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| 41. Shall We Dance? Director: Masayuki Suo | |
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Amazon.com Reviews (105)
The story focuses on Mr. Shugyima, a workacholic who spots an attractive woman through a window. Burdened with a mortgage and life's pressures, he seeks dance lessons to get closer. Another character, a balding, quirky, looney Japanese/Latino, Mr. Aoki, has been dancing for five years, he wears a long frizzy wig piled loosely on his head because he believes the wig gives him inspiration to be like his idol, Donny Burns, a Latin dance king. The funny contortionist facial movements work equally with his suave, cool, bawdy dance numbers. He comes across like a combination Don Juan and Madonna striking a pose! A dance partner offends him when she refuses to dance with him as he dances "creepy." An unusual treat is the Drifter's song "Save the Last Dance For Me." It is the only English lyrical song, quite fitting for the occasion. This movie is a gem, full of humor and silliness. See it!......MzRizz.
The great thing about this movie, and what I believe is true for everyone in every nation, is that everyone needs a passion that has absolutely nothing to do with their job or any of the skills required for it. Something to do just for the sake of enjoying yourself. As his coworker and fellow dance fanatic Aoki says, it makes him feel free. The fact that they have to hide their hobby at work is hilarious. Aoki says their improved posture is a dead giveaway. They are caught ballroom dancing in the men's room so Sugiyama pretends he has just fainted and Aoki happened to catch him. Humorous with a message, this is a great flick.
Since the Japanese are reserved about public intimacy, dance lessons are of a clandestine nature. The consensus here is that men are considered losers if they take dance lessons or lessons are just a reason to hold a woman in your arms. The story focus is on Mr. Shugiyama, an overworked middle-aged man with a wife, daughter at home. From his commute, he spots a beautiful woman in a window as she teaches her students dance steps. His intention is to meet the girl, but she blatantly tells him that she takes this serious and if he is there just to meet her, then he should not take lessons. She adamantly informs him that this is a classroom, not a disco. To "save face", he hangs in there and learns to dance rather than become a failure. The array of characters: An extremely shy and reserved heavy-set man with thick glasses gets his fulfillment learning to dance. He becomes alive once he learns the steps. Also, an abrasive dance instructor who isn't afraid to spew her insults when needed and she trades verbal jabs with the male customers. As the movie reaches the climax, a number of dance halls and amateur dance contests are held. An unusual treat is the Drifter's song "Save the Last Dance For Me." It is the only English lyrical song, quite fitting for the occasion. This movie is a gem, full of humor and silliness. See it!......MzRizz. ... Read more | |
| 42. Mulan Director: Barry Cook, Tony Bancroft | |
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Amazon.com The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a full-fledged musical, as it has only five songs (the best, "Be a Man," is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams's in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff. --Doug Thomas Reviews (374)
The movie opens with Mulan getting ready to go to the "Matchmaker." Although, she is a beautiful girl, she lacks the grace to make a good impression. Devistated, she returns home. Her father tells her that "like the cherry blossoms, her season has not come." When China is invaded by the Huns, there is one line in the movie that is uttered by the emperor and it is SO profound. The general in charge of the armies confidently announces that his men can handle this invasion. However, the emperor issues a proclamation calling all available men because, "sometimes a single grain of rice may be the deciding balance in tipping the scales." Or - "one man may make a difference between conquest and defeat." In this case, it turns out to be a woman! I LOVE how Mulan interacts horribly with the men at first and how she is told to leave. Mulan has to prove herself and she doesn't give up. Even after she is a hero, Mulan is disgraced when it is discovered that she is a woman. She is shunned and yet when she must come to the rescue of China again, her comrades are loyal to her and listen to her ideas. Throughout the movie there are the different interactions of those who accept women for who they are and those who are stuck within stereotypes. Mulan is a cute and VERY funny movie with adorable songs. What makes it a GREAT movie however, is the very powerful message that we should judge one another on our merits and character - whether we be men or women.
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| 43. Tap Director: Nick Castle | |
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Reviews (11)
But what works is the dancing. See it for that. The film was shot with a smoky sepia-tone image, that impression of both black and white and color. Watch youthful Savion Glover shine! The older hoofers, Jimmy Slide, Arthur Duncan (from the Lawrence Welk Show), Sammy Davis, etc. This dancing ensemble might just be the "best" part of the film. ....MzRizz
Possible Spoilers..... The movie opens on a man in a cell. The darkness surrounds him and he looks pained. Slowly he begins to listen to the noise around him. Before you know it the man in on his feet and dancing to the rhythms and sounds of the life in prison. The dance is one of pain but also as it goes forth brings out relaxation as anger is spent but most importantly the man begins to feel joy. Jump forward to the man, Max Washington (Gregory Hines) being released on paroll. He has just spent a few years in Sing Sing. Originally he was sentenced for Grand Theft but time was added on for Assault & Battery of a prison guard. | |
| 44. Fiddler on the Roof Director: Norman Jewison | |
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Amazon.com Reviews (90)
Each of his three older daughters choose a different path. The first one refuses to marry the person chosen by the father as she in love with the tailer Motel. The way Tevye cons his wife into agreeing for this wedding is one of the funniest pieces of the movie. The characters chosen are unique and beautifully portrayed. The song before this, "Matchmaker, matchmaker" is beautiful. The way Yente, the matchmaker looks at the youngest daughters as though they were caravans wares is extremely funny. The second daughter Tseitel chooses the revolutionary who is against the Tsar and wishes communism. The song in the bar "To life, Le Chaim" is unusual and shows the way the Jews and the Christians can get along in a limited manner. The third daughter chooses a gentile. Though this is a musical, the acting, story and the character portrayal is deep. Songs range from comic like "If I were a rich man", to haunting, "Sunrise, sunset", to sad and lonely, "Little bird". Though being Jewish will help one understand this movie better, it is not a necessity. The screenplay is wonderful. The particular one that I like is when Avraham comes and tells that there are bad things going on in the world. Another person says, "Why should I break my head about the outside world, let the outside world break its own head". Here Tevye says, "He is right, if you spit in the air, it lands in your face." Then the revolutionary says, "Nonsense, you cannot be blind to what happens outside." Then Tevye says, "You know, he is also right." At this time Avraham points to the revolutionary and the other person and says, "He is right and he is right, they can't both be right." Now Tevye looks at Avraham and says, "You know, you are also right." When the Jews are evicted, it is extremely sad. They console themselves saying that their village Anatevka was not exactly the garden of Eden. This song, "Anatevka", is sad and heartbreaking. They have so little but still love it. It reminds one that happiness is something of the inside and has nothing to do with material possessions. This movie is a classic and a timeless masterpiece. It might be difficult for some people to understand due to the history of Tsarist Russia and its pogroms and the context, otherwise, to date it is my favorite musical.
Fiddler on the Roof is simply a timeless story, even if it finds itself placed in czarist Russia. The story revolves around Tevye, a poor Jew living in Russia and his struggle to stay true to his faith (and ideals) in a world that is rapidly changing. This film follows Tevye in his journey to meld his rich Jewish past with the modern world that surrounds him. His arguments with himself ("On the other hand,...") are priceless and allow us to relate with Tevye as he struggles with his heritage (the pogroms), his financial status ("If I Were a Rich Man") and his family (his daughters are entering marrying age). Ths music is wonderful. The songs are poignant and easily remembered. I guarantee that you'll wind up singing/humming "Tradition" or "If I Were a Rich Man" days after watching the movie. The movie itself is humourous at times, and sorrowful the next and the storyline is deep, but is not a damning social commentary. The cinematics are also extraordinary, with the film being shot "on location" in Zagreb, Yugoslavia. This is an ideal family movie, and I can remember watching (and loving) this movie at an early age. I'm glad I purchased this movie for my DVD collection, as it will become one of my most watched (and sung to) films. The box comes with only a single DVD, but is double-sided and contains additional footage, an additional song (cut at production) and a commentary on the movie itself.
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| 45. Finding Neverland Director: Marc Forster | |
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Amazon.com Reviews (245)
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| 46. The Outsiders Director: Francis Ford Coppola | |
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Amazon.com essential video Reviews (190)
This book shows how lucky some people are compaired to others and makes a great point. It is like a less dramatic version of the movie "Elephant" which shows what people are going through. I am going to head down to my towns public library to borrow it and watch it again becuase it is one of the movies that you can just watch over and over again and still love it becuase it makes a great point and was directed really well. I would recomend this movie to anyone who has not read it. I would read the book first becuase there are some parts that are left out in the movie that were pretty good. ~Doug Mellon | |
| 47. Crossing Delancey Director: Joan Micklin Silver | |
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Amazon.com Reviews (20)
Part of the ego-driven, superficial but pretentious New York literary scene, Isabelle Grossman brings together writers and other literati for soirees feting the personalities behind the books. Isabelle, or Izzy, herself is not a writer, but feels she is important because of the names and numbers in her Rolodex. She works hard and late, only to go home to an empty apartment. Her only love is accommodating the occasional lonely nights of a friend who fights with his wife. She tolerates his affections in what amounts to be no more than a recurring one-night stand. Although Izzy's emptiness surrounds her, she never notices it, not even when her grandmother has a matchmaker attempt setting her up with Sam, a neighbor bachelor. Unfortunately for Sam, her intentions are set on Anton, a dashing, but caddish author whose books are bestsellers. He only wants her to appease his desires, and has no love for her, but she is blind to his true intentions. She curtly rejects another date with Sam. With a single romantic signal, Pickleman Sam, the man she pushed away in a matchmaking dinner now effectively woos her heart into confusion. He had noticed her years ago and now happily accepted the chance to be introduced by the matchmaker. When he tells her this, a spark is lit. He isn't the suave author she begs for, and his lifestyle is more simple than those whose books are reviewed in the New York Times. She fumbles opportunity after opportunity to connect with Sam, but he is patient. Anton makes advances that are alluring to Izzy as her heart tries to reconcile her fondness for Sam. This conflict causes Izzy to ask the important questions about integrity, meaning and happiness. With the light, but poignant backdrop of her Jewish family and friends, this romance makes statements both serious and comedic. Outside of the periodic stereotyping of Jewish grandmothers, it works. I fully recommend "Crossing Delancey." Anthony Trendl
But watch what happens... | |
| 48. Pocahontas (Disney) Director: Mike Gabriel, Eric Goldberg | |
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Amazon.com Reviews (113)
The film has many songs, but only a few stand out - -Oscar Award Winner "Colors Of The Wind" is one of them, "Around the River Bend", and "If I Never Knew You" is the other - - the rest are catchy, but unmemorable numbers. The "Gold Classic Collection" DVD edition of the 1995 film, has a mediocre picture. There is constant grain, and it is rarely perfectly clear. On the plus side, the animation is still able to be appreciated and the Dolby Digital 5.1 mix is good. Again, this is NOT the Disney movie to show little kids (it would probably be a complete fly-by for them), but it does have much appeal to an older audience who can appreciate the animation, and the Oscar- winning music. A true modern masterpiece.
Anyway, you either like the animation or you don't. The audio is very well done. No major sound effects but the music and the dialogue is the main things for this film. What about the video? The video is a shock. Where Tarzan bursts with a radiance of colors, not Pocahontas. What happened during the transfer? It's like a transfer from a video tape seen 10 times before. Not acceptable with a DVD! I can't believe the colors aren't superb. Extras...well, I guess after the fans were upset that Disney didn't include any extras in their previous releases, now they are with their "Gold Collections". I like how the DVD has the two music videos especially "Colors of the Wind" by Vanessa Williams. There are a lot of trailers before the movies which you can fortunately skip over, a trivia game and DVD storybook like the Tarzan DVD and a fun with nature booklet which they should of added to the DVD. Otherwise it's better than what we got before from older Disney DVD's. So, we have the movie at above average, the special features in the C to C- range and the DVD Overall probably a B-/C+. Otherwise, for a DVD from Disney, this movie deserved better. A better video transfer and they could at least added the making of Pocahontas or something. (sigh)... Anyway, if you want to watch Pocahontas, get the DVD version. Even those it's VHS quality, you get those extras and good sound. If you don't care about the extras and just want to see the movie, then the VHS might be your thing.
In this movie, there is one and only one exception to the rule that all Native Americans are good and all English are bad. John Smith is the exception that proves the rule - other than him, all British are evil (and crude, dirty, greedy, etc.). The Native Americans aren't all quite perfect but all come around in the end, while the English are clearly rotten to the core, and the world would be a better place if they were all gone. Get this movie for your children IF you want to teach them to use skin color as a way of predicting good versus evil. And don't worry, they won't get the wrong, racist lesson that dark skin is bad - they'll get the politically-correct lesson, that people with white skin are bad.
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| 49. Peter & The Wolf Director: Clyde Geronimi | |
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Reviews (7)
Also included on the video are the cute and funny "Silly Symphony" a non-verbal lesson in international harmony and "Music Land" featuring favorite Disney cartoon characters. If you like this video, I recommend you also try the CD "Heigh-Ho! Mozart."
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| 50. The Little Mermaid 2 - Return to the Sea Director: Jim Kammerud, Brian Smith (XV) | |
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Description Reviews (126)
Otherwise, the movie was adorble. The film was entertaining and fun thanks to Melody and her friends. I didn't think I'd like Melody but she's a mettlesome little daydreaming mermaid with alot of personality. I just love Sebastian no matter what! And the penguin and walrus she meets along the way are a really cute and funny pair! If they'd just elimate the original Little Mermaid characters this would be worthy of five stars!
Recently, I rented both the Little Mermaid and its sequel, the Little Mermaid II. WHile I am pleased that there is at least something out there for little kids these days, I was disappointed with the movie. I did not connect with Melody, and Ariel was like nothing I remembered. The only thing pleasing (and, I must say, humorous) was the presence of Sebastian. He alone retained the charm of the first film. Of course, maybe the reason I didnt like this movie is that I am now an adult. But I gotta tell you, when I re-watched the original, it was still the magical movie that it was for me 15 years ago.
Okay, as a long time Disney fan, I really -hate- direct-to-video Disney sequels. Walt HIMSELF didn't believe in them. He believed in "AND THEY LIVED HAPPILY EVER AFTER" being the end of it. But this one...REALLY ticked the taco. There were so many ripoffs of other Disney films in this, it wasn't funny. Quick summary, if you don't already know...: Melody, the daughter of Ariel and Prince Eric, is born. Ursula's sister, Morganna (who basically looks like Ursula, if she were to dye herself green and go on the Ally Macbeal starvation diet) shows up and, after trying to do the newborn tyke in, and failing, prophesizes (sp?) doom for the characters. After that ordeal, Ariel goes into a lapse of being like her father, and refuses to tell Melody about her mermaid heritage, and later on, forbids her to go near the sea. Well surprise surprise. Melody finds out, being the stubborn brat she is, and runs away, then makes a deal with Morgana to become a mermaid, in exchange for something. (Gee does THAT sound familiar?) She becomes one, but in her half of the bargain, has to retrieve her granddaddy's Trident and bring it back to the sea witch. While doing THIS, she runs into a couple of outcast animals, a penguin and a walrus named Timon and Pumb--huh? wait...no! that's not Timon and Pumbaa! or is it? Could of fooled me. Anyway, i'd like to reveal more, but pretty much anything that could be guessed to happen does. OK so...long story short. This movie "borrows" too much from other (better) Disney films...and does it horribly. Come on...Tip and Dash? Why not just make Dash obscenely flatulent and make it an even more obvious ripoff! Ugh. Not to mention, the total character butchery of Ariel's persona. She's gone from being a freespirited, headstrong woman, to a clone of her father. Not good at all...they're basically telling us the sweet, firey little mermaid we've known to grow and love is dead. Plus Melody herself isn't such a great character either...she's damned annoying! And bratty! Not to mention what they've done to Flounder. Ugh...anyway if you decide to see this piece of created-mainly-for-profit-reasons, no-imagination, Eisner-sponsored crapfest, I suggest maybe waiting 'till its on the Disney channel or some other tv station. Because, it's not even worth the price of a rental. ... Read more | |
| 51. O Brother, Where Art Thou? Director: Joel Coen, Ethan Coen | |
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Description Reviews (523)
"O Brother, Where Art Thou?" that's what! Here is another superb comedy finely crafted by screenwriters /producers/ directors Joel and Ethan Coen. Starring George Clooney, Tim Blake Nelson, and John Turturro, it features a brilliantly written script, superb acting by a wonderful ensemble cast, and a musical score that's simply second to none. "O Brother, Where Art Thou?" is a simple story really... set in the Mississippi delta region during the Great Depression, it's the tale of three petty criminals who escape from the chain gang in quest of buried treasure and experience a series of misadventures along the way. Ulysses Everett McGill (Clooney) is the silver-tongued, self-appointed leader of this odd trio, a man who claims to have stolen and buried over a million dollars in cash. Delmar O'Donnell is the docile, sweet-tempered dimwit (played to perfection by Tim Blake Nelson). The third member of our little gang is an irritable, acerbic fella named Pete. Together they set off, chained to each other, in search of McGill's treasure, which is buried somewhere about to become a man-made lake. Our heroes have only four days to find the loot before it's lost forever at the bottom of the newly created reservoir. As they begin their journey, the run across an old blind seer who prophesies that they will find a fortune, but not the one they seek. with a posse of law enforcement officers and vigilantes hot on their heels, Everett, Pete and Delmar ditch their chains and prison garb and continue on their quest. Our trio's journey is anything but quiet and uneventful. They continually run into strange people and situations... At one point, soon after stealing a car and picking up a guitar-playing hitch-hiker, they stop at a local radio station and, posing as an "old-timey" music group called the "Soggy Bottom Boys," they cut a record that's soon all the rage throughout the region. Later they encounter a Baptist congregation at river's edge, singing a beautiful song, lulling our heroes into sweet forgetfulness for a few brief moments. They happen upon three washer-women, also at river's edge, whose siren-like song ensnares our three miscreants... George Nelson, a bank robber on the run, who nearly co-opts our heroes into a REAL life of crime... the one-eyed, fast-talking Bible salesman Dan Teague (played by John Goodman) who offers Everett, Pete, and Delmar a hard lesson on economics and life in general in the Depression-ravaged Deep South... and other characters as well: Governor Pappy "Pass the Biscuits" O'Daniel, running for re-election against a reform-minded candidate named Homer Stokes... Everett's ex-wife Penny, soon to me re-married to a real drone named Vernon Waldrip... and a whole gang of fellas dressed in white sheets and hoods who take exception to our heroes' intrusion into their ceremonies. One of "O Brother, Where Art Thou's?" greatest strengths is its musical score. As the Coen brothers point out, nary a scene goes by without some kind of music in the background. The songs - 19 of them by my count - are all wonderful. It's a sublime mixture of old-time gospel and country music and African-American spirituals. From James Carter and the Prisoners' "Po' Lazarus," through Alison Krause's sweetly simple and reverent "Down to the River to Pray" (with brilliant harmonies added by the First Baptist Choir of White House, Tennessee); the old-time country classics "I Am a Man of Constant Sorrow" and "Hard Rock Candy Mountain," and "You Are My Sunshine;" to the old-time Gospel classics "Keep On the Sunny Side;" "I'll Fly Away" and "I Am Weary (Let Me Rest)," (and many other songs as well), the music adds an extra dimension to this already multi-faceted film. (By the way, all these songs can be found on the "O Brother, Where Art Thou?" soundtrack compact disc... but that's another review!) I've now watched "O Brother, Where Art Thou?" about a dozen times. Each viewing has been a genuine pleasure for me. This film is clever in its conception, extraordinary in its execution, sublime in its storytelling, and masterful in its music. In short... wonderfully entertaining in every respect. A definite "must-see" for movie-lovers everywhere!
Fueled by an eclectic soundtrack, "O Brother" brought about an unheard-of resurgence of early country music, winning the Grammy Award for Best Soundtrack and outselling most other CDs that year. The selections include gospel, blues, a chain gang song ("Po Lazarus") and a hobo anthem ("Big Rock Candy Mountain"), along with plenty of toe-tapping country music from The Soggy Bottom Boys (fronted by Union Station's Dan Tyminski), Alison Krauss, Gillian Welsh, Emmylou Harris, and more. The film has an unusual look as well: it was digitally edited to give it the washed-out appearance of the Dust Bowl during the Great Depression. There is a very interesting documentary about this process on the DVD; it is the first film to use this technique in North America (although not in Europe). In fact, there are several interesting extras on the DVD, including a making-of, a music video for "I Am A Man of Constant Sorrow," and a script-to-storyboard comparison. "O Brother" is filled with fun, unexpected turns and twists, and a great soundtrack. It may not be the greatest film you'll ever see, but it sure is entertaining!
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