| UK | Germany |
| Home - Video - Actors & Actresses - ( C ) | Help | |
| 121-140 of 200 Back 1 2 3 4 5 6 7 8 9 10 Next 20 |
click price to see details click image to enlarge click link to go to the store
| 121. White Mischief Director: Michael Radford | |
![]() | list price: $14.99
(price subject to change: see help) Asin: 6301123018 Catlog: Video Sales Rank: 6793 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
africa, like australia and new zealand, was where the 'remittance' men were sent by their families, to remove the scandals from the homefront. these sometimes extremely black sheep were sent, by the families who could afford it, 'remittances' (money) to keep them in the colonies. in those days of difficult communication, they could get up to whatever mischief they wanted without embarrassing the home folks. the group in happy valley made the most of this. the acting is superb. the sets are marvelous. the scenery is magnificent. charles dance is gorgeous. the story is gripping. what more could you ask for?
I have 5 copies of this film, (not for sale). It took 5 purchases to find one in good condition. And the Sound Track is "Excellent"~ I loved the story and you will too~ A very true account. Beautifully done and well worth the $ for the film~
| |
| 122. Folks! Director: Ted Kotcheff | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 630251701X Catlog: Video Sales Rank: 372 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
| |
| 123. So Proudly We Hail! Director: Mark Sandrich | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6303383009 Catlog: Video Sales Rank: 5273 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (9)
"So Proudly We Hail", traces the stories of 9 nurses from the time they leave San Francisco through the trials and tribulations of their service with the armed services in the South Pacific. Three in particular are focused on, team leader Lt. Janet Davidson (Claudette Colbert), vivacious Lt. Joan O'Doul (Paulette Goddard) and inwardly tormented Lt. Olivia D'Arcy )Veronica Lake). Their stories are interwoven through the real life action of the group first being sent to Hawaii and then after a torpedo raid which sinks some of their companion vessels, being removed to the Bataan and Correigador regions where they care for and then help evacuate the military and civilian wounded. The saga ends with the remains of their party being evacuated after much loss and suffering to Australia before embarking for home at the end of their tour of duty. The women experience all the deprivations of war and personal loss along the way as Lt. Davidson falls in love with Lt. John Summers (George Reeves) only to live in daily fear of him being killed while still having a job to do as the team's main source of strength. Lt. O'Doul (Paulette Goddard) experiences similiar feelings for "Kansas" (Sonny Tufts), the gangly soldier who wins her heart and in the most tragic situation Lt. D'Arcy who confronts old demons and the loss of her fiance at the hands of the Japanese. Many frightening incidents darken the daily grind of the nurses work such as regular bombing of their medical camp by the enemy and having to experience all the pain and suffering of wartime casualties and death of loved ones. Each woman is touched in some way by her involvement in the action and emerges the better for her experience. We see the women work under not only hazardous conditions but in those that would test the sanity of the strongest person with daily shortages of supplies, shelter and food a constant feature in the daily work. The film places great emphasis on the inner strength of the individual under fire whether it be soldier, nurse or wounded civilian. In this respect the film could never be judged superficial as many real life elements of this period are tied into the story. Powerful scenes abound in "So Proudly We Hail", a standout is the scene during the evacuation of the camp when the nurses are stranded in one of the huts under fire and the real life treatment of war nurses in Nanking is mentioned as a telling reminder of the brutality of war. Lt. D'Arcy's ultimate self sacrifice for the good of the group still is a scene that packs a real punch with it's graphic depiction of a suicide killing of enemy soldiers. All three lead actresses are standouts in their own unique way. Claudette Colbert delivers yet another powerful and totally convincing performance as the leader of the group. Long associated with extremely glamourous roles here she portrays a character forced under terrible conditions to still be strong for the sake of her nurses. Paulette Goddard in an Academy Award nominated performance is excellent as the flighty mantrap with only men on her mind who develops into a responsible and dedicated nurse as her wartime experiences deepen her character. Veronica Lake also minus her o usual glamourous persona is effective in her role as the bitter nurse who is out to punish all Japanese because of the loss she has suffered. Despite the reported tension between Claudette Colbert and Paulette Goddard during filming none of that shows on screen as the main three actresses work very effectively together as the one team. One last standout in the cast is actress Mary Servoss who plays Capt. "Ma" McGregor the lead of the camp and in ultimate charge of all nursing staff. Her beautiful scene where she faces the death of her wounded son is a stunner and the emotional highlight of the whole film. Passed off as Hollywood's removed idea of what war is like, "So Proudly We Hail", offers much more than that and contrary to popular belief in a number of scenes where appropriate, the women do show what the wear and tear of war work does to the individuals. I find the film a powerful depiction of war and the terror it causes. Mixed with horrific scenes such as Lt. D'Arcy's suicide are inspiring ones like the simple Christmas celebration on the boat and the scenes showing operations being conducted right in the middle of air raids. These can't help to move the viewer and instill even in the most hardened cynic a belief in the basic good of man. A true epic is how I would describe "So Proudly We Hail", and a film I recommend to anyone who believes in the power of a person's inner strength to beat outside adversity.
| |
| 124. Masada Director: Boris Sagal | |
![]() | list price: $19.99
(price subject to change: see help) Asin: 630018238X Catlog: Video Sales Rank: 6933 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (18)
This miniseries is one of the few historical epic TV series that is any good -- and strangely enough it is way more than "any good" -- it is superb. The two leads (Roman general and Zealot leader) are almost equally charismatic, compelling actors, though Peter O'Toole's trademark weary melancholy tends to steal the show. The supporting parts are solid. The writing is tight, wry, and literate. The scenery is convincing, the siege weaponry looks darned authentic. I have a weakness for costume epics, and this is perhaps the all-time best... reasonably large in scale, very well-mounted, but best of all, very well written and acted. It feasts the eyes without insulting the intelligence. The viciously cut 1-tape version is incoherent, of course, but by Hollywood standards it's still a pretty good film -- many mainstream movie directors can't be coherent even when they know they're working to a 120 min format. But do yourself a favour and get the complete edition.
I doubt any remake would surpass the original, even with computer technology that is available today. With actors like Strauss and O'Toole, who would be able to surpass them for the characters that they portrayed.
| |
| 125. Office Space Director: Mike Judge | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6305499365 Catlog: Video Sales Rank: 369 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (493)
Well worth the price of the DVD, even though the transfer was only fair.
The plot of the movie itself is somewhat secondary to its entertainment value. Basically, the main character (Ron Livingston) isn't happy with his job; having been asked once by his high school guidance counselor to picture what he'd do without being paid and consider that his ideal job, he responded that he's like to sit around and do nothing. The rest of the main plot centers on his attempt to get his life back on track, from discovering a love interest in a local waitress (Jennifer Anniston) also unhappy with her job to plotting revenge on his company for firing his friends. Quickly one sees exactly why the characters are so unhappy with their jobs: a clueless, paper-shuffling boss who speaks in total monotone; inane office regulations requiring more time spent on reports than on real work; faulty office equipment; and so on. Carefully crafted to represent archetypes we all know from our own office experiences, the characters and their attempts to break free of the 9-to-5 drudgery are absolutely hilarious. You don't have to be a computer programmer or engineer to enjoy this film--all you need is to have worked somewhere once in your life that was far from the ideal environment. Watch this film and enjoy a laugh at schmucks who have it ten times worse than you ever have!
| |
| 126. Boys in the Band Director: William Friedkin | |
![]() | list price: $29.98
(price subject to change: see help) Asin: B000006GST Catlog: Video Sales Rank: 4845 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential video Reviews (42)
Based upon the 1968 Off-Broadway play, this 1970 film adaption by William Friedkin retains all of the stage cast and most of the dialogue. The story is simple enough, Michael Connelly is throwing a party for his friend Harold when an old college roommate, who is presumably straight, arrives and throws the party into turmoil. Michael, who clearly has had a drinking problem, hits the bottle again as a result of the conflict. Kenneth Nelson gives a brilliant performance as Michael who is quickly unravelling with every drink and who begins to tear down his friends one by one. The party climaxes in a 'truth' game which proves oddly cathartic to everyone but Michael. Many issues have arisen over the years with 'The Boys in the Band'. Were these men mostly stereotypes? Is this work still relevant to gay life? What does it say about where we are in light of where we've been? Your answers to these questions may well depend on your age. For myself, when first viewing this as a 22 year old in 1987, I found it amusing but ultimately sad and upsetting. A dozen years later of being out in gay life, I have come to learn how masterful this work is and that while times have changed in many ways for the better, many of the issues that the 'boys' were dealing with back then are still being dealt with today. Issues of religious and societal intolerance and the attempt to forge a positive gay identity in an often hostile world are still very much with us today. I believe the reason 'The Boys in the Band' is so humorous is that the camp humor of that time was largely a coping mechanism of sorts. This is black humor at its best, showing us the brutal honesty of a situation while exposing the many absurdities in it at the same time. In the end Michael states 'I don't understand any of it, I never did.'... food for thought... Also: Pick up a copy of '3 Plays by Mart Crowley'. The story of Michael Connelly pre and post "Boys in the Band" is powerfully explored in these two additional plays. (Read the forward 1st!)
A better way to think about the play is as a tragedy concerning the emotional life of Michael, who exemplifies so many of killer competitor types of the 20th century. When Harold says to Michael, "You're a sad and pathetic man. You're a homosexual and you don't want to be," he's making a larger point that what Michael is really afraid of is his own humanity, not just being seen as a big fairy.
The movie, like the stage play, is set in a New York City apartment. Seven gay men (and one gay prostitute) are going to be attending a bithday party hosted by Michael. As the film opens, we are visually introduced to the main characters. We then see Michael's smart and proper apartment and know that he is preparing for the party. Michael's weekend boyfriend Donald arrives and they talk about everything from anxiety attacks to financial woes to the effects of alcohol. Suddenly, everything is turned on its head as Michael gets a very odd and uncharacteristic phone call from his college roommate, Alan. Alan is in town and wants to meet up with Michael, but Michael isn't sure that Alan should arrive in the middle of a birthday party for gay men. Alan breaks down and begs to see Michael. They agree on a quick drink and Michael and Donald explore how they are going to handle a straight man at a gay party. Thinking the doorbell is Alan, Michael opens it to find that Emory, Hank and Larry have arrived. He tells them what is going on and then Bernard, another guest, arrives. Michael demands that everyone play it cool and straight while Alan is there. As the party gets underway with appetizers and music, Michael gets a phone call from Alan expressing regrets about his breakdown and suggests they get together for lunch the next day. Michael is relieved and the party starts to flow even better. Michael, Bernard, Emory, and Larry begin a dance routine they learned on Fire Island and don't hear the doorbell. When Hank answers the door, it isn't Harold, but Alan, who has dropped by unannounced. He sees Michael and the other men dancing and there is a grand uncomfortable moment as the party comes to a screeching halt. Alan and Michael talk and then as Alan gets ready to leave, a fight ensued between Alan and Emory with Emory ending up with a bloody face. The rest of the movie is a very real, very poignant look at human nature. There is an attempt to expose someone in the closet, a look at fidelity within a gay relationship, the fear of growing old and a wonderfully crafted discussion on the nature of beauty. Although all of the actors in the film are excellent, Cliff Gorman as the effiminate Emory steals the show. (Gorman, incidentially, would go on to portray Lenny Bruce in the stage play "Lenny" and would receive high acclaim for his work only to be replaced by Dustin Hoffman for the movie version.) What makes the film work for all mature audiences is that the character portrayals are seemless. We can all see some of our own faults in at least one of the characters. The only drawback is that this film is not yet out on DVD, although it should be! If you get a chance to see this film, do so. It is a very fine piece of film that deserves all the acclaim it gets. ... Read more | |
| 127. One Flew Over the Cuckoo's Nest Director: Milos Forman | |
![]() | list price: $6.93
our price: $6.93 (price subject to change: see help) Asin: 0790734079 Catlog: Video Sales Rank: 1233 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential video Reviews (207)
Only three movies have ever taken out all five major Academy awards (Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay), and "One Flew Over The Cuckoo's Nest" is one of that elite group. To say that the acting is superb is an understatement. It takes a lot of talent to convincingly portray someone mentally disturbed, but this cast accomplishes it with brilliance. The supporting roles as nearly as terrific as the leading roles: Sydney Lassick as the shaky inarticulate Charlie Cheswick, Brad Dourif as the stuttering virgin Billy Bibbit, Danny DeVito as the infantile Martini, Christopher Lloyd as the wide-eyed trouble-maker Tabor, William Redfield as the eloquent intellectual Dale Harding, and Will Sampson as the mute Indian giant. But the mentally ill are depicted not merely as objects for examination and pity, but with genuine sympathy as victims under an oppressive regime. Admittedly they're also the source for warm humor; Highlights include McMurphy's commentary of an imaginary baseball game with all the "nuts" cheering, and McMurphy's creative introduction of all patients as "doctors" from the mental institution as they hijack a fishing boat. Those who work with the mentally disturbed in real life will be the first to tell you that you need a sense of humor in dealing with them. But humor doesn't exclude compassion, and this movie raises serious questions about the treatment of the mentally ill. Everything is geared towards arousing sympathy for the mentally disturbed: minimalist music and silence, dreary colors, bright lighting, and male care-givers who are police-like unnamed uniforms. These factors combine to create an atmosphere that conveys a clinical and sterile environment devoid of compassion for those who need it. Nurse Ratched is depicted as a cold and distant woman without feelings for those in her charge, and her authoritarian role personifies an establishment that cares little for the mentally ill. Rather than show compassion for the weak, she uses therapy sessions to uncover whatever hope and spirit they have and destroy it. McMurphy's embodiment of this human spirit is somewhat exaggerated (the way he initiates interest in basketball games and escapes on a fishing expedition is not entirely plausible), but it makes the point. Interestingly, some have seen the movie as a social criticism on all oppression of the human spirit, with a broad application even to ideologies like communism. As others have said: tyranny has many faces, and the story of freedom from oppression goes beyond the walls of a mental asylum. The criticism of the handling of the mentally ill is most evident in how the institution handles McMurphy. We identify with McMurphy because we know his insanity is faked, and yet the "treatment" he receives is thoroughly troubling, especially when those in charge resort to electric-shock therapy. Is there a parallel in the way that many social problems (eg depression, ADD) are today diagnosed as mental illnesses and treated with drugs? The tragic way in which McMurphy's "mental illness" is mishandled at the conclusion arouses righteous anger, and is a disturbing indictment on all mistreatment of the mentally ill. There is no crowd-pleasing feel-good ending as his attempt to topple the establishment fails. Yet the lack of a happy ending makes his criticisms of the establishment all the more piercing. The movie was rated R for frequent profanity/blasphemy, crude sexual talk and one violent scene at the end (there are also scenes involving alcohol, suicide, an incident where sexual promiscuity is applauded, and an implied endorsement of mercy killing). The violence and language is deliberately distasteful and one can hardly feel sympathy for McMurphy as an immoral criminal (he is a convicted rapist, rebels against authority, sets up a gambling casino, and encourages Billy to lose his virginity). Yet one has to feel sympathy for him as he is abused by an inhumane establishment that is equally criminal in its own way by failing to show genuine compassion for those entrusted in its care. If McMurphy's character is distasteful and criminal, so is the character of care given to the mentally ill. Rather than become sidetracked by McMurphy's failings, we need to take a serious look at the failings of the establishment as embodied in Ratched. The tragic consequences (represented by Billy's death & McMurphy's lobotomy) of these failings are just as horrific as the consequences of an immoral life. Understood in this way, this movie is much more than a vindication of the free human spirit and an endorsement of rebellious anti-authoritarianism. More importantly it functions as a biting criticism against the abuse of authority to crush that spirit. This is not a pleasant movie to watch, but it packs a powerful philosophical punch and raises profound questions that are more enduring than mere entertainment. The conclusion does offer a note of hope, as the silent Indian escapes the cuckoo's nest (perhaps a metaphor of true freedom being found in escaping the establishment and modern institutionalized civilization?). But we are still left with disturbing questions about those who do not escape: Would we really want our family members in a place like this? This is a disturbing movie that raises disturbing questions about the treatment of the disturbed - but questions that need to be asked ... and answered.
this movie has the stuff. memorable characters, amazing acting, hilarious jokes, shocking moments, and an ending to always be remembered till the day you die. One Flew Over the Cuckoo's Nest easily has the most memorable ending to a film ever. enough talk of this incredible movie, as for the stuff on the special edition... its also great. with a whole extra disk of extras, deleted scenes, and a whole bunch more. I have tons of DVDs and this is easily one of the best purchases I've bought. No, not just because of the movie but the extra stuff on the DVD. the Two-disk special edition of One Flew Over the Cuckoo's Nest is a great update to a great movie. by all means, you must have this in your collection.
| |
| 128. A Time to Kill Director: Joel Schumacher | |
![]() | list price: $6.93
our price: $6.93 (price subject to change: see help) Asin: 6304259131 Catlog: Video Sales Rank: 1787 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (92)
Matthew McConaughey as lawyer Jake Brigance Samuel L. Jackson as Carl Lee Hailey, a father who kills to avenge the rape of his little girl Kevin Spacey as the snide, sinister District Attorney Sandra Bullock as Brigance's law clerk, Ellen "Rork in Boston, but Row Ark in Mississippi" Ashley Judd as Jake Brigance's wife Oliver Platt is Jake's buddy Harry Rex Keifer Sutherland as a vengeful redneck and Donald Sutherland as eccentric, civil-rights-activist/disbarred lawyer/drunk/mentor Lucien Wilbanks With an all star cast like that, you can't go wrong, and the film, at least plot-wise, doesn't. Carl Lee Hailey's 10-year-old daughter is raped and left for dead by two white trash redneck dopeheads. Enraged, Hailey takes justice into his own hands and fatally shoots the two rapists as they leave the courthouse. Everyone in the small Mississippi town hears the news within minutes and takes sides, and Hailey hires a young ham-and-egger, Brigance, to defend him. As Brigance tries to avoid a conviction from the all-white jury, the brother of one of the rapists (played by Keifer Sutherland) gets together a couple of good ole boys to form a chapter of the Ku Klux Klan. Violence erupts, protesters march and chant, death threats and burning crosses abound, everyone is covered at all times with a sheen of oily sweat, and there's even an explosion. "A Time to Kill" is like the "Jerry Springer Show," but intelligent. The dialogue, however, could use work. It seems as if a good writer and a mediocre writer banged out the script, then cut it up and shuffled it together, intermingling the really well-written scenes with some really choppy dialogue. The same goes for the acting. Jackson, Spacey, and McConaughey are excellent and convincing in their roles. Platt is charming as Jake's best friend and a sleazy divorce lawyer. However, Judd is useless and even childish in her role as a trophy wife, and Bullock, as Jake's law clerk, sounds as if she's a shy girl in a high-school play who hasn't quite memorized her lines yet. (This really irked me because in the book version, her character was headstrong, outspoken, and very smart.) I encourage anyone to rent the movie for themselves. It's definitely worth seeing, even if the writing and acting is a little off in places. The story redeems the bad acting.
In a small southern town, black man Carl Lee Hailey (Samuel L. Jackson) awaits trial for murdering the two rednecks who viciously raped his 10-year-old daughter. Jake Brigance (Matthew McConaughey) is a young, idealistic white lawyer, who decides to take on the father's defense. The incendiary case becomes a firestorm of racism and controversy, ripping the town apart. This, as Jake goes up against the community's most successful D.A. (Kevin Spacey), while reluctanly accepting help with the case from a law student (Sandra Bullock). It's amazing how good this film is, especially when one considers what director Joel Schumacher and its adapter Like most John Grisham books turned movies, the DVD lacks anything substantial, in the way of bonus material. Production notes and the film's theatrical trailer is all you get...Special Edition anyone? A Time To Kill offers fine performances and rock solid drama. The film is a winner and one of the best Grisham adaptations out there
| |
| 129. Yellowbeard Director: Mel Damski | |
![]() | list price: $20.00
(price subject to change: see help) Asin: B00000G00T Catlog: Video Sales Rank: 2979 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (72)
| |
| 130. Evil Roy Slade Director: Jerry Paris | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 6305837562 Catlog: Video Sales Rank: 2255 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (22)
Evil Roy Slade falls for Miss Betsy Palmer who tries to reform Slade, unsuccessfully. Slade even tries to change his name. "Evil John Ferguson? Nah. Evil Lee Rich, yeah, that's good, that's good." Dick Shawn plays the "Paladin" type character, Ding Bell, hired to put an end to Slade. Rumor has it his outfits were created by Liberace's personal wardrobe designer. Bing Bell likes to sing and play his guitar as he rides along to "keep my mind off the smell of the horse". The puns and one liners come so quick and often, that you will probably miss half of them the first time through. But that's OK because you will want to watch this film several times. This film is great fun for the whole family.
This movie was made in a time when family-viewing films were more common. I would place it into the same category of many of the Disney films of the era. A gunfighter is attempting to reform himself for the love of his life. The Evil Roy Slade trys real, real hard to become a member of society. My favorite scenes are when he becomes a shoe salesman. People working with the buying public will understand his frustration with the customers. Again, a wonderful, funny look at life for the entire family.
Evil Roy Slade ranks 4 out of 5 stars because while the movie is funny, it is also overly goofy and quite implausible overall. It is also predictable.
| |
| 131. Almost Heroes Director: Christopher Guest | |
![]() | list price: $9.94
(price subject to change: see help) Asin: B00000EZRQ Catlog: Video Sales Rank: 1976 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Description Reviews (34)
There are some very funny scenes indeed but Farly is Farly, yelling, getting angry, fighting and fussing. If you like that you will love this. My favorite scene is where he faces the Eagle at her nest. "Why didn't you tell me you only wanted the shell?" What a great one liner. Perry is a little stiff as a character and is more of a straight man to Farly's funny man. My only problem with the movie is that there are too many places where it gets slow. Part of it is because you are in the wild and it was a slower time. There are so many great one liners that seem to have too much time between them. The inuendos are a bit much especially at the beginning. The older Indians are just great. And the scenery, especially of the Tetons and the Snake River are outstanding. If you want to have a fun night with mostly the guys this is okay for that. My wife did not like it. Anyone who knows and liked Farly for his antics and his in character concept, you will just think this is a hoot.
| |
| 132. Anne of Green Gables - The Sequel Director: Kevin Sullivan | |
![]() | list price: $29.99
our price: $29.99 (price subject to change: see help) Asin: B00000JL3C Catlog: Video Sales Rank: 685 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (92)
For anyone who loves to laugh, cry and be inspired these movies are definitely for you. (Young or Old)
| |
| 133. Home Alone Director: Chris Columbus | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6302091632 Catlog: Video Sales Rank: 88 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (111)
The movie starts out in Chicago, IL at the McCillister house. Here we meet Kevin's family that is running all over the house preparing for their Christmas trip to Paris. Also in the house scoping out the place is Harry (Joe Pesci), a crook posed a cop that is planning on robbing the house after they leave. Now here is where the problems start. When the whole family is eating pizza for dinner, Kevin (Culkin) is looking around for his plain cheese pizza because that's all he eats. So his older brother Buzz (Devin Ratray) eats it on purpose. Then Kevin attacks him and the place becomes a mess and soda is spilled and the passports are soaked, etc. Kevin's mother Kate (Caterine O'Hara) sends him to his room. In Kevin's state of anger he says to his mother that he doesn't want to see his family again. Now while in bed Kevin says, "I wish they would all dissapear." During the night the power goes out and the alarm clocks goes out. The next moring they are rushing left and right to get to the airport. Here's the problem: THEY FORGOT KEVIN! Now kevin wakes up an sees nobody is home. He actually thinks that his wish came true. Now at first Kevin loves this. He jumps on the bed, shoots his brother Buzz's BB gun, takes his brother's life savings, and eats all the junk food in the world and watches "R" rated films. While the family is on the plane, Kevin's mother gets the feeling they forgot something. Kevin's father Peter (John Heard) asks her, "What could we have forgotten?" Then Kate screams: KEVIN! Now while Kevin still is having fun back at home, the family is in Paris trying to get a flight back home. and calling the police, etc. One day, Kevin goes out shopping and spots a misterious van in the neighbor's driveway. It's the crooks. Marv (Daniel Stern) and Harry (Pesci), The Wet Bandits. Now after Kevin actually goes out shopping to get food and milk, he notices the guys in the van. Now he realizes they are after his house. Sorry Christmas Eve night he plans his battle against the crooks. The gadgets and the tricks he pulls on the crooks are undoubtably hilarious. First, when the crooks starts talking to Kevin through the back door pretending to be Santa Claus and an Elf, Kevin takes his borther's BB gun and sticks it through the cathole and shoots Harry is the lower region. Then Marv sticks his heasd through the cathole and he gets shot in the head. Now there is ice on all the stairways, the front door knob is burning hot and when Hary touches the knob, the knob's inprinted "M" is impronted into Harry's hand. Lol! Then in the basement there is tar paper on the stairs and eventually there is a nail sticking up which Marv steps on with his bare foot. See what other tricks Kevin has got up his sleeve. This movie, "Home Alone" is the perfect holiday movie that the entire family can enjoy. It's another Christmas classic. One thing this movie does for me is it gets me into the holiday spirit. In the beginning when Kevin said he didn't want to see his family again, throughout the movie, you realize how important family is, especially around the holidays. Buy this movie for you and your kids and you will love it as much as I do. Merry Christmas! Ho, Ho, Ho!
The movie is about a boy named Kevin McCallister[Macaulay Culkin] who accidently gets left behind in his home in Chicago when his family goes off on a trip to France. While Kevin is at home, two burglars are trying to break in. The burglars are played by Joe Pesci and Daniel Stern. One of the burglars was at the house at the beginning, pretending to be a policeman, to check out the house. After Kevin finds out, he sets up a set of booby traps on the night they arrive. Meanwhile, Kevin's mom[Catherine O'Hara] wan'ts to get home as quickly as she can when she finds out that Kevin was left behind. So, instead of going on a plane she travels back to Chicago on a truck with a group of musicians and their polka king of the midwest[John Candy] when they offer to take her home. After the burglars get arrested with one of Kevin's plans, Kevin's mom arrives home with the rest of the family including his dad[John Heard] and they all feel so grateful to see him. This is a movie your whole family will enjoy!!!
| |