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Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton ... Read more

Reviews (225)

English Romance At Its Finest
Jane Austen is a fine writer, but her wordiness tends to drain the life from many of her characters. Thankfully, Emma Thompson recognized the limitations of the novel and adapted her screenplay accordingly, enhancing the humor of the original story and adding more drama to make the film more enchanting. A cast was then chosen, made up of very talented thespians, including Miss Thompson herself. Add to that splendid English landscapes, excellent directing, and superb cinematography, and what emerges is a modern masterpiece.

This is not a movie for action fans; it is far too cerebral and requires a serious attention span. For those who enjoy a good love story well told, this is it. The characters are three-dimensional and their dilemmas full of human drama, bound as they are by the morals and manners of the times. Three sisters and their mother are left virtually penniless by the stricture against females inheriting property then in place in English law. The half-brother to the Dashwood women receives it all, but his selfish wife talks him out of helping his stepmother and half-sisters. It is up to the two older girls---sensible Eleanor and passionate Marianne---to seek their fortunes in romance while lacking a dowry to help them.

Eleanor finds her soulmate in shy, retiring Edward Ferrars, brother of the selfish sister-in-law. Her budding romance is shelved when his sister makes it clear that Eleanor is "unsuitable" for Edward. The sisters and their mother then go to stay in a cottage owned by a kindly relative, Sir John, and his mother-in-law, the irrepressible Mrs. Jennings. The old woman is a confirmed gossip and matchmaker, bound to see one of the two sisters hitched up to Colonel Brandon, the most eligible bachelor in the area.

Brandon first sees Marianne singing a melancholy song and is incurably smitten. She in turn loses her heart to a dashing young man named Willoughby, who is her ideal of a Victorian-era gentleman, complete with a pocket book of sonnets. Brandon, who loves her more than his own happiness, steps aside and even encourages their relationship, despite his dislike for the handsome rogue.

Things take an unexpected turn for the worse for both sisters---Willoughby drops Marianne and flees to London with no explanation and Eleanor discovers that Edward is engaged to a shallow young woman named Lucy Steele. The ensuing twists and turns in the plot make this film both agonizing and entertaining to watch. Mercifully, everyone winds up happy at the end with the right person as a spouse.

The whole film is solidly done, but it is the acting that really shines. Thompson is perfect for the role of the calmer sister, while Winslett is brilliant as the mercurial Marianne. Grant is endearing as the gentle Edward; Rickman finally gets to display his considerable ability to act the part of a very good and unselfish man. The rest of the cast keeps pace with the leads, and Hugh Laurie is indescribably funny as the sarcastic Mr. Palmer. One very beautiful aspect of this movie, along with the tendency to get drawn into the story, is the haunting and evocative musical score.

All in all, this is a wonderful example of a film genre that is so often overlooked in today's world---period romance. More movies like this one desperately need to be produced. Buy this one today because it's a gem.

JANE AUSTEN'S TIMELESS CLASSIC COMES TO LIFE
This film is so beautifully realized, in its scope and execution, that I have nothing but praise for both screenwriter/actress - Emma Thompson and director Ang Lee. Based on the novel by Jane Austen, the film follows the exploits of Mary-Anne (Kate Winslet) and Eleanor (Thompson) Dashwood; two angelic sisters determined to find romance amidst the sublime grandeur of the English countryside. Also stars Hugh Grant and Alan Rickman.
Columbia's transfer is, on the whole, gorgeous. Colors are well represented and fine detail is rendered accurately. Contrast levels are subtle, as they should be and dark scenes are accurately represented with only a slight loss of fine detail to speak of. Unfortunately, there are several scenes that exhibit pixelization that breaks apart background information. There is also the inclusion of some minor edge enhancement that, while not terribly obtrusive, is nevertheless present. This special edition includes a wonderful featurette and Emma Thompson's witty acceptance speech at the Golden Globes - a real treat. FINAL WORD: There's no costume drama of the 90's more poignantly captured. A British legend becomes an American Movie Classic. Get this one!

A classic based on a classic
It seems that for a few years, Hollywood couldn't turn out Austen movies fast enough. This is the only English production of the bunch, and it is wonderful.

The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.

The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.

It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)

Great commentaries (contains spoilers)
When I first heard this film was being made and that Emma Thompson and Hugh Grant were going to be in it, I thought, "Yes! Hugh Grant as Willoughby and Emma Thompson as the unpleasant sister-in-law!" But no. However, the commentaries explain the casting and then it made more sense. By the way, Kate Winslet is perfect and Alan Rickman gets the girl.

Very Good Indeed!
This is a wonderful movie with a wonderful cast and beautiful script. I don't really know what else to say except that I absolutely adore this film. Alan Rickman is superb as Colonel Brandon, I fall in love with him over and over again each time I watch this movie. He's wonderful, as is Hugh Grant as Edward Ferrars. Both characters are so likeable and real, they fit perfectly with their characters and make each viewing as enjoyable as the last. Kate Winslet, as well, is one of my favorite actresses. She fits so well in period pieces like this one.

This film is great whether or not you've read the book. It's good all on it's own. My only complaint is that I cannot picture Eleanor as only 19. While I've always pictured her well above her years, I have a difficult time accepting her age in the film. This is overlooked by Emma Thompson's brilliant portrayal of her. ... Read more

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The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly, and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top," "Oh, What a Beautiful Mornin'," and "People Will Say We're in Love," and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no," and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh ... Read more

Reviews (66)

Vibrant, memorable film version of musical classic
"Oklahoma!" was a classic AMerican musical, groundbreaking in its seamless integration of story, score, and dance, and a highly entertaining show in its own right with a thin but delightful story and classic score, the first of many classic scores to come from Rodgers and Hammerstein. THankfully, most of that vitality, freshness, and joy, not to mention the story and score, translate accurately and brilliantly, and very entertainingly, into the splashy 1955 film version, which is perfectly cast, sung and orchestrated, and competently directed by Fred Zinneman, (of "High Noon" and "From Here To Eternity" fame) whose only movie musical this was.

The gorgeous shots of the Midwestern landscape can probably best be appreciated in the widescreen Todd-AO version. (The film was famously filmed twice, in the new process and in standard Cinemescope to accomadate theatres who did not have the new technology installed) Gordon McRae is a marvelous Curley, full of energy, sarcasm, and romantacism, and he sings those songs to perfection. He and the original Curley, Alfred Drake, are the best I've heard. The radiant Shirley Jones is perfect in her film debut as Laurey. The supporting cast is all first-rate; other reviewers have mentioned Gloria Grahame's Ado Annie, which is indeed a hilarious and unforgettable performance, but there is also Gene Nelson's wonderful Will Parker, Charlotte Greenwood's loveable and delightful Aunt Eller, and Rod Steiger's adaquately menacing Jud Fry. (That last character loses some dimension through the deletion of his solo "Lonely Room," but Steiger probably wouldn't have sung it all that well, and the rest of the film is so perfect, that this is really a minor quibble) It should be noted that, even though this cast contains quite a few actors not noted for their singing pipes, no one is dubbed, and everybody sings very well. (Though again, Steiger might not have been up to the demands of "Lonely Room," though he does a fine job on "Poer Jud Is Daid") It could be argued that these classic songs have never been better-sung then they are here, and the augmented original Robert Russell Bennett orchestrations are great. Agnes de Mille recreates her original choreogrpahy to great effect; "Kansas City" still is amazing in how casually it comes out of the situation, "The Farmer and the Cowman" and "Many a New Day" are delightful, and the famous "Laurey Makes Up Her Mind" dream ballet is still stunning. Not the best R&H musical, ("Carousel" and "The King and I" outclass it in story and score, and "The King and I" is probably a better film) but certainly one of the best film versions of one of their musicals with the makings of a highly entertaining evening for the whole family. A fine tribute to a classic of musical theatre.

This movie Rocks!!
"Oklahoma!" is one GREAT movie. I don't think I ever smile so much during a movie as I do when I watch this one, it just makes me so darn happy! Ok, so the plot isn't amazing... but it doesn't matter, because the plot isn't really what drives this film. This movie is all about the characters, and the positive mood it creates, and the wonderful music that you will be humming for days after you watch the film. I actually bought the soundtrack a few weeks ago, (that's how much I liked it) and I haven't been able to stop playing it. I've seen a lot of musicals, both movie and stage, and I believe that "Oklahoma!" ties with "West Side Story" for having the best music of any musical, ever. The famous Rogers and Hammerstein score is just awesome. All of the songs are great, there isn't a bad one in the movie, but "People Will Say We're In Love" is my personal favorite. The scene were Curly and Laurie are singing this to each other in the peach orchard is so amazingly cute. I guess I'm just a silly hopeless romantic, but I can't help it. Shirley Jones as Laurie is wonderful, she has a BEAUTIFUL voice, and does a fine acting job too, especially considering she was only 20 years old and this was her film debut. The sparks just fly between her and Gordon MacRae (Curly), and this chemistry between the two leads is really what makes the movie work as well as it does. I was also stunned by the visual beauty of the film. It's beautiful color and exceptional picture clarity is uncommon for an older movie, so when I first watched "Oklahoma!" I had to double check to make sure it was really made in 1955. The special Todd-AO filming process other reviewers have gone into detail about really made a difference here. Anyways, I seem to have rambled on a bit, but I'll try to make my point here. This is a fun, romantic movie, that's a bit hokey at times ( but endearingly so, I believe) and has a few weak moments. But these few weak elements are far outweighed by the great ones. I judge a movie mainly on these two factors: 1) by the way I feel immediately after I've finished watching it, and 2) if it has a lasting impression on me. After this one, I just feel happy, and giddy, and like I want to dance around my living room and break out into song. And as far as lasting impressions go, I liked it so much I felt compelled to write this review and reccomend it to the world. So if this sounds like the kind of movie you'd enjoy, go for it, and have fun watching this classic.

Oklahoma
Well I'm surprised to find that I seem to be in the minority but I think Oklahoma is the Greatest Screen Musical of All Time.
I'll go in to why I think that but first I want you to know that I'm a great fan of musicals and have seen most of the great ones many, many times on the tube and on the big screen. Films like Top Hat, Gay Divorcee, Gold Diggers of 33 and 35, 42nd Street, Footlight Parade, Swingtime, Follow the Fleet, Holiday Inn, How to Succeed in Business Without Really Trying, Pennies from Heaven('81) and of course My Fair Lady are as good as it gets and hold a cherished place in my heart.
They all have teriffic stars, good humor and above all wonderful music and wonderful songs. Oklahoma has more of that than any other movie. Every song
is a winner, a gem, a pearl. They eliminated the few "clinker" songs from the stage production (it ran for 26 years) leaving only the absolute winners for the movie. Shirley Jones was eighteen and wonderfully radiant. Her singing was even better than the original stage recording. Her singing was marvelous.
Howard Keel was originally slated to play Curly but opted out because he refused to shoot two movies, as they duplicated every scene for two different film processes. (The A-O Todd version is the one seen on the DVD and has much higher resolution than the
Cinemascope one seen for years on TV) What a stroke of luck, Howard Keel (much too old and stiff to play opposite Miss Jones) is out and Gordon MacRae (the perfect fit) is in. His voice, while not as dynamic as Alfred Drake's, is perfect for the screen
but best of all he brings a sensiblity and earthy quality to the role missing from all the others I've seen. Some bizarre casting
in the minor roles like Gloria Grahame as Ado Annie and Eddie Albert as Ali Hakim and Rod Stieger as the "bully colored" Judd Frey add a strange flavor to the mix. But it's not the only strange thing going on. The story itself is not particularly a pleasant one and one might find the treatment of Judd or Judd himself unpleasant. It themes aren't necessarily family fare. There's even a dream sequence featuring some dark moments in a bordello. These elements add to the complexity and depth of this best-of-all musicals. And now the real muscle, Oh What a Beautiful Morning, Surrey with the Fringe on Top, I'm Just a Girl Who Can't Say No, Everything's Up to Date in Kansas City,
Never Will Come a Day, People Will Say We're in Love, Poor Judd is Dead, The Farmer and the Cowhand Should Be Friends, With Me It's All or Nothin' and Of course Oklahoma. No musical, not The King and I, not Singin' in the Rain, not Carousel, not any other save My Fair Lady can boost so many landmark songs. Throw in three or four marvelous dance sequences and big dash of Americana and you have the best screen musical ever. Thanks for your tolerance and thank you Amazon for letting me get that off my chest. There is one other musical I gotta mention, because it puts so many others to shame but I'm afraid I'll lose any crediblity, if any, I've got. Well, here it goes, South Park, Bigger, Longer, Uncut is better than all of Andrew Llyod Webber's musicals wound-up into one. In fact I don't think he's got a single song that can outdo ANY song in S P, B, L, U.
There I've said it and now I'm done. Thank you.

Still one of the best
I just watched "Oklahoma" again for the first time in a few years. I can understand why some viewers disliked this musical. The plot concerns farmers and ranchers fighting for dominance over land in the midwest in the 1800's. It's difficult for some of us modern urban dwellers to relate to this dilemma. Also, the characters in "Oklahoma" all speak in a cutesy, rubish dialect which is sometimes hard to understand and can even be annoying.

And it must seem quaint to us that escorting a girl on a picnic could create the kind of conflict that it does in this story. Another disconcerting element in "Oklahoma" is the sight of supposedly rough, rugged cowboys performing in pristine, balletic sequences staged by Agnes De Mille. After our generation has grown up on the gritty realism and sensuality of choreography by the likes of Bob Fosse or even Baz Luhrmann, this type of choreography seems dated and out of place.

But despite these criticisms, "Oklahoma" is still a great musical because of the music itself, and the way the music is so seamlessly integrated into the plot and characterizations. Simply stated, the melodies composed by the prodigious Richard Rodgers and the lyrics written by the poetic Oscar Hammerstein II for "Oklahoma" are magnificent.

For instance, is there a grander or more exuberant description of a wondrous new day than in "Oh What a Beautiful Morning"? Or a more lilting expression of reluctant love than in "People Will Say We're in Love"? Or how about the lyrical beauty and grace of the waltz "Out of My Dreams"? Or the syncopated melody and lyrics of "Surrey with the Fringe on Top" which is a perfect accompaniment to the clippity-clop of a horse pulling a carriage? And what about the joyous, unbridled energy of the celebratory theme song "Oklahoma"?

They all add up to a superb, exceptional score. Other assets of the movie version of "Oklahoma": the vibrant color photography; the solid performances by a talented and versatile cast; and the rich, beautiful singing voices of Gordon MacRae and Shirley Jones.

"Oklahoma" is not a perfect musical, but it's still one of the best and well worth your time if you possess an open mind and a discerning ear.

I really hate this movie...(* 1/2)...
I have never seen anything more boring and tedious than this film. I was forced to watch this one summer Sunday night when nothing else was on T.V., and had finished the book I was reading. I wasn't particulary looking forward to seeing it, because I didn't like "The Sound of Music", "South Pacific", or "Carosuel", but I like old movies, and thought I'd give it a chance. Also it had gotten such great reviews and all and I believe it won Best Picture at the Academy Awards back in '56. After what felt like 48 hours of bordem, I came to the conclusion that this was offically the most over-rated film I have EVER seen! The promblem wasn't even that it was a musical. I like musicals, but this was just awful! The (lyrical) music and dancing was just STUPID. The story was over-used, and the charectors ANNOYING! The only reason I give this a star and 1/2 is because it was tecnically well made, even tho the music and dancing was atrocious! I can't really reccomend this movie or not, becuase I think it really depends on a persons taste. If you like "The Sound of Music", and "Carosuel", you'll probably like this... ... Read more

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Whoopi Goldberg returns in a gratuitous, poorly written sequel that contrives a reason to get her character back into Maggie Smith's convent. The "socially conscious" plot finds Goldberg being asked to relate to a bunch of street kids and pull them together into a choir. Since a bad guy is needed, the script grabs that old chestnut about a rich guy (James Coburn) preparing to close down the convent's school, and runs with it. The film is slow and unconvincing from start to finish, although costars Mary Wickes and Kathy Najimy get some good laughs, and the music is pretty spirited. --Tom Keogh ... Read more

Reviews (41)

This is my favorite movie!!!
I've seen it so many times I could almost play each part. In fact, it comes on this afternoon on Showtime. It's a continuing story of Delores Van Cartier aka Sister Mary Clarence (Whoopi Goldberg) who uses her gifts of music and determination to keep a school open as well as change the lives of all those her life touches. Great music, great humor and drama. Lauren Hill (pre-Fugees) is in this as well as Jennifer Love Hewitt and Monica Calhoun if you look really, really carefully. Buy it, enjoy it.
Hey, maybe you'll catch it on Showtime during one of it's airings. I'm positive when it's over, when you can finally stop yourself from humming one of the great tunes, and possibly put down your tissue (I cry EVERY TIME I see it)( and baby, I've seen seen it so many times that I've got ot turn it off when my husband comes home because he says "Are you watching that again?) You will say "I wish I had that movie!" So get it so you'll have no regrets!

Fantastic sequel
Though there is room for improvement with regards to the story line, this movie delivers what I most enjoy in a film. The acting is superb, including the minor cast roles. The music is absolutely fantastic!...Lauren Hill and Ryan Toby steal the show with their voices. The plot, though quite simple and predictable, is believable. Many of the scenes are very moving, including the ending sequence involving Lauren Hill's character, Rita, and her mother.

Overall, this is a great family movie that everyone can enjoy. The comedy is simple enough for children to understand, and there isn't one scene in the movie (that I can recall) which is inappropriate for all ages. Like a few other reviewers, I've found that I long to hear a few of the songs from the movie when I need cheering up.

If you enjoy good, clean family movies, you can't go wrong with this one.

Part 1 was Great..Part 2 Wasnt.
SAw it in the movies.... Fell asleep midway... All the magic from part 1 which was AWESOME...was lost. Boring story... They should have left it at part 1.

So much fun!
FANTASTIC sequel! Just as enjoyable, if not more, than the first! All of the musical numbers are glorious!! A successful sequel all the way!

Loved it
I've read all of the reviews on SA2 and it is quite obvious this movie is not for everyone, however, if you enjoy "feel good " movies , this is for you. The storyline iis quite predictable, the acting is good , but the music is a delightful bonus,just wish there was more of it. I know that if I'm feeling a little down, I can pop in this movie and feel better. ... Read more

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There is no more ringing title among World War II movies than Thirty Seconds over Tokyo, and the mission it celebrates was unquestionably historic: a 400-mile bombing raid to carry the war to Japan itself mere months after that nation's sneak attack on Pearl Harbor. Yet the film is less memorable than many WWII pictures with less exalted factual basis. At the time, critic James Agee eloquently defined both its virtues and limitations as "a big-studio, big-scale film, free of artistic pretension ... transformed by its not very imaginative but very dogged sincerity into something forceful, simple, and thoroughly sympathetic in spite of all its big-studio, big-scale habits." That remains true today, but perhaps the movie--and its unimpeachably noble, admirably life-sized characters--wouldn't seem so stuck in the amber of a bygone era if Mervyn LeRoy and company had pumped a little "artistic pretension" into it.

Spencer Tracy--as James H. Doolittle, architect of the raid--rates the most towering screen credit, and he's superb. But his role's an extended cameo; the emotional core of the film is B-25 pilot Ted Lawson (Van Johnson) and his wife, Ellen (the glowing Phyllis Thaxter). Lawson's bestselling memoir (with Bob Considine) of his training for the secret mission, his group's launching from the aircraft carrier Hornet, and his crash landing and protracted ordeal in China--where he lost a leg--has been faithfully served. The film is long on homely detail and all-American decency (including a remarkably outspoken regret over the unavoidability of civilian casualties) but achieves its greatest impact in the raid itself.That sequence, in addition to boasting Oscar-winning special effects, is mostly shot in riveting silence. --Richard T. Jameson ... Read more

Reviews (25)

Excellent
This movie is a refreshing respite from such current over-hyped and unrealistic war movies as Pearl Harbor. The movie realistically and unsentimentally tells the story of the daring Doolittle raid, concentrating on the crew of one of the 16 bombers, headed up by Van Johnson as captain, where he turns in a fine performance. But the other characters are also nicely drawn and neither over-romanticized nor over-sentimentalized. Some of the action sequences, such as the actual bombing raid at low altitude over Tokyo, are truly spectacular. I don't know how they did it, without modern technology, but this scene could stand up to any modern movie's special effects any time. The movie also realistically portrays the training for the mission, where the crews are taught to take off in 500 feet instead of 1500 feet, the normal take-off distance for a B-24. As a result, you get to see a lot of the inside of the planes as well as the outside, again adding to the overall realism. Interestingly, Tracy doesn't have that big a part in the movie, compared to Johnson and his crew, but when he does appear, usually to just brief the men on their upcoming mission, he's nevertheless superb. Another interesting aspect of the movie is Doolittle's discussion of civilian casualties, and that any pilot who objects to killing civilians can withdraw from the mission without penalty if he so chooses. All in all a fine movie that shows that the old Hollywood greats knew how to make a better war movie than the moderns with all their extra resources and technology. Big Steve says go see it (or in this case rent it or buy it), and don't Bogart he popcorn.

An historic mission and authentic view of WW2 patriotism
This 1944 film, shot in black and white, is based on a true story. Four months after Pearl Harbor had been bombed, Lieutenant Colonel Jimmy Doolittle devised a plan for a daring raid on the heart of Japan itself. To do this he had to train army bomber pilots to do something no one ever dreamed possible - launch 16 fully loaded bombers from an aircraft carrier. It was a success. And this film is a tribute to those men.

Van Johnson stars as Lieutenant Ted Lawson and he does a great job as the fighter pilot who is sometimes scared, confused and very human. The supporting cast includes Spencer Tracy as Doolittle, and Robert Mitchum, Don Defore, Robert Walker and a dozen other young actors whose names never did become household words. Phyllis Thaxter is cast as Van Johnson's young wife and the romance scenes they have together, complete with background violin music, are the only scenes I found a bit too overdone for modern tastes.

The rest of the film however, was full of action. I can well understand why it won an Academy Award for special effects because it put the audience right there on those little planes along with the men and used newsreel footage to supplement the scenes shot inside the planes. I really learned about the mission and the nature of the training, and felt the authenticity of a film that was actually made in 1944, not just a revisionist historian's interpretation. Here, the slang was real. They got the "dope" on what was going on, found out that everything was "swell" and the women were called "girls". Everyone smoked cigarettes too, a reality the recent politically correct "Pearl Harbor" seemed to ignore. Also, considering the hatred that raged during the war, I was surprised that in one scene Van Johnson says that his family had a Japanese gardener and he didn't seem like a bad guy. And when Doolittle addresses his men before they take off, he talks about the fact that the men will be taking civilian lives as well as the military targets. The raid was successful but the film doesn't end there. Van Johnson and his crew were shot down over China and were treated like heroes by the Chinese. Some of the scenes that followed, where Van Johnson's leg has to be removed are harrowing and displayed his fine acting skills.

To get a good understanding of what it must have been like in 1944 in America, this video is a must. Not only do we get a feeling of the patriotism, we also hear the music, hear the slang and get a sense of time and place that is impossible to re-create 50 years later. Highly recommended.

I lost my ship !
My father was a B-25 flight instructor in WWII. Jimmy Doolittle is part of the Holy Trinity in our house. The Doolittle Raid is burned into all family members at an early age. One of the first times I ever remember my mother laughing at my father's humor was when he was imitating Van Johnson standing in the surf crying, "I lost my ship ! I lost my ship !"

What a great movie.

Each year the Doolittle survivors meet at a different part of the United States in the spring for a reunion. There's less than twenty still alive. Their reunion weekend is open to the public with fees going to charitable events. GO. If you think their heroism is exaggerated over the decades, keep this is mind: A bomber had NEVER taken off from a carrier; for all they knew, every single plane was going to crash into the ocean. And every single crew knew that they were taking off too far away from Japan and that they would NOT reach the Chinese airbases. No one backed out.

Amazing story. Great movie.

An Historic Event
The Doolittle Raid was an historic event, not propaganda, as suggested in another review.

The raid carried out in 1942 conveyed two messages: one to the Japanese people, that we could bring the war to their shores and the other message was to the American people, who need shoring up after Pearl Harbor.

It was a daring mission and will be long remembered in our military history.

The cast was very good and I thought Spencer Tracy was excellent as Lt. Col. Doolittle.

An Excellent Movie About the Doolittle Raid
Sometimes when movies are made about historical events, many aspects are either left out completely or they are stated incorrectly. Neither is the case with this highly exciting movie. Starring Van Johnson, Spencer Tracy, and Phyllis Thaxter, this movie does an excellent job of accurately portraying the events of the Doolittle raid as it actually happened. Van Johnson stars as Ted Lawson, an actual pilot in the Doolittle raid. The story of the raid is told through his eyes. I've read several books about the raid, and I was pleased that the producers of the film were so correct in their filmmaking. The movie shows the entire process from beginning to end. From the training at Eglin base in Florida to the take-off from the deck of the USS Hornet, each minute detail is covered with historical correctness.

Lawson himself was an advisor to the film. This helped even more with the historical aspect. Van Johnson was an excellent choice to play Lawson. His performance throughout the film made it a pleasure to watch. Phyllis Thaxter does a wonderful job as Ellen Lawson. Top billing for this film went to Spencer Tracy as Jimmy Doolittle, but his role is really an extended cameo; Lawson and his crew are the real stars of the movie.

Perhaps the best part of the movie was the actual take-off from the Hornet, the bombing of Tokyo, and the crash landing in China. unable to parachute from their plane, the crew of Lawson's B-25 were forced to crash land. Lawson was thrown through the cockpit glass upon landing and suffered many broken teeth as well as a severely damaged leg which would later have to be amputated. Fortunately, the crew was aided by many Chinese who risked their lives to keep the flyers safe and eventually they are returned to safe ground. Lawson is concerned about how his wife will feel about him after his leg had been removed, but the ending tells it all. I highly recommend this excellent film. World War II movie fans will surely enjoy this one. ... Read more

Reviews (11)

An truly twisted '60s sex comedy
Woah! Call the Gender Studies class in to explain this one to me... Debbie Reynolds stars as the feminine reincarnation of a no-good philandering wolf named Charlie; Tony Curtis is the best (and perhaps only) friend who was dragooned into reading the eulogy at Charlie's funeral. Of course, when Debbie shows up on the beach naked and with amnesia, Curtis at first gets drawn into the mystery, and then falls in love with... his old best friend(!) Where to begin? This has Reynolds ogling other girls in the dressing room, Walter Matthau (who had shot Charlie at the beginning of the film) hitting on Reynolds, Charlie golddigging with a hapless rich boy (played by Pat Boone) and finally, the romantic scenes between Curtis and Reynolds... the levels of homoeroticism in this film are so multifarious and bizarre, that it's truly, astoundingly mind-boggling. I really wish I could know more about the genesis of this project... How this project got green-lighted in the first place is a source of continual amazement... You really have to see it to believe it!

a great film based on a great script
A playboy is shot by a jealous husband after he is caught in the middle of an affair with the man's wife. Later he comes back as Debbie Reynolds, possibly as God's punishment to him for the way he spent his life using women for his own pleasure, or mabey as a way of seeing if being a woman can teach him how to be a better human being, or maybe both. It's a saddly undiscovered comedy that hopefully more people will get to see and enjoy, now that it's been rereleased on video. I also happened to find the script for the play that this movie is based on. (There was a copy of the play write in the public library.) The play is very, very short, so of course the movie adds much more to the story. I was a little disapointed by the ending of the movie, however. (I liked the ending of the play much better.) The movie is still well worth seeing, however, and if you are lucky enough to find the play script, it is well worth reading.

GOODBYE MOVIE!!
This film is boring and NOT FUNNY! A man in a woman's body should get more laughs, but not in this offering. As you watch, you wonder what is going on. If you buy this, you have made an ASS out of yourself!

Goodbye Charlie
I'm sorry but I did not like this movie. It had some flaws. The
actors were good but the story was not told very well. I wouldn't recomend this movie.

Goodbye Charlie, it's good!
I was born in 1961 and probably saw this movie the first time it was shown on TV back in the late 60s or early 70s. It left an impression for some reason, much the way "It's a Mad Mad Mad World" and "The Ghost and Mr. Chicken" did. I often find the theme tunes to these movies running through my head and once you've heard "Goodbye Charlie" as it's played hypnotically like a soft breeze throughout this movie, you'll be haunted by it forever. You may or may not appreciate that fact. ... Read more

Reviews (481)

One of the Most Overrated Films Ever
Gone With the Wind is remember as a great movie because of it's epic scope and excellent production values. But 60 years later when the big budget no longer thrills us, we are left with a decent film but nothing special.

To begin with the entire film is very campy and melodramatic. The whole film is very heavy-handed and over-done. Scenes like where Scarlet crys "I'll never be hungry again" are just plain ackward. Someone should have tatooed the word "subtlty" on Selznick's head.

The script is fairly weak too. It presents a very narrow, one dimensional view of the Civil War. Worse, the Civil War ends half way through the movie and the rest of the film lacks the first half's energy.

Another major flaw is that the characters lack any real depth. Scarlet is cold and nasty through the whole movie. She never changes untill the last two minutes of the movie. There is simply no development. Ashley is noble and his wife is so nice and sweat that it makes me sick. These characters simply aren't human and don't feal real. Probably the only character in the whole movie who actually developes at all is Ret. Sadly, Clark Gable's strong performance isn't enough to carry the rest of the cast.

It should also be noted that Gone With the Wind is very racist at some points. The scene where all the slaves are going off to fight the "evil yankees" is enough to turns one's stomache. Most of the black characters are portrayed as child-like and stupid. The only exception to this is Mimi who does an excellent job and deserved her Oscar.

Gone With the Wind is still an example of fine production values but when you strip away all the lavish sets and money spent on the film, you're left with a rather hollow experiance. While there is no denying that it is a very pretty movie, even today, and it does have it's moments, Gone With the Wind is simply an over-done and campy movie. This film does not deserve to be ranked up there with the likes of Citizen Kane or the Godfather. It's just not that good.

After more than 400 reviews...
...you can't say much else!! A spectacle to end all spectacles; the epitomy of costume, art direction, and cinemagraphic grandeur (Technicolor film was still rare in the 1930's, and the industry was already engulfed in production of at least one *other* color movie that same year). I wasn't enthralled with this film when I first saw it years ago but I have come to appreciate its epic presentation and gothic, almost soapy, storytelling. And the cast is entirely first-rate, from the leading lady (whose historical casting was a mini-series in itself) to the supporting roles (Hattie McDaniel, Thomas Mitchell, Ona Munson, Laura Crews, Ann Rutherford, Harry Davenport, Oscar Polk, 'Superman's' George Reeves, et al) to the hundreds (thousands?) of extras who populated the pre-and-postwar South (the tracking shot of the Twelve Oaks mansion at the start of the barbecue and the sprawling, widening shot of Scarlett walking amidst all the wounded soldiers come to mind). It is a great script ("Waste always makes me angry;" "Do you ever shy away from marrying men you don't love?") and great direction (Victor Fleming, George Cukor, and Sam Wood- anyone else?). It is a record-holder of sorts among Oscar nominated (or Oscars won) films, but it came out in an extraodrinary year of films. 1939 also saw the releases of, among others, GOODBYE MR. CHIPS, DARK VICTORY, THE OLD MAID, GUNGA DIN, ALEXANDER GRAHAM BELL, JUAREZ, ON BORROWED TIME, THE WOMEN, GULLIVER'S TRAVELS, AT THE CIRCUS, BABES IN ARMS, THE HUNCHBACK OF NOTRE DAME, LOVE AFFAIR, MADE FOR EACH OTHER, and THE WIZARD OF OZ.

Lesley Howard is brilliant and a strong character
In his role of Scarlett O'Hara's (initially) true secret love. I had been a fan of Mr. Howard's for many years. His performance here is among his finest. Also check him out in The Petrified Forrest. As for the rest of the film. When he's not in it it's a little strong on the romantic side.

Worth Another Look for this Fan of Classic Film
Gone with the Wind creates many strong opinions, but I daresay many of them by people who haven't seen the film, or at least not in many years. It is sort of an amalgamation of both Margaret Mitchell's book and a reworking of DW Griffith's even more controversial silent blockbuster Birth of a Nation.

I had written this off as a silly commercialized Hollywood fairly tale but recently decided to give it another look. Basically, I think the claims of racism are far overblown, especially compared to other films of this era. It seems to me that Selznick and company went to great pains to stamp out the more overtly racist themes of Griffith's famous 1915 film. For instance, Scarlett's attempted rapists were all white; real black actors have menial but still important roles; those black actors are treated with dignity and respect; and finally the "n" word probably more frequent in southern parlance of the day was replaced with the more delicate term of "darky", and never used in a scornful fashion. And while establishment opinion in the North still clings to belief that the Civil War was a most noble and unselfish effort, the truth was something much less certain. Surely slaves in the prewar South were not all treated as gingerly as in this film; but just as certainly they were also brutally repressed in the North as well (just watch Gangs of New York for a history lesson on Northern feelings towards African Americans). All wars have a side people would rather forget, and this one was certainly no different. Also on the positive side, the film does a good job of capturing this broad historic period with smart scenes amidst well designed sets. It's really quite a grand production, in color no less, with a marvelous historical and cinematic scope.

On the less positive side, the heralded performances I think are a bit overrated. Clark Gable's presence helps considerably, but he is certainly not nearly as natural or comfortable as he was in It Happened One Night. And Mitchell's sappy, soap operaesque story frequently slips nearly into the preposterous, especially in latter scenes of the film when the historic takes a back seat to the dramatic. But maybe that's what gave the film its broad appeal, as it has a little of something for everyone. I think another factor may have really launched its success: released during the cold winter of 1939, its four-hour sitting time gave depression-weary Americans a warm night on the town for a cheap price that they could all afford.

Regarding the standard edition DVD, its very serviceable but the extras are appallingly poor for a film of this esteemed history. Also, Spanish subtitles would have been nice (only has English and French).

The Best of the Best
A total classic...everyone should own this film. ... Read more

Reviews (26)

A Forgotten Classic...
Corvette Summer may seem like a cheesy 70's made-for-tv movie, but it is, in fact, an enjoyable little film. Essentially, the story revolves around a car freak by the name of Kenny Dantley (played by Mark Hamill). He spends the entire summer tracking down a stolen Corvette that he helped build in his shop class. There are many familiar faces: Annie Potts from Designing Women (who received a Golden Globe nomination for her performance), Danny Bonaduce from The Partridge Family, etc...

70's preservationists as well as Las Vegas desert enthusiasts will be quite impressed. The story has a decent moral message as well. You may ask yourself through the film whether or not Kenny takes a real shower, but, overall, it's definitely at least a rental.

Love it!
Corvette Summer is one of my favorite movies! One thing I like about this movie so much, is how much I can relate to it. I really wish this movie could have been a huge success at the box office, because it really is a great movie that deserves to be appreciated. Mark Hamill and Annie Potts have an hilarious chemistry! Everytime I watch this movie I love it even more than the last time I watched it!

So do yourself a favore, go out and rent, or better yet, go buy Corvette Summer! You'll thank me later!

pretty good film for it's time
i use to watch this film all the time whenever it would come on&it was catchy for it's time period.Vettes were cool rides from the late 70's through early 80's.this film will take you back.

Let's see this on DVD (Widescreen)!
I loved this movie as a kid, and bought the VHS! I've owned three Corvette's in my life so far, and this movie was definitely an inspiration to the obsession. The quality of the VHS is not so great, and the audio is starting to go bad. With all the older movies now being re-produced on DVD, I wonder how this one was missed? I wish MGM would release this on DVD.

It's not Star Wars, but Mark Hamil still delivers
This movie is hilarious! Don't no why this didn't do well in theatres, this is a very very funny. This is one of the funniest movies I've ever seen. You just have to see this. It's hard to give a helpful review on this film, because it is one of a kind, so all I can say is just see this movie, I promise that you won't regret it. 5 STARS is perfect for this gem. ... Read more

Reviews (4)

Great Comedy classic with Sal Mineo
One of the brightest comedies of the 1950's,"The Private War of Major Benson", features brilliant performances by Charlton Heston, Julie Adams, and "scene stealer", SAL MINEO, in one of his first featured roles.Heston is "Major "Bernard Benson. A tough battle-scarred officer whose inappropriate comments to a magazine almost get him kicked out of the service. Instead, as a last resort, he is transferred to the Sheridan Military Academy for boys, aged 6-16. Demanding and unsympathetic is how he seems towards the boys, and they retaliate towards Benson. And the school nurse, Kay (Adams), is concerned that Major Benson's unorthodox methods have much to be desired. Many HILARIOUS moments fill this uproariously funny film. Eventually, nurse Kay falls for the stoic, yet big-hearted Benson. A young SAL MINEO steals the film, as Cadet Colonel Sylvester Dusik. He gains much respect for Major Benson, and has some truly comedic moments. Especially in the scene where Sylvester tells the training troups, in a frenzy, "Does everybody in this school have two left feet? Alright you guys, you're gonna keep on drilling till you do it right!" The delivery of these lines, shows Sal also had a terrific flair for comedy, and shows why he was such a meteoric rising young star! Also notable, is 6 year old actor, Tim Hovey, adorable in the role as Tiger, one of the youngest cadets at the academy. Directed by Jerry Hopper, "The Private War of Major Benson" is a true comedy classic.

Gentle Comedy Scores a Touchdown!
Charlton Heston is generally thought of as the hero of epic-style films. But in this family-style comedy, filmed after The Ten Commandents and before Ben-Hur, he proves he has comedy chops. As a hard-driving Army major, he is "punished" by being sent to work at a boy's milatary school. Perhaps unique to the times, the love interest of this film is not, as Major Benson first supposes, a nurse . . . but a full-fledged doctor, beautifully played by Julie Adams. A trove of child actors from that period, plus wonderful William Demarest and quite a few other recognizable familiar faces (including a very young David Jansen, in the first few minutes) round out the cast. A good script and delightful theme song (used also for another Tim Hovey movie, Toy Tiger) make this a very enjoyable experience.

Never mind Charlton Heston...
It's pretty boy Sal Mineo who's hard to take your eyes from..he was so adorable!..I would've let him keep his shoes under my bed any ol' time!...Handsome Harry From Honolulu

A classic comedy for all time.
Charlton Heston outdoes himself again as the war-hardened, whisky drinking Major who discovers his sensitive side after taking command of an ROTC school in California. Classic lines include: "You'll do it until you get it right." If you love Charlton Heston, you've got to see this movie. ... Read more

Reviews (15)

A good movie, generally faithful to Scripture
This is a good movie. The movie covers the period shortly before Abraham's calling by God to his wandering to Egypt and finally back up to Canaan. It also tells the story of Lot as a sub-plot. It then concludes with the birth of Isaac and Ishmael and the offering of Isaac.

Scripturally, the movie is pretty sound. Their artistic license was not distracting from the Scriptures as happens sometimes in other films.

From a production point of view, it is very well done. The actors are good and even know how to show emotion (I've seen too many Biblical movies where the actors talk in some strange distant tone of voice). Lots of action, too.

This movie is definitely PG-13. It portrays some animal sacrifices and war between the four kings and Abraham, among other scenes.

Entertaining, accurate, educational and stirring
The movie is an extraordinary portrayal of the life of Abraham. It's entertaining, accurate, educational and stirring. In a world filled with gods you can build, see, hold, and collect; Abraham's trust in and obedience to the invisible God is inspiring. The up and downs of the life of faith are wonderfully depicted. The emotional aspect of Old Testament animal sacrifice is explained in a way that theological textbooks could never rival.

Richard Harris is brilliant as the patriarch Abraham. Barbara Hershey makes a very believable and winsome Sarah. The costuming and scenery are outstanding. I found only minimal disagreement between this portrayal compared to the Biblical account, the culture of the time, and the ancillary facts of history. I would highly recommend the movie "Abraham." Abraham is one of the very best movies from Turner Home Entertainment's excellent Bible Collection. Running time 150 minutes.

"and you shall be the father of many nations"
Richard Harris is brilliant as Abraham, strong as well as tender, and with the ability to convey emotion so perfectly in his voice that it's a performance that can be enjoyed by just listening to it.
It covers Genesis 11:27 through Chapter 22:17, and stays fairly close to the scripture,
though there are a few omissions, and some additions to fill out the film; I especially like Abraham teaching Ishmael and Isaac, in separate scenes, the principles of the sacrificial rite. Christians will appreciate that Isaac was one of the "types" that run through the Old Testament pointing to Jesus.

Among the other changes/additions are the shifting of the meeting with Melchizedek (Ch. 14), to after God makes a covenant with Abraham to give him the land of the "ites" in Ch. 15 (Hittites, Perizzites, Jebusites, etc ); Lot offering himself as well as his daughters to the people of Sodom as a substitute for his guests, and also in this film Lot is the one that suggests he separate his family and flocks from Abraham's, instead of the other way around.
Abraham was 75 when he started his immense journey of faith, and there are scenes where he talks and listens to God that are wonderful.
This would not be a good film for children however, as it is not a colorful film, with the sets and costumes all in earth tones, and there are many animals that suffer a bad fate, either from the famine that takes place in the early part of the film, or the sacrifices.

The cast is splendid, with Barbara Hershey excellent as the beautiful Sarah, as is Carolina Rosi, who makes a stunning Hagar. John Gottfried plays Abraham's faithful steward Eliezar, and two venerable international actors have smaller roles, Vittorio Gassman as Terah, and Maximillian Schell as Pharaoh.
Filmed in Quarzazate, Morocco, it has lovely cinematography by Raffaele Mertes, score by Marco Frisina, and is a way above average TV production...and for Richard Harris fans, a performance not to be missed.

Faith Based Movie
Authentic faith based movie. The writers, producers, and actors, demonstrate deep insight into the faith and obedience based rewarding life of Abraham, and why he is said to be, "God's friend." Viewing this movie in private, over and over, has significantly developed and strengthened my faith and belief in God. For a limited budget, it is nevertheless, an outstanding movie. Recommended for seeking Christians, and non-Christians.

Excellent Excellent!
For anyone who wants to enjoy the story of Abraham more fully and understand the Bible more clearly, this is a video for you! It is fun to watch and scripturally very accurate. I recommend this to anyone and everyone! ... Read more

Reviews (25)

No other movie was so ahead of it's time!
Claudette Colbert and Louise Beavers star in this 1930's melodramatic tale of two mothers struggling for their children. Colbert plays Beatrice "Bea" Pullman, a widow with a young daughter. Life is hard for Bea until Delilah Johnson, Louise Beavers,arrives with her daughter and becomes Bea's maid. Delilah cajoles Bea to give her a job as her maid. Bea discovers that Delilah has a delicious pancake recipe. Bea acquires this recipe, and uses it to start her empire; with Delilah getting a not so equal cut. However, this empire has a price for both. For one, the price is happiness in a relationship. For the other, the price is dealing with racial confusion. Ironically, their daughters serve them the check. No movie of it's time dared to go into the deep waters of racism and self sacrifice! This movie is said to be a "imitation", but in fact some of it's scenes parrallel to the sad realities of life. When Bea and Delilah retire for the night, the scene emphasizes the seperation of races during this time. Claudette Colbert and Louise Beavers give powerful and underestimated performances in this movie. Colbert has a real and caring presence in the movie. Beavers shows suffering like never before, and she proves that servants have lives outside of serving. With wonderful performances by Warren William as understanding Stephen Archer, Fredi Washington as the misunderstood and confused Peola, Rochelle Hudson as the lovelorn Jessie, and Ned Sparks as the sarcastic Elmer. "Imitation of Life" blazed a trail for movies dealing with the triumph of the self and the power of family love.

Tearjerker
Classic, compulsively watchable rags to riches tearjerker from a Fannie hearst novel. Claudette Colbert and Louise Beavers play the white and black women who go into business together, and Rochelle Hudson and Fredi Washington play their daughters. Ross Hunter produced a remake in 1959 starring Lana Turner, which pulled out all the stops. In both versions you want to laugh at yourself for choking up, but at least, in this earlier more enjoyable version, it doesn't feel as if the sobs are being torn from your throat. The cast includes Warren William, Ned Sparks, and, as servants: Hazel Washington, Hattie McDaniel, and Madame Sultewon (the black actress who worked with D.W. Griffith)

The original, and still the best version
Most viewers are far more familiar with the campy, 1959 version of this film, starring Lana Turner. But, this is the original version, and I find it far superior to the remake for so many reasons.

First of all, it takes place in the early 1930's, putting us smack dab in the Depression, and a time period which suits the subject matter. Claudette Colbert, a much better actress than Lana Turner, is one of the first reasons I prefer this version. But, mainly, the incredible Louise Beavers is absolutely unforgettable as the black maid, Delilah Johnson, whose light-skinned daughter, Peola, is raised alongside Colbert's daughter, Jessie.

When the girls grow up, Peola realizes that she can "pass" for white, and in the 1930's, with racism and joblessness rampant, her choice makes sense, for the times. When Peola, played by Fredi Washington, completely rejects her mother, it is heartbreaking. To see Louise Beavers sobbing onto the counter in the department store is truly painful.

Peola breaks her mother's heart in order to fit into a world that would not accept her otherwise. In the end, she regrets the pain she causes her mother. This is another time and place, and we don't hate Peola for hurting her mother. Still, our heart bleeds for Delilah.

The acting is top notch, and I will take this more entertaining and serious version of the film over the campy re-make any day.

Very long movie
At 1 hour, 51 minutes, this movie is in no hurry to get to the end. I guess Depression-era audiences were happy to sit in a cool theater that long. Scenes are long, slow, and drawn out, like in real life. Claudette Colbert is is no hurry to move along to the next scene. And why should she when she doesn't age a bit in the 15 years this movie spans? And doesn't Warren William look like John Barrymore!! Same profile. If you are a fan of the Lana Turner version, you really ought to see this.

Unrelentingly grim, but a must-see
This film stands as a raw, no holds barred look at racism in 1930s America. Many people have problems today with the Louise Beavers (the maid) character's acceptance of her lot, but one must remember that oppression sometimes causes people to give up hope for a better earthly life. Ned Sparks provides some badly needed comic releif in this weeper, and one wonders what audiences of the time thought of it. This would be good to show and have a discussion session with younger viewers. ... Read more

Amazon.com essential video

On her first day of work, Sue Applegate (Ginger Rogers) has to escape the clutches of a lecherous client (Robert Benchley, whose favorite line is "Why don't you slip out of that wet coat and into a dry martini?").Fed up with the big city, Sue decides to head home to Iowa with the precious $27.50 train fare she's kept in a sealed envelope since her arrival.The fare has gone up, however, and she is forced to pose as a 12-year-old to buy a half-price ticket.On the train, she has to dodge the suspicious conductors and bursts into the compartment of Major Phillip Kirby (Ray Milland), who falls for Sue's masquerade and harbors her for the night.The situation is further complicated by the major's fiancée (Rita Johnson) and her savvy 12-year-old sister (Diana Lynn), the only one who sees through the ruse.Add a stay at the major's academy and some escapades with young, hormone-driven cadets, and you have an enjoyable, if not quite classic, silly comedy, well paced by Billy Wilder in his first directorial effort.Rogers's real-life mother appears in a small role as Sue's mother.Rogers is only occasionally convincing as a 12-year-old, but after all she was 30 at the time.--David Horiuchi ... Read more

Reviews (22)

Priceless Classic, lots of fun!
What a wonderful film! Billy Wilder has directed a cute and wonderful film that is timeless! When Susan Applegate (Ginger Rogers) has had it with the big city (New York) she discovers that while she was trying to build a career that her train fare has increased. The laughs begin there as she adapts her wardrobe to become a 12 year old half-fare customer. The suspecting conductors chase "Sue-Sue" as she hides and meets Major Phillip Kirby (Ray Milland). Major Kirby takes "Sue-Sue" to the home of his fiancée (Rita Johnson) and her 12-year-old sister (Diana Lynn). She is the talk of the cadets at the boys school, and causes a very lighthearted stir. Sue-Sue's relationship with the young girl (Diana Lynn) is impressive as is the insight of the young girl. This film is truly a classic!

Suspend Your Disbelief
This film has raised a few eyebrows over the years, since the subject matter is of a grown man falling in love with a woman pretending to be a twelve year old girl. However, upon viewing, you will discover that this comedy presents the material in such an innocent way, you simply have to suspend disbelief and enjoy the complications that ensue. Ginger Rogers is the woman/girl who pretends to be the child to get the child's fare on the train since she is short on cash, and Ray Milland is the officer she meets on the train who takes care of her. She ends up at the military school where he works, and she causes quite a sensation amongst the young cadets. But more than that, she stirs up things in the relationship between Milland and his fiancee. Rogers does as well as anyone could playing a twelve year old in pigtails, making it almost believable that she could fool everyone. She's a lot of fun and well matched by Milland. Diana Lynn is terrific as Milland's fiancee's young sister, the only one who sees through Rogers' masquerade. There's a number of really funny moments, such as Rogers fending off the juvenile advances of the young cadets, and the hair "epidemic" of the girls at the dance (I don't want to give the funny visual away). Billy Wilder's clever dialogue is a treat to listen to (as usual) and deceptively adult. If you accept the premise of the film at face value, you'll find a number of laugh-out-loud moments and endearing characters in this comedy that is one of my favourites from the early Forties.

Discovering Ginger Rodgers, without Fred Astair
attached. I was pleasantly surprised by this excellent first time comendy directed by Billy Wilder. Some of the outside scenes were set at St. John's Military Academy in Delafield, Wisconsin.
The dialogue is smart & mature enough to hold up well 60 years later. Ginger disguies herself as a 12 yearold to get half fare on a train taking her home to Iowa from NYC.Anyone who cannot see that she is a sexy, beautiful, full grown women is an idiot. But she fools the Major played by Ray Milland. She stumbles into his private compartment, fleeing the conductors. They bond, in a way that wold get him arrested today as a pervert. But it's all innocent & hilarious in 1942. He becomes Uncle Phil & falls in love with her, uncomfortable with the fact that he thinks she is 12 year old "Zue Sue".
The scenes of her being pursued & kissed by eager, unknowing cadets half her age, are kind of 'corny' especially the seduction scene when she breaks out in a brief tap dance.
This is my second Ray Milland film in as many weeks. It could not be more different than his role as a drunk in "Lost Weekend" only several years later. I'm becoming a "late" fan of Milland & Ginger sans Fred.

classic
who says this movie isn't classic? it's one of the funniest. Ginger somehow manages to be a surprisingly good little girl. (if not 12, then 14 maybe, but who cares?) she should have been nominated for an oscar at least. i don't know how this one made it past the censors untouched! on the train, when Ginger wakes because of the lightning, and Ray MIlland comes down to comfort her in her bed (he doesn't know she's really an adult) we can only imaginge what's going through her mind! and when she presse her cheek against his chest? HOLY MACKERAL! He thinks she's shaking because of the lightning, but we know better, heh heh...
Ginger is also Hilarious with all the looks and wisecracks that she gives. One of the best lines she has is, after being compared to a lightbulb (moths like lightbulbs) when Ray sees a cadet smooch her. He explains ( in another risque conversation!) that she should be careful around the boys, becase they're attracted to her. She replies: I'll try to be a well behaved lightbulb! Also watch for a little tap-dancing on her part, brings back memories of the thirties. But this movie is definately one of my favories dancing or no.

EVERYTHING IS JUST GINGER!
Last night (040404) I couldn't stop watching this movie, although I hadn't planned on it. Ginger may have gotten her Oscar for the unworthy Kitty Foyle, but she deserved a nomination for this first directing effort by Billy Wilder.
Just think of all the great acting and dancing Ginger has recorded! Awesome. ... Read more

Amazon.com

"A basket full of kisses for a basket full of hugs." Those are chilling words, at least when uttered by that ice princess, Patty McCormack. As Rhoda Penmark, she is as pretty as a porcelain doll but drips venom with each curtsey and polite response. Little Rhoda's mother is terrified she has passed on her own mother's corruption. Oops, turns out she's right. This passes the test of time, as it still gets under your skin. The character development is tight and the story very involving. Not even Freddy Krueger had the ability to scare like tiny McCormack, looking just like a little adult while she literally beats out the competition for a penmanship award. However, director Mervyn LeRoy's hands were tied over the ending, which was changed from the source material--Maxwell Anderson's hit Broadway play. A supposedly more appropriate, and moral, ending was demanded by the studio. This was remade (badly) in 1985. --Rochelle O'Gorman ... Read more

Reviews (70)

My Favorite Horror Movie of all Time
I personally feel that this is one of the greatest horror movie made. Forget all of that blood and guts and popping out of the bushes to scare people. That fear only lasts for a second...This movie plays with your mind and lasts forever. Nothing is scarier than polite Miss Rhoda Penmark.
This movie contains brilliant direction and an amazing cast. Many people feel that the acting is overdone and that they act like they are still in the stage version, entertaining an audience in a theater but that is the way it was meant to be made. Making it look like a regular movie would ruin the essence of the evil, 8-year old killer. Nancy Kelly is truly amazing as Christine. Her "breakdown" scenes are heart wrenching and done very well. She is most-natural and does a wonderful job in playing a woman going through the delemma of whether or not she should hate or love her daughter. Her performance is beautiful, "She killed him! But she's my little girl...and I love her!". The highlight of her acting is when Rhoda just kills one of her victims (I won't say who) and Rhoda is playing the song she always plays on the piano faster and faster and faster. It is such and amazing scene. She deserved the Tony she won during the play and the Oscar nomination. Now, there is Patty McCormack who is definatly chilling in this role. Her perfect smile is just as scary as her evil ways. When she describes the way she killed the little boy I always shudder ,"But he told me that he was going to tell on me...SO I HIT HIM WITH MY SHOES AGAIN!! I hit him harder that time." After the scene where she confesses her murders and Christine tells Rhoda to throw her shoes down the incinerator, the shot of Rhoda's sillouette tossisng the shoes while Christine just sits in the backround and watches with fear, as Rhoda smiles, brings chills down my spine. Her acting gets an A+ and she also deserved the Oscar nomination as well as Kelly. Another, nominated for an Oscar for her role, was Eileen Heckart for the role of (which I think is one of the greatest characters in theatrical history)Mrs. Dagel..the grieving mother of one of Rhoda's vicitms. Although only appearing in two scenes, she makes just as big of an impact as Christine and Rhoda do. Heckart is brilliant in the role and it would be almost imposible to find someone who could do as good of a job as she did. Her beautiful monolougues are truly amazing and heartfelt. Other great performances are that of Henry Jones, the creepy Leroy who is the only one who realizes that Rhoda is evil, Evelyn Varden, as the housekeeper, Monica, who spoils Rhoda terribly, Miss Fern (I can't quite think of her name), as the teacher at The Fern School, and Christine's father (I can't think of his name now either), who is a former mystery writer with a big secret that he is keeping from Christine, which has to do with why Rhoda is a bad seed, something inside of Christine that she passed down to her daughter.

There is a lot of controversy over the ending curtain call and the happy spank that Christine lays on Rhoda. I feel that the curtain call and spanking gives the audience a sese of relief since the movie is so disturbing.
I reccomend this movie to everyone that can handle a plot that is different and disturbing.
Don't blame Rhoda for her murderous acts. It isn't her falt, she is just a bad seed.

THE PERFECT LITTLE GIRL.....
Based on the famous Broadway play, "The Bad Seed" should be just fine on DVD. This chiller about the "perfect" Rhoda Penmark with her long blonde braids and cold, cold heart stars most of the play's cast---Patty McCormack as Rhoda, Nancy Kelly as her mother, Henry Jones as Leroy the apartment handyman and Eileen Heckart as the mother of one of Rhoda's schoolmates. While her pilot husband is away, Mrs.Penmark begins to suspect there's something wrong with her perfect little girl. You bet there is, she's a cold-blooded killer! As Rhoda's list of victims grows, so does her mother's terror as she begins piecing together the clues and facts. The film, shot in stark black & white, appears stagy but this works fine because it's all about the performances. They're brilliant. Mervyn LeRoy allows the characters to remain like they were on stage for maximum impact. The only complaint, Hollywood tacked on a dumb second ending to allow the characters their bows and to say "See? This was only a movie!" because in 1956 the subject matter (and original climax and ending) was quite shocking. But the film is still a classic of it's kind and very much a must see for those who havn't seen it. Watch for it.

a little blonde classic monster
I have seen this movie so many times, and it just keeps getting better as time goes by. Little Patty Mcormick is execlent as Rhoda Penmark and the chemistry she has with Nancy Kelley and Henery Jones is beyoned words. I get chills when I see the scene where she confronts Leroy about giving back her shoes!!!
Its about time this classic is comming out to DVD

A Basket Of Kisses.......
Over the years, there have been so many female villains, it's easy to lose track. Anne Baxter(ALL ABOUT EVE), Ann Blyth(MILDRED PIERCE), Joan Bennett(SCARLET STREET), Bette Davis(THE LITTLE FOXES to name one of many), Gene Tierney(LEAVE HER TO HEAVEN), the list goes on. But I think they all would have been more a little unnerved to get in the way of Rhoda Penmark. This movie is one that is so impish in it's own delight, it's impossible not to smile & go along for the ride. Originally a play, the film does tend to lose it's strength with all the psychobabble & it does occasionally get caught up in it's own pretentiousness, but fear not. For any & every minute that Rhoda(played to the absolute hilt by Patty McCormack)is on the screen, you BAD SEED virgins out there will wonder how this film is unknown to you.
Nancy Kelly delivers what would have to be one of the most over-the-top performances in the history of cinema as Rhoda's unsuspecting mother & Evelyn Varden's overbearing landlady, Monica, chews enough scenery to last a lifetime. But it's all about Rhoda. Evil, ruthless, determined, selfish, sweet, & yes, at times, loving. The sheer joy of watching this film is being secure in the knowledge that no matter how sweet this girl is to those around her, unlike us, & eventually her Mother, she's got them fooled.
Nancy Kelly was nominated for a Best Actress Oscar for her work here & both Miss McCormack & Eileen Eckhart(as the mother of one of Rhoda's victims)scored Supporting nods. Nobody makes films like this anymore..and why? Nobody could.......

The Play's the Thing!
The stage version of "The Bad Seed" was brilliant with an equally brilliant ending.
The movie is much too stagey, a bit too Broadwayesque in its presentation, that is, practically filming a stage show with all its limitations, including the stage-acting..a tad pompous. Except for Patty McCormack, the other characters should have been re-cast. ... Read more

Reviews (11)

Two inept cops who frame An Innocent Man
This is the story about two inept cops who frame AN INNOCENT MAN named Jimmie Rainwood(Tom Selleck). The two plain clothes police officers deviously plant drugs inside Jimmie's home,also using his mailing address. The cops spot a shadow of what looks like a pistol,but is actually a hair dryer. Jimmie was drying his hair after taking a shower. After other officers discover the drugs in Jimmie's home,he is arrested,arraigned,convicted and sent to prison for six years. After Jimmie is released,he and a few friends scheme to incarcerate the drug-planting cops. The cops end up in jail. Jimmie's buddy(F. Murray Abraham),who's still in prison,says at the end of the film,"Ain't life a motherf---er?". This film was not as great as THREE MEN AND A BABY and HER ALIBI,but I loved it.

AN EXCELLENT SELLECK MOVIE
As long as I can remember I've always immensely enjoyed/loved Tom Selleck movies. This is defintely one of his best(as well as 'Her Alibi'). This is a very enjoyable prision movie with a range of emotions. This film as always been on my DVD wishlist so I'm very excited that it's finally on DVD. I highly reccomend this film, you won't regret it.
By Justine Ryan

An Entertainingly Uncomfortable Film
Even though you know what's going to happen to Tom Selleck's character, and you know that the ending will be happy, watching the process is enjoyably discomfiting. This is a plot film -- stuff keeps happening to the main character, things he appears utterly incapable of controlling, and everything spirals right into disaster. Great Friday night fare. Make a lot of popcorn and savor it.

an excellent movie
Very entertaining movie. The characters are all great, the plot and the suspense are terrific.

Best Selleck Drama