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| 121. Alice in Wonderland Director: Harry Harris | |
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Amazon.com Reviews (169)
Alice's Adventures in Wonderland begins with the classic scene of young Alice falling down the rabbit hole. Soon she finds herself lost in an insane world. Drinking things make her grow into a giant or shrink to the size of a mouse. Best of all, are Alice's conversations with the many eclectic characters that inhabit Wonderland. Unfortunately, Alice's Adventures in Wonderland comes to an end within the one hundred page mark (it is a children's story, after all). Fortunately, this collection holds the book's sequel Alice Through the Looking Glass. In this Alice stumbles through a looking glass and finds herself in Wonderland again. This time around she becomes a pawn in a giant game of chess. The reader follows her adventures as he tries to become a queen by making it to the eighth square. This chessboard element proves a very intersting way of advancing the storyline. What truly gives this book its lasting charm is its characters. Whether its the Mad Hatter telling Alice about his friend Time, or the disappearing Cheshire Cat, every character is impossible to forget. Many such as the White Rabbit, remain popular icons today, well over a century later. Conversations held with these characters often prove laugh out loud funny, as Alice tries to make sense of and explain herself to these characters. From beginning to end, the reader will have a goofy grin plastered across his or her face. Behind all these fun adventures, Carroll manages to slip in a large amount of social commentary. Some characters represent types of people, such as the overzealous monarch, to display in an exaggerated sense the foolishness of such extremes. His many poems throughout the book often have larger meanings as well: The Walrus and the Carpenter are clearly a condemnation of modern religion. Even the wild effects of drinking and eating can be interpreted as a moral on temperence. As the Duchess in the Wonderland said "Everything's got a moral, if only you can find it." Likewise, Alice is rife with various morals. So what makes this book a classic? Reading through other people's comments, its hard to find a single person that didn't give it five stars, much less didn't like it. However, it was hard to find a definite consensus on what made it so good. Some stated its entertainment value, other enjoyed the commentary. Perhaps what makes this book so brilliant is that it has whatever you're looking for. If you want escape and adventure, it has it. If you want to laugh, there's humor. If you want intellectual thought and prose thats there too. What will the reader take away from reading is whatever they are looking for. Definitely a book that deserves its recognition as a classic of English literature.
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| 122. Sugartime Director: John N. Smith | |
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Description Reviews (2)
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| 123. Barbie as Rapunzel Director: Owen Hurley | |
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Description However, in a twist of fate, Rapunzel's discovery of a magic paintbrush leads her on a journey that will unravel a web of deception, bring peace to two feuding kingdoms, and ultimately lead her to love with the help of Penelope(TM), the least intimidating of dragons! Stunningly produced in computer animation, the movie stars Academy Award(R) - Anjelica Huston* as Gothel and Cree Summer as Penelope(TM). The movie features a song by Samantha Mumba and music by the London Symphony Orchestra. Barbie(TM) as Rapunzel shows that love and imagination can change theworld... Reviews (39)
When Gothel learns of her misdeed, Rapunzel is trapped in a tower with no hope of escape. Her silver hairbrush is touched by magic and becomes a paintbrush that forms paintings that can take one anywhere so of course, Rapuzel goes back to the garden in the hopes of finding Prince Stefan. He invites her to a masked ball and while dressing in the tower, she is found out by Gothel. What happens from there is, believe it or not, a story of love, betrayal, and redemption. I enjoyed it just as much as my 3-year old! There were just a couple of scenes where she was frightened by Gothel (one in particular during the dream sequence where the Prince asks Rapunzel to let down her hair and a giant Gothel captures her in her hand). All in all, this is another awesome Barbie DVD and like I said in my Barbie Nutcracker (also very worth watching)review, I hope there are many more Barbie movies to come!
However, my daughters LOVE this movie. I have three girls 4 and under, and it's a commonly requested video at our house. Hence, the two stars I've given it. My advice is if you have children who have already seen this movie, it's probably a must-have. Otherwise, I recommend avoiding this one. If you're looking for a Barbie movie, Swan Lake is better.
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| 124. 10 Things I Hate About You Director: Gil Junger | |
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Amazon.com Reviews (362)
Great film!
Bianca is your typical prep all into fashion and a hotsy tosty life. Kat is the quiet loner who finds more satifsication relaxing at home than going to any type of party or social gathering. New kid comes along adoring over Bianca. His friend and him decide to make a plan to pair Kat with Patrick. It's a hard trip to get Kat in a liking happy mood, much less to get her to a party that she must attend dually with her sister, or else. The girl's have to live with an overbearing father who takes good watch over his girls. I grew up with this movie and it is a definate high school flick funny for anyone. ... Read more | |
| 125. Trees Lounge Director: Steve Buscemi | |
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Reviews (28)
Tommy Basilio (Buscemi) is an out-of-work mechanic who lives alone above a bar called Trees Lounge in Long Island, N.Y. He's more than a bit down on his luck; not only did he lose his job, but his pregnant girlfriend of eight years, Theresa (Elizabeth Bracco) recently dumped him for his former boss, Rob (Anthony LaPaglia). He wants to pick himself up and get his life back together, but he doesn't seem to know where to start, and the garages to which he's applied for work aren't exactly knocking his door down to hire him. So he gravitates to the Trees, where he can at least interact with others who seem to be in situations not entirely unlike his own, though at different stages and for different reasons. But they all have one thing in common-- they're people just trying to get through the day; they're trying to get through life. If they can only figure it all out. With this film, Buscemi proves that he is more than just a talented actor, but rather a true artist in every sense of the word, with his chosen medium being film. He has an eye for detail which complements his insights into human nature and enables him to effectively translate his material to the screen. His characters are finely drawn and complex, and with each and every one he manages to successfully avoid the stereotypes to which a setting like this could easily lend itself (and no doubt would, in lesser hands). Even with the minor characters, he succinctly gives you enough of who they are that it allows you to see beneath the surface and know what makes them tick. And he does it imaginatively-- by filling a room with photographs or items that reflect who a certain person is, for example, or simply by training his camera on someone's face and allowing that extra beat that affords the viewer a telling glimpse of what's hiding behind a character's eyes. Buscemi has an innate sense of knowing how to convey what he's trying to say, and he does it in a million small and different ways that are subtle and incisive. Simply put, he knows what works-- including how to get what he wants out of his actors-- and he presents it all with a pace and timing that are right on the mark. In Tommy, Buscemi creates a character to whom many will be able to relate and identify on any number of different levels. To say that Tommy is a "loser" would be too much of a simplification, because the character is too complex for that tag alone to be accurate. Tommy is blue-collar, down on his luck, and like so many people in real life, just can't seem to put it all together, can't figure out how "life" is supposed to work. And that's what Buscemi conveys so subtly and so well, and it's the key to the success of this character-- it's what makes Tommy believable and real. Obviously, Buscemi knew exactly what he wanted when he wrote this character, and he puts it across with a brilliant, memorable performance which also demonstrates his ability to star in and carry a movie on his own. Certainly, he has a wonderful supporting cast that gives him plenty of help, but few character actors have ever been able to step into a lead role with such facility and achieve the level of success Buscemi has here. And it's work that deserves to be acknowledged. There are a number of notable supporting performances in this film, as well, beginning with Mark Boone Junior, who as Mike captures the essence of a guy who is successful, but a loser nonetheless; LaPaglia, who gives a solid performance as Rob; Bracco, with a performance that is introspectively revealing; Debi Mazar, who with very little screen time leaves an indelible impression (and her eyes are absolutely mesmerizing); Kevin Corrigan (another of the finest character actors around), as Matthew; and especially Chloe Sevigny, as Debbie, Theresa's mature-beyond-her-years, seventeen-year-old niece. Rounding out the ensemble cast are Carol Kane (Connie), Bronson Dudley (Bill), Michael Buscemi (Steve's real life brother, playing Tommy's brother, Raymond), Suzanne Shepherd (Jackie), Rockets Redglare (Stan), Seymour Cassel (Uncle Al), Annette Arnold (Sandy), Michael Imperioli (George), Mimi Rogers (Patty), Daniel Baldwin (Jerry) and Charles Newmark (Puck). An involving story presented with a rich assortment of memorable, convincing characters, "Trees Lounge" is a drama about life-- about the things going on in your own neighborhood, or downtown or two streets over, no matter where you are in the world. Wherever people are, there are situations like the ones depicted in this film, problems that have to be solved and life that has to be lived. And that's what makes this film so good; it gives the audience a chance to connect with, or at least examine, things that anyone anywhere will be able to recognize. It may have taken a collaborative effort to make this one what it is, but in the end, it's Buscemi's film from start to finish, and a satisfying little gem of a movie it is. And that's the magic of the movies.
Buscemi's character is a loser: he's been fired from his job as a mechanic, his long-time girlfriend left him for his best friend, and he spends much of his time as a regular at the local bar, the Trees Lounge. A loser, to be sure, but also a basically decent guy. A funny guy with a quick wit, living in a dead-end, blue-collar Long Island suburb, surrounded by friends and relatives with little vision beyond their dead-end lives. We watch as this loser tries to do the right thing, but just can't get it right. At one point, he apparently succumbs to a certain temptation, but when confronted about it, he insists that "nothing happened!". We believe him, we even feel sorry for him, but we also recognize the inveitability of the outcome, for he has squandered whatever goodwill he still had coming to him. The final scene is haunting in the way it echoes the opening scene. Sometimes funny, usually bittersweet, Trees Lounge is a very good character study. As a portrayal of alcoholism, it also makes a fine, understated companion piece to Barfly, its more famous, self-conscious, and, in my opinion, inferior predecessor.
The cast is loaded by supporting talent--Carol Kane is the long-suffering bartender at Trees Lounge, and there's Uncle Al (Seymour Cassel). Uncle Al is a great character, and Uncle Al is exactly what Tommy will become--somewhat shady but always guaranteed to be viewed as the amusing family scallywag at all gatherings. When Al dies, Tommy uses Uncle Al's ice cream van and takes his place at the wheel. But even this relatively harmless employment leads Tommy into more trouble. Buscemi is right at home in the role of Tommy. We all know people like Tommy, and Buscemi's wonderful script and superb acting breathes life into a character who could all too easily be played as a stereotype--displacedhuman
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| 126. Sparkle Director: Sam O'Steen | |
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Description Reviews (27)
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| 127. You've Got Mail Director: Nora Ephron | |
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Amazon.com essential video The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device.The script, cowritten by the director and her sister Delia Ephron, updates and relocates the Ernst Lubitsch classic The Shop Around the Corner to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan).Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes. It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention ofManhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland Reviews (480)
The soundtrack to this movie is absolutely incredible. Harry Nilsson is perfect (the puppy song, over the rainbow), and the rest of the songs fit so well with the mood of the movie at all times. Sinead O'Conner's addition (I think it's called the lord must live in NY city) adds to the mood I talk about later, and Carol King's Anyone At All is one of the best romantic songs I've ever heard/played. The mood to the movie is always incredibly upbeat- which is strange- most movies have their lulls or depressing moments. This movie, however, never gets itself in that rut. It's always very very cheery and bright. Although some may hate that, I can do nothing but appreciate the change of style. Everytime I watch You've Got Mail, I just think, "I WANT TO GO TO NEW YORK!!!" Overall, the movie just makes you feel good. It's one of my favorite movies, and is certainly my most favorite romantic film. Even techies won't get annoyed, because thank goodness the focus isn't aol or anything of that matter.
Aside from making me want to run away to the Big Apple and work in the children's section at Fox Books, "You've Got Mail" also features Meg Ryan at her most adorable ("Aren't daisies just the friendliest flower?"), Tom Hanks at his most charming, and a terrific supporting cast (Greg Kinnear and those typewriters!). The story, a modernized little "remake" of "The Shop Around The Corner", is more fairy tale than realism -- two people fall in love over email, in war in real life, and however can such a thing be solved -- but it's an enchanting story nonetheless. In a time when romance on the web seems all-too-seedy and in reality, sometimes frankly dangerous, this little tale of two people sharing their most intimate thoughts long before they share a single glance is like a breath of fresh air. Sure, the technology's a little faded, but the magic's still there.
Yeah, that's right! I said it! A lifetime of Vietnam movies and tragic love stories has left you too cynical to enjoy a simple romance between two adults. Teenagers getting into car crashes, mothers being diagnosed with breast cancer, murderers who you like despite the fact that they're pure evil. These are the cinematic icons that appeal to you, yes? Well what about hard-edged bookstore manager and idealistic bookshop owner? What about oddly-principled boyfriend who owns two identical typewriters? What about...uh...Jean Stapleton? She was funny, right? Look, the point is it doesn't suck and don't judge it just because it's a Hanks/Ryan romantic comedy on par with "Sleepless In Seattle" (Which was a good one too, by the way). Although, I still prefer the original "Shop Around the Corner" with Jimmy "Not Bow-Legged" Stewart.
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| 128. When Harry Met Sally... Director: Rob Reiner | |
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Amazon.com essential video Reviews (184)
I was really surprised that I enjoyed this one, usually I don't like Billy Crystal but there was some excellent dialogue in this film that helped him out, Meg Ryan looked great (when she didn't have an awful '80's perm - note to ladies on here - it looks really dumb as do ugg boots and jeans that show off your butt cleavage or fat rolls). I really wish the whole "I'm having what she's having" statement was not said as I've had to endure countless cheesy commercials based on this scene but all in all had some fun with this one. That said, too many f words, about 8, and too much of the fornicating already, try getting to know someone properly first then marrying them as a lifelong commitment before sleeping with them Also, you can have platonic friends of the opposite sex, and unless you've got a lust problem you won't be thinking about bedding them all the time. Thanks for reading, and come out of them you lustful demon!! ... Read more | |
| 129. The Godfather Director: Francis Ford Coppola | |
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Amazon.com essential video Reviews (179)
The movie has a long list of big name actors including Marlon Brando, Al Pacino, James Caan and Robert Duvall, and was directed by Francis Ford Coppola. It seems to be filmed rather darkly with muted colors, though many posts here complain about the transfer. I had big expectations for this movie, but at the one-hour mark I was so bored I turned it off. Later I started over with the commentary, which was a bit more interesting. I took a nap in the middle, then came back to finish this 3-hour exercise in tedium. Mostly OK acting. Good photography. Famous theme. I liked 2 lines of dialog, but that's about it.
I give it three stars because, I'm sure when this movie was originally released, it was "Epic", but it just hasn't stood the test of time. Some of the scenes are well acted, but are overshadowed by lack of plot and some particularly bad acting as well. Aside from the movie itself, Francis Ford Coppola should be embarrassed about the quality of this DVD transfer. It has several flaws (scratches, flickering, low lighting, etc.) and really looks bad on a large screen television. Perhaps he should let George Lucas have a go at a Special Edition version of his movie to "clean it up" and bring it up to date (Whatsa Heesa Deesa Meesa?) - of course I'm joking. ... Read more | |
| 130. Zapped! Director: Robert J. Rosenthal | |
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Reviews (20)
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| 131. The Charge of the Light Brigade Director: Michael Curtiz | |
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Amazon.com essential video Reviews (22)
"CoftheLB" boasts an excellent cast supporting Flynn: in addition to the aforementioned Olivia and Patric, there's David Niven, Donald Crisp, and Nigel Bruce, just to name a few stalwarts. Plenty of action, with masscres and horse charges galore, not to mention a rousing score by Max Steiner, and of course, Tennyson's poem gets interspersed with the final dynamic charge. Noble Six Hundred, indeed--watch it and cheer!
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| 132. Tom Sawyer Director: Don Taylor | |
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Reviews (13)
With songs written by the famous Sherman Brothers (the brilliant Disney songwriters who did "Mary Poppins" et al.) and the charm of Johnny Whitaker as Tom Sawyer (1970's tv show"Family Affair") this is the best version of the classic Mark Twain tale I've ever seen on film. You really feel like you're right there in Hannibal, Missouri. Great casting all the way around and a fantastic musical as well. I originally saw this when I was about nine and it completely caught my imagination both then and now. I'd never forgotten several catchy songs from the film, such as "Free Bootin.' Great stuff all the way around. My only complaint is that this film is not currently available on DVD, as I'd love to see and hear this treasure of a film in full visual and audio clarity.
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| 133. Boys Town Director: Norman Taurog | |
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Amazon.com essential video Reviews (13)
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| 134. Our Friend, Martin Director: Vincenzo Trippetti, Rob Smiley | |
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Amazon.com The story is also remarkably moving, as Matt and Randy learn what Dr. King did for humanity, and come to see him as a real person, not a historical figure. Matt and Randy experience segregation firsthand when they aren't allowed to eat on a train together. Together, they witness the bus boycott, the Birmingham riots, and the "I Have a Dream" speech. They discuss the theme of "non-violent resistance" with their new friend Martin and the work of Ghandi in India. As King tells Matt, "We must meet hate with love. It will take time, but somebody's got to start." Authen | |