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| 181. The Godfather, Part III (Final Director's Cut) Director: Francis Ford Coppola | |
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Amazon.com essential video Reviews (104)
The bigger problem is with Robert Duvall's absence as the lawyer Tom Hagan. Without his charasmatic presence, the film is seriously lacking. But the film does have its moments.
But it wasn't just Andy Gracia who tore apart this movie, oh no. He had some help. Sofia Coppola plays Mary Corleone, Micheal's daughter. You could tell she had no idea what was going on. It was like Francis Ford, the director, just told her to say random things without even giving her a script. Marlon Brando, may he now rest in peace, was probably disgusted with this movie before he died. To make this movie even worse, they decided to have a dramactic ending scene with Mary shot by a some random person sent to kill Micheal. This scene ends with Al Pacino screaming his lungs out, and the whole time I was sitting there saying, "That guy did you a favor by killing off that unholy death angle sent from the deep dark bowels of heck." The final scene, was indeed, a sad one, but with the acting skills in this movie, I don't blame Micheal for dying. I do have to admit, there are no words to describe the death scene of Micheal Corleone, because that marked the end of the Godfater lagacy, hopefully, forever. But don't get me wrong, I still love the Godfather trilogy, and always will. It just needs to end, here and now. If you ever plan to watch this movie, tape a knife under your couch, just in case you feel like killing yourself after seeing the horrible acting presented by the infamous Andy Garcia and Sofia Coppola, The Destroyers of the Godfather Trilogy.
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| 182. The Shaggy Dog Director: Charles Barton | |
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Amazon.com Reviews (5)
It is 1959. It is the height of the Cold War with the USSR and its Eastern Bloc. Wilby has stumbled (literally) into possession of an accursed ring of Lucretia Borgia's - which, at unpredictable times and places "shape shifts" him into the Shaggy Dog or back into Wilby. In his various incarnations, Wilby overhears a plot to destroy America. He and his family and friends must save Democracy! Along the way we see a pajama clad Dog gargling and brushing his teeth at the sink before bedtime, chatting with confounded policemen, and leading them on a merry high speed car chase. A Bratislavian Sheepdog driving a convertible at a rapid rate is quite a sight to see! My favorite line is Buzz (an Eddie Haskell type of adolescent) hitting up Wilby for some money. "I'll need some gas. You wouldn't happen to have a buck on you?" Things have changed.
It is also the first Disney film to feature Fred MacMurray. This was a comeback vehicle for the actor who was languishing without much work since the type of film he was known for was no longer produced. But after this film he went on to do many films for Disney, the "Absent Minded Professor" and its sequal "Son of Flubber","Bon Voyage", "The Happiest Millionaire", "Charley and the Angel", and "Follow Me Boys", a non-comedy sentimental film Dinsey made about a boy scout leader. Tommy Kirk is also in this film as Freds son "Wilby" and the hero, of sorts. After all, he is the one turns into a dog with the accidental help of a magic ring. Juvenile Disney star Moochie (Kevin Corcoran)plays his younger brother, and is outright hilareous with his show stealing antics. The ever charming Annete Funicello is here, along with a couple of other Mouseketeers in bit parts. But mouseketeer Roberta Shore plays the sweet Franceska, the new neighbor that Wilby falls for. Her dog looks just like the dog that Wilby turns into when he is enchanted, so Wilby takes his place to find out how good a dog's life really is. But Wilby soon finds out that her villainous father is a dangerous foreign spy. While it was filmed as a low budget piece, it was very succesful comercially raking in $8 million in its first theatrical release. That was very big in 1959. The movie concept was first offered to a TV network as an idea for a new series, and they gruffly turned it down as "a stupid idea that no one would want to watch". Walt made it anyway, turning it into a theatrical release. When the crowds poured in to the theatre the studio boss called Walt to admit his mistake. Walt laughed all the way to the bank, and created a whole series of movies based on some ideas from this movies formula. This includes the police officer scratching his head, and other character actors that seemed to crop up in the next dozen comedies. A great Disney advertising campaign aimed at teenagers capitalized on the then-current fad for "I was a teenage ____" movies. The film starts with some great animated titles done expertly by veteran Dinsey animators X. Atencio, T. Hee, and Bill Justice. Released in 1959, written and produced by Disney Studio man Bill Walsh. Directed by Charles Barton. Disney veteran Bill Koehler did the animal training with the sheepdog that is used in some scenes as he did on at least half of the Disney films. (read his rare book "The Wonderful World of Disney Animals" if you can find it.) Look out for famous Disney voice talent Paul Frees in this, he is the narrator and is seen as the psychiatrist (a rare on-screen appearance for the voice actor). His famous voice is featured throughout Disneyland ride attractions, especially in the Haunted Mansion (ghost host)and Pirates of the Caribbean. The plot has a touch of 50's paranoia about the cold war, but spoofs it rather than warning of the dangers. Kids just love this film and so do parents and teens.
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| 183. Three Little Words Director: Richard Thorpe | |
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Reviews (16)
But when the Norwegian actress Arlene Dahl enters the film; she brings the film a step further. Her beauty and charm makes u go wild and her "I Love You So Much"-number good and simply staged. Unfortunately her role as Eileen Percy - the silent movie star - is a minor 1, but she glows every time she`s in front of the camera. Miss Dahl has visited her homeland many times and has done wonders for the Norwegian community in the States. She is also the mother of Lorenzo Lamas of Falcon Crest and Renegade fame.
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| 184. Bridget Jones - The Edge of Reason Director: Beeban Kidron | |
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Amazon.com Reviews (101)
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| 185. Osmosis Jones Director: Peter Farrelly, Bobby Farrelly | |
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Reviews (60)
The scenes bounce between live acting and full animation, determined by whether we are outside or inside the body of Frank. The casting for this silly and peculiar movie was expertly chosen for both live and voice roles. Live, we have Bill Murray as Frank, in his most disgusting character since Caddyshack. Chris Elliot plays his brother Bob, and manages to challenge Murray in the "disgusting slob" category. Murray eats a hard boiled egg that landed in monkey doodoo, and thus introduces Thrax into his body, a red-death virus determined to take over Frank and kill him. (voiced by Laurence Fishburne) Inside of Frank, we go to the animation where Chris Rock is the voice of our hero, a white blood cell named Osmosis Jones. Jones is a detective for the City Of Frank, where William Shatner does the voice for Mayor Phlemming. Jones knows something is wrong, but the Mayor denies any illness could occur in Frank. But just to be safe, he "manually overrides" Frank and has him take a cold pill. Meet Drix, the huge and snotty cold pill, whose voice is played by David Hyde Pierce (Frazier's brother Niles). Jones and Drix make an unlikely team as they hunt down Thrax and try to stop him from killing Frank. Nothing is taboo here; they go to the nose and get caught up in the wave of snot when Frank's allergies act up, they travel to The Zit, Frank's hottest new club where Kidney Rock is playing (Kidd Rock), and Jones reminisces about the time he hit the "Panic Button" in Frank's stomach, causing him to vomit all over his daughter Shane's teacher. (played live action by Molly Shannon) Boogers, snot, vomit, farts, and zits; its all here. Ron Howard even does a guest voice as Tom Colonic, running for Mayor against Phlemming, who broadcasts his campaign commercial from The Bowels. This is visceral entertainment with a squishy feel to it, riotously funny and well endowed with toilet humor; silly campy comedy at its very best. In David Litton's excellent review below, he mentioned that this was a "Fun Time-waster". Indeed it is, David. Enjoy!
I think the movie would have been better without any of the live action characters (Bill Murray, Chris Elliott, etc.) for two reasons. First of all, they're just disgusting. Too disgusting. It got to the point where I'd watch all of Bill Murray's scenes with my hands over my face, peeking between my fingers. Between the running snot, exploding pimples, and ingrown toenails, the "gross-out factor" just goes way, way over the top. To me, it stopped being amusing and became just repugnant early on. Like, his first scene. Second, I think the final scenes, when Bill Murray ends up in the emergency room, are far too intense for younger viewers. He basically dies on the table in front of his young daughter (Elena Franklin), who's led away sobbing by nurses. He comes back from the brink of death, of course, and all ends well, but it's still pretty traumatic and graphic. The animation sequences, however, are just wonderful. Bill Murray's character is the "City of Frank," complete with a police force (the white blood cells, featuring Chris Rock), a highway system, airport (Frank's stomach), and even a political campaign (with William Shatner as the incumbent mayor in "Cerebellum Hall" and Ron Howard as his challenger). The whole city system inside Frank was a really clever idea and very well executed. David Hyde Pierce is also wonderfully "uncool" and fussy as over-the-counter cold pill, Drix ("I was developed at the University of Chicago, where I graduated Phi Beta Capsule"). It's a whole new take on the "good cop, bad cop" movies. All this having been said, I'm pretty sure I would watch thie movie again, but I'll be fast forwarding through the live action sequences. Just cartoon germs for me, thank you.
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| 186. Savannah Smiles Director: Pierre De Moro | |
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Amazon.com Reviews (112)
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| 187. Can't Buy Me Love Director: Steve Rash | |
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Description Reviews (69)
Enter Ronald. After seeing her desperate attempt to replace the dress at the mall, Ronald makes a deal with Amanda. He'll use the money that he has earned all summer by mowing lawns to buy a new dress, in return for Amanda's help in turning him to Mr. popularity. Along the way, Ronnie learns lessons about the true value of having real friends, and towards the end of the movie Ronald discovers that he is still himself. This film, which is no longer produced by Touchstone Video (a division of the Disney Corporation) features many couple of stars before they hit it big. Gerardo, the Latin-singing star who scored a one-hit wonder with "Rico Suave," plays one of the football jocks in the film. However, the real scene-stealer in this film is Seth Green ("Austin Powers"; "Buffy the Vampire Slayer" "Can't Hardly Wait") who plays Ronald's annoying, yet hysterical little brother, Chuckie. By taking a look at Seth in this past role you can understand why he is such a big star today. He is always a trip when it comes to comedic performances. I loved this film for many reasons, but I think the most memorable scene in this film probably has to be Ronald learning an African dance he saw on television (he thought he was watching "American Bandstand"). After learning it, Ronald performs it at the big dance, not knowing that it would become a huge hit. This film ranks among the 10 best teenage comedies produced in the 1980's. Let's only hope that it will be re-released on video and DVD in the near future.
The DVD was hugely disappointing, and my 4 stars are based on the movie itself. Unless you consider chapter stops a special feature, the disc is devoid of any extras. The greatest offense is that it's presented only in fullscreen. I'd normally pass on a non-widescreen release, but my wife insisted on having it. If you have to have this movie, this is probably the best release it will see for quite some time.
Ronnie happens to be at the mall at the same time, purchasing a new telescope with his lawn-mowing money when he sees Cindy's dilemma. He offers to pay for the new outfit if she will pretend to be his girlfriend for a month and introduce him to the popular circle. Although this seems completely crazy to Cindy, she does it (after a great little makeover -- quite the staple of 1980s teen movies!) She even starts to like Ronnie as a person, until popularity goes to his head. People are lemmings and will believe whatever they are told, particularly in the classic scene where Ronnie starts doing the "African Anteater Dance" which he saw on a show he mistook for 'American Bandstand'. Everyone at the school dance follows him instantly. Don't miss a very young Seth Green as Ronnie's annoying brother! He is great as a smarmy kid!
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| 188. The Great Gatsby Director: Jack Clayton | |
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Amazon.com Reviews (74)
The book is a classic and definitely has a 3-hanky ending. I think the ending scene in the movie version sticks close enough to that eerie feeling to be worth watching. However I would remind viewers that the current version has a disappointing musical score and is not the haunting, original academy award-winner.
Daisy's green light at the end of her dock that symbolizes all hope and want in not just Gatsby but all people, the "haves" and the "have-nots", guilt and carelessness, living above judgement and consequences, and of course, the eyes of Dr. T.J. Eckleburg over the "valley of the ashes"... All are all beautifully and sadly portrayed. Mia Farrow as the self centered, one-dimensional Daisy, Bruce Dern as the philandering Tom and Robert Redford as the nouveau riche, enamoured Gatsby turn in quite decent performances. As Nick says, "They were careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money ortheir vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made." However, it is Karen Black as Myrtle, Scott Wilson as George and a sublime Sam Waterson cast as the perfect Nick are the highlight of this film along with the musical score, great costuming and elaborate set design. This is well worth the watch and I enjoy this adaptation more than the A&E presentation, of which I USUALLY favor! "Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no Happy Watching!
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| 189. The Canterville Ghost Director: Norman Taurog, Jules Dassin | |
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Reviews (4)
Being in theory a ghost story the story is full of much well seasoned comedy and really is a film suitable for the whole family to enjoy. I tend to watch this film around Christmas each year and never fail to enjoy the high spirited carryings on of Charles Laughton in what I feel is one of his most appealing roles. "The Canterville Ghost", set in one of those far off misty castles that only MGM could cunger up, tells the story of how Sir. Simon de Canterville through an act of cowardice is walled up in a room of the castle and is doomed to walk the face of the earth for all eternity unless a relative can commit an act of bravery to lift the curse from him. The story jumps ahead a few centuries to the present (1944) where the castle is occupied by visiting soldiers involved in the war. Among them is Sir. Simon's distant relative Cuffy Williams (Robert Young at his most endearing) who is the one selected to perform the brave deed to free his ancestor from his ghostly imprisonment. The tale is an amusing one as Laughton's character first tries to scare and then win over his cynical relative to help him. Charles Laughton is wonderful as the cowardly ghost appearing out of nowhere, screaming, rattling chains and showing his own failings only too obviously. He is surrounded by a terrific supporting cast beginning with gifted child actress Margaret O'Brien as Lady Jessica de Canterville the present owner of the castle. O'Brien, at the peak of her career around this time with triumphs in "Journey for Margaret", and "Meet Me in St. Louis", is a cute delight as the spunky little girl who is not afraid of Laughton's over the top bellowing and corny scare tactics. Robert Young in his last MGM film is also in top form as the young soldier who first is in danger of falling into the same habits as Sir. Simon but who in the end comes through to succeed in freeing his ancestor from his ghostly sentence by an unselfish act of bravery. "The Canterville Ghost" is about as English a tale as you can get and came along during the war years when all things British were revered in Hollywood. Keeping company with such British outings as "Mrs. Miniver", and "The White Cliffs of Dover", "Canterville' also boasts a superb supporting cast of stalwart British performers so popular in Hollywood during these years. Headed by Laughton himself the film contains great work by the likes of Reginald Owen, Una O'Connor and Peter lawford who give just that right British feel to a production which because of the war had to be filmed in the USA. Technically the film is a superb achievement with Laughton's ghostly special effects a remarkable effort. The sight of Laughton disappearing through walls and flying across a room remind one of that great 1930's ghost story "Topper". Being a product of MGM the film boasts top flight production values in every department and has superb settings with the castle interiors appearing wonderfully spooky and beautiful on the eye. Among the many versions filmed of "The Canterville Ghost", I feel this is by far the best. Centred on Charles Laughton's unforgettable ghost the production is enjoyable and a fun way to spend a couple of hours. Before computers created all the special effects this film proved what the old Hollywood was capable of achieving. A totally delightful film to be enjoyed by the whole family.
Although the story is very, very slight, the cast makes it enjoyable. Child star Margaret O'Brien gives a typically enjoyable performance as the unwilling heiress to the castle, and Robert Young and his fellow actors mug their way through the script with entertaining aplomb. The greatest pleasure, however, is Charles Laughton as the ghost, which he plays most delightfully. The emphasis is on comedy rather than ghostly thrills, and although the comedy is quite mild it is expertly done. THE CANTERVILLE GHOST will never make any one's short list of "great cinematic art," but both grown-ups and kids alike will have a good time with it; recommended for an old fashioned family night.
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| 190. Home Alone 2 - Lost in New York Director: Chris Columbus | |
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Amazon.com Reviews (60)
So yeah, if you like Home Alone, you'll love Home Alone 2. It rocks!
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| 191. A Civil Action Director: Steven Zaillian | |
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Description Reviews (58)
Yes, the movie isn't perfect. Travolta's portrayal of Jan Schlichtmann doesn't completely mesh with the character in the book, there isn't a practicing attorney alive who doesn't know Rule 11 (court-imposed sanctions for unethical conduct), and the legal proceedings aren't quite right. Who cares? If the director had included the day-to-day minutiae involved in getting a case to trial, the film would have been three years long! My fellow reviewers are unreasonable in their unrelenting critiques. If you're involved in the legal profession, this film will make you step back and reassess your brand of client representation. Are you taking the right cases? Are you serving the needs of you clients - or yourself? Are you willing to give your all to the law? Interesting, and always stimulating, food for thought. If you're a lay person, hold on - you're in for the ride of your life.
Robert Duvall gives another terrific performance as Jerome Facher, Beatrice's attorney, who is the complete opposite of Schlichtmann. In a scene at a fancy hotel conference room, the frugal Facher is not impressed by any of the lawyers or their arguments, but the free pen that he can take home. It's a subtly funny scene that illustrates Facher perfectly. John Lithgow does a terrific job as Judge Walter Skinner, who Schlichtmann believes is siding with the enemy. A Civil Action is a story where the winners and losers are unclear, and it must have been difficult for writer-director Steven Zaillian to condense Harr's technical-laden novel. The result is a solid drama with powerhouse acting. Highly recommended.
If you like courtroom dramas, this is highly recommended. It's one of the best specimens of the genre to come out of America since 'The Verdict'. It's interesting to compare it to 'Erin Brockovich' released a couple of years later. EB is about how a heroic small timer takes on the big boys of corporate America and how her pluck and determination triumphs over all obstacles, something of a legal feelgood movie in other words. Which this, to its great credit, is not. Its central character, for starters, is far more amibivalently likeable: initially just out for a fast buck, moral seriousness has to creep up on him and take him by surprise (perhaps reminding writer/director Zaillian of Oskar Schindler whose story he scripted for Spielberg a few years earlier) and the story's development paints a significantly more ambivalent picture of what pluck and determination can accomplish. It's a highpoint of Travolta's acting career even if he is comprehensively upstaged by Robert Duvall, on brilliant form as his quietly cynical adversary, bigshot lawyer Jerome Facher who knows far better than to look for the truth in a courtroom...
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| 192. The Flight of the Phoenix Director: Robert Aldrich | |
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Of course, we have one of the finest American actors in the lead, but Mr. Stewart is ably supported by a blue-chip international cast, including Richard Attenborough, Peter Finch, Hardy Kruger, Ernest Borgnine and Ian Bannen. As the sun gets hotter and with no rescue party in sight, this unfortunate group displays all of the human qualities that arise in desperate situations--resentment, fear, arrogance, assignment of blame, madness, cowardice and courage. Richard Attenborough is the sensible voice of reason and compromise, which makes the scene where he finally "loses it", even more compelling. Peter Finch is the typical British "stiff upper lip " officer--stubborn and brave-- though I doubt that this role was much of a challenge to such a talented actor. Ernest Borgnine gets to chew up a little scenery as a guy who is pretty unhinged even before the plane crash--that blazing sun doesn't do him any good at all ! Well--it's 1965 and you need someone to play a brainy, cold, arrogant German--Hardy Kruger, come on down ! The other actors are excellent--Ian Bannen, in particular, is effective as a guy who would get under your skin even at the North Pole ! As another reviwer has noted, the film is perhaps longer than it needs to be, although it does give the characters plenty of time to interact with one another, and display the psychological aspects of the plot. After a while, you--the viewer--will also start to feel that oppressive heat and sand, and the tension of being trapped in this hell-on-earth. I can't really comment on the feasibility of the plan that Hardy Kruger's character comes up with to save everyone--I'm not an aeronautical engineer ! It certainly gives the film an exciting climax though. I found the DVD picture to be beautiful--the sound typical for an almost 40-year old film. "Phoenix" gave Jimmy Stewart another great role, later in his career, and with the supporting cast--and a liberal amount of suspense--this nice DVD could appeal to a variety of viewing tastes. Recommended.
The movie has a slightly dated "manly" feel...there are no women, but it isn't a "tough guy" movie, a la, THE DIRTY DOZEN, let's say. These are military men, mostly, each with his own idea of how to escape. How all these efforts play out is at the heart of the movie. Everyone is very good. Richard Attenborough is very good, and Peter Finch even better. What a underrated actor he was. He is certainly someone who should have had more work. Hardy Kruger is very fine...and his character holds the key to possible escape (and a VERY BIG humdinger of a surprise too!!). And James Stewart is at the top of his game. We so often remember him in romantic comedies like PHILADELPHIA STORY, and impersonators have done him no favors with their stammering, slightly dim-witted approach. When he was a mature actor (not an older, more feeble man)he could be very strong, and very unlikeable if need be. This is one of those roles. He is a convincing tough guy...not just a bland hero, but a hard-headed, sometimes wrong, leader. I put this right near the top of my Jimmy Stewart list. If you haven't seen this movie, and you are an adult viewer who doesn't require lots and lots of noise and special-effects to have a good time...you MUST see this film. It is a nearly forgotten classic, in my estimation, and one that bears up very well with repeated viewings.
A decent cast for this movie, set in the unbearable heat of the central Sahara desert. Plane crashes and there is seemingly no way out. Someone has the idea of cannibalising the damaged plane to build another airplane to get them out of there as the only other way out is to walk and the surrounding natives are none too friendly. The design of the plane is undertaken by Hardy Kruger, who claims to have designed airplanes before. Unfortunately the only designs he has done are for children's model planes. Nevertheless, Attenborough, Stewart and the gang dig deep and finally make something flyable. But do they have enough cartridges to get the engines started? Watch and find out. A gripping movie suitable for most ages. ... Read more | |
| 193. Flaming Star Director: Don Siegel | |
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Reviews (19)
Elvis Presley | |