect!

Still A Gem
"Some Like It Hot" is one of those great classics that has as much comedy in it as well as it does romance. It is the story of two musicians, Joe and Terry (Tony Curtis and Jack Lemmon), who intenvertidly stumble upon a mob squad hit (The St. Valentine's Day Massacre) and must flee from Chicago to Florida in hopes of getting away from the mobsters. Realizing that two female musicians are needed, Joe and Terry decide to dress in drag, board a bus filled with female musicians, and head to Florida. Of course, one of the leading ladies on board the bus, is the sexy Sugar Kane (Marilyn Monroe), who has guy problems and represents the rebel.

The film has such balance between the comic exploits of Curtis and Lemmon looking out for their backs and trying to pull off this whole female identity without getting caught, and the romantic parts, which involve Curtis' character trying to woo Sugar Kane. While Curtis is trying to make the moves on Sugar Kane, Lemmon's character is trying to escape the advances of a multi-millionare who continally attempts to make the moves on him/her.

There is plenty of double-meaning humor, slapstick humor and fun romance in this movie. It has a little of everything, and it is understandable why most still refer to this movie as a gem.

Transvestites, yipes!
This one shows up on Turner Classics every once in a while, but I hadn't focused till the other night. There's something creepy about dressing like a woman. Some burly men may have no qualms, but I find transvestites, ahh, uncomfortable. I know. It's me and there's nothing wrong with that. In Some Like It Hot, Tony Curtis and Jack Lemmon are cross-dressing to escape some killers. They're not very attractive as women, which allowed me to enjoy the sex identity farce. Farce in America means screwball comedy. If Monroe crawled into my Pullman berth to sleep, hmm -- Lemmon pops one no doubt, and I'm not sure it was in the script if you know what I mean. Then he's swarmed by bunches of scantily clad ladies and the fun escalates. Monroe wears two dresses that give an interesting illusion. What a bod.

No pastry, no butter and no sugar

Director: Billy Wilder
Format: Black & White
Studio: Mgm/Ua Studios
Video Release Date: May 1, 2001

Cast:

Marilyn Monroe ... Sugar Kane Kowalczyk
Tony Curtis ... Joe (Josephine)/Junior
Jack Lemmon ... Jerry (Daphne)
George Raft ... Spats Colombo
Pat O'Brien ... Mulligan
Joe E. Brown ... Osgood Fielding III
Nehemiah Persoff ... Little Bonaparte
Joan Shawlee ... Sweet Sue
Billy Gray ... Sig Poliakoff
George E. Stone ... Toothpick Charlie
Dave Barry ... Beinstock
Mike Mazurki ... Spats' Henchman
Harry Wilson ... Spats' Henchman
Beverly Wills ... Dolores
Barbara Drew ... Nellie
Edward G. Robinson Jr. ... Johnny Paradise
Paul Frees ... Funeral Director/Josephine
Joe Gray ... Mobster at banquet
Harold 'Tommy' Hart ... Second Official
Ted Hook
John Indrisano ... Waiter
Tom Kennedy ... Bouncer
Fred Sherman ... Drunk
Tito Vuolo ... Mozzarella
Al Breneman ... Bellhop
Pat Comiskey ... Spats' henchman
Penny McGuiggan ... Band Member
Laurie Mitchell ... Mary Lou, Trumpet Player
Helen Perry ... Rosella
Sandra Warner ... Emily, Band Member
Grace Lee Whitney ... Band Member
Marian Collier ... Olga, Clarinet Player
Joan Fields ... Band Member
Mary Foley ... Band Member

The cops bust a "funeral" with a casket full of booze--and nothing else. Joe/Josephine (Tony Curtis) and Jerry/Daphne (Jack Lemmon), desperate for work as a bass fiddle player and saxophonist, take a spot as members of an all-girl band, in drag, for a Florida tour, and to get away from gangsters who know that they witnessed a gang war murder by Spats Colombo's (George Raft) gang. There they meet Sugar Kane Kowalczyk (Marilyn Monroe) who has a drinking problem.

The pair are attracting the notice not only of the mob, but also of suitors, including millionaire Osgood Fielding III (Joe E. Brown) and others, and Joe/Josephine falls for Sugar. This is a wacky movie which provides a lot of laughs, and brings out hidden a talent for comedy from Curtis. Billy Wilder did a great job.

Joseph (Joe) Pierre

Hot Comedy, Hot Action, Hot Actress, Hot Jazz, Hot Movie
too Hot to be true, Marilyn Monroe,Tony Curtis,Jack Lemmon star in one of the greatest and funniest comedy classics of all time. The 1959 farse about the two musicians Joe and Jerry, who disquise themselves as women under the names Josephine and Daphne to land jobs as the sax and bow fidle in an all girls jazz band.Where they meet gorgeous songbird Sugar Kane. Also where Daphne meets womanizer Osgood Fielding III.When Daphne is stuck with that "dirty old man" Joe(Curtis) borrows a cup of that sugar(Monroe)as the millionare of Sugar's dreams "Shell Oil Junior". If Your looking for a classic comedy this is a good one. It's AFI's number 1 laugh, or if you want more marilyn, you love her in this one and if your looking for more Curtis and Lemmon they're hysterical in this one. See this classic comedy and you'll get "the sweet end of the lolly pop". As Osgood said at the end "nobody's perfect" well thats true ,but Some like it Hot may be a perfect comedy and as Sugar sang "I'm through with love, well she's not through for long ,but We are not through with this movie, because we love this film so much and we all want to "borrow a cup of that sugar" every time we watch it, "ZOWIE" "Yeah real hot" ... Read more

Reviews (3)

Chrsitmas Rules and so does The Twins!
In another show,the girls get a call from the airlines from a bunch or elves who lost "THE SPRIT OF CHRISTMAS" which Santa Claus flys on Christmas Eve to deliver toys and goddies to good little Kids!The girls relizae a Hacker broke into the computer to steal it!The girls must save the day Once again!

it is nice
i hope you will see i

It's great!
It is great.Mary-Kate and Ashley are the best actresses in the entire world.No wonder they are cold America's favorite twins.Buy all of their videoes!You will not get dissapointed! END ... Read more

Reviews (431)

A solid action/espionage movie that does not insult the mind
I did not see this movie when it first came out as I am getting tired of the summer extravaganzas that try to outdo one another with how many more explosions they can generate than what is playing in the next theatre. Notwithstanding, I decided to give it a shot as I loved the energy and pacing of director Doug Liman's "Go," and also liked the comedic edge and freshness that he brought to his debut ("Swingers"). I was still somewhat apprehensive as taut and original action thrillers are very hard to come by as most current movies couple the violence with buddy comedy elements that take away from a genre that has only been successfully executed by Steven Spielberg in his wildly entertaining "Minority Report". But I digress.

Since I hate it when reviewers give too much away, I will only say that Matt Damon stars as Jason Bourne (or is he?), a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. The scene itself is very exciting and draws you into it's web. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. What follows gets very complicated and keeps you on the edge of your seat as other summer extravaganzas seem to fail to. Like its summer "cousins", the movie has action scenes, guns, explosions, an awesome car chase (that relies more on execution than on how many cars can explode), a potential love interest, and many of the usual suspects, BUT it entertains and I did not feel like checking my watch every 5 minutes. Is it Oscar material? Heck no, but within its own genre its one of the year's best.

Matt Damon, who I never quite appreciate, would seem to be miscast to play this type of character, but he is actually quite perfect is he tones it down and makes Jason Bourne almost seem like an everyman who slowly discovers that he has skills he never knew he had. The casting department should be proud of itself as it cast Franka Potente (from "Run Lola Run") as the main female protagonist. The actress is not your cookie cutter beauty nor has the marquee appeal that I am sure the producers would have liked to have a "name" for the role; but someone realized that her acting chops and international background would give the movie some grounding as her character is supposed to be a European gypsy woman who I could not see being played by say Julia Roberts.

The director does a great job in both action and character driven scenes and manages to bring excitement to a gray winter European exteriors and drab interior settings. With the exception of the first fight sequence (which is makes Damon look like he has superhero powers) and later what would seem to be a physically impossible shoot out, everything feels real and the violence is not stylized. The story is incredibly well paced and even the smaller roles are well cast. The only exception is Julia Stiles, who I hope was only a victim of some scenes winding up on the cutting room floor, as she's a talented actress who brings not a thing to this movie.

In a nutshell, this movie is about international intrigue and one man's refusal to be a pawn in some sinister, global chess game. Many things feel improbable but never less than engrossing. Also, the basic premise is not played for laughs (which I enjoyed as I am sick of tongue in cheek homages that use humor as a cop out) and the plot (once fully exposed) for once does not involve a "brilliant" psychopath with either a desire to take over the world or get even for ______ (fill in the blank with your favorite cliché). This movie solidly earns its 4 stars as a nice version of what I'd like to see in summer extravaganzas.

Action plus romance on the run
Greek sailors find a man floating in the Med sea, take him in, and their doc finds a couple bullet holes in his back, as well as a laser capsule in his leg with a Swiss bank account number. The man recovers, but suffers from amnesia. Thus begins his quest to regain his identity. Only, when he opens the security box in Switzerland, he discovers passports from half a dozen countries, wads of cash in various currencies, loads of cool spy gear, and a gun.
Soon the chase is on, from Zurich to Paris, as our man Bourne enlists the help of the German gypsy Marie (charming Franka Potente) and eludes the operatives sent by his CIA superiors until a stunning conclusion when he returns to Paris.
What I liked:
Great setting details of Europe, especially Paris. There were a number of key action sequences, including a car chase involving a Mini taking on French police, and the wildest stairway descent I've ever seen on film. I also thought Matt Damon and Franka Potente had good screen chemistry. There was also a moving scene where Bourne confronts one the assassins on his trail, the professor, played by Clive Owen in a small part.
What needed work:
The hero with amnesia card has been played before, and I would have liked a little more development of Damon's character other than him realizing he had all these drilled in spy skills. We never do get a sense of his likes and dislikes. I liked the film ending over the alternate version, but both could have been better.
This is a movie I would watch again.

Bourne Conspiracy
Okay, I'm writing this because I feel that I've been burned. I just purchased the 2004(?) re-release of this DVD and I was very disappointed. The package describes an "explosive extended edition" and "includes an all-new beginning and ending". I've got to admit that I loved the movie when it was in the theatres, and am happy that it is now in my collection, but I never would have bought it had I known the hype was so lame. The 'explosive' new beginning and ending were NOT, and really add nothing to the movie (I won't 'spoil' the 'surprise' for those die-hard fans). Plus they couch the reasons for excluding them from the theatrical release in some 9/11 mumbo-jumbo that was not clearly defined enough to understand. I think it's just a marketing ploy. If you're looking for a major addition to the original in this new release...please say, "I wasn't Bourne yesterday!"

Thrilling, Exciting, Spies Among Us!
Robert Ludlum wrote "The Bourne Identity" in the 1980's and it is the quintessential "spy" story. It is a thriller and the characters are so rich and well drawn.

A man is dragged from the sea. He has two bullet wounds and a "chip" embedded into his body. These are removed; the man recovers from this ordeal. He does not, however, remember anything, His name, where he is from from and his entire identity has been lost. He takes the chip and goes in search of himself. In a bank in Zurich he finds his identity- Jason Bourne and several other passports and lots of money. Enough information for Jason Bourne to change his identity whenever he needs to. But what does this mean? It appears to mean that many people are after Jason Bourne, that he has information that many people want or they want this information to die!! Around every corner is danger and there is no one that he can trust. He meets up with two CIA analysts who appear to be trustworthy, but are they really? He travels all over Europe and changes identities at every turn. He meets very interesting people at every turn. His life is full of risk and danger. Jason Bourne is an important person with so much hidden information that he doesn't remember. But as time goes on, the people he meets share some of what he is missing, and he is beginning to put the pieces together. He begins a love affair, and he thinks this is what he has been looking for. Why can't he be happy as a single man leaving the "spy" profession and finding his true love?

The movie stars Matt Damon as Jason Bourne, and he does a credible job. The action filming is wonderfully done. The car chases and the flights on foot and in trains are very real and I felt I was amongst them. I was part of the action!! Franke Potente plays Jason Bourne's love interest. Chris Cooper is the enemy and as always is a star- a cruel man who completes his job. The scenery is fantastic and brilliant. What I did miss in this movie that was not transposed from the book, is the storyline of Carlos, The Jackal. This is an important part of the book, and is not in the movie at all. Jason Bourne and Carlos have much admiratiion for each other even though they are sworn enemies. This is a significant loss, and the movie does not have the drama, background and richness of the book. This is, however, a movie to be enjoyed- I understand the sequel, "The Bourne Supremacy" is out this week. A Must See. prisrob

It Got Bouring At Times.
First off let me silence the critics, Matt Damon was very good in this movie. I don't always care for the " cat and mouse" routine plotted into movies. This movie is not any acception. The pace is very long and dry, and when there is an action sequence, it is very brief. The plot itself is very good, but very herky-jerky. You could get lost if you miss some of the movie. The ending is fair, and I doubt that I will go and see the next segment to this series "The Bourne Supremacy." A fair time filler, but nothing to write home to mommy about. ... Read more

Reviews (10)

This movie has it all!
If you are looking for humor, suspense, romance, and a little horror thrown in to add spice, this movie has it all. Tony Curtis and Janet Leigh team up and show you how close Harry and Bess really were. The thrill of the death defying escapes keeps you on the edge of your seat, while the courtship of Harry and Bess warms your heart. A good movie for the whole family.

Fine family entertainment, if a bit cute
Definitely a 1950's movie: accessible entertainment and a G rating are more important than historical accuracy or character development. Many of Houdini's finest tricks are not shown, and we never get more than a millimeter below the surface of this gifted althlete and showman. But the escapes are impressive, Houdini's struggles as a beginner are good, and the movie concludes with his increasing interest in death and seances. Tony Curtis is well-cast, but Janet Leigh is definitely too blond for the role of his wife Bess.

George Pal's Magician Among the Spirits
This romanticized look at the career of Harry Houdini played with charm by Tony Curtis is full of the mysterious "other worldly " effects that George Pal made his reputation on in productions to come. In several scenes, Curtis taps into the Spirit world to...escape from a straight jacket, find the hole to get out of the frozen Detroit river, and seek out an experienced peer to solve the "Man in a Bottle" trick. He also manages in the process to stigmatize Halloween forever as a "bad omen" and gives new meaning to a Mother complex greater than Richard Burton's in "Alexander the Great". Still, the movie is a marvelous dose of "entertainment" and the sets are superb, there is a great veteran supporting cast and the screenplay is well written. This was a VERY popular movie and Tony Curtis does a great job in the role, even though there is a lot of deviation from the real Harry. It needs a DVD polish and presentation of extras with trailers and perhaps some interviews. It would be interesting to hear from Tony Curtis about this film after all these years. Good family fun!

great classic
This is a wonderful film and tribute to the life and legacy of Harry Houdin. A must see. Tony Curtis and Janet leigh are wonderful and romantic in it as Harry and Bess. It is entertaiining amzing and great for the entire family.

Houdini: The Escape from Humdrum to Stardom
HOUDINI is not meant as a movie that is true to life. If it were, then the finished product might have been more factual but less entertaining. Tony Curtis plays Houdini as a young Jewish man who seeks more than the dullish life that as Erich Weiss he was born into. Early on, the audience learns that the solid, conservative life that his family thought to place him is simply not in his plans. He makes a rational analysis as to how he can make the leap from the ordinary to the extraordinary. It is in showmanship that he will excel. With no small amount of humor, Curtis gives Houdini a patina of technical virtuosity with escapes combined with razzle-dazzle country fair sideshow barking. This reaching out for the seemingly unobtainable for one of his humble class extends even to his choice of a wife. He marries a woman whom he feel sure that his mother will reject. For one of the few times in his life,he is wrong. Mama Weiss eagerly embraces her new daughter-in-law.
The force of this film lies not in the continuity of the Houdini character from scene to scene. Rather, the intensity lies in a series of vignettes, each roughly pointing Houdini in the same direction: to ever newer and more dangerous escapes. Most people who discuss this movie point to the grand finale, the Chinese Water Torture Chamber scene, where Houdini is very nearly killed in attempting an impossible escape. This scene is dramatic certainly, but I see it as only the culmination of a long series of lesser escapes, with paradoxically the most interesting one occurring at the midpoint. Shortly after his marriage, Houdini and his wife attend a dinner in which the MC dares volunteers from the audience to wriggle out of a straight jacket. Houdini leaps at the chance and along with several others attempts to escape. What distinguishes this escape from the climatic Chinese Water Torture escape is the focus on the man, rather than on the gimmick. As the stalwart young man leap and crash off the stage, attempting to break out of their bonds, Houdini stands motionless. He stares at a twirling chandelier, almost as if he were summoning up his inner chi for the strength and flexibility to escape. Ever so slowly, he maneuvers his fingers which appear behind his back. The audience in the ballroom and the audience in the theater collectively let out a gasp of surprise. Sweat drenched, Houdini tosses off the jacket to win first prize. It is this scene, and others like it that lend this biopic its emotional wallop. The tragedy of the movie is not unlike the tragedy of the man. Had Houdini retained a bit more of the Erich Weiss latent within him, his life might not have ended prematurely either on film or in real life. ... Read more

Reviews (6)

One of my top 10 movies....
I love this movie, it's one of my top 10 favorites. It's glitzy and it dazzles me, and it's just the kind of movie that gives me sweet dreams and one you'll love to cozy up with on a Saturday night. It's so very lavish and everything in this movie is just beautiful and huge!! Everything about this movie is on such a grand scale, everything is just so big and gorgeous, the mansion is again just gorgeous, the rooms are perfectly and beautifully decorated and the colors that are used are just dreamy, the flower arrangements are also huge and they sit atop huge fireplaces, this movie is just a feast for the eyes! (I found that I watched it again so that I could rewind and rewind just to feast on the sets!) For the most part, the movie stays pretty close to the storyline of the book, and the book was again a huge and wonderful read, (which I also suggest!) My husband also liked this movie, he liked the actors and the storyline, the cars, the racing and the bird's eye view of the auto industry, and one of his favorite actress is Leslie Ann Downs. The flashbacks made me feel like I had slipped back in time, and oh I also just loved how Betsy got her man, the little swim she took... (she's the same actress who played the little girl on Make Room For Daddy with Danny Thomas--I think?). Lawrence O is in my opinion, very sexy and magnetic and perfect for the part, he's very handsome and even though I had never seen him before in any other movie, whew, what a cutie he is, even for an older man! But I love Robert Duvall and Tommy Lee Jones. And yes, I totally agree with the viewer who said there was no chemistry between any of the actors and that Tommy Lee rushed through his lines like he was in a hurry to get to an audition for Coal Miner's Daughter (I had a good laugh at this!), but still he's young and cute and he does not disappoint. I love movies with good actors, pretty sets, lovely clothes, romance and happy endings and any movie that goes back in time or ia a period piece, gets my vote every single time.

Not a masterpiece but still good
The betsy which is based on a novel by Harold Robbins is not

a very good movie but it is not that bad.I didn't like Olivier's

performance but i think Tommy Lee Jones did great.The love

scenes in the movie are very beautiful and Kathleen Beller is

a very gorgeous actress [Most known for her role as Kirby

andrews in Dynasty] and i adore her love scene with Tommy Lee

Jones.

A So-Bad-It's-Great Classic
There's so much awfulness to love in this movie, a camp classic done as straight as an arrow.

I have a hard time figuring out what's my favorite thing about this movie because there's so much to love -- the total miscasting? Olivier's "Americanish" accent which is frequently slurred? The complete lack of chemistry between any of the principle characters? That "Where's My Paycheck?" look on Katherine Ross' face? The way Tommy Lee Jones spits out his lines so quickly like he needs to leave the set early to go to the Coal Miner's Daughter audition? ... The heavily gauzed-lens flashbacks? The complete implausibility of Harold Robbins' story? Mansions decorated with whicker furniture? Sir Larry's parade of horrendous toupees?

If you miss Dynasty or The Colbys for any of the above reasons, or if you are just a connoisseur of So-Bad-They're-Great movies you can't miss this one. ...

Great Fun in A Grat Pot Boiler
This is a movie with no pretensions. It is about corporate intrigue, family disputes and beautiful bodies. It is an unashamed pot-boiler. It is helped by the fine acting that does not descend into camp. There are many highy capable actors here. No one hams it up for the camera which only makes this glorius bit of cheese all the more fun.

A 3-star movie, 5 stars for Tommy Lee Jones, average to 4
This is a big, gorgeous movie, but can drag at times. Whenever Tommy Lee Jones is on the screen, however, it's fabulous. I remember seeing this movie when it first came out, and wondering why he wasn't in more movies. Some very beautiful and surprisingly explicit nudity showing the actress playing Betsy. I wonder what happened to her? ... Read more

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Wicked, nasty, delicious fun. Laurence Olivier is a wealthy, veddy English mystery writer. He invites Michael Caine to his elaborate country house, in order to settle some rather unpleasant business between them: Caine is having an affair with Olivier's wife, and she is about to divorce the older man. Olivier, smooth as brandy, suggests that there might be a way the two men can help each other, but what appears to be an intriguing proposition escalates into a deadly cat-and-mouse game. Sleuth boasts a twisty script by Anthony Shaffer, calculated to drive an audience to distraction; and director Joseph L. Mankiewicz (All About Eve) shows a keen eye for the telling detail. But the real fun is watching Olivier and Caine go at each other hammer and tongs, a virtuoso wrestling match between two splendid actors (both were Oscar-nominated, but lost to Marlon Brando in The Godfather). Alec Cawthorne is also quite good as the inquisitive inspector on the case. --Robert Horton ... Read more

Reviews (27)

Making a game out of real murder...and making it fun.
The idea of a movie with only two actors in it may not sound overly exciting, but when you watch "Sleuth" for the first time, you realize that it couldn't have worked any other way. For many years, "Sleuth" has been one of my favorite movies, and remains so to this day. It is cleverly written and superbly acted by both Michael Caine (my all time favorite actor) and Sir Laurence Olivier.

The tag line "Think of the perfect crime...then go one step further" describes exactly what the movie is all about. Olivier plays Andrew Wyke, an eccentric and revered mystery writer invites Milo Tindle (Caine) over to his mansion over a weekend in order to discuss the terms of his affair with his wife. Wyke is known as a lover of toys, games, and deviously cunning games of trickery that he plays on people. Wyke has known for some time that Tindle has been having an affair with his wife, and that he intends to marry her. Wyke sees an opportunity to unload his wife, without the possibility of her coming back and getting deeper into his pocketbook. Knowing him to be broke, Wyke proposes to Tindle a robbery scheme that will solve both of their problems. Things got a bit awry. What happens next would be criminal to give away, but it is one of the most brilliantly crafted farces I have ever seen in a movie.

"Sleuth" was adapted from the stage play by Anthony Shaffer, and it plays out very much like the play itself. There is one setting, two actors, and lots of dialogue. It works very well, because it wasn't overdone in production. I cannot see how this could have worked with a more elaborate setting or cast. What carries the movie are the performances by Caine and Olivier, which ranks among their personal best (and picking ones from such distinguished careers is hard). Their interaction between each other is riveting, since their characters are so cunning. "Sleuth" was made in 1971, and 30 years on, every aspect of the movie has aged well. It is one of those movies that makes time stand still, and you are unaware that 2 hours has gone by at the end of it. That is the token of a great movie.

The Anchor Bay DVD boasts the best transfer and sound quality of "Sleuth" so far, though the previous versions were also very good (including the VHS, which is rare for older movies). The main supplement is the 20 minute featurette "A Sleuthian Journey with Anthony Shaffer", in which the famous playwright is interviewed on his experiences with the play, the making of the movie, and his interactions with the filmmakers. He is jovial and gives plenty of fun anecdotes throughout the interview. Aside from that, there are talent bios and the usual trailers and TV spots. Considering the age and modest budget, not much in the way of extras should be expected.

"Sleuth" is a rare movie that I can watch over and over again, and I am pleased to see that Anchor Bay did justice to the movie with this excellent (and modestly priced) DVD. An easy purchase for any movie fan.

LABYRINTH MAN
Adapted for the screen by Anthony Schaffer, the author of the play, and directed by one of the legends of Hollywood, Joseph L. Mankiewicz, SLEUTH is the perfect movie for you if you like excellent actors, Laurence Olivier and Michaël Caine for instance, a subtle plot with unexpected twists and a superior cinematography.

I was amazed by the admirable production design of the movie. Laurence Olivier's mansion is a dream come true, every objects appearing on the screen seem to have a priceless value and the rooms, including the cellar, are little museums. Joseph L. Mankiewicz had to nail the audience in some way because SLEUTH is not a play with a lot of characters and could have discouraged the viewer if the director hadn't been such a talent. Another (innocent) trick of Mankiewicz is to film the puppets or the masks as if they were alive, you always have the feeling that the characters are not alone in the mansion.

One can regret that the Anchor Bay DVD presents only a scene access and no english subtitles. The image quality was, in my opinion, rather good, without black or white spots. Sound, on the contrary, could have been better.

A DVD for the smart ones.

"Be sure and tell 'em... it was just...a bloody game."
"Sleuth" stars Michael Caine as the young hair-dresser "Milo Tindle" and Laurence Olivier as an upper-crust mystery writer "Andrew Wyke".

Michael Caine is having an affair with the wife of Andrew Wyke. Wyke invites Milo to his country manor to discuss a plan whereby Milo would "rob" Wyke of some expensive jewels, sell them to a pre-arranged fence in Amsterdam, and get enough money to afford Wyke's wife, thus freeing up Wyke to live with his own mistress (and get the insurance money for the stolen jewels.)

Wyke outlines the complexities of the plan, which involve Milo dressing in different clothes, breaking into the house, blowing up a safe, etc, to make it appear to be a legitimate robbery.

There are many appealing aspects to the movie. First is the character of Andrew Wyke, a famous writer of a series of detective-fiction wherein the main character, Lord Merridew, always outwits the rather bumbling police force to solve the crime. Second is Wyke's hobbies, which run the gamut from an ancient chess-like board game, a jigsaw puzzle that is only a white rectangle, and various assorted collectibles such as a full-sized animated sailor dummy. Wyke's gameplaying attitude is extended to the plan of the fake robbery. The third compelling aspect of the movie is the witty, sparring dialogue between Wyke and Tindle.

Although at first, the two characters try to maintain a slightly forced friendly rivaly, but as the robbery unfolds, it becomes clear that Wyke in fact resents Milo and his wife's affair, and is actually setting up