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Though it seems like a one-joke premise, this spinoff of Al Franken's Saturday Night Live character, self-help nerd Stuart Smalley, actually has some substance. And, in fact, it offers a message that wouldn't be out of place at an Al-Anon meeting (although with the laughs). Stuart, fired from his cable TV self-help show, goes home to resolve a family crisis. Dad (Harris Yulin) is an abusive drunk, Mom (Shirley Knight) is an enabler, Sis is an over-eater, and Brother has a problem with his temper. The film turns serious, but Franken actually makes the drama interesting, using humor to leaven it. And he brings a certain sympathy and resolve to the lisping, cross-eyed Stuart. To be sure, it's not your typical SNL movie. --Marshall Fine ... Read more

Reviews (34)

ONE OF THE BEST MOVIES I HAVE EVER SEEN...
The first time I saw this movie was when it was in theatrical release, (which lasted about a week). I was in a movie theater in Times Square with a friend, and there were only two other people in the audience. Al Frankin has referred to this movie as a "disaster" because it was pulled from theaters after not even reaching one million dollars. Note to Al: THIS MOVIE IS NOT A FALIURE!

Every detail of this film, from the opening montage to the marvelous acting, (these are TOP NOTCH actors in this film), to the hilarious comedy to the story to the music...everything is hysterical. I only wish they had chosen a different title. Stuart does not save his family, he can only try. The movie should have been called "Stuart Smalley."

I was so astounded by how wonderful this movie was, yet practically no one saw it and Al Frankin calls it a disaster. I honestly, truely, unexagerratedly believe that this movie should have been up for several Oscars, including Best Director and for the supporting cast. The actor who plays the father was especially wonderful. I only hope that more people discover this movie.

When the movie was over in the theater, (I have since seen it again on video several times), the two other people in the audience came up the aisle and also expressed how good the movie was. I wish I could have direct addresses for director Harold Ramis and Al Frankin so that I could write to them and tell them how proud they should be of this movie.

He doesn't really save his family, but...
Sadly, a lot of folks have never heard of this little gem. It had a very short theatrical release but has been gaining a wider audience, largely among members of 12-step programs, through its various video releases.

To describe the story line of this very funny movie would be to sell it short, because the premise doesn't sound like it would lend itself to such a delightful comedy. But the film grabs one's attention from the very beginning with its montage of 50s and 60s family photographs during the opening credits. Are these possibly family photos of the lead actors at an earlier stage of life? When Vincent d'Onofrio's name is on the screen, the guy in the photo looks an awful lot like him. And then we're off and running, with Stuart telling us on his television show that he has just received a sweater that one Melissa D. knitted for him. Melissa is a recovering sex addict and knitting the sweater "gave her something to do with her hands."

From that point on, the pace only rarely slackens, as we are introduced to Stuart's various friends and nemeses, beginning with Roz Weinstock, very possibly the meanest and most sadistic boss since Captain Bligh, and deliciously played by Camille Saviola. Roz has fired Stuart for maligning her on the air, and she is only the first of a series of people Stuart manages to annoy as he lives out his affirmation of "I'm good enough, I'm smart enough and, doggone it, people like me." Perhaps not everyone likes him, certainly not the customer in the restaurant (an unbilled role, possibly director Harold Ramis?) who has to wait while Stuart explains his latest predicament to his best friend and Al-Anon sponsor Julia, wonderfully played by Laura San Giacomo.

From there, it is a constant back-and-forth for Stuart between Chicago, where he lives, and Minneapolis, ironically one of the chief centers of recovery programs, and the home of his very dysfunctional family. Stuart's beloved Aunt Paula has died, setting in motion an ever-muddier chain of events that eventually teach Stuart in a big way that the only one he really has the power to change is himself. Nevertheless, the ever-optimistic Stuart continues to offer his gifts to others, some of which are eventually picked up and appreciated.

Just as the setting goes back and forth from Chicago to Minneapolis, so the time frame goes back and forth from the present to the past through black-and-white flashbacks, some happy, some less so. These give us some idea of how Stuart has come to be the way he is today, and of the ghosts that he has to grapple with while living out his affirmation.

The film does take a rather serious turn near the end, but Al Franken as Stuart Smalley helps to keep the tone somewhat light during this section. And, as in real life, not all the loose ends ever get neatly tied up, but Stuart has nevertheless made his impact, as we see in a very heartwarming ending.

While most of the actors in the film are not household names, a number of them are quite experienced and turn in some memorable performances. Harris Yulin, Shirley Knight, Lesley Boone and Vincent d'Onofrio are all good as Stuart's family members, the men in particular. There are also a number of memorable cameos, particularly Julia Sweeney as the constantly apologizing Mea C., and Walter Olkewicz and Jeremy Roberts as the Skoag brothers who try to force the teetotaling Stuart to drink beer at a bar.

The music is fun also, beginning with the codependent song that is played during the opening credits. And it was great to hear Ethel Merman blasting her way through "Everything's Coming Up Roses," during one of the scenes where Stuart is trying to pull himself up by his bootstraps.

This picture has some of the funniest lines I have ever heard in any film. My particular favorite is Stuart's brother Donnie's attempt to define for him what an "easement" is, despite the fact that he obviously doesn't have the slightest notion. But many will like even better Stuart's comment to his sister about the pound cake. While there is plenty here for audiences in general to laugh at, there are also a number of jokes that are targeted toward members of 12-step programs, and especially those programs geared toward helping friends and family members of those addicted to alcohol and drugs. It's obvious from the writing that these are topics near and dear to screenwriter Franken's heart.

So, I recommend this movie with just the caveat that you will find it funnier and closer to home if you have some familiarity with the programs that the film gently pokes fun at. And even if you don't, after seeing the film you may still wind up with a new approach to life.

Great Great Movie
I absolutely love this movie! I watch it everytime I am frustrated with my family and always end up feeling a little bit better. Other than making us laugh, this movie teaches us that at some point it's ok to separate ourselves from our family's problems and that we have to accept that we can't fix everything for everyone that we care about. I was happily surprised that this movie contained more than obvious humor, it actually has heart!!

If you've ever been a member of a 12-Step Program...
If you're ever been or are now a member of a 12-Step Program you'll find this movie wildly entertaining. Sadly, the humor so evident in this film is so common amongst many familes struggling with relatives of addictions. Key words here are : affirmations, 12-Step, intervention, codependency, and many others to mention here.

A Jewel of a Movie
It's sad when I mention scenes in this movie at work and I get a "huh?" Very few people has bothered to see this movie and I think they're missing something. I found it poignant, funny and subtle. It it has some of the best one-liners and a rather sad but well written ending. Any grown-up out there (belonging to a dysfunctional family) still trying to stay with the concept of "family holiday gathering" should do what Stuart ultimately did in the end. ... Read more

Reviews (27)

One of my favorite movies ever!
Danny Kaye at his best. For anyone who has traveled the road with a band, or had to live the life of a musician, this movie will bring back all the good times. Kaye does a beautiful job portraying both a band leader and husband/father. Right up there with A Song Is Born!

Thoroughly delightful - Danny Kaye's best!
A funny, warm, and perfectly wonderful musical -- the best kind of family entertainment. Danny Kaye is simply perfect as Red Nichols, the great jazzman of the 20's, and the bonus is the terrific music (many of which, I was surprised to discover later, were all Nichols' own songs). Wonderful work by Barbara Bel Geddes and the other featured players, especially the adorable little girl who plays Kaye's daughter. I've watched it again and again -- I think you will too.

Among the top 5 movies ever made
This movie is as close to perfection at one can come! Why is not yet out on DVD? Pleeeeeeease (and yes, I'm begging here) release this masterpiece on DVD.

Will be bought by more if.....
Isn't there a way for this great movie to be put on DVD and CD. In this day when there is so much inappropriate material in the movies and on TV, watching the Five Pennies is a wonderful breath of fresh air. My daughter and I have a special relationship partly because of this movie. On her wedding day I gave her five new pennies (1960) her birth date and we have watched this movie many times together. It would be so much better to watch and hear it on DVD/CD. My orginal long playing record is about wore out. Please contact those in the power and forward my request, I know it would be a great seller. Bill Williams

The Five Pennies DVD and audio CD release?
This is a wonderful film, a real moving tear jerking classic. An excellent performance by Mr. Kaye, as always, and unique footage of Louis Armstrong. Wonderful jazz harmonies. When will this movie receive the credit it deserves and be released on remastered DVD and audio CD? Movie studios you have been told!! ... Read more

Description

Before Velvet Goldmine, there was Buddha of Suburbia.The coming of age story of Karim, an assimilated Indian in London during the swinging seventies.Winner of seven international film awards. Soundtrack by David Bowie. ... Read more

Reviews (3)

Five stars - four hours went by too fast!
This movie (miniseries, actually) remains on my top ten list of favorite films. The writing, the acting , the storyline, everything, just leaves me wanting to watch more (after four hours, that is saying a lot!). This film is inventive and captivating without a lot of special effects or high budget - it is just good. The basis of the story is the coming of age in 1960's London, of Kareem, (played by Naveen Andrews, from the English Patient) who is the son of and Englishwoman and Indian man. His place in English culture, in Indian culture, among his respective extended families on each side, as well as his place in life - exploring his career options, his [body], etc. - make this a thoroughly enjoyable experience. This movie is very entertaining and quite funny, especially when Kareem's ... father decides to jump on the East-West Hindu yoga and spirituality bandwagon of the sixties to make money. I just cannot describe all of the amusing and touching scenes from this film that make it such a gem. Very well made, and it has a very good soundtrack as well, featuring some good David Bowie songs. This film is a must-see.

Buddha of Erotica
Wonderful BBC film adaptation of the Hanif Kureishi novel of the same name. The translation to the small screen worked well primarily because Kureishi himself co-wrote the screenplay.

A satirical witty look at bi-racial issues in the teeming London (and its suburbs) of the 1970's. The film is unexperimental on a cinematographic level but carried brilliantly by a well writen screenplay and superior acting.

Narrated from the perspective of a selfish young man, this is on the surface a tale of a suburban London youth trying to get laid and make it in the world.

Issues of family and commitment are looked at with a subtlety that is refreshing in a world of films that often try to beat you over the head with their moralizations.

Karim is confussed about the world around him (as young people all are) and trying to balance loyalty to his quirky family with the duality of his racially mixed background. All of this is set upon a backdrop of a young man trying to find sex and excitement and his place in the world.

Kureshi is spectacular!
Hanif Kureshi is one of the best contemporary authors on the shelf. the BBC's interpretation of his book does him justice! Buy it! ... Read more

Reviews (3)

Ma & Pa get their own movie since "The Egg and I" (1947)
This is he first starring role for Ma & Pa Kettle, but not the first film they appeared in. The very first film Majorie Main and Percy Kilbride as "Ma & Pa Kettle", along with Richard Long was in the film "The Egg And I" (1947). They were only minor characters in the film, but made such an impact and was considered so down-home funny that it was decided they should be given a movie of their own. Thus "Ma & Pa Kettle" (1949) was made. In fact, they made eight more films to follow. The films are quite wholesome and Ma & Pa Kettle living on the farm, I'm sure you will enjoy the country-life humor. Ma & Pa Kettle didn't always stay on the farm. They did go to the fair and traveled to the city and even Hawaii. In this film, they finally get to move into a new model home. Wait until you see all the fancy stuff this house can do. I highly recommend you see "The Egg And I" (1947) first, to get the good flavor of the films and appreciate the humor. Enjoy! Followed by: Ma & Pa Kettle Go To Town (1950), Ma & Pa Kettle Back On The Farm (1951), Ma & Pa Kettle At The Fair (1952), Ma & Pa Kettle on Vacation (1953), Ma & Pa Kettle At Home (1954), Ma & Pa Kettle At Waikiki (1955), The Kettles in the Ozarks (1956), The Kettles on Old MacDonald's Farm (1957). Note: Be sure to catch Majorie Main in "Dead End" (1937).

NUTS TO BIRDIE HICKS!
Percy Kilbride and Marjorie Main star in this spin-off of the EGG AND I, a 1947 flick in which they were scene-stealing supporting characters. The Ma & Pa Kettle series - corny and unsophisticated as they were - proved huge money-makers for Universal Pictures. The hoi polloi just loved watching the antics of these loveable country bumpkins who lived out in Hicksville! In this offering, Ma & Pa play the down-and-out parents of 15 kids who are faced with being evicted from their ramshackle home. Pa wins a slogan contest for a tobacco company, and wins his wife and brood an ultra modern (for 1949) brand-new, fully automated house. Local grouch Esther Dale (as the hilarious Birdie Hicks, a sour old beldame with the face of curds) is jealous of the Kettles' new fortune and accuses Pa of plagiarizing the slogan...Note the the eldest son - Tom - is played by 22 year-old Richard Long who would go on to play Jarrod Barkley on TV's THE BIG VALLEY.

reminds me of growing up in my big family
I grew up in a family of nine, with parents like man and pa. I just love these movies and am looking to collect all their titles..Does anyone know how many video's have been released and where I can get them. ... Read more

Reviews (44)

Before there was "Passions," there was "Dark Shadows"!
To those of you spending your days bewitched by the misadventures of Tabitha and Timmy on "Passions," there are those of us who are here to remind you of "Dark Shadows," the cult soap opera hit that ran from 1966-71. The Gothic soap was floundering in the ratings when the character of vampire Barnabas Collins (Jonathan Frid) was introduced. Producer/Director Dan Curtis provided this 1970 introduction to the wonderful world of "Dark Shadows," so late comers could get up to speed. Barnabas is freed from his crypt after nearly 200 years by a thief stealing treasure and returns to the family home Collinwood pretending to be a distant English cousin who just happens to be named for the infamous "ancestor." Barnabas discovers that the family governess, Maggie Evans (Kathryn Leigh Scott) is the spitting image of his former love Josette, who killed herself when she learned he had become a vampire. Meanwhile, the family physician Dr. Julia Hoffman (Grayson Hall) learns of Barnabas' true identity and develops a treatment that will reverse the curse. Able to walk in daylight again, Barnabas plans on marrying Maggie. Unfortunately, Dr. Hoffman has fallen in love with Barnabas and sabotges the treatments, which results in quite a bloodbath.

"House of Dark Shadows" certainly stands on its own if you have never seen the soap opera, although the effort to give everyone in the cast some screen time does get in the way from time to time. For those who remember the show, it is nice to see Louis Edmonds, Nancy Barrett, Joan Benett and the others again. The script by Sam Hall and Gordon Russell is actually quite innovative, coming up with some new twists for the love triangle while working in notions of reincarnation and scientific approaches to curing vampirism. At the heart of the film is Frid's portrayal of Barnabas Collins, which offers considerably more depth to the character than we were getting at the time from Christopher Lee's Dracula in all those Hammer films.

the shadows are dark
if your a fan of the series dark shadows you will be in for a great big surprise when you first view "house of dark shadows" one thing is the movie is well made and so is the script well written. all the cast is wonderful especially kathryn leigh scott,joan bennett,jonathan frid,and the late louis edmonds. it has a lot of gothic look and even plays like a true hammer filmshould be when i was a child this film scared the he double hockey sticks outta me. even grayson hall is great i this movie dispite she dies before the film ends. nancy barret once again plays carolyn stoddard but has a rather misfortune to her,her cousin turning her into one of the undead,but miss barret is a great actress as well as the others i mantioned above,too many good actors in this film. the mansion that is in tarrytown new york is a great spooky place to film dark shadows
even the cematary there is a great place too. "house of dark shadows" plays well and whenevr the missing scenes are found and restored hey it will be a better movie but once again the movie is great no matter what. dan curtis is a perfect director for this kind of movie he has since done a lot of other spooky films like "night of dark shadows" "burnt offerings","trilogy of terror" "dracula"(with jack palance),and "tirlogy of terror 2" if you dont have house go rent or buy it ...john karlen is great too.

Stylish feature film of a popular TV classic!
This vivid, well-crafted feature version of the '60's supernatural soap opera "Dark Shadows" recounts the resurrection of 200-year-old vampire Barnabas Collins(superbly portrayed by Jonathan Frid) who is released from his chained coffin by an imbecile handyman(John Karlen), then proceeds to wreak havoc on his modern descendants. The film features a number of the series regulars, including Joan Bennett as the aristocratic and very beautiful matriarch Elizabeth Collins Stoddard, and is very well directed by the original series creator Dan Curtis, who produced the picture as well. Fans of the ever popuar show will indeed find a great deal to like here as the film is shot on a much bigger budget featuring more sex and violence than those blasted censors would allow on the small screen. If you like this film, you may also want to check out its sequel, "NIGHT OF DARK SHADOWS".

A Good Horror Film
One of the first times a television program was brought to the big screen. The movie takes one of the most popular story lines from the tv program and goes way beyond it. Characters, who never die in the series, do so in this film with a heck of a lot more ketchupy bloody scenes.

The movie is complete by itself and it is not necessary to have every watched the tv series to understand and enjoy this film.

Some very eerie and tense scenes. Excellent directing and great mood music. The acting also far exceeds what we saw on the tv series!

Excellent!
This movie is definitely bloodier than the daytime Dark Shadows you might be used to, but it an excellent horror movie -- and proof of how talented and versatile the DS cast was. Jonathan Frid is really the reason to see this, his Barnabas ranks among the pantheon of classic vampires. He is much more evil in this film as opposed to the dapper, mysterious gentleman on TV, but just try to look away. He is wonderful, as are the very talented Nancy Barrett as the doomed Carolyn, and beautiful Kathryn Leigh Scott as Maggie. John Karlen, Thayer David and Grayson Hall all add their magic to the mix, and Joan Bennett never looked more grand and glamorous. Really a fun scary movie and a treat for fans! ... Read more

Reviews (35)

Gorgeous but dull
But first let me say: the production is breathtaking. The costumes are beautiful, the scenery and sets lavish, and the score (music from Tchaikowsky) fits the theme of the story perfectly.

That, however, is pretty much all that can be said. The major problem in transferring 'Anna Karenina' from book to film is that to do so properly requires a good deal more time than 2 hours. This screen adaptation's script is good enough, but it leaves a lot of questions unanswered. Anna's passion and vitality is sadly missing in this film, and a lot of the scenes seem stilted.

This may or may not have to do with the choice of the leading lady. Sophie Marceau is an admirable actress, and has done quite well in other films (notably Braveheart and several French productions), but here she misses the mark completely. The looks on her face, supposed to be deep passion and vivacity, are more reminiscent of how one would look in the dentist's chair. Her Anna is a complete narcissist; when she at last met her end, I almost breathed a sigh of relief.

That said, the men, overall, perform very well. Sean Bean cuts quite a dashing figure as Count Vronsky, the love of Anna's life (and her ultimate downfall). Alfred Molina is excellent as Levin, the everyman and Tolstoy's hero in the story. And James Fox is very, very good as the disregarded Karenin, the husband Anna deserts for Vronsky.

All in all, it may be worth watching (especially for the grand ball scene, which is breathtaking!) but it has the flaws that all adaptations before have had: it is too long to be interesting, but not long enough to cover the story adequately.

Not like the book
This film has lavish production values. However, it is simply too short to convey the nuances of the novel, and the plot has been altered enough to disturb the novel's devotees. Probably this is why I was unable to become deeply involved with the characters. I was also disturbed by the actress cast for Kitty, a character who in the novel stands for conventional female purity. In the film Kitty has husky, sensual speech and usually appears with a push-up bra that spills her out of a low neckline. The actor who portrays Count Vronsky is so wooden you can't understand why Anna would ruin her life for him. And, I can't understand the apparently random alternation of English speech with Russian plus subtitles. Watch this film for the costumes and sets, not the story.

Highly Disappointed
I watched this movie for 2 reasons, Sean Bean and Bernard Rose. Rose's direction of Immortal Beloved was masterful, and I was hoping to find the same here. I was left feeling disappointed. Although the sets, costumes and music were beautiful, this movie did not live up to its potential.

Sean Bean, a very talented actor, was put in a choke-hold by the script. He is capable of far more passion than this screenplay allowed. Fortunately, I had seen Sophie Marceau prior to this movie, so I know that she is far more capable as well. I don't think I've ever seen such poor chemistry between two key actors in such a tragic tale. With the exception of the ballroom scene this movie was flat. Pity...it could have been so much more.

The three stars I'm giving are based on costumes, sets, music and the mere presence of Sean Bean.

Pretty bad
This adaptation of Tolstoy's classic novel gets off to a bad start with a laughably ludicrous dream sequence and never recovers. I haven't read "Anna," but I have read "War and Peace," so I know that the strength of Tolstoy's writing is in his tremendous intellect and great insight into human character and motivation, not the events of his stories, which taken by themselves are the stuff of melodrama. That's what we get here: a bloodless soap opera full of incident and character that I could not bring myself to care about.

Simply Beautiful!
There are some (well, many) plot alterations that might bother certain people, but Marceau is fabulous as are Fox (who plays Karenin) and the actor who plays Vronsky. The sound track is truly transporting and in general this is one of my favorite videos. They should have given Levin and Kitty more screen time because those characters are just as important as Anna and her scandal. A good portrayal of the temptation to stray and the severe and grim consequences. Yes, a cautionary tale. Probably what Tolstoy intended. ... Read more

Amazon.com essential video

Ron Howard's 1989 hit, written by fellow family men Lowell Ganz and Babaloo Mandel (Splash, A League of Their Own), is an original comedy about contemporary life and the eternal responsibilities of raising children. Steve Martin has never been better than as a dedicated husband and father trying (and inevitably failing, as do most of us) to balance the demands of his kids and his job. The actor, like his character, throws himself into the part quite touchingly, never more so than in a scene where a hired clown fails to show up at a children's party and Martin's character unabashedly provides the entertainment. Good as Martin is, this is actually an ensemble piece with numerous actors playing members of the same family, with cross-generational joys and disappointments in the air--and parents in conflict, children in love, and so on. Jason Robards is very good as a patriarch who finally accepts the reality that the son he adores (Tom Hulce) is a major screwup. --Tom Keogh ... Read more

Reviews (50)

A Wonderful Family Masterpiece
I can't express how much Parenthood is a great film. It's a beautifully crafted story with comedy and drama all woven together in a perfect movie gem. The film centers around a large family who are just going through the trials and tribulations of life. Kids, sex, jobs, relationships, divorce. You name it. Steve Martin headlines this film that has an undoubtedly brilliant unsemble cast. Dianne Wiest stands out in a hilarious and yet, very real performance. She has trouble adjusting to son in law Keanu Reeves. She has a few classic scenes that are undeniably funny and brilliant. The legendary Jason Robards is on hand as the family patriarch. He is solid and wonderful. The remaining cast is outstanding: Mary Steenburgen, Rick Moranis, Martha Plimpton, Joaquin Phoenix, Tom Hulce. You can't go wrong with any of them. Director Ron Howard is a master at putting this film, with different story arcs, together. This is his best work. Steve Martin also shows at how good he can do dramatic parts. If he is deserving of an Oscar, then he should've been recognized for this. Parenthood is a stylish, clever, funny, and teriffic film on family life. See this movie and you'll feel good in the end.

Will have you alternately laughing and crying!
Steve Martin is top billed in this film and he is excellent but the rest of the cast is just as good. This movie is actually divided into four separate parts-four different branch off's of the same family (the father, his kids and their families)-that allows this fine ensemble to portray all the ups and downs of family life. It is a film that teaches without preaching and it's lesson is clearly understood: in life, you can't have the peaks without the valleys. And because of it every character comes to stark realizations about themselves and their relationships with other people. All the characters, that is, except the one played by Tom Hulce. But even that character is correctly written; it just simply isn't the right time for him to realize.The interactions between the father (Jason Robards) and his two sons (Hulce and Martin) tell us much about all three characters' past, present and future. Unfortunately there isn't any interaction between the father and the two daughters, played by Martha Plimpton and Dianne Wiest, but with so many characters to deal with and so many ties to bind, there simply wasn't time. But the time the writers have is well spent indeed. Lowell Ganz and Babaloo Mandel have taken a very basic idea and expanded on it in a realistic and original way. It's no wonder that all the characters are tied together so perfectly in the end.Ron Howard has taken that script and directed these tremendous performers to superlative work. Very seldom have any of them been better. Martin shines in an everyman IT'S A WONDERFUL LIFE portrayal of the father of three and the second oldest child of the four earlier mentioned. Not since ROXANNE had he given a performance of such range and depth. Dianne Wiest as his older sister won another Oscar nomination and is just as good as she was in HANNAH AND HER SISTERS. Martha Plimpton as the next oldest child is fine as a mother torn between her high-tech-education-supporter-husband (Moranis, his best work since LITTLE SHOP OF HORRORS) and her young childhood deprived daughter. Tom Hulce is the youngest of Jason Robards' four kids and has the toughest role to play. He wasn't given the one-liners the others have. His character isn't likeable. His father obviously favors him at first, which is hard for the rest of the family as well as the audience to understand. But he portrays the character as it should be played-a wanderer with unstoppable dreams who is also to be pitied. Robards' portrayal of the father is one of his best and should have garnered him another Oscar nomination. Through Robards' father character we see how his kids turned out the way they did. And we see him growing and learning as he finds you CAN teach an old dog new tricks. Joaquin Phoenix, here billed as Leaf (River's kid brother as Wiest's youngest) and Helen Shaw as Grandma, the matriarch of the family are also excellent. Keanu Reeves (Wiest's son-in-law) and Mary Steenburgen (Martin's wife) round out the cast beautifully. Randy Newman's score is perfect and the song "I Love to See You Smile" is very infectious.Pulling everything together for a production is not an easy thing. When you couple that with the fact that in this movie, comedy and drama are blended together seemlessly, Howard and his cast and crew have created a true treasure. Being a perfect parent is not easy. Being a perfect person is impossible. If you are anything less, see this movie.

Very Good now
When I first saw this movie about 7 years ago I did not like it. I did not get why it was so funny back then and thought it all rather sad.
But I tried and it was worth it! It is sometimes very gripping in what happens in the lives of people, though it is sometimes a little exaggerated, like in an Irving book.

It is also funny. The things that happen in itself are hilarious, and sometimes also there are some funny things interspersed ("Take Grandma away from the Nintendo").

The part of Keanu Reeves is also interesting. He plays a dumb guy like in Bill and Ted's excellent adventure. There is a touching scene where he talks to his wife's mother about her son's masturbation ("That's why little dude's do"). Even though he is the stupidest, he has the best advice.

Tom Hulce is brilliant as the youngest gambler son. The dad, useless in the beginning, now finally realized what he has to do.

It is a funny movie and sometimes touching. One of the better Steve Martin movies.

Overpriced, no-frills DVD of a wonderful movie
This is a wonderful, heartwarming film that always manages to make me laugh AND cry....that's why I wanted to own a copy. Unfortunately, the DVD lacks any special features to enhance it (especially frustrating since it's a comparatively expensive one!). How tough would it have been for Ron Howard, Steve Martin or any of the supporting cast to offer a commentary track?

That's why I'd recommend it as a rental only. Dianne Wiest and Helen Shaw deliver exceptional performances...Steve Martin's at his most charming...the child actors are superior and it's one of Mary Steenburgen's best performances.

"No widescreen", "NO SALE"!!!!!
This is such a good film that ranks in the top five of Steve Martin films, with such a great supporting cast and a truly original and funny screenplay for them to work with, it just seems a shame that we the consumer had to wait more than a decade for a "Pan-Scan" DVD release of this great family film, I'm sure alot of people would agree with me that it's like watching 1/2 of the original movie. I hope the distributer of this DVD gets copies of all these reviews and then thinks twice about the next movie he "butchers" by releasing it in a "Pan-Scan" format on a DVD because he just lost a lot of sales due to the lack of a widescreen version of this DVD and "I am sad to say I'm one of those lost sales". ... Read more

Reviews (65)

Another Carroll Ballard Classic...Fly Away Home is stunning!
As a longtime admirer of Director Carroll Ballard, I was thrilled when the Special Edition of "Fly Away Home" was released on DVD. I wish Anchor Bay had done the same treatment to Never Cry Wolf. But this film is a classic for all ages. Its parallel story to the real life Bill Lishman is more than entertaining, it tugs at one's heart. And Anna Paquin is stunning as Amy as she is in every film.

FLY AWAY HOME is also an environmental manifesto because it calls attention to the need for less development and more care for our habitat. I've rarely seen any comments along these lines and if you watch the movie closely, you'll realize that this is a call for change in scraping the land off and piling up huge neighborhoods and industry. It is testimony to the need for conservation in all countries.

Finally, Fly Away Home is a family film that breaches the silliness that too many youth movies have evolved to. This movie treats younger viewers with intelligence, not like an etcha-sketch.

I believe anyone with heart and soul will enjoy this movie for it will touch both.

Great Family Movie with Stunning Cinematography
This film has much of what perfect family films should have. Anna Paquin gives a quietly perfect performance as a girl whose mother has died, leaving her to go live with her estranged, and somewhat strange, father. Jeff Daniels plays the free-spirit, gruff, eccentric, semi-recluse inventor who is Anna's father. The awkwardness upon her arrival is almost tangible. What saves her, and the father-daughter relationship, is an orphaned family of Canada geese. Anna's character finds them in a patch of woods being developed into a subdivision or commercial complex, they imprint on her (Conrad Lorenz, the ethologist who figured out imprinting, would love this movie), and she has to teach the goslings how to be geese.

The lessons go well until Fall, when it's time for the young but full-grown geese to start thinking about migrating. How does a pre-teen girl teach young geese how to fly? She gets her eccentric inventor of a father to . . . well, I won't give everything away. Let's just say that this story has its ups and downs, but has a happy, but realistic ending. In the meantime, the process of teaching the geese to fly in the film leads to some incredible cinemagraphic sequences. The viewers get a bird's-eye view of geese flying, and feels as if the geese are right next to them.

Is this a complex, mulit-layed film full of sophistication and sub-plots? No way! This is a straightforward film about bonding and love - father-daughter bonding and love, as well as human-animal bonding and and love. "Fly Away Home" is a great movie to have at home and pull out on a rainy day to watch with your kids, from about age four up.

This movie makes my dad cry
And it's not just him. This movie came up amongst my friends in college and every female in the room said that their father KEPT watching this movie and they ALWAYS cried. Sort of brings a whole new meaning to the phrase "empty nest."

This movie is about Anna, who, after her mother's death in a car crash (Anna was also in the car), is sent to live with her slightly eccentric inventor father in Canada. He means well, but he just makes absolutely no sense to Anna. It is an exagerated case of "my dad is so weird" that any teenager can identify with. Meanwhile, the idea of a teenage girl is so foreign to her dad that the more he tries to bond, the more she stomps away.

Into the story comes a band of orphaned Canadian geese that Anna nurtures. They imprint her as their mother, so she more or less trains them. The only problem is that they must fly south for the winter, and Anna is their only role model. Luckily, she has a dad who builds space shuttles for fun. Suddenly, he has a way to connect with her and she has a reason to trust him.

Though it sounds sort of hokey, this movie that never delves into complete pathos. Instead, it is frequently quite funny and always touching. If you are looking for a father's day present, this is ideal. Just make sure to keep some tissues handy.

The Birds
This drama about a father/daughter relationship showed some promise in the beginning with a couple of tense scenes, but unfortunately the movie became more and more predictable and uninteresting as it went along. The main plot is about a 13 year old girl (Anna Paquin) whose pets consist in a bunch of baby geese. Problem is, as the geese grow up they will have to find their own way and fly away, so the girl and her father (Jeff Daniels) try to help the birds and end up guiding them to a safe place. Basically a feel-good-movie, "Fly Away Home" lacks dramatic tension, surprising situations and a solid plot. As it is, this drama is just a piece of harmless fluff with some pretty images and lots of boring scenes that seem endless and repetitive. The acting is competent and Carroll Ballard`s direction is equally decent, but overall this cinematic experience is way too lifeless, patchy and predictable. Children may like it, though, still this is nothing more than a cliched and unconvincing family movie.

Well-intended but not very challenging.

Young girl and dad help young geese fly south for the winter
The story of "Fly Away Home" is fairly predictable, in that we know full well that young Amy Alden (Anna Paquin) is going to persuade her father, Thomas (Jeff Daniels), to come up with a way of teaching a flock of adopted goslings how to fly and get them to a winter refuge in North Carolina. But predictability is not always a deterrent to a film being enjoyable or even inspirational, and you have to pity someone who cannot enjoy watching a bunch of baby geese running after Anna Paquin, convinced that she is there mother and therefore responsible for imprinting on them what they need to learn to survive. Besides, for what is ostensibly a children's film this one opens with a rather shocking scene, where we see a fatal car accident during the open credits while listening to a gentle melody. If there is anything that indicates this is more than your usual predictable children's film, this would be it.

If there is a flaw in "Fly Away Home" it is that the relationship between daughter and father takes a back seat to the story of the geese, so that the pathos that exists there is almost lost in the flapping of wings (but there is a nice moment and a good line when the father tells his daughter why he know what she can do it). They two have been estranged by distance (he returned to Canada while his wife and daughter lived in New Zealand), and living together is not improving things. He is an eccentric artist and inventor who cannot figure out how to connect with a living human being until the geese that come between them bring them together.

Fortunately, dad is spared the role of being the villain, because there are land developers at both ends of the flight and a wild life officer who knows what the rulebook says about domesticated geese. But those are just minor hurdles to the idea of flying 600-miles in four days in an ultra-light plane for Amy to lead her geese to their promised (wet) land. Yes, the idea that the clock is ticking and that bulldozers are ready to roll in North Carolina is all a bit much, but then there are moments, like when the ultra-lights and geese fly through the skyscrapers of Baltimore than just about take your breath away.

I was not aware until after I watched the film that director Carroll Ballard and cinematographer Caleb Deschanel had previously collaborated on "The Black Stallion," but that certainly makes sense because both films are perfectly willing to let pictures exist without dialogue. The other commonality is that "Fly Away Home" is another film that adults can enjoy just as much as the kiddies. ... Read more

Amazon.com

Everybody important from the first film, including the writing-directing team of Charles Shyer and Nancy Meyers, regroups for this sequel involving a pair of pregnancies. Steve Martin's patriarch has a crisis when his married daughter (Kimberly Williams) is with child, and an even bigger one when his middle-aged wife (Diane Keaton) announces that another bambino is on the way. Martin Short is more effectively used this time around (he played the wedding coordinator in the first film), and while this movie's inevitable climax has both women giving birth on the same chaotic night, the overall effect of the film is less contrived than its predecessor. --Tom Keogh ... Read more

Reviews (33)

An enjoyable (but repetitve sequel)
George Banks (Steve Martin) has finally recovered from his daughter's wedding - he's just finished paying for it, and not only did he learn how to deal with the fact his Annie is married (well, mostly by thinking she and her husband Bryan are playing house) but is starting to like Bryan a little... Until Annie announces she's going to have a baby. George Banks? A grandfather? He always knew that Bryan was up to no good - he, for one thing, is too young to be a grandfather! As if he needed more proof for that, his wife Nina (Diane Keaton) is preagnant again - just as George was starting to look forward to having the place for himself and Nina in a few very short years when their young sone Matthew leaves the house... Throw in Frunk the weird wedding coordinator and his assistant Howard, Bryan's parents and their "lovable" dogs, and you get a movie as hilarious as the first one: there's just the right amount of references to the first movie to be funny but not to bore the viewer as a typically boring sequel... Unfortunately, the structure of the movie is very similar to the first one's (including Annie & Bryan fighting at around the same time in the story line), which made it feel a little repetitive.

Don't waste you're time and money on this one
Why make a movie about a perfect conservative family, living in a perfect conservative neighbourhood, living a perfect conservative life?
Typical Hollywood-production: technically well done and no originality at all. Predictable on every detail. Hollow personalities and loads of stupid cliches and politically correct jokes.

bride's father becomes a grandfather and father of three
The sequel to the original 1950 film was entitled FATHER'S LITTLE DIVIDEND. This sequel,to the remake of the original is just entitled FATHER OF THE BRIDE PART II. It's very much like Alan Alda's A NEW LIFE because George Banks(Steve Martin) like Alda in his film,becomes a grandfather and a father again. George drives home from his company Sidekicks on a beautiful fall day(cool air and gradually falling multi-colored leaves). At the Banks' home,where Bryan MacKenzie's(George Newbern) parents David and Joanna were also,George,Nina(Diane Keaton),David and Joanna learn,when their respective children show up,that Annie(Kimberly williams) and Bryan will become parents. Annie's brother Matt(Kieran Culkin) learns also. George gets a makeover in one scene(he dyes his hair). He surprises his wife Nina,saying "I look like the guy you married!". Also he presents some sexy lingerie to Nina,which she refuses since she is a grandmother-to-be("Hey,you're not my grandmother!",George quipps.). The lingerie led to an unexpected preganancy for Nina,which is her third. The Bankses experience some faults with their house. George and Nina agreed to sell it if something else went wrong. So termites attacked,and on the real estate market the Bankses' house at 24 Maple Drive in San Marino,California,went. The new owner had not yet closed and sent a bulldozer with a wrecking ball to demolish the house. George decides to take the house back("Don't destroy my memories!"). He tells the wrecking crew how he painted the shutters of the Banks' home and accidentally broke a window with a flying frisbee. So the "new owner" sends the wrecking crew away,bringing relief to George. Around the same time,George's and Nina's third child and Annie's and Bryan's child are born in the very same hospital. At a clinic,George and Nina run into Franc Eggelhoffer,the same European guy who coordinated Annie's wedding. Franc(Martin Short) learns of Nina's and Annie's respective pregnancies("modder and dodder prognont togodder?",as pronounced by Franc). So Nina and Annie have a baby shower together. In the final scene,George is pushing his newborn son in a carriage. This film was directed by Charles Shyer,who directed the first remake in 1991.

Movie Showcases the Importance of Family
Steve Martin represents a typical husband, in an average suburban, middle-class American family. He's married, has one daughter who is married (the story of which was brought forward in the original Father of the Bride), and has a son. Now that his daughter is married, Martin thinks that he can finally start from scratch with his wife and move to a condo. It turns out that just isn't going to happen.

Why?

Well, during a celebration of his renewed independence--it turns out that he inpregnates his wife, and thus he is going to be a father. It's a bit shocking to him, but it happens. So lo and behold, his daughter and wife are both pregnant. The story from there showcases what love and respect he has for both of them. Although it was intended as comedy, it is not a ha-ha laughter type of film. I just couldn't laugh at most moments. Yet, the film is an important indication of why every culture really values the family: there is some joy about being so close-knit together, even in times of crisis.

Michael Gordon

Father of the Bride Part II
This movie is a fantastic celebration of life, love, and family. It reminds the viewer of the importance of the "simple things" that mean the most to us. Steve Martin sums up the essence of the movie when he is speaking to a doctor on behalf of his daughter and his wife. He simply states, "Doctor, these women are my life." She understands. The viewer understands. I've probably watched the film a dozen times and it never gets old. I plan to watch it at least 2 dozen more times...especially when life gets tough and I need a reminder about the "good stuff" it has to offer! Thank you! ... Read more

Reviews (140)

The BEST action/adventure film ever made.
Errol Flynn at his best...swashbuckling at its best...action and adventure galore. This film is simply the best of the genre. The casting is perfect, from Flynn in the best role of his career, to Herbert Mundin as Much the Miller's son. The 3-strip color photography remains as vibrant today as when it was released 61 years ago. The dialogue between Flynn and Oliva de Havilland, between Flynn and Basil Rathbone, between Flynn and Claude Rains, is always lively, always fun. And Miss de Havilland's costumes are absolutely gorgeous, as is she.

The film moves, never stops, and you are never bored. If you watch this movie alongside Kevin Costner's ill-advised Robin Hood, Prince of Thieves, you realize why one should never try to improve on perfection.

As the New York Times said in its original review in 1938, this film entertains everyone from 8 to 80. No argument here!

The Greatest Robin Hood ,Flynn now a fantastic WB DVD set!
Warner Brothers (WB) Studios has begun meticulously digitally restoring its action classics of the 1930's & 40's under the "Two Disc Special Edition" Series. This 1938 TECHNICOLOR (awesome) film "The Adventures of Robin Hood" starring Errol Flynn, Olivia deHavilland, Basil Rathbone & Claude Rains is still the best rendition of this fictionalized English tale.

Warner Brothers has given us with this 2 Disc set the complete movie theatre experience circa 1938. DISC 1 - First we get a complete "Night at the Movies" program. Introduction by film critic Leonard Maltin explaining for your 10 cent investment what you got in a 1938 movie house. Next the entire continous show with; coming attraction, news reel, Bugs Bunny Cartoon, short subject feature and then the main feature, "The Adventures of Robin Hood". This is a totally ingenius idea!!! Also on Disc 1 - you have 12 Errol Flynn movie trailers and finally an indepth feature commentary by film historian Rudy Belhmer.

Disc 2 - Includes 3 hours of everything about Robin Hood, the movie, the stars, documentaries, cartoons, and a most informative documentary about TECHNICOLOR and why even today it still was the best color process ever.

I love this fun filled DVD set. My hat is off to Warner Brothers for their dedication to the golden age of Hollywood and bring back the grandest of movies for us to see again & again better than their original release. Enjoy.

great movie ....second DVD is amaaazing!
This is more a review of the package than the movie , which is a classic and extremely well presented on disc one....vivid colors , crisp images....not a complaint there....and the bonus features are very good....a comprehensive set of Errol Flynn movie trailers...WB night at the movies....(an exhausting Rudy Belmer commentary track that will have you gasping for air).
the SECOND disc is just ridiculous in its amount of archival coverage..
a wonderful documentary on the movie
a great feature on the history of Technicolor....
two very fun looney tunes cartoons with a Robin Hood theme...
outtakes from the movie!
home movies shot during filming!
a long lost Errol Flynn movie about yachting..
and a positively thrilling short film about archer Howard Hill...
and more.
HOURS of fun and informative viewing on disc two alone!
Warners should be congratulated for such a comprehensive set ....buy this and encourage them to keep this type of content coming!!!

Errol Flynn: Truly The Sheerwood Forest outlaw
One of the Greatest action/adventure films of the 20th century. The epic swashbuckling adventure of one of history's greatest heroes.the dashing Errol Flynn as Robin Hood or as they also call him "Sir Robin of Locksley" was perfect. He was what a swashbuckler should be and probably the greatest of all swashbucklers. Basil Rathbone and Claude Rains were brilliant as Robin's foes, Sir Guy and Prince John. Oliva DeHavilland was glamorous as the love of Robin Hood, Maid Marian. My Favorite scene was Robin and Sir Guy's sword fight during King Richard's return. Flynn and Rathbone two of cinema's sword fighting experts. I love the sound of sword clangling. If your looking for a classic film or a swashbuckler film, this is a great one. Because this a film that created Pirates of the Carribean, "Long Live King Richard."

The Kids Loved It!
This was one that our boys (ages 7 and 10) watched with their grandfather, who caught it in the theatres when it first came out. It's hard to say who enjoyed it more! A fun, spirited and utterly charming film, this one has aged beautifully. Everyone loved the bonus features, too. The DVD transfer is exceptional. Add some popcorn, and you've got a wonderful mulitgenerational hit that will enchant the whole family. ... Read more

Reviews (481)

One of the Most Overrated Films Ever
Gone With the Wind is remember as a great movie because of it's epic scope and excellent production values. But 60 years later when the big budget no longer thrills us, we are left with a decent film but nothing special.

To begin with the entire film is very campy and melodramatic. The whole film is very heavy-handed and over-done. Scenes like where Scarlet crys "I'll never be hungry again" are just plain ackward. Someone should have tatooed the word "subtlty" on Selznick's head.

The script is fairly weak too. It presents a very narrow, one dimensional view of the Civil War. Worse, the Civil War ends half way through the movie and the rest of the film lacks the first half's energy.

Another major flaw is that the characters lack any real depth. Scarlet is cold and nasty through the whole movie. She never changes untill the last two minutes of the movie. There is simply no development. Ashley is noble and his wife is so nice and sweat that it makes me sick. These characters simply aren't human and don't feal real. Probably the only character in the whole movie who actually developes at all is Ret. Sadly, Clark Gable's strong performance isn't enough to carry the rest of the cast.

It should also be noted that Gone With the Wind is very racist at some points. The scene where all the slaves are going off to fight the "evil yankees" is enough to turns one's stomache. Most of the black characters are portrayed as child-like and stupid. The only exception to this is Mimi who does an excellent job and deserved her Oscar.

Gone With the Wind is still an example of fine production values but when you strip away all the lavish sets and money spent on the film, you're left with a rather hollow experiance. While there is no denying that it is a very pretty movie, even today, and it does have it's moments, Gone With the Wind is simply an over-done and campy movie. This film does not deserve to be ranked up there with the likes of Citizen Kane or the Godfather. It's just not that good.

After more than 400 reviews...
...you can't say much else!! A spectacle to end all spectacles; the epitomy of costume, art direction, and cinemagraphic grandeur (Technicolor film was still rare in the 1930's, and the industry was already engulfed in production of at least one *other* color movie that same year). I wasn't enthralled with this film when I first saw it years ago but I have come to appreciate its epic presentation and gothic, almost soapy, storytelling. And the cast is entirely first-rate, from the leading lady (whose historical casting was a mini-series in itself) to the supporting roles (Hattie McDaniel, Thomas Mitchell, Ona Munson, Laura Crews, Ann Rutherford, Harry Davenport, Oscar Polk, 'Superman's' George Reeves, et al) to the hundreds (thousands?) of extras who populated the pre-and-postwar South (the tracking shot of the Twelve Oaks mansion at the start of the barbecue and the sprawling, widening shot of Scarlett walking amidst all the wounded soldiers come to mind). It is a great script ("Waste always makes me angry;" "Do you ever shy away from marrying men you don't love?") and great direction (Victor Fleming, George Cukor, and Sam Wood- anyone else?). It is a record-holder of sorts among Oscar nominated (or Oscars won) films, but it came out in an extraodrinary year of films. 1939 also saw the releases of, among others, GOODBYE MR. CHIPS, DARK VICTORY, THE OLD MAID, GUNGA DIN, ALEXANDER GRAHAM BELL, JUAREZ, ON BORROWED TIME, THE WOMEN, GULLIVER'S TRAVELS, AT THE CIRCUS, BABES IN ARMS, THE HUNCHBACK OF NOTRE DAME, LOVE AFFAIR, MADE FOR EACH OTHER, and THE WIZARD OF OZ.

Lesley Howard is brilliant and a strong character
In his role of Scarlett O'Hara's (initially) true secret love. I had been a fan of Mr. Howard's for many years. His performance here is among his finest. Also check him out in The Petrified Forrest. As for the rest of the film. When he's not in it it's a little strong on the romantic side.

Worth Another Look for this Fan of Classic Film
Gone with the Wind creates many strong opinions, but I daresay many of them by people who haven't seen the film, or at least not in many years. It is sort of an amalgamation of both Margaret Mitchell's book and a reworking of DW Griffith's even more controversial silent blockbuster Birth of a Nation.

I had written this off as a silly commercialized Hollywood fairly tale but recently decided to give it another look. Basically, I think the claims of racism are far overblown, especially compared to other films of this era. It seems to me that Selznick and company went to great pains to stamp out the more overtly racist themes of Griffith's famous 1915 film. For instance, Scarlett's attempted rapists were all white; real black actors have menial but still important roles; those black actors are treated with dignity and respect; and finally the "n" word probably more frequent in southern parlance of the day was replaced with the more delicate term of "darky", and never used in a scornful fashion. And while establishment opinion in the North still clings to belief that the Civil War was a most noble and unselfish effort, the truth was something much less certain. Surely slaves in the prewar South were not all treated as gingerly as in this film; but just as certainly they were also brutally repressed in the North as well (just watch Gangs of New York for a history lesson on Northern feelings towards African Americans). All wars have a side people would rather forget, and this one was certainly no different. Also on the positive side, the film does a good job of capturing this broad historic period with smart scenes amidst well designed sets. It's really quite a grand production, in color no less, with a marvelous historical and cinematic scope.

On the less positive side, the heralded performances I think are a bit overrated. Clark Gable's presence helps considerably, but he is certainly not nearly as natural or comfortable as he was in It Happened One Night. And Mitchell's sappy, soap operaesque story frequently slips nearly into the preposterous, especially in latter scenes of the film when the historic takes a back seat to the dramatic. But maybe that's what gave the film its broad appeal, as it has a little of something for everyone. I think another factor may have really launched its success: released during the cold winter of 1939, its four-hour sitting time gave depression-weary Americans a warm night on the town for a cheap price that they could all afford.

Regarding the standard edition DVD, its very serviceable but the extras are appallingly poor for a film of this esteemed history. Also, Spanish subtitles would have been nice (only has English and French).

The Best of the Best
A total classic...everyone should own this film. ... Read more

Reviews (26)

A Forgotten Classic...
Corvette Summer may seem like a cheesy 70's made-for-tv movie, but it is, in fact, an enjoyable little film. Essentially, the story revolves around a car freak by the name of Kenny Dantley (played by Mark Hamill). He spends the entire summer tracking down a stolen Corvette that he helped build in his shop class. There are many familiar faces: Annie Potts from Designing Women (who received a Golden Globe nomination for her performance), Danny Bonaduce from The Partridge Family, etc...

70's preservationists as well as Las Vegas desert enthusiasts will be quite impressed. The story has a decent moral message as well. You may ask yourself through the film whether or not Kenny takes a real shower, but, overall, it's definitely at least a rental.

Love it!
Corvette Summer is one of my favorite movies! One thing I like about this movie so much, is how much I can relate to it. I really wish this movie could have been a huge success at the box office, because it really is a great movie that deserves to be appreciated. Mark Hamill and Annie Potts have an hilarious chemistry! Everytime I watch this movie I love it even more than the last time I watched it!

So do yourself a favore, go out and rent, or better yet, go buy Corvette Summer! You'll thank me later!

pretty good film for it's time
i use to watch this film all the time whenever it would come on&it was catchy for it's time period.Vettes were cool rides from the late 70's through early 80's.this film will take you back.

Let's see this on DVD (Widescreen)!
I loved this movie as a kid, and bought the VHS! I've owned three Corvette's in my life so far, and this movie was definitely an inspiration to the obsession. The quality of the VHS is not so great, and the audio is starting to go bad. With all the older movies now being re-produced on DVD, I wonder how this one was missed? I wish MGM would release this on DVD.

It's not Star Wars, but Mark Hamil still delivers
This movie is hilarious! Don't no why this didn't do well in theatres, this is a very very funny. This is one of the funniest movies I've ever seen. You just have to see this. It's hard to give a helpful review on this film, because it is one of a kind, so all I can say is just see this movie, I promise that you won't regret it. 5 STARS is perfect for this gem. ... Read more

Amazon.com

Hayley Mills is the two-fer star of this original version of the 1961 Disney comedy. The young actress plays twin sisters originally unaware of each others' existence and who later determine to bring their divorced parents together again by secretly trading places. Brian Keith and Maureen O'Hara bring some adult legitimacy to their roles as the wary parents, Joanna Barnes is a good sport as dad's new and despised girlfriend, and director David Swift makes the whole production sprightly, warm, and fun. --Tom Keogh ... Read more

Reviews (97)

A Fun, Spirited Adventure Starring Hayley Mills
In the original movie, The Parent Trap, Hayley Mills stars, twice! As twins, not knowing about each other's existence, who meet at a summer camp where they immedietly dislike eachother, until, of course, they discover that they are twins. In the course of all this, they switch places in attempt to reunite their parents, played by Maureen O'Hara and Brian Keith. A fun movie to watch. Though perhaps not quite as colorful as the new version, it is a nice addition to your video collection, especially to compare to the new one. A must see movie that your whole family will enjoy.

"Let's Get Together,Yeah,Yeah,Yeah!"
"The Parent Trap" tells the story of two girls at summer camp: Sharon McKendrick and Susan Evers(both played by Hayley Mills). Their parents got divorced and took both of them separately. Maureen O'Hara plays Margaret McKendrick,and the late Brian Keith plays Mitchell Evers. The song that Hayley sings in the movie was a # 1 hit for her in 1961: "Let's Get Together" is written by Richard M. Sherman and Robert B. Sherman,who also wrote the title song sung by Tommy Sands and Annette Funicello. Hayley Mills also reprised the roles of Sharon and Susan in "The Parent Trap II" (1986),"The Parent Trap III"(1989),and "The Parent Trap Hawaaian Honeymoon"(1989). Lindsay Lohan took Mills' roles in the remake of "The Parent Trap"(1998).

Help, I'm seeing Double........
I love this movie. Both versions arwe great. The first one, with Haley Mills, has the song,"lets get together yeah yeah yeah, why don't you and I combine.." and the second one with Lindsay Lohan, has the song "There She Goes" And there are some other diffrences. Like in the new one, there is the lizard fiasco. I'm pretty sure that wasn't in the old one. But they are both good. if I wer you I wouldn't chose. I'd get both.:)

Hayley to the Rescue
This was the highest grossing box office success in America in 1961 and if there isn't a statue of Hayley Mills in Disneyland there oughta be. Her successive hits for Walter and Roy Disney bailed them out of a tight spot financially. Ms. Mills effortless adolescent charm is backed by two first rate performers in Brian Keith and Maureen O'Hara and neither was ever better. The plot about separated twins is older than Shakespeare and doesn't bear too close examination, but the theme of a re-kindled love and re-united family is one very few of us can resist. Highly recommended.

Special features are wonderful
Of course this is a wonderful Disney family film. I'm in my twenties, and I can remember watching this movie since I was a toddler. Since I'm sure you know how great the movie is and can read other reviews for that, I'll concentrate on the special features of this DVD, some of which aren't even mentioned above.

• "Caught in the Act: The Making of the Parent Trap" is a good documentary (about 30 minutes), including interviews with Hayley Mills, Maureen O'Hara, director David Swift, Joanna Barnes, and more. It provides a lot of background details on how the idea for the film came about, selecting the cast, fine-tuning the screenplay, etc.

• "Disney Legend: Hayley Mills" is a 25-minute feature all about Hayley, and it's quite good. It includes photos and home movies from her childhood as well as interviews with Hayley, Maureen O'Hara, Dean Jones, Kevin Corcoran, David Swift, Nancy Olson, and others she worked with at Disney. Hayley talks about her family, her experiences at Disney, and her departure from that Disney image in the late '60s.

• "Seeing Double" is a short feature on the split-screen technology that allowed viewers to see two images of Hayley Mills side by side at once. This technology was quite innovative and experimental at the time, but it worked beautifully.

• The Sherman Brothers featurette is a short but interesting bit of facts and trivia on two men who wrote songs for many memorable Disney films, including "Mary Poppins" and "The Parent Trap."

• "Lost Treasures: Who's the Twin?" is an interesting feature about Susan Henning, the girl who played the double for Hayley Mills in the film (in scenes with the camera over her shoulder or to her back). Now that I know to look for her, I can plainly see in several profile shots that the other twin is NOT Hayley. Watch the fight scene at the dance closely too. Henning is a warm presence and gives some little-known facts about the film and about Walt Disney.

• "Let's Get Together" is a music video of the two Hayleys singing the song from the movie.

• The Donald Duck animated cartoon, "Donald's Double Trouble," is a Disney short filmed a few years before this movie, but it's a cute bonus.

• Other special features include theatrical trailers, TV spots, radio spots, a lengthy Parent Trap photo gallery, and a 1961 Disney studio album.

• The film's audio commentary by Hayley Mills and director David Swift is also a great feature. Hayley reveals many interesting tidbits about her experiences on the film, her relationships with her costars and Walt Disney, and how she views the film today. Swift offers his own recollections on Hayley's performance and other background information on the film. For example, the scene where Brian Keith finds the bra hanging on his shower was almost censored!

The widescreen transfer is wonderful. I'd never seen this film in its original aspect ratio, so this was a treat. The abundance of special features make this DVD edition truly wonderful. (I had no problems with it playing in my DVD player, either.) This is simply a fun family film that you can watch over and over. I know, because I have for the past 20 years. ... Read more

Amazon.com essential video

The wonderful Leslie Caron stars in this Oscar-winning musical fable with a touch of the bizarre. Caron plays Lili, a recently orphaned waif hopelessly in love with a carnival magician. Mel Ferrer plays Paul, a gruff puppeteer who can express his softer side only through his puppets. Sound weird? It is. Caron's performance is lovely. She is, as always, a graceful dancer, but she is also able to pull off the much more difficult task of making Lili pure and innocent without being icky--shetalks to Paul's puppets with complete conviction. (The puppets, by the way, are incredibly creepy.) Younger viewers will take Lili at face value, but adults may well get sucked into its unintentional dark side: homelessness, suicide, emotional repression, and giant dancing puppets all come into play. Also enjoyable is Zsa Zsa Gabor, who does a great job standing around looking pretty as the magician's assistant. --AliDavis ... Read more

Reviews (30)

"Lili" a completely enchanting, magical film
"Lili" is one of the most magical and enchanting films ever. It is a small film - not lavish and overblown - but a production that grabs your heart from the very beginning. Leslie Caron has never been better and richly deserved the Academy Award nomination (and should have won). Her scenes with the wonderful puppets (some of the best uses of puppetry in films) are completely enchanting. Mel Ferrer, Jean Pierre Aumont, Kurt Kasner and, surprisingly, Zsa Zsa Gabor couldn't be better. The excellent ballet sequence at the end of the film in which the puppets turn into the puppeteer each time Lili dances with them, showing her that the person behind the characters she has come to love is her real love, is a perfect resolution for the story. "Lili" was the basis for an equally wonderful Broadway musical, "Carnival". This is a film that can be viewed over and over and never lose it's charm and magic.

A Charming Tale of Bittersweet Love
Leslie Caron's first starring vehicle after her debut in 'An American in Paris' was this small musical (with only one song) about a naive French orphan named Lillete Daurier who happens upon members of a travelling circus. She convinces them to take her with them as she is desperate for work and needs money. She falls in love with the handsome Mark (Jean Pierre Aumont) who is married but takes advantage of Lili's crush by stringing her along shamelessly. The carvinal puppeteer (Mel Ferrer) offers sympathy by way of his puppets,including the lovable Carrot-Top and his friends.They help her through her troubles and yet Lili loathes and fears the man controlling them,whom she calls 'The Angry Man'. It is not until Mark and his wife leave the carnival for a better booking that Lili wakes up to herself and begins to grow up and discover that it is the puppeter she has fallen in love with and not the silly crush that she had with Mark. The ballets featured are delightful with Lili's dream of Mark romancing her and throwing over his wife (done gracefully with snappy and sexy music and Zsa Zsa Gabor as the 'Other Woman')and the climactic ballet where the puppets become life size and dance with Lili. The music is by the same composer who wrote the score for Lucille Ball's 'Forever Darling',as some musical arrangements are identical in both pictures.Based on a story by Paul Gallico.

Magic Dreamworld
A charming little musical that grabbed me from the beginning, Lili is not as simple as it looks or sounds. This is definitely a character-actor driven movie, with Leslie Caron carrying the weight of film with her wide-eyed charm. The movie touches on dark issues like suicide, attempted rape, homelessness, poverty, bitterness, and thwarted dreams, but in a marvel of restraint, it doesn't dwell on these things and overemphasize them. The real focus is Lili's beautiful hope and joy in living.

An orphan, Lili joins up with a traveling circus. She's helplessly naive, but with the family-like troupe and the puppets in her carnival act, she blossoms into a poised, lovely creature. The puppets themselves are quite interesting and significant - see how they resemble the live characters. In the midst of all this, the only clouds in her sky are her boss (the brooding puppeteer, Berthalet, played to perfection by the sexy Mel Ferrer) and her unattainable crush (the vainglorious Marcus the Magnificent). Her coming-of-age is the main plot, made both satisfying and achingly real.

Leslie Caron pulls off the role admir