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  • Caan, James
  • Caan, Scott
  • Caballe, Montserrat
  • Cabot, Bruce
  • Cabot, Sebastian
  • Cabot, Susan
  • Cachao
  • Caciola, Jim
  • Cadell, Ava
  • Cadell, Simon
  • Cadiente, David
  • Cadieux, Jason
  • Caesar, Adolph
  • Caesar, Shirley
  • Caesar, Sid
  • Caffaro, Cheri
  • Caffrey, Stephen
  • Cage, John
  • Cage, Nicolas
  • Cagney, James
  • Cagney, Jeanne
  • Cahill, Stan
  • Caine, Howard
  • Caine, Michael
  • Cairns, Adrian
  • Cake, Jonathan
  • Calder, David
  • Calderon, Paul
  • Caldinez, Sonny
  • Cale, John
  • Calfa, Don
  • Calhern, Louis
  • Calhoun, Monica
  • Calhoun, Rory
  • Calin, George
  • Call, Kenny
  • Callan, Michael
  • Callan, Peter
  • Callas, Charlie
  • Callas, Maria
  • Calleia, Joseph
  • Calley, John
  • Callie, Dayton
  • Callow, Simon
  • Calloway, Cab
  • Calloway, Kirk
  • Calloway, Vanessa Bell
  • Caloz, Michael
  • Calpe, Jaime
  • Calthrop, Donald
  • Calvert, Phyllis
  • Calvet, Corinne
  • Calvin, John
  • Calvo, Eva
  • Cambridge, Godfrey
  • Cameron, Brynne
  • Cameron, Dean
  • Cameron, Jane
  • Cameron, Kirk
  • Cameron, Rod
  • Cameron, Trent
  • Camilleri, Terry
  • Camp, Colleen
  • Camp, Hamilton
  • Campanella, Frank
  • Campanella, Joseph
  • Campbell, Amelia
  • Campbell, Bill
  • Campbell, Bruce
  • Campbell, Carolyn
  • Campbell, Colin
  • Campbell, Glen
  • Campbell, Heather
  • Campbell, J Kenneth
  • Campbell, Judy
  • Campbell, Julia
  • Campbell, Keith
  • Campbell, Luther
  • Campbell, Naomi
  • Campbell, Nell
  • Campbell, Neve
  • Campbell, Nicholas
  • Campbell, Paul
  • Campbell, Rob
  • Campbell, Ron
  • Campbell, Scott Michael
  • Campbell, Tevin
  • Campbell, Tisha
  • Campbell, William
  • Campos, Rafael
  • Camroux, Ken
  • Canada, Ron
  • Canady, Christian
  • Canady, Christopher
  • Candlebox
  • Candy, John
  • Canerday, Natalie
  • Canfield, Gene
  • Cannon, Dyan
  • Cannon, Katherine
  • Cannon, Wanda
  • Cansino, Richard
  • Cantinflas
  • Cantor, Eddie
  • Cantor, Max
  • Canutt, Yakima
  • Capaldi, Peter
  • Caplan, Twink
  • Capotorto, Carl
  • Capra, Francis
  • Capri, Ahna
  • Caprioli, Vittorio
  • Capshaw, Jessica
  • Capshaw, Kate
  • Capucine
  • Cara, Irene
  • Carafotes, Paul
  • Caramitru, Ion
  • Cardellini, Linda
  • Cardenas, Steve
  • Cardinal, Ben
  • Cardinal, Tantoo
  • Cardinale, Claudia
  • Cardwell, James
  • Carey, Drew
  • Carey, Harry
  • Carey, Leonard
  • Carey, Macdonald
  • Carey, Mariah
  • Carey, Michele
  • Carey, Philip
  • Carey, Ron
  • Carey, Timothy
  • Cargill, Patrick
  • Carhart, Timothy
  • Carides, Gia
  • Caridi, Carmine
  • Cariou, Len
  • Carlen, Catherine
  • Carlin, George
  • Carlin, Gloria
  • Carlin, Lynn
  • Carlisi, Olimpia
  • Carlisle, Belinda
  • Carlisle, Kitty
  • Carlisle, Mary
  • Carlson, Karen
  • Carlson, Richard
  • Carlson, Veronica
  • Carlton, Hope Marie
  • Carlton, Mark
  • Carlton, Rebekah
  • Carlyle, Aileen
  • Carlyle, Robert
  • Carmen, Julie
  • Carmet, Jean
  • Carmichael, Hoagy
  • Carmichael, Ian
  • Carminati, Tullio
  • Carnabuci, Piero
  • Carne, Judy
  • Carnera, Primo
  • Carney, Art
  • Carnon, Angela
  • Carnovsky, Morris
  • Carol, Linda
  • Carol, Martine
  • Caron, Leslie
  • Carotenuto, Memmo
  • Carpenter, Carleton
  • Carpio, Teresa
  • Carr, Marian
  • Carr, Paul
  • Carradine, David
  • Carradine, John
  • Carradine, Keith
  • Carradine, Robert
  • Carrasco, Jonathan
  • Carrera, Barbara
  • Carreras, Jose
  • Carrere, Tia
  • Carrey, Jim
  • Carricart, Robert
  • Carrillo, Elpidia
  • Carrillo, Leo
  • Carrington, Debbie Lee
  • Carroll, Diahann
  • Carroll, Helena
  • Carroll, Janet
  • Carroll, Jill
  • Carroll, John
  • Carroll, Lane
  • Carroll, Lisa Hart
  • Carroll, Madeleine
  • Carroll, Nancy
  • Carruthers, Ben
  • Carson, Crystal
  • Carson, Glen
  • Carson, Hunter
  • Carson, Jack
  • Carson, John David
  • Carson, Johnny
  • Carson, Lisa Nicole
  • Carson, Sunset
  • Carsten, Peter
  • Carstensen, Margit
  • Carter, Alice
  • Carter, Benny
  • Carter, Finn
  • Carter, Gary
  • Carter, Helena
  • Carter, Helena Bonham
  • Carter, Janis
  • Carter, Jason
  • Carter, Jim
  • Carter, Lynda
  • Carter, Michael Patrick
  • Carter, Nell
  • Carter, Ron
  • Carter, Terry
  • Carteret, Anna
  • Carteris, Gabrielle
  • Cartlidge, Katrin
  • Cartwright, Angela
  • Cartwright, Veronica
  • Caruso, Anthony
  • Caruso, David
  • Caruso, Margherita
  • Carvey, Dana
  • Cascio, Salvatore
  • Cascone, Nicholas
  • Casella, Max
  • Caselli, Chiara
  • Casey, Bernie
  • Cash, Johnny
  • Cash, Rosalind
  • Cashman, Dan
  • Casini, Stefania
  • Casnoff, Philip
  • Casper
  • Cass, Christopher
  • Cass, Peggy
  • Cassavetes, John
  • Cassavetes, Nick
  • Cassel, Jean Pierre
  • Cassel, Seymour
  • Cassel, Vincent
  • Cassell, Paul
  • Cassell, Wally
  • Casseus, Gabriel
  • Cassidy, David
  • Cassidy, Ed
  • Cassidy, Jack
  • Cassidy, Joanna
  • Cassidy, Patrick
  • Cassidy, Shaun
  • Cassidy, Ted
  • Cassini, John
  • Castel, Lou
  • Castellaneta, Dan
  • Castellanos, Vincent
  • Castellitto, Sergio
  • Castellucci, Teddy
  • Castile, Christopher
  • Castillo, Enrique
  • Castillo, Gloria
  • Castle, Peggie
  • Castrodad, Eddie
  • Cates, Georgina
  • Cates, Phoebe
  • Catillon, Brigitte
  • Catlett, Walter
  • Catlin, Victoria
  • Caton, Juliette
  • Cattrall, Kim
  • Caudell, Toran
  • Caulfield, Joan
  • Caulfield, Maxwell
  • Cavalier, Jason
  • Cavalieri, Michael
  • Cavalli, Valeria
  • Cavallo, Victor
  • Cavanagh, Paul
  • Cavanaugh, Hobart
  • Cavanaugh, Michael
  • Cavazos, Lumi
  • Cave, Nick
  • Caven, Ingrid
  • Cavett, Dick
  • Cawthorn, Joseph
  • Cazale, John
  • Cazenove, Christopher
  • Cecchi, Carlo
  • Cecil, Jonathan
  • Cecil, Nora
  • Cedar, Jon
  • Cedar, Larry
  • Cegani, Elisa
  • Cele, Henry
  • Celi, Adolfo
  • Celibidache, Sergiu
  • Cellier, Peter
  • Cerveris, Michael
  • Cervi, Gino
  • Cesana, Renzo
  • Chaban, Michael
  • Chabat, Alain
  • Chabert, Lacey
  • Chabrol, Claude
  • Chakiris, George
  • Chalfant, Kathleen
  • Chalke, Sarah
  • Challee, William
  • Chamberlain, Richard
  • Chamberlin, Kevin
  • Chambers, Emma
  • Chambers, Marilyn
  • Champa, Jo
  • Champion, Beth
  • Champion, Gower
  • Champion, Marge
  • Champion, Michael
  • Chan, Anthony
  • Chan, Charine
  • Chan, Dennis
  • Chan, Ellen
  • Chan, Elsie
  • Chan, Frankie
  • Chan, Jackie
  • Chan, Jordan
  • Chan, Kim
  • Chan, Michael Paul
  • Chan, Moses
  • Chan, Pauline
  • Chan, Philip
  • Chan, Sheila
  • Chan, Sunny
  • Chancellor, Anna
  • Chandler, Estee
  • Chandler, George
  • Chandler, Jared
  • Chandler, Jeff
  • Chandler, Joan
  • Chandler, Kyle
  • Chandler, Lane
  • Chandler, Simon
  • Chaney, Lon
  • Chang, Sylvia
  • Channing, Carol
  • Channing, Stockard
  • Chant, Holley
  • Chao, Rosalind
  • Chao, Winston
  • Chapa, Damian
  • Chapin, Billy
  • Chapin, Jonathan
  • Chapin, Miles
  • Chaplin, Ben
  • Chaplin, Carmen
  • Chaplin, Charlie
  • Chaplin, Geraldine
  • Chaplin, Josephine
  • Chaplin, Sydney
  • Chapman, Edward
  • Chapman, Graham
  • Chapman, Justin
  • Chapman, Lanei
  • Chapman, Lonny
  • Chapman, Marguerite
  • Chapman, Mark Lindsay
  • Chappell, Crystal
  • Chappelle, Dave
  • Charbonneau, Patricia
  • Charette, Rick
  • Charisse, Cyd
  • Charles, Annette
  • Charles, David
  • Charles, Josh
  • Charles, Ray
  • Charleson, Ian
  • Charney, Jordan
  • Charney, Kim
  • Charno, Stuart
  • Charo
  • Charters, Spencer
  • Chartoff, Melanie
  • Chase, Charley
  • Chase, Chevy
  • Chase, Courtney
  • Chase, Steve
  • Chastain, Don
  • Chatterjee, Anil
  • Chatterjee, Soumitra
  • Chatterton, Ruth
  • Chatton, Charlotte
  • Chaulet, Emmanuelle
  • Chaves, Richard
  • Chaykin, Maury
  • Cheadle, Don
  • Cheatham, Maree
  • Checker, Chubby
  • Chekhov, Michael
  • Chelton, Tsilla
  • Chen, Joan
  • Cheng, Kent
  • Cheng, Lawrence
  • Cheng, Mark
  • Cheng, Olivia
  • Cher
  • Cherry, Don
  • Chesebro, George
  • Chester, Craig
  • Chester, Sami
  • Chester, Vanessa Lee
  • Chestnut, Morris
  • Cheung, Alfred
  • Cheung, Daphne
  • Cheung, Dicky
  • Cheung, Farini
  • Cheung, Jacky
  • Cheung, Leslie
  • Cheung, Maggie
  • Cheung, Roy
  • Chevalier, Maurice
  • Chevolleau, Richard
  • Chi, Chao Li
  • Chiang, David
  • Chiba, Sonny
  • Chieffo, Michael
  • Childress, Helen
  • Chiles, Lois
  • Chin, Joey
  • Chin, Tsai
  • Ching, William
  • Chinh, Kieu
  • Chinlund, Nick
  • Chinn, Anthony
  • Chino, Conroy
  • Chiriac, Florin
  • Chisholm, Jimmy
  • Chisolm, Elizabeth
  • Chitty, Erik
  • Chivichyan, Gokor
  • Chlumsky, Anna
  • Cho, Charlie
  • Cho, Christopher
  • Cho, Henry
  • Cho, Margaret
  • Choate, Tim
  • Chojor, Ngawang
  • Chong, Marcus
  • Chong, Michael
  • Chong, Rae Dawn
  • Chong, Tommy
  • Chopra, Deepak
  • Choudhury, Sarita
  • Chow, Billy
  • Chow, Ho
  • Chow, Michael
  • Chow, Stephen
  • Chow, Valerie
  • Chow, Vivian
  • Chowdhry, Navin
  • Chowdhry, Ranjit
  • Christ, Chad
  • Christensen, Jesper
  • Christensen, Per
  • Christian, Claudia
  • Christian, Linda
  • Christian, Michael
  • Christians, Mady
  • Christie, Julie
  • Christine, Virginia
  • Christmas, Eric
  • Christofferson, Debra
  • Christopher, Dennis
  • Christopher, Thom
  • Christopherson, Kathy
  • Chu, Athena
  • Chu, Emily
  • Chun, Paul
  • Chung, Christy
  • Chung, Lily
  • Church, Thomas Haden
  • Churchill, Donald
  • Churchill, Marguerite
  • Ciannelli, Eduardo
  • Ciarfalio, Carl
  • Cicchini, Robert
  • Ciepielewska, Anna
  • Ciesar, Jennifer
  • Cilento, Diane
  • Cioffi, Charles
  • Citriniti, Michael
  • Citti, Franco
  • Claire, Cyrielle
  • Claire, Ina
  • Clapp, Gordon
  • Clapton, Eric
  • Clare, Mary
  • Clark, Anthony
  • Clark, Blake
  • Clark, Candy
  • Clark, Christie
  • Clark, Dane
  • Clark, Dave Allen
  • Clark, Dick
  • Clark, Fred
  • Clark, Jameson
  • Clark, Josh
  • Clark, Liddy
  • Clark, Lynda
  • Clark, Mamo
  • Clark, Marlene
  • Clark, Matt
  • Clark, Michael
  • Clark, Mystro
  • Clark, Petula
  • Clark, Roger
  • Clark, Susan
  • Clarke, Caitlin
  • Clarke, David
  • Clarke, John
  • Clarke, Larry
  • Clarke, Mae
  • Clarke, Melinda
  • Clarke, Robert
  • Clarke, Warren
  • Clarke, Zelah
  • Clarkson, Lana
  • Clarkson, Patricia
  • Clary, Charles
  • Clary, Robert
  • Clay, Andrew Dice
  • Clay, Juanin
  • Clay, Nicholas
  • Clayburgh, Jill
  • Clayton, Melissa
  • Clayton, Merry
  • Cleese, John
  • Cleghorne, Ellen
  • Clemens, Paul
  • Clemenson, Christian
  • Clement, Dora
  • Clement, Jennifer
  • Clemons, Clarence
  • Clendenin, Bob
  • Clennon, David
  • Clery, Corinne
  • Cleveland, George
  • Cliff, Jimmy
  • Clift, Montgomery
  • Cline, Patsy
  • Clinton, George
  • Clinton, Kate
  • Clinton, Roger
  • Clive, Colin
  • Cloke, Kristen
  • Clooney, George
  • Clooney, Rosemary
  • Close, Del
  • Close, Glenn
  • Clough, John Scott
  • Clyde, Andy
  • Clyde, Jeremy
  • Coates, Kim
  • Coates, Phyllis
  • Cobb, Edmund
  • Cobb, Randall Tex
  • Cobbs, Bill
  • Cobo, Roberto
  • Coburn, Charles
  • Coburn, David
  • Coburn, James
  • Coca, Imogene
  • Coca, Richard
  • Cochran, Dean
  • Cochran, Shannon
  • Cochran, Steve
  • Cochrane, Michael
  • Cochrane, Rory
  • Cocker, Joe
  • Cockrum, Dennis
  • Cocktails, Johnny
  • Coco, James
  • Cocteau, Jean
  • Coduri, Camille
  • Cody, Iron Eyes
  • Cody, Lew
  • Coe, Barry
  • Coe, George
  • Coffey, Colleen
  • Coffey, David
  • Coffey, Freeman
  • Coffey, Scott
  • Cohen, Lynn
  • Cohen, Scott
  • Colantoni, Enrico
  • Colasanto, Nicholas
  • Colbert, Claudette
  • Cole, Ben
  • Cole, Dennis
  • Cole, Eric Michael
  • Cole, Gary
  • Cole, George
  • Cole, Megan
  • Cole, Michael
  • Cole, Nat King
  • Cole, Natalie
  • Cole, Olivia
  • Coleman, Charles
  • Coleman, Charlotte
  • Coleman, Dabney
  • Coleman, Gary
  • Coleman, Jim
  • Coleman, John
  • Coleman, Nancy
  • Coleman, Signy
  • Coles, Michael
  • Colgan, Eileen
  • Colgate, William
  • Colicos, John
  • Colin, Margaret
  • Colleano, Bonar
  • Collet, Christopher
  • Collette, Toni
  • Colley, Kenneth
  • Collier, Constance
  • Collier, Lois
  • Collinge, Patricia
  • Collings, Anne
  • Collins, Elaine
  • Collins, Gary
  • Collins, Joan
  • Collins, Judy
  • Collins, Kevin
  • Collins, Lisa
  • Collins, Pauline
  • Collins, Phil
  • Collins, Ray
  • Collins, Rick
  • Collins, Rickey Dshon
  • Collins, Roberta
  • Collins, Russell
  • Collins, Ruth
  • Collins, Stephen
  • Collison, Frank
  • Collver, Mark
  • Colman, Ronald
  • Colomby, Scott
  • Colon, Miriam
  • Colonna, Jerry
  • Colosimo, Clara
  • Coltrane, Robbie
  • Columbu, Franco
  • Colvey, Peter
  • Colvin, Jack
  • Combeau, Muriel
  • Combs, Holly Marie
  • Combs, Jeffrey
  • Comer, Anjanette
  • Como, Perry
  • Compson, Betty
  • Compton, Fay
  • Compton, Joyce
  • Conaway, Cristi
  • Conaway, Jeff
  • Condurache, Dan
  • Coni, Paolo
  • Conklin, Chester
  • Conlon, Tim
  • Conn, Didi
  • Connell, Jane
  • Connell, John
  • Connelly, Christopher
  • Connelly, Jennifer
  • Connelly, Marc
  • Connery, Jason
  • Connery, Sean
  • Connolly, Andrew
  • Connolly, Billy
  • Connolly, Walter
  • Connors, Chuck
  • Connors, Michael
  • Connors, Mike
  • Conrad, Michael
  • Conrad, Robert
  • Conrad, William
  • Conried, Hans
  • Conroy, Kevin
  • Considine, John
  • Considine, Tim
  • Constantine, Eddie
  • Constantine, Michael
  • Conte, Richard
  • Conti, Albert
  • Conti, Tom
  • Contreras, Patricio
  • Converse, Frank
  • Converse, Peggy
  • Convy, Bert
  • Conway, Dan
  • Conway, Gary
  • Conway, Kevin
  • Conway, Russ
  • Conway, Tim
  • Conway, Tom
  • Coogan, Jackie
  • Coogan, Keith
  • Cook, Donald
  • Cook, Evelyn
  • Cook, Peter
  • Cook, Ron
  • Cook, Sophie
  • Cook, Tommy
  • Cooke, Gregory
  • Cooke, Jennifer
  • Cooke, Keith
  • Coolidge, Jennifer
  • Coolio
  • Coombes, Norman
  • Cooney, Kevin
  • Cooper, Alice
  • Cooper, Ben
  • Cooper, Bobby
  • Cooper, Camille
  • Cooper, Charles
  • Cooper, Chris
  • Cooper, Clancy
  • Cooper, Gary
  • Cooper, Gladys
  • Cooper, Jackie
  • Cooper, Jeanne
  • Cooper, Justin
  • Cooper, Marilyn
  • Cooper, Melville
  • Cooper, Miriam
  • Cooper, Ralph
  • Cooper, Roy
  • Cooper, Terence
  • Coote, Robert
  • Cope, Kenneth
  • Copeland, Joan
  • Copley, Peter
  • Copley, Teri
  • Copperfield, David
  • Coppin, Tyler
  • Coppola, Sofia
  • Corbett, Glenn
  • Corbett, Gretchen
  • Corbett, John
  • Corbett, Ronnie
  • Corbin, Barry
  • Corby, Ellen
  • Corcoran, Aisling
  • Cord, Alex
  • Cord, Erik
  • Corday, Mara
  • Cordoba, Pedro De
  • Corelli, Franco
  • Corey, Irwin
  • Corey, Jeff
  • Corey, Wendell
  • Corley, Al
  • Corley, Pat
  • Corley, Sharron
  • Corman, Maddie
  • Cornelius, Don
  • Cornell, Ellie
  • Cornthwaite, Robert
  • Cornwell, Charlotte
  • Cornwell, Judy
  • Corone, Antoni
  • Corrado, Gino
  • Corri, Adrienne
  • Corrigan, Blaise
  • Corrigan, Kevin
  • Corrigan, Lloyd
  • Corrigan, Ray
  • Cort, Bud
  • Cortese, Dan
  • Cortese, Valentina
  • Cortez, Ricardo
  • Cosby, Bill
  • Cosell, Howard
  • Cosmo, James
  • Cossart, Ernest
  • Costa, James
  • Costanzo, Robert
  • Costello, Deirdre
  • Costello, Dolores
  • Costello, Don
  • Costello, Elvis
  • Costello, Lou
  • Costello, Mariclare
  • Costello, Ward
  • Coster, Nicolas
  • Costner, Kevin
  • Cote, Tina
  • Cotillard, Marion
  • Cotimanis, Constantin
  • Cotrubas, Ileana
  • Cotten, Joseph
  • Cotterill, Ralph
  • Cottle, Jason
  • Cotton, Oliver
  • Cottrell, Mickey
  • Coufos, Paul
  • Coulouris, George
  • Coulouris, Keith
  • Coulson, Bernie
  • Coulter, Phil
  • Coulthard, Raymond
  • Court, Alyson
  • Court, Hazel
  • Court, Roma
  • Courtenay, Tom
  • Courtland, Jerome
  • Courtney, Bob
  • Courtney, Jeni
  • Cousins, Brian
  • Cousins, Christian
  • Cousins, Joseph
  • Cousins, Robin
  • Cowan, Jerome
  • Coward, Noel
  • Cowper, Nicola
  • Cox, Alan
  • Cox, Alex
  • Cox, Brian
  • Cox, Christina
  • Cox, Courteney
  • Cox, Jennifer Elise
  • Cox, Mitchell
  • Cox, Nikki
  • Cox, Richard
  • Cox, Ronny
  • Cox, Tony
  • Cox, Wally
  • Coxx, Sindee
  • Coy, Jonathan
  • Coyote, Peter
  • Cozart, Cylk
  • Cozzens, Mimi
  • Crabb, Bill
  • Crabbe, Buster
  • Crabtree, Michael
  • Cracknell, Ruth
  • Craig, Alec
  • Craig, Charmaine
  • Craig, Daniel
  • Craig, James
  • Craig, Michael
  • Craig, Naomi
  • Craig, Rebecca
  • Craig, Wendy
  • Craig, Yvonne
  • Crain, Jeanne
  • Cramer, Grant
  • Cramer, Joey
  • Cramer, Rick
  • Crampton, Barbara
  • Crane, Bob
  • Crane, Fred
  • Crane, Norma
  • Crane, Rachel
  • Crane, Richard
  • Crane, Tony
  • Cranham, Kenneth
  • Cranitch, Lorcan
  • Cranshaw, Patrick
  • Cranston, Bryan
  • Cravat, Nick
  • Craven, Frank
  • Craven, Gemma
  • Craven, Matt
  • Craven, Mimi
  • Craven, Wes
  • Crawford, Broderick
  • Crawford, Cindy
  • Crawford, Ellen
  • Crawford, Joan
  • Crawford, John
  • Crawford, Johnny
  • Crawford, Katherine
  • Crawford, Michael
  • Crawford, Sophia
  • Crawford, Wayne
  • Cray, Robert
  • Creaghan, Dennis
  • Cregar, Laird
  • Crehan, Joseph
  • Cremer, Bruno
  • Crenna, Richard
  • Crews, Laura Hope
  • Crewson, Wendy
  • Cribbins, Bernard
  • Crick, Ed
  • Crider, Missy
  • Crisa, Erno
  • Crisp, Donald
  • Crisp, Quentin
  • Cristal, Linda
  • Croft, Jamie
  • Crombie, Peter
  • Cromwell, James
  • Cromwell, Richard
  • Cronenberg, David
  • Cronin, Jeanette
  • Cronin, Patrick
  • Cronkite, Walter
  • Cronyn, Hume
  • Cronyn, Tandy
  • Crook, Peter
  • Crooke, Leland
  • Cropper, Linda
  • Cropper, Steve
  • Crosbie, Annette
  • Crosby, Bing
  • Crosby, Bob
  • Crosby, Cathy Lee
  • Crosby, Denise
  • Crosby, Mary
  • Cross, Ben
  • Cross, David
  • Cross, Harley
  • Cross, Joseph
  • Cross, Rebecca
  • Crothers, Scatman
  • Crough, Suzanne
  • Crouse, Lindsay
  • Crow, Emilia
  • Crow, Sheryl
  • Crowe, Russell
  • Crowley, Dermot
  • Crowley, Ed
  • Crowley, Kathleen
  • Crowley, Pat
  • Crudup, Billy
  • Cruickshank, Andrew
  • Cruise, Julee
  • Cruise, Tom
  • Crutchley, Rosalie
  • Cruttenden, Abigail
  • Cruttwell, Greg
  • Cruz, Alexis
  • Cruz, Celia
  • Cruz, Raymond
  • Cruz, Vladimir
  • Cruz, Wilson
  • Cruzat, Liza
  • Cryer, Jon
  • Crystal, Billy
  • Csokas, Marton
  • Cucinotta, Maria Grazia
  • Cudlitz, Michael
  • Cuervo, Frank
  • Cuevas, Diana
  • Cuffe, Alison
  • Cugat, Xavier
  • Culea, Melinda
  • Culkin, Kieran
  • Culkin, Macaulay
  • Culkin, Michael
  • Cullen, Brett
  • Cullen, Max
  • Cullen, Sean
  • Cullum, Jd
  • Cullum, John
  • Culp, Robert
  • Culver, Roland
  • Cumbuka, Ji Tu
  • Cumming, Alan
  • Cumming, Dorothy
  • Cummings, Constance
  • Cummings, Quinn
  • Cummings, Robert
  • Cummins, Gregory Scott
  • Cummins, Peggy
  • Cumpsty, Michael
  • Cumyn, Steve
  • Cundieff, Rusty
  • Cundill, Liam
  • Cunningham, Colin
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    1. Toy Story 2
    Director: Lee Unkrich, John Lasseter, Ash Brannon
    list price: $22.99
    (price subject to change: see help)
    Asin: B00003CX7L
    Catlog: Video
    Sales Rank: 28
    Average Customer Review: 4.85 out of 5 stars
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    John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story.

    Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus livingforever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit. --Doug Thomas ... Read more

    Reviews (453)

    5-0 out of 5 stars Toy Story 2 Is Better Then the Original!
    I had expected a dull child's cartoon with a meaningless plot and dull characters...wow was I ever wrong! Toy Story 2 is funny, exciting, dramatic, and very entertaining! This time around, Woody is stolen by a greedy toy collector...why? Because it turns out that Woody is a valuable doll from the 1950's when he had his own popular TV show! As Buzz and the rest of the toys frantically try to find a way to rescue Woody, our cow-boy hero meets other toys just like him---Jesse the cow-girl, the Prospector, and Woody's hillarious horse. And all this time Woody starts to wonder if maybe he's found his rightful home...or has he? The animation is tops, the plot is engrossing, and the movie is excellent! If you think an animated feauture is just a bunch of interesting graphics then you're wrong! This is a heart-warming and wonderful family film.

    5-0 out of 5 stars Toys
    Toy Story (1995, 80 minutes, Dolby Digital Surround; Audio Commentary, Interviews) As 6-year-old Andy's favorite toy, Woody (Tom Hanks), a take-charge, pull-string cowboy, is confident in his role as room leader. But after Andy's birthday party, newcomer Buzz Lightyear (Tim Allen), a flashy space ranger with laser action and pop-out wings, crash-lands into Woody's world.

    Buzz instantly wins the admiration of Andy's other toys, igniting a rivalry that lands the duo inside the home of Sid - the toy-torturing boy next door. To escape Sid's evil plans, Woody and Buzz must work together and realize they've got the perfect friend...in each other!

    Toy Story 2 (1999, 94 minutes, Dolby Digital 5.l Surround EX; Audio Commentary, Sep. Film Score Audio Track, Outakes) Andy goes to summer camp and the toys face a new crisis: Woody turns out to be a valuable collectible, and is kidnapped by an evil toy collector. It's now up to Buzz and the gang to find a way to save him.

    5-0 out of 5 stars Five stars for the movies, one star for Disney
    Why must they stick to this archaic way of releasing their movies on video/DVD? I could understand discontinuing collector's or limited editions, but why discontinue entire movies? Well we all know the answer, I just hate to be jerked around like this. Disney is the largest movie company in the world but our enjoyment of their films is based around their idiotic release/discontinue schedule.
    Well, with that unpleasantness out of the way, I must say Toy Story 2 is my favorite animated movie of all time and the Toy Story series is my favorite animated series (if you think about it, though, that's not saying a lot). Let's just do this in the order they came out.
    Toy Story blew my mind, because the things they did in that movie (the first in particular) were so like me when I was a kid (at that age). Toy Story is sure enough my second favorite animated movie ever. It's funny, and colorful, and touching. I think all good kid's movies should have a sense of wonder, or delight, and it shouldn't be in either a cynical or naive way. They should show wonder in a way that can be found in the real world, which is a balance hard to find. The original Toy Story has all kinds of wonder and awe, both in positive and negative ways (some kids could be afraid of Sid but I bet they won't be able to stop looking at him). It's about finding your place in life, and what to do with what you've got. When Buzz happens upon a commercial for himself and then tries to fly through the window-well that is one of the most touching scenes in any movie I've seen. And the whole ending sequence is beautiful, from Buzz and Woody on the RC car going through traffic, or them being blasted from a rocket through the air. Not to mention it's filled with all kinds of toy-related jokes that any kid can relate to. I think it's safe to say it'll be looked back on like the very first full-length animated movie (it was Snow White, wasn't it?).
    Toy Story 2 is nearly flawless. It has one of the craziest openings for a movie ever, and I love the way it can find a way to have characters with all kinds of motives. Al is driven by his greed, the Prospector is jaded but just wants to be loved, Jessie hasn't given up hope yet so is overjoyed when she can find a way to confirm her hopefulness. The movie uses the toys as a metaphor for growing up and moving on: or not. You can aspire for your dreams or you can realize you're happy with what you've got. Toy Story 2 is/was the last movie Disney made with Pixar before they got too smug and self-indulgent. They realized they had the power to stir emotions and awe (they also realized they could make a ton of money), but instead of giving us a sweet movie like Toy Story, we got the self-congragulatory Monsters Inc, with its obvious conflicted main character, and instead of a great secondary character like the Prospector, we got Boo. Finding Nemo was a step in the right direction, but in my opinion doesn't have the heart of the Toy Story movies.
    I can actually think of one thing wrong with Toy Story 2, and that's that lame Sarah Mclachlan song. I'm not one of those people with a weird Randy Newman fascination, but his songs were so much better than that one Mclachlan song. I guess it's because the scene in which it's used is already so emotional, instead of Newman's weird but effective delivery we got Mclachlan hammering the point home with her yodeling. But I love that scene because it shows how the little girl grew up. Other than that, Toy Story 2 is great: funny and vibrant, even on my crusty old VHS tape.
    I wish I had these movies on DVD. They spark wonder in me at my age just like they did when I first saw them. They have plenty of in-jokes and such but also have a timeless quality (and a strong sense of innocence). Five stars for the both of them, the best animated series of all time.

    5-0 out of 5 stars It's Different.
    It's different from your average animated film. So was Toy Story part 1 but this one is better. The movie plotting is a lot better in this part. I give it five stars(I'd give it six if it was in my hands!)

    4-0 out of 5 stars The secret lives of toys
    Woody (Tom Hanks), who turns out to be a rare collectible, is stolen by an unscrupulous toy store owner and slated to be sold to a toy museum in Japan. Buzz Lightyear (Tim Allen) and friends embark on a dangerous cross-town rescue mission. This is a very entertaining and perceptive film that remembers the guilt that a child can feel over outgrowing a favorite toy. Sammy the bear was my own constant companion when I was a young child. As I grew older, I sometimes felt a pang of shame when I would encounter him lying unloved and unplayed-with in the bottom of my old toy chest. I hope he's as philosophical and understanding about it as Woody is. As cheerful as this film is, it takes on an added dimension by honoring that first melancholy that a child feels upon outgrowing a formerly cherished plaything. The animation and voice talent are also top-notch. ... Read more


    2. The Phantom of the Opera
    Director: Joel Schumacher
    list price: $50.97
    our price: $40.78
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    Asin: B0007TKNI8
    Catlog: Video
    Sales Rank: 10
    Average Customer Review: 4.5 out of 5 stars
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    Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

    Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

    Read our CD buying guide
    Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

    DVD Features
    The two-disc edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews by composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher. Both are well-done productions by Lloyd Webber's Really Useful Group.

    The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

    More on The Phantom of the Opera


    The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)

    The Phantom of the Opera (2004 Movie Soundtrack) (CD)

    The Phantom of the Opera (Original 1986 London Cast) (CD)

    Evita (DVD)

    Andrew Lloyd Weber: The Royal Albert Hall Celebration (DVD)

    Visit the Andrew Lloyd Webber Store
    ... Read more

    Reviews (665)

    2-0 out of 5 stars ...I don't get it
    Seriously...what's the big deal?
    I've never seen the stage show, but I bet it was a whole lot better than the film. I expected to be treated to a fabulous musical, much on the scale of 'Chicago' and 'Moulin Rouge.' Instead, I was treated to an ameatur technical filming of a fabulous set.
    There are plenty of shots where you can actually see the shadow of the camera, and the editing and photography of certain shots left me confused and dissapointed.
    The actors are too young, too bland for their roles. The music was overbearing and somewhat annoying. The plot seemed to draw out endlessly, the corpses of the actors didn't help. All of these actors are EXCELLENT actors, but their talent has been wasted on this film.
    Joel Schumacher too is an excellent director, he just seemed to get lost on this one.
    The sets and costumes are brilliant, I will say that. They're the only aspect that saved the production.
    Meanwhile, I respect those that enjoy it so wonderfully, I just don't understand why.

    5-0 out of 5 stars Phantastic!!!
    I did not get the chance to see the Sarah Brightman and Michael Crawford version, so I can not comment on which one was better. I loved this version though, the music, the plot, the acting, everything was "phantastic". Although if you don't like musicals don't even try watching this film most of it is sung. I loved the entire movie and I don't think one part of it was out-of-step or wrong. Although I have never been a big fan of Andrew Lloyd Webber I was surprisingly pleased with this movie.

    1-0 out of 5 stars Horrendous
    I was appalled by the general quality of the film. However, I was more flabbergasted by the ratings given. The jumping scenes are awkward, the acting (especially that of Emmy) is horrendous, and man, the singing, is even worse than being amateurish. Any member from my choir could out-sing Butler or Emmy. I stopped watching after 30 minutes through the film. Honestly, I RARELY give up on a film.

    5-0 out of 5 stars THE OPREA GHOST
    THIS IS A GREAT FILM I THOUGHT THE SINGING WAS GOOD AND GERARD BULTLER WAS GOOD AS PLAYING THE PHANTOM WATCH THE MOVIE IT IS Maganificent.

    5-0 out of 5 stars If you love musical's you will love this movie.
    I will not include what the movie is about but I will include my opinion of the movie. I'm 33 and my tastes in movies may differ from the younger generation.

    Some people may say the play is better. But then you must realize the play is limited to singing and acting but lacks the magical aspect that is shown on the big screen. Modernized by the latest movie technology, this version is the best one yet. With stunning morphing scences at the beginning of the movie you will be hooked. In this movie the music is oprea style of course. But now it's mixed with rock witch gives it a new aspect. With both Joel Schumacher and Andrew Lloyd Webber helping with the movie. I don't think anyone else could do a better job.

    -Side note- Now I was totally surprised on learning that Gerald Butler played as the Phantom. (From Laura Croft Cradle of Life.) And had no idea that he was able to sing. But I felt he did well as the phantom.

    I watched the version from 1991 with Burt Lancaster as the father (of the phantom) and theater owner. What I didn't like was the Phantom being fatally wounded by police.

    If you trully have a taste for all kinds of music. I trully hope you will enjoy this movie like I did. To me I think this movie surpassed all the movies I have ever seen including my favorites. ... Read more


    3. Shirley Valentine
    Director: Lewis Gilbert (II)
    list price: $14.95
    our price: $13.99
    (price subject to change: see help)
    Asin: 6301627024
    Catlog: Video
    Sales Rank: 80
    Average Customer Review: 4.91 out of 5 stars
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    British actress Pauline Collins repeats her stage success as the character Shirley Valentine, a married woman who decides in her middle years that she wants more out of life. Leaving her spouse behind, she heads to Greece, where she grows close to a low-key, local bloke (Tom Conti). Collins and director Lewis Gilbert (Educating Rita) choose to let the character, as she did in the play, speak directly to the audience at times, and the gamble works in terms of creating a gentle, intimate atmosphere. Conti is a bonus, a warm presence and funny to boot. --Tom Keogh ... Read more

    Reviews (57)

    5-0 out of 5 stars A MUST for any video/dvd library!
    One of the best films ever made that explores the human heart, "Shirley Valentine" begins with a bored British housewife who aches for "the girl who used to be me." Shirley Valentine was the rebel, the smart-mouth, the girl who would dare to do what other girls only dreamed of having the nerve to try. Now she's Shirley Bradshaw, a 42-year-old housewife with 2 grown kids and a husband she feels doesn't love her anymore. This movie is about how a fortnight's holiday alone (more or less - she arrives with a friend who promptly ditches her) in Greece enables her to find Shirley Valentine again. Funny, witty, heartwarming, inspiring, sentimental without being syrupy, "Shirley Valentine" is for all of us who've ever wondered if we made the right choices in life -- and if it's too late to take some of them back. Pauline Collins deserved the Oscar she was nominated for (too bad she didn't get it), with one of the best performances by an actor ever put onto film. The perfect movie to watch WHENEVER you are "down in the dumps," this film will cheer you up and give you hope, each and every time.

    5-0 out of 5 stars Flowers and some baklava for Shirley Valentine
    Delicious movie with Pauline Collins repeating her star role as the lead character in this wonderful, touching, hilarious movie of a woman who makes an emphatic statement for expecting and demanding more out of life. She takes off for Greece for a vacation, then just decides not to go home. Her little asides to the audience, looking straight into the camera, are priceless. And who will forget her feeding the vegetarian neighbor's dog her husband's steak - and the husband shoving the substitute eggs across the table and into her lap (the defining moment when she decided Greece was in her future). [...]
    Well.
    Anyway, don't miss it! And recommend it to all your friends.

    5-0 out of 5 stars here's to my best friend - shirley valentine
    I've lost count of how many times I've seen "Shirley Valentine", but I love it more with each viewing. It lifts my spirit, makes me laugh and motivates me to never give up. When I auditioned for a play several years ago I did some dialogue from SV ("...that was the sweetest kiss...") and I got the part! For me it was an added bonus to this wonderfully sweet and brilliant film about life and love. Pauline Collins is the best!

    5-0 out of 5 stars For some of us guys, too.
    The play was wonderful - a monologue - that has been fleshed out for the movie by the appearance of the characters that Shirley only described onstage. As usually happens, things get lost from stage to screen. (Shirley's hilarious description of her son's performance in the Christmas play is sorely missed!) But there is a moment in the play and the film when Shirley is reflecting on Joe's (her husband) boredom and disenchantment with her. In the play, however, she doesn't hold Joe entirely responsible. "It's the same for him" Shirley admits. Many of us find in middle age that we have lost something. When Joe arrives in Greece, buttoned up and formal, Shirley Bradshaw asks Joe to "have a drink with Shirley Valentine". The olive branch - and a hand up - is being extended. I suppose you could say that this film has a feminist message but it touched me as a man and I think that it will any person who has gotten lost on their way through life.

    5-0 out of 5 stars Every womens journey to ones self
    Pauline Collins carries this film, all the strength, weariness and insecurity with such a reality you feel you are a voyeur looking in on Shirley Valentine's life. We should all have such an adventure. I could watch this movie hundreds of times and still laugh. An incredible supporting cast as well.

    With such a wickedly creative and funny movie I only wonder what's taking them so long making it in to a DVD?

    See this movie over and over. There are few stories in life so well told.

    And there's a little Shirley Valentine in all of us...if we're lucky. ... Read more


    4. Howard the Duck
    Director: Willard Huyck
    list price: $9.98
    our price: $9.98
    (price subject to change: see help)
    Asin: 6300185788
    Catlog: Video
    Sales Rank: 222
    Average Customer Review: 3.33 out of 5 stars
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    If you concentrate on the fact that Howard the Duck was a notorious box office dud (still brought up today) and considered one of the worst films of the '80s, it's entirely possible to enjoy this special effects piffle. Howard, played by a special effect puppet, lives on a planet where ducks evolved instead of apes, but one day he's sucked into a vortex and deposited on Earth. There he befriends Beverly Switzler (Lea Thompson), lead singer for the Cherry Bombs, becomes their manager, and, oh yeah, saves the Earth from the Dark Overlords. Jeffrey Jones is the villain and Tim Robbins (!) is there for comic relief. And who can resist the culmination of synthesizer pop, the Howard the Duck theme song, as realized by the Cherry Bombs? A midnight movie that your kids might watch more than you. --Keith Simanton ... Read more

    Reviews (96)

    5-0 out of 5 stars All Hail Howard the Duck!!!
    (...)Howard the Duck is all of this and more. I first saw this movie in theaters and loved it. Lea Thompson and the rest of her band The Cheery Bombs are sexy, and the theme song is real catchy!

    The special effects are up to par with the technology at the time, and the comedy is right on the nose. I mean c'mon those Dark Overlords were pretty cool looking. Anyone who claims to hate this movie is obviously an 80's hater. (...) This film defines great 80's cinema and I could never understand the backlash. Many great movies have bombed at the theaters only to become favorite classics (the original Blues Brothers and It's a Wonderful Life come to mind).

    (...)I will defend this movie until my dying day. Howard the Duck is a great movie from the greatest decade of the 20th Century. Hail Howard!!!

    2-0 out of 5 stars An ILM Late 80's Audition Reel!!
    Momma always said, "you learn more from your failures, than you do from your successes." I think Momma has a point. Sometimes failures can point the way to the future. The 80's were a good barometer for that, and no other movie has blazed the trail of failure quite like Willard Huyck colossal miscalculation HOWARD THE DUCK. A movie that is inept and pointless, and yet so full of innovative and yes even breathtaking special effects.

    HOWARD THE DUCK tells the story of a duck named Howard (voiced by Chip Zein, and played by a bunch of little people in a duck suit) who lives on a planet much like earth, except Duck's are the top of the food chain. He's a failed rock musician who's finally given up that dream and has settled into the mundane life of an advertising copywriter. On one particular day, he's just gets home from another day of the daily grind, when he's sucked into a giant laser beam and transported to Cleveland, Ohio on our earth. Let the comic hijinks begin...well okay let the less than stellar puns begin.

    Howard meets Beverly (Lean Thompson) a struggling rock musician and takes up "roost" in her apartment. After a day or so they fall in love. There's also a young Lab Assistant named Phil (Tim Robbins in a star-making performance) and Dr. Jennings (Jefferey Jones) whom want to help Howard get home, via the giant laser beam that brought him to earth in the first place.

    I stop there because the second half of the movie has to do with this wild alien and I'm not quite sure I can do that part of the story any real justice. Suffice to say there's an alien threat and Howard is here to stop it. Actually he kind of runs away from it as the alien menace and the cops try to stop him.

    HOWARD THE DUCK is based on a far more interesting and inventive comic book series created by Steve Gerber. This movie and that series have absolutely nothing in common but the name. In fact the movie ruined the comic book series that poor Steve Gerber sued Universal and George Lucas, and then killed off his Duck for a long time. How's that for fair.

    Wait a second you say, go back just a minute, did you just say George Lucas? Yes ladies and gentlemen. George Lucas was the executive producer of this film and it shows. His fingerprint is on everything and more importantly Industrial, Lights, and Magic have designed this film as their audition reel. They throw everything into the pot, creature effects, stop motion, animation effects, makeup effects, an elaborate chase sequence (that I'm convinced was shot for shot re-created for the freeway chase in the MATRIX RELOADED, well not really but It's nice to speculate.) involving a small personal aircraft, and all of it is breath taking.

    But why? Why did ILM and George Lucas waste all that time and energy? The only thing I can think is that they were doing tests for Lucas's next big project WILLOW.

    You're probably now asking why doesn't the film work? The biggest problem is there is absoulty no screenplay. The first 20 minutes of the film fly by, barely allowing the viewer to breathe. The characters have time to meet, time to fight, time to get back together, all before the story begins to take shape. By the time it does it shifts radically into a completely different movie involving giant space creatures.

    They started out with a promising idea; it's ET in the city. How does this duck adapt to his surroundings? That should have been the movie. But there's no room for special effects that way. So on comes Act 2, and so many effects shots you shake your head.

    I was also a little disgusted by the Human/Duck love scene of course you see nothing, but the implied relationship makes even less sense then the rest of the movie and is really there just to make a silly joke anyway.

    This is the key to why this film fails. It doesn't set its tone properly. Every other line is some comic zinger that falls flat because the movie doesn't know whether it's a comedy, or an action picture. There satire, and drama all thrown out there but it goes nowhere.

    This effects all the acting as well. The human characters are robbed of any humanity because the script is so disjointed. They overreact to everything and poor Tim Robbins is forced to mug for laughs when the audience already knows that there are none.

    The script by director Huyck and his writing partner Gloria Katz is so bad you forget that these are the people who hit just the right beats in their more successful film AMERICAN GRAFFITTI.

    The films biggest flaw is that it has no audience. It a tad bit vulgar for little kids, and if you reach the age of 8 you'll be far smarter than this movie is. As for adults there is nothing of substance in the movie for people to grab onto.

    But I guess in the end could HOWARD THE DUCK been a good picture? Maybe! There were definitely moments of light in the picture. Moments that seemed unforced. I especially loved the early scenes involving Howard and Beverly. An interesting story could have unfolded. But the films exciting visuals were more important to the bottom line. In fact the bulk of the film contains this huge chase scene involving airplanes, cars, 18-Wheelers and lots of destruction. Sure the scene is cool to look at but it's not worth the Journey.

    Stay away from Howard the Duck.

    ** Out of 5

    5-0 out of 5 stars Love this movie
    I am 25 years old. I loved this movie as a kid. I watched it over and over again. I just ordered it for my 7 year old son with the hopes that he will like it as much as I did. I is a funny and stupid movie, but well worth it for the kids to watch. I highly recommend this movie for anyone between the ages of 5-13 years old.

    5-0 out of 5 stars Cult Classic
    Lea Thompson, Tim Robbins, and the always entertaining Jeffrey Jones star in this tale of a duck from an alternate universe
    who finds himself transported to Earth and is now trying to get home. Lea Thompson plays the young woman who looks after him,
    Tim Robbins plays the janitor who pretends to be a scientist,
    and Jeffrey Jones plays a scientist who goes a little crazy.

    The funny thing about movies that are ambitious and
    flop, Is nobody copies that formula. Sure Die Hard has been copied over and over. Under Siege etc. But Movies that don't make the big money are often forgotten. And that is what makes them better now then when they were released. Buackaroo Banzai is another example of a box office flop that has gained alot of
    success through video and dvd.

    And I know alot of people will think I am crazy. But this is my
    favorite George Lucas film. There is something about Howard the
    Duck that I gravitated towards as a kid. Maybe it was him being small in a strange foreign world he is yet to understand. Isn't that what childhood is about. The best movies are the ones where
    the movie never changes but as you watch it at a different age
    and a different point in your life you notice so much more.
    I can't explain much further my fondness for Howard the Duck.
    But I really love this movie.

    I know there are alot of people who can't stand this movie,
    But for those who get it, There is nothing quite like it
    and probally never will be again.

    1-0 out of 5 stars An insult to a classic comic book
    Steve Gerber's original Howard the Duck comics were a classic mockery of the '70s, from jabs at religious cults to Howard's run for president in 1976 and even an issue almost entirely in text because of deadlines. However, Gerber left Howard and Marvel Comics at the end of the decade due to his struggle to gain control of his signature character.

    Coming in 1986, at a time when Gerber's dispute with Marvel had exploded into a full-blown legal battle (and the comic publisher had practically destroyed Howard with numerous changes in appearance and origin), the Howard the Duck movie was heavly hyped and awarded a huge budget-largely due to the involvement of one George Lucas. What emerged was the worst movie of 1986, and one of the 1980s many candidates for "worst movie ever". For those ignorant of the original comic book, the reputation is well-earned, with an unlikeable lead and an incredibly stupid plot. For those of us familiar with Steve Gerber's work, this film is nothing short of an abomination. However, years of repeated (and downright excessive) reruns on cable have created a number of apologists for this drivel. Do yourself a favor and avoid this wreck (and pray that George Lucas is able to keep it from appearing on DVD), while tracking down the Howard the Duck comics written by Steve Gerber, which are superior to this travesty in every way. ... Read more


    5. The Little Mermaid
    Director: Ron Clements, John Musker
    list price: $26.99
    (price subject to change: see help)
    Asin: 0788812408
    Catlog: Video
    Sales Rank: 125
    Average Customer Review: 4.65 out of 5 stars
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    Amazon.com essential video

    From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton ... Read more

    Reviews (136)

    5-0 out of 5 stars One of Disney's best!
    This movie amazes me every time that I see it. Some of the Disney cartoon movies that are being churned out today are okay but not as good as movies like The Little Mermaid. It is such a beautiful movie and so tastefully done. I truly believe it's a movie for the young and the young at heart. It's all about falling in love and doing anything for the person that you love even risking your own life. The songs really touch my heart, the characters are so funny, sweet and lovable from Flounder the dumb and sweet fish to Sebastian the funny and witty crab to Scuttle the absentminded and crazy seagull. Ariel the mermaid kind of reminds me of what almost every young teenage girl is like, headstrong and just wanting to go out and follow her own dreams and having to grow up with a loving, but very overprotective and strict father and going against the schemes and plots of the evil Ursula but in the end after overcoming all the obstacles finally being with her true love forever. It is just a beautiful story and ever since I saw it when it first came out in the theatres with my mother it has grown on me and I have loved and cherished this movie ever since. The songs are everything from upbeat to romantic and the actors/actresses picked to do the voices for the characters are so talented and are just made for the parts. I fell in love with this movie and the characters in it in 1989 and am still in love with it today. The Little Mermaid: being transported from real life into the beautiful underworld of the ocean filled with mermaids/mermen, fish, and many more made me want to be "part of that world"

    5-0 out of 5 stars A true five star film.
    I enjoy reviewing movies here on Amazon.com. I am pretty critical so I rarely give out five star reviews because I feel there are so few movies that really deserve a perfect score. However, Walt Disney's "The Little Mermaid" is such a film- a genuine, good hearted, crowdpleasing, five star artistic and entertainment masterpiece! I can't think of anything wrong with this movie. The animation was groundbreaking when it was first released, and it is still pretty stellar. The charactizations were perfect. Is there a more winning heroine in Disney's lexicon than Ariel? Who among Disney's villains can rival the dastardly and cunning Ursula the Sea Witch? The story, reworked from the Hans Christian Anderson classic, is heartwarming, romantic, and inspiring. And the music? Personally, I believe the music for "The Little Mermaid" to be quite simply the best ever written for a Disney movie, and the songs "Part of Your World," "Under the Sea," and "Kiss the Girl," rank among the best songs written for ANY movie.

    I guess it's obvious that I really love this film. Therefore, it's ironic that when it was first released in 1989 I didn't even think of going to see it in the theaters. Afterall, I was 18 and Disney movies were for kids. It wasn't until my parents purchased the video for my younger siblings that I first saw this masterpiece and fell in love with it. It now ranks among my favorite movies. Over the years I've gotten some ribbing from friends over my attachment to this movie, but I don't care. A great movie is a great movie regardless if it is a animated feature or not, and "The Little Mermaid" is a great movie!

    3-0 out of 5 stars Disappointing DVD Transfer
    save your $ on ebay auctions and wait for the platinum series release. this version's sound is excellent (dolby 5.1), but the bland/dull colors is a big disappointment. poor visibility, below average clarity and very dark throughout the entire movie. i've seen better second generation VHS recordings. this being a classic Disney release, it deserves a new high definition transfer like Beauty and the Beast, and The Lion King (outstanding DVD's).

    5-0 out of 5 stars One of my all time favourites
    This is one of the only Disney movies almost everybody loves. The reason? The storyline! It's a perfect movie. Ariel is a mermaid who falls in love with a human and wants to be one, Ursula is the evil octopus that transforms her while King Triton worries madly about his daughter's where-abouts. Prince Eric is Ariel's love interest, this is a very romantic movie and it will have you almost crying because it's so sweet.
    Ariel's friends include flounder, a crab (Sebastian) and a seagul who make up interesting yet funny stories on the where-abouts of Ariel. In all, this is a beautiful tale and it's a definite MUST OWN.

    3-0 out of 5 stars Nostalgia
    There was once a time in Disney History when the term "That movie underwater" didn't bring to mind a forgetfull blue tang, but rather a Jamacian Crustacian bellowing "Unda' Da' Sea!".

    Now many people will argue that this is infact a Disney Classic, while others will argue it was just a mediocre effort. I however, am not sure where I stand on this film.

    The Little Mermaid, the film that ended Disneys 80's menu, and as also one of the last to be based on a classic tale, is about a little mermaid, (Obviously) who, against her father King Tritents warnings, frequently goes above water, collecting human things (forks, mirrors, pipes etc.) She soon "Meets" a Prince, and falls in love, also against her fathers wishes. Add in a villian, and some funny side characters and you've got "The Little Mermaid".

    This film dosen't do it for me, sadly. Because I've rarely watched it as a child, it has no nostalgia value, the back-bone for why I watch and love Disney Films. The animation is so-so, and the story isn't very strong. I sugest you rent this movie if you haven't already seen it, and then decide for yourself if you really want. ... Read more


    6. Move Over Darling
    Director: Michael Gordon
    list price: $12.98
    our price: $11.99
    (price subject to change: see help)
    Asin: B00000IBME
    Catlog: Video
    Sales Rank: 109
    Average Customer Review: 4.64 out of 5 stars
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    Amazon.com

    Doris Day, the perky, chaste adult star of an odd collection of winking 1960s sex comedies, takes the Irene Dunne role in this remake of the comedy classic My Favorite Wife. As the survivor of a five-year ordeal on a desert island, she returns home the very day her husband has remarried. James Garner, trading his Maverick impish humor and con man cool for a mugging performance of double takes and pratfalls, is her overjoyed husband who is too cowardly to tell his neurotic bride (Polly Bergen). All of this, naturally, leads to a ridiculously complicated plot that combines door-slamming sex farce with mistaken identities (Day poses as a Swedish masseuse) and a goofy sped-up car chase. Chuck Connors, who costars as Day's hunky, he-man island mate "Adam," leads a topnotch supporting cast that includes sassy Thelma Ritter as Garner's no-nonsense mother, Don Knotts as a nervous shoe salesman enlisted by Day to impersonate Adam, Fred Clark at his indignant best, and John Astin and Pat Harrington in early roles. Edgar Buchanan practically steals the film as a gruff, irascible judge who growls through the legal circus that forms the film's chaotic climax. The cast for the most part rises above the tepid script and bland direction and Day sings two songs. Interestingly, this remake was originally developed for Marilyn Monroe and Dean Martin as the never completed Something's Got to Give. --Sean Axmaker ... Read more

    Reviews (39)

    5-0 out of 5 stars Move Over Darling--the
    Classic Doris Day comedy with a supporting cast of the best character actors in the business in the 1960'. These include Thelma Ritter, Edgar Buchanan, John Astin, and Don Knotts. Minor stars Chuck Connors and Polly Bergin also put in great performances as a himbo and and bimbo who have attached themselves to Doris Day and James Garner, respectively. The original movie, Something's Got to Give, was supposed to star Dean Martin and Marilyn Monroe, also with a great supporting cast which included Wally Cox in the Don Knotts role. Fox has restored most of the remaining footage of the original film and this can be seen on Fox's DVD about the last days of Marilyn Monroe, available in a multidisc Marilyn Monroe set. It is very interesting to compare these two films, expecially the different styles of playing the female lead between Doris and Marilyn. Marilyn was clearly not doing well at the time of the filming, but Doris is in top form as she portrays Ellen Wagstaff Arden, the wife and mother who is presumed drown at sea but returns to discover her husband has just remarried and she turns everyone's life upside down.

    5-0 out of 5 stars This Gem Needs a Widescreen DVD Release!
    Move Over Darling starring Doris Day and James Garner is a very good movie, it is a remake of the classic 1940's comedy My Favorite wife, starring Cary Grant and Irene Dunne and though I slightly prefer the original I still think Move Over Darling is a very good movie that definitely should get a widescreen DVD release. Doris Day plays Ellen Wagstaff Arden a woman presumed drowned at sea in an accident, her husband Nicholas Arden played by James Garner has her declared legally dead after seven years and gets married to this woman named Bianca on the same day he has Ellen declared dead and it becomes very clear that Bianca is a spoiled, high-strung, neurotic woman prone to temper tantrums if she doesn't get her way and boy is she in for a shock! Ellen it turns out isn't really dead but has been living on an island with a a man who also surrived the accident and they have been rescued from the island and on the same day she is declared legally dead and Nick marries Bianca, Ellen arrives at the house where she lived with Nick, sees their children who were very young when she disappeared so they don't know who she is, and she sees Nick's mother, who after recovering from the shock of seeing her tells her Nick has just remarried and you can tell she isn't too fond of her son's new wife, but since Ellen isn't really dead and she is sure Nick has never gotten over Ellen they come up with a plan for Ellen to reunite with Nick. This movie is hilarious, the combination of romantic-comedy and slapstick is perfect! Doris Day and James Garner are both wonderful as Ellen and Nick and Thelma Ritter is wonderful as Nick's mother Grace, and Polly Bergen who plays tempermental Bianca is also wonderful. I highly recommend this movie and I hope it gets on DVD and I also hope My Favorite Wife gets released on DVD!

    5-0 out of 5 stars Doris Day in former Marilyn Monroe part.
    In 1962, Dean Martin, Cyd Charisse and Marilyn Monroe were filming "Something's Got To Give". It was going to be a comedy hit. The most memorable scenes were of Marilyn Monroe swimming completly naked. All were happy and swell on the set. Then all of a sudden, Marilyn became ill and either showed up late on the set or called in sick too often. This cost the production to much expense. Ultimatly, Marilyn Monroe was fired and production of the film was shut down. They were going to hire Lee Remick. In a surprise turn of events, the frustrated Dean Martin had a change of heart and said that he would finish the film and then agreed he would do it only if Marilyn returned. All agreed to return to the project. But as bad fate would have it, Marilyn Monroe passed away from an accidental overdose. Only 37 minutes of footage was useful. The project was over.
    However, in 2001, American Movie Classics cable network aired a documentary, "Marilyn Monore: The Final Days" for the first time ever. The 37 minutes of footage was professionally put together to make a mini-movie. It was broadcast for the first time on American Movie Classics and it included the nude swimming scenes so beautifully and tastfully done.
    Now this "Something's Got To Give" film was brought back together again, but with a new cast and a new title, Move Over, Darling (1963). Some of the original sets were used.
    The cast chosen: Doris Day, James Garner, Polly Bergen, Thelma Ritter, Fred Clark, Don Knotts with John Astin, Pat Harington Jr and Chuck Connors. Doris Day plays the former marilyn Monroe part.
    James must go to court to declare his wife legally dead. it has been five years since she has been missing. They assumed she drowned in the ocean. Granted so, Jamesalso gets married the same day to Polly bergen. But on this day, the military brings in a woman. It is Doris day his first wife and she is very much alive. With the help of Thelma Ritter, she surprises her husband at his new honeymoon.

    5-0 out of 5 stars Great Movie
    I have always loved this movie and was so happy when it was released for the first time 3 years ago on Video.

    Ellen Wagstaff Arden (Doris Day) has been trapped on an Island for years with Chuck Connors. She is rescued and brought home to her home in sunny California! When she gets to her home she finds out that her Nick (James Garner) Has gotten married again from her sweet mother in law Eve Ardern (Thelma Ritter) she also finds out that he took his new wife to their hotel that they went to when they were married! Well she gets mad about this and tells him to get rid of his new wife or else she goes but no matter hard he tries he can't tell his new wife this! So they go on with a charade! To go back home Nick fakes breaking his back and when they go back to his home Ellen is faking to be a Sweedish Masseur and she tries to strangle his new wife! Well this movie ends well as do all of Miss Day's Movie! All and all a great movie for the whole family!

    5-0 out of 5 stars I Want This on DVD!!!!
    I just voted for this movie to be released out to DVD. I hope the studio will put it on DVD.

    Doris Day is at her best and James Garner is good too.

    Highly recommended but please vote for this movie to get on DVD! ... Read more


    7. National Treasure
    Director: Jon Turteltaub
    list price: $29.99
    our price: $23.99
    (price subject to change: see help)
    Asin: B0007L43DC
    Catlog: Video
    Sales Rank: 32
    Average Customer Review: 4.0 out of 5 stars
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    Amazon.com

    Like a Hardy Boys mystery on steroids, National Treasure offers popcorn thrills and enough boyish charm to overcome its rampant silliness. Although it was roundly criticized as a poor man's rip-off of Raiders of the Lost Ark and The Da Vinci Code, it's entertaining on its own ludicrous terms, and Nicolas Cage proves once again that one actor's infectious enthusiasm can compensate for a multitude of movie sins. The contrived plot involves Cage's present-day quest for the ancient treasure of the Knights Templar, kept secret through the ages by Freemasons past and present. Finding the treasure requires the theft of the Declaration of Independence (there are crucial treasure clues on the back, of course!), so you can add "caper comedy" to this Jerry Bruckheimer production's multi-genre appeal. Nobody will ever accuse director Jon Turtletaub of artistic ambition, but you've got to admit he serves up an enjoyable dose of PG-rated entertainment, full of musty clues, skeletons, deep tunnels, and harmless adventure in the old-school tradition. It's a load of hokum, but it's fun hokum, and that makes all the difference. --Jeff Shannon ... Read more

    Reviews (266)

    4-0 out of 5 stars MASTER CODE 405
    National Treasure is a far fetched family film, full of fun and adventure.Since there are enough details about this film, I will get to the point.During my first viewing, I was somewhat disenchanted.I thought something was missing.Hmmm, the movie has explosions, chase scenes, a bit of fantasy, pretty neat special effects, etc.; what could be missing.Now I know what's missing - no cursing, crudity, nudity, or offensiveness.

    This is a movie, that I can watch with the kids, neighbors, etc., and everyone will have a good time.OK, there are some corny lines that go over the top on the wholesome meter, but hey, that's the joke.I watched the movie for a second time with the trivia track and enjoyed this movie even more.

    Once the master code 405 is typed in, all the special features are displayed, including a movie trivia track.The track provides tid bits of information about the key characters, history, and the making of the film, which is worth a viewing.I found the special features utilization to find the code annoying and time consuming.A two second internet search and I was up and running in no time, with the 405 master code.

    National Treasure - Recommended for a Night of Family Fun.

    4-0 out of 5 stars Not up to par with Indiana Jones, but still worth the watch!
    I missed this movie when it came out in the theaters, and so decided to rent the DVD when it came out. Needless to say, I wish I had seen it while it was still showing. I've always been a fan of U.S history and Indiana Jones, so this was an ideal match. Stunning performance by Justin Bartha; he really provided the comic relief in the movie. The plot was amazing, and each subsequent clue that they found, and each stymie they ran into really rolled the movie along. I thought Nicholas Cage and Diane Krueger (really different from Troy, eh?) did some pretty good acting as well. Sean Bean and the rest of them, well, I thought they could have done better. Overall, this was a fun, exciting movie, and is definitely worth a watch with the family!

    5-0 out of 5 stars Follow Bob's Advice! Ignore the Critics, Enjoy the Film!
    I'm beginning to wonder if all critics simply refuse to sit back and be entertained.Does every film have to be The English Patient or Schindler's List?Geez...

    Anyway I liked this movie a lot and wasn't bored for a minute.It was nonstop action and no Eff words were heard (hallelujah!) and my 10-year-old son enjoyed it as well, even plugging in the "pipe key" clue near the end.A good, safe movie for Family Night!

    4-0 out of 5 stars Entertaining movie!
    Imagine a cross between "Indiana Jones" and "Mission Impossible" and you have some idea of what's in store for you with this movie.Nicholas Cage plays the current generation of a family which long ago was given the secret of the location of the Knight's Templar treasure.Succeeding generations of the family have hunted for the treasure with no success.Cage takes the hunt one step further and discovers that vital clues are on the back of the Declaration of Independence.Unfortunately some of the men who were originally helping him look for the treasure have decided that they want it all to themselves and they plan to get to the Declaration before he does.Throw in a beautiful government agent and an amusing sidekick and you have all of the ingredients for an entertaining evening.Enjoy!

    4-0 out of 5 stars A Fun Movie
    I liked this movie. Lots of adventure, history and it reminds me of the Indiana Jones Trilogy. Some of it is a little formulaic and you might roll your eyes when 200+ year old torches light up like they were made yesterday, but the story is intriguing and gets your attention. If you don't know the story line by now it involves Cage as Benjamin Franklin Gates whose Family has been convinced about a massive treasure older than colonized America, hidden away during the revolutionary years. Through each succeding clue he finally learns that there is a map on the back of the Declarition of Independance, the only drawback is his partner has turned on him and is going to steal it for himself. No on in the government will listen to him, so Gates decides he'll steal it first to protect the document and the treasure. Lots of High-Tech action, spooky Mason intrigue and history, although some of it is a little questionable. All in all, definetely recommended. ... Read more


    8. A Man Called Peter
    Director: Henry Koster
    list price: $12.98
    our price: $11.99
    (price subject to change: see help)
    Asin: 6301628624
    Catlog: Video
    Sales Rank: 558
    Average Customer Review: 4.75 out of 5 stars
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    Reviews (12)

    5-0 out of 5 stars Peter Marshall - A Man for All Generations
    "A Man Called Peter" is an excellent depiction of the true life story of Peter Marshall, an immigrant Scotsman who rose to Chaplain of the U.S. Senate before his untimely death in 1949. Marshall was a real man who served our real God. The movie is very true, generally speakly, to Catherine Marshall's book by the same title.
    The part of the movie that shows Catherine Marshall's alma mater, Agnes Scott College in Decatur, Georgia, was filmed on location. As a native of Decatur, Georgia, this movie had a huge impact on me. Especially since my mother had actually heard Peter Marshall preach and was greatly affected by his sermons.
    Peter Marshall's message is ageless and inspiring. Young people who hear or read his sermons today feel as though Marshall is speaking to them just as he did to my mother's generation.

    5-0 out of 5 stars A Beautiful Movie
    This is the true story of the Reverand Peter Marshall. It begins in Scotland where he is called by God for a special mission. It goes to Georgia, where Peter meets & marries Agnes Scott College student Catherine Wood (This part of the movie was filmed on the ASC campus). Finally, the movie takes us to Washington DC, where Peter is the minister at the Church of the Presidents and becomes Chaplain of the US Senate. The movie showcases some of him most memorable sermons - like his sermon on marriage. This is a great film for everyone in the family.

    5-0 out of 5 stars Bravo!
    Bravo to Richard Todd and Jean Peters and the rest of the ensemble of this beatiful, inspiring and superbly made film based on the book by Catherine Marshall. Where was the Academy of Motion Pictures when this film came out? Both Peters and Todd deserved nominations. The film certainly did (it is far better fair than most others nominated in 1955 for Best Picture)
    See it and feel 100% better about life - and living

    5-0 out of 5 stars A Man of Character Committment and Conviction
    In our days of pluralism and completely relative morality embracing spirituality in any form, this movie sets a strong tone of inspiring faith and conficenc in God through Jesus Christ. Peter Marshall was an unusual minister of the gospel who made mistakes but loved his family and the Lord with no reservations. The movie is full of the traditional church persons who are more interested in maintaining their traditons than in establishing the traditions of the gospel. Peter's response to them is both loving and confrontive. I recommend this movie very much.

    5-0 out of 5 stars A Man Called Peter
    An outstanding movie with uplifting characteristics. This is the story of a truly remarkable man and those who doubt the sencerity of this man ( and the movie ) do not know people who were exposed to Peter Marshall. This is a true classic with elevating overtones that should raise anyone's spirits. ... Read more


    9. Hotel Rwanda
    list price: $39.99
    (price subject to change: see help)
    Asin: B0007R4TRQ
    Catlog: Video
    Sales Rank: 87
    Average Customer Review: 5.0 out of 5 stars
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    Reviews (1)

    5-0 out of 5 stars Hotel Rwanda:A Movie or Documentary?

    I saw the movie and am ordering the VHS tape to show to aspects of genocide to my college class on homicide.

    I have discussed this with other viewers:The movie makes you feel as though you are in Rwanda in the midst of the genocide.Its gripping nature depicts the scene more as a documentary than a movie.

    It is a superb educational tool. There is no finer depiction of genocide inAfrica absent raw footage by news or human rights organizations.

    There is a good reason its performers were nominated in the Oscars. I recommend it highly.

    Howard Cooley
    HGC1235@aol.com























































    ... Read more


    10. Twelfth Night
    Director: Trevor Nunn
    list price: $19.98
    (price subject to change: see help)
    Asin: 6304449313
    Catlog: Video
    Sales Rank: 567
    Average Customer Review: 4.55 out of 5 stars
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    Description

    This picture is an adaptation of Shakespeare's classic comedy. The setting has been updated to the victorian era but the focus is still on the universal question of gender. ... Read more

    Reviews (80)

    5-0 out of 5 stars Twelfth Night deserves one star per night!
    This is one of the most imaginative interpretations of Shakespeare (or perhaps anything) I've ever seen. Although I have read the play numerous times, I never would have thought of doing it this way. The story was fleshed out even more than Shakespeare did to begin with, and was made to seem modern and old-fashioned all at the same time. Director Trevor Nunn did a wonderful job with this film (but of course he also formed the Royal Shakespeare Company, so what else would one expect?) :-)

    Although each member of the cast does a great job, a few must be mentioned individually. Imogen Stubbs proves to have an amazing amount of talent and versatility in the complicated role of Viola/Cesario. Nigel Hawthorne is terrific as Malvolio, particularly in one hilarious moment where he tries to smile - something at which he is not too practised. Helena Bonham Carter makes a very appealing Olivia. Ben Kingsley is absolutely wonderful, and extremely expressive, as Feste the fool.

    TWELFTH NIGHT is a film that is definitely worth watching over and over.

    4-0 out of 5 stars Present mirth hath present laughter.......
    How wonderful that I should happen upon this movie one early summer evening not so very long ago - and that it should brighten the wettest, most overcast June immemorial!

    Director Trevor Nunn set this Shakespeare play in the Victorian era, and his adaptation is overflowing with talent - Imogen Stubbs (Viola) shows herself to be a versatile actress who can brilliantly play this complex lead with ease! Also notable were Nigel Hawthorne (Malvolio), Toby Stephens (Orsino), Helena Bonham Carter (wonderful as Olivia, although I'd expected it as I've never seen her performances as anything less), Richard E. Grant (Sir Andrew Aguecheek), and Imelda Staunten (Maria) -- and Ben Kingsley (the fool, Feste) did such a magnificent job - and, incidently, he sings superbly - he would easily have stolen the show if it weren't for the flawless performances of the entire cast!

    I had to give it four stars instead of five because it was very hard to follow what was being spoken much of the time. I actually had to pull out my "Riverside Shakespeare" to follow what was being said. Much of this movie is verbatim directly from the play itself - which I must say endears it further into my heart.

    In the midst of a summer where, at least here in my little realm of the earth, it "raineth every day," a movie such as this eases the doldrums. This movie is a delight!

    5-0 out of 5 stars Fabulous!
    My theater class and I saw this after I finished reading the play TWELFTH NIGHT, and I must say, it kept to the script really well. But the depth that it had was great- when I read the play, it was kind of like 'Hmmm... okay, this is cool, love triangles!' And then it skipped to the servant scenes and I started racing through those to get to the, I supposed, 'better' action taking place with the twins.

    But the servants have some of the best character representation out of the movie, especially Ben Kingsley as Feste and Malvolio- they rocked. And the main cast was perfect, as well.

    All in all, probably the best re-doing of a Shakespeare play that I have ever seen... I loved it!

    Oh- and how can anybody help but love the music to this movie? Kingsley's voice is magnificent, and makes you finish the thing wanting more. (My theater teacher is a performer at heart, and after our class finished it, he memorized the closing song- The Wind and the Rain- and that's practically all he sings nowadays... and what's worse, he has our English teacher doing it, too. :)

    But watch this, seriously. If you're skeptical about understanding a Shakespearean drama, have no fear. Everything's really easy to understand, and it follows the script almost word for word.

    5-0 out of 5 stars The most exquisite film rendition of Shakespeare ever
    The wonderful review by "theviciouscircle" says almost all: this is a rare and beautiful filming of one of Shakespeare's most engaging comedies. Every role is played to perfection -- the entire production shows the cast's and crew's intelligence, deftness, sense of play and extraordinary craft. Every single actor has so embodied his or her part that I will never again see the play without seeing this cast in my mind's eye. Ben Kingsley and Imogen Stubbs stand out even in this exceptional group. The music fits every mood in the play; Shakespeare simply must have heard these tunes when he wrote the verses, and the themes and backgrounds further carry us into the spirit of the play.
    The Cornish settings in autumn are almost too beautiful; at times, one almost misses the acting, so spellbinding is the countryside in which it takes place. Trevor Nunn and his crew are much to be praised for finding locales that hold the story so gracefully -- we may know this is Cornwall, but we believe we are transported to Illyria. All in all, it is difficult to imagine a more exquisite realization of a robust yet delicate play. I have long waited to see this film on DVD, and in the widescreen format in which it was made -- how can the studio not release it?

    4-0 out of 5 stars A bit of everything and a bit too much of everything
    This film is basically great, because many of the scenes are merry and can make most people titter (which is not bad considering that Shakespeare's humour relies so much on word-play) and of course give you that "warm" feeling.

    As for the well-known plot against Malvolio, the pranksters seem to waver between enjoyment and a bad concience for engaging in such an idle or childish activity. Unlike some other reviewers, I can accept the sometimes blank face of Sir Toby, the indifference of Feste and the sternness of Maria, although their behaviour creates an odd feeling, as if they are not really enjoying the revels. Maybe the director is trying to say that Malvolio is not the only "malvolient" character.

    This is probably the play that has the best music of all, and Ben Kingsley's singing is good enough. It should not be more schooled than it is because Feste is obviously a street-wise singer.

    The director deserves credit for slowing the pace down in the middle of the film. My favorite part is when "O mistress mine" is simultaneously played at the duke's court and sung by Feste elsewhere. Here, the plot finds unity and the many characters become powerfully united.

    The best acting performance, if you ask me, is Imogen Stubbs as Viola. She comes across as a real person and somehow manages to show all her conflicting emotions at once. Many of the other characters come across as spirits, half human, which makes sense since they live in "Illyria."

    The weaknesses lie in a gaudiness and, perhaps, in a fragmentation into too many clips and scenes. I've actually watched part of the film in black and white and liked it better that way. All music except that which is part of the plot should clearly have been done away with, including the overblown, flowery starting tune which completely drowns (sic) the misery of Viola after the shipwreck. There is no need to tell us at this early stage that it will be a warm and happy movie! A strength in some of Shakespeare's comedies is that they are in danger of ending tragically.

    The ending has been criticised before and while I enjoy it and have shed tears over it I partly agree with the criticism. It also suffers a bit from the gaudiness.

    Still, I'm very thankful for this movie and I could easily have given it a 5. But since it is Shakespeare my demands go up a notch. The film is good craftmanship and some of its problems are indeed hard to solve: the abundance of characters, the overflow of beauty - what can you really add in that department when there's already so much beauty in Shakespeare's lines? ... Read more


    11. The Jungle Book
    Director: Wolfgang Reitherman
    list price: $26.99
    (price subject to change: see help)
    Asin: 6304500831
    Catlog: Video
    Sales Rank: 152
    Average Customer Review: 4.62 out of 5 stars
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    Reviews (64)

    5-0 out of 5 stars A good movie with even better music
    Mowgli was raised by wolves and now he's growing up in the jungle. He's been in the jungle all his life, so he doesn't know what it's like to even be around another person. But it's not as bad as it sounds, Mowgli has tons of great friends such as the hilarious Baloo the bear. But he also has a few enemies, mainly a gruesome tiger named Shere Khan, who doesn't like humans at all. It's up to Mowgli to survive in the wilderness, and with the aid of his friends, he'll have a good chance of not having to worry about Shere Khan. But will Mowgli ever find out what it's like to be around other people?

    "The Jungle Book" is a good movie. It has good animation, it's entertaining with the animated drama and the hilarious antics of Baloo, and it has some of the best songs out of any of the Disney movies, such as "Bear Necessities." I recommend anybody who likes animated movies to take a walk in the jungle and give "The Jungle Book" a chance.

    5-0 out of 5 stars It's just a bare necessity!
    The feature-length cartoons Disney continues to produce are fine films, but nowhere near as good as classics like The Jungle Book. Unburdened by the modern-day Disney habit of giving every film a heavy family-friendly moral message, the Jungle Book is just 100% pure fun, with a cool hero (Mowgli), entertaining friends (especially the bear Baloo) and some great villainous characters (most memorably Shere Khan the tiger). This movie was made years before Phil Collins or Elton John were drafted in as cartoon soundtrack composers, and the songs are just awesome - "The Bare Necessities", "I Wanna Be Like You" and Kaa the snake's hissed encouragement to "Trust in Me". Get this DVD while you can!

    1-0 out of 5 stars Contrasting review
    I know how many people gave five star reviews on here. Mine is not a five star review. I am giving you my straight opinion on this movie.

    One, I don't think this movie is fit for family viewing. Adults will not find it interesting or entertaining, and it hardly serves any purpose in teaching moral lessons to children. Two, this cartoon almost borders on animated pedophilia. It just looks sick and wrong, really, with this older, scary bear taking this young innocent away and teaching him his "bear ways."

    This is not charming entertainment. This is a pain. If you want a charming, older Disney movie you should check out their animated version of Robin Hood. The music in Robin Hood is far better as well. I have always disliked "The Jungle Book."

    5-0 out of 5 stars To Run with the Wolves: A Girlhood Dream
    I'm a little kid, don't remember exactly how old, elementary school age. My teenage cousin promises to take me to see *The Jungle Book*. She falls asleep. Minutes are ticking down to show time. I poke at her but she snoozes on. Elders tell me to leave her alone. I stand over her and glare, using my powers of mind control to will her awake. It works!

    I was just desperate to see this movie. I loved all the Disney animals stories and *The Jungle Book* turned out to be my favorite. The lively songs, lush animation, compelling characters, and strong storyline left quite an impression on me. Can never forget the loving and gentle Bagheera, that kooky monkey, and Baloo, Baloo the lovable bear. Ooh, and that sinister Shere Khan striking fear in the hearts of all and the slithering sneaky snake always up to no good. The voices used are wonderful and fit the characters to perfection. I was in heaven, and it has stood the test of time by remaining one of my favorite animated films.

    I just wanted so badly, just longed to be a girl version of Mowgli. Raised by wolves, living wild and free in the jungle, playing with the bears and apes. Climbing trees and swinging from vines. Yep, that was the life for me. I sobbed at the end, crying: No, Mowgli, don't leave your animal friends behind and live with people. You are making a big mistake! Would he return to his original home? I wondered, why of course he would!

    As an adult, I understand Mowgli's decision to join the village and live with his own kind. The girl in me, though, still doesn't get it and yearns to run free.

    4-0 out of 5 stars jungle book
    jungle book is an enjoyable and funny film it is wonderful for children and i thought it was good as well. ... Read more


    12. The Sound of Music
    Director: Robert Wise
    list price: $6.98
    our price: $6.98
    (price subject to change: see help)
    Asin: B000067JG3
    Catlog: Video
    Sales Rank: 19
    Average Customer Review: 4.65 out of 5 stars
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    Reviews (337)

    5-0 out of 5 stars The happiest sound in its best version yet!
    Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

    5-0 out of 5 stars Wonderful!!! One of the Best Musicals Ever Made!!!
    First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

    "The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

    Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

    This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

    5-0 out of 5 stars The Hills Are Alive...Now and Forever
    No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

    3-0 out of 5 stars Incredible movie, must see, but don't buy the one disc
    First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

    So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

    5-0 out of 5 stars This has been a great thing to share with my daughter.
    I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

    I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more


    13. Star Wars - Episode IV, A New Hope
    Director: George Lucas
    list price: $19.98
    (price subject to change: see help)
    Asin: 6301773551
    Catlog: Video
    Sales Rank: 5930
    Average Customer Review: 4.57 out of 5 stars
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    Reviews (283)

    5-0 out of 5 stars A long time ago, in a cinema far, far away...
    A long time ago, in a cinema far, far away, a certain film called STAR WARS was released. Now, George Lucas' first installment in the hugely popular STAR WARS franchise is generally regarded as the greatest movie ever made. Why? Well, what's not to like? From the opening shot of the Blockade Runner accompanied by that great theme tune by John Williams, you know you're in the unique world of the STAR WARS universe. Before George's action-packed THE PHANTOM MENACE and ATTACK OF THE CLONES, A NEW HOPE was known only as STAR WARS. Audiences had never seen anything so original and amazing. Now, the series has entered into the fanboy culture all over the world. In comparison, Episode 4 seems somewhat tame compared to ATOC, but it's still an astounding adventure filled with great characters, great action set-pieces and strident theatrical music.

    From Hero Luke Skywalker's symbolic journey from his home Tatooine to the moment of victory at the finale, we are greeted with a myriad of fantastic characters, especially Han Solo, played by a pre-Indy Harrison Ford and his buddy Chewbacca, flying around in their Millenium Falcon. And the ultimate incarnation of evil, Darth Vader. British veteran actors Alec Guiness and Peter Cushing are excellent as a wise yet ageing "Old Ben" Kenobi and Vader respictively. And that, more than anything, is what made TPM so hollow. While the action was good, the lack of good characters was disappointing. But AOTC has regained much of the sense of adventure that this film started off.

    Lucas' grand vision illuminates the entire film, with inventive creatures and events. Several scenes that are my favorites are Obi Wan's conversation to Luke about the Clone Wars and Vader, Solo's disposal of Greedo, Obi Wan and Vader's last battle and the destruction of the death star. The prominant influences that left their creative mark on the film range from westerns to Akira Kurosawa's Samurai pictures. The influence the film itself had on cinema (it invented the Summer Blockbuster) is astounding, with everything from figurines to frisbees from the hysteria over the film's captivating originality and subsequent zeitgeist. One of my all-time favorite films, STAR WARS is THE great adventure.

    5-0 out of 5 stars Do I really have to Say anything?
    It's what? Going on 30 years since "A New Hope' was released to massive success (and even again in 1997)? You bet, and it still looks fresh and feels right. The film has an attitude to it. A little arrogant and a little sarcastic, but still thrilling and and made the foundation for almost every action and fantasy movie to follow. Only the recent release of the "Lord of the Rings" trilogy has had near that much impact (which I consider this generation's Star Wars).

    George Lucas was at his creative peak in the "Hope," and it shows. The special effects are used to help paint the world in which the characters live. They don't distract and they don't take away from the actors' performances. The trench run with the Death Star can still live today with modern special effects laden scenes. And the actors are so convincing in their roles, unlike some in the prequels. Alec Gunniess leads the cast with his Shakesperian wisdom, and the cool Harrison Ford is just , well, cool. Also Mark Hamill is great, as is Carrie Fischer as princess Leia. And who can forget Chewie? Star Wars still delivers, watch and enjoy.

    5-0 out of 5 stars It's Star Wars!
    If you have seen this movie, then no words need to be said. But if you haven't, come out from under that rock and watch it!
    This movie just has to be seen!
    By the way, just skip the prequels. Those ones suck.

    5-0 out of 5 stars Yes, Han Shoots First!
    Ah, c'est la vie, the best movie of the trilogy, followed closely by "The Empire Strikes Back". "Star Wars" is a classic tale of friendship, loyalty, and bravery. Full of action. Ah, and this version has no CGI Jabba. Han shoots first. Jawa scene where they unload R2 and 3PO. A lot better than Lucas' pile of dog sh*t the so-called Special Editions. Go, original theatricals. Nothing stops these movies in their 1977, 1980 and 1983 debut.

    2-0 out of 5 stars Hard on the eyes - I must disagree with the fans
    I much rather want to think about the great theme music by Meco (for which I am giving the 2 stars) than the almost painful visual roller-coaster ride of a movie it came with. The special effects may have been ground breaking, but they were a bit much to watch. I was 15 and could handle such things much better than I could today -- I'd just walk out! Princess Leah was beautiful, but I liked her much better on SNL doing the Beach Scene with Frankie & Annette (Gilda & Bill).** ... Read more


    14. Sideways
    Director: Alexander Payne
    list price: $41.98
    (price subject to change: see help)
    Asin: B0007TKOAK
    Catlog: Video
    Sales Rank: 468
    Average Customer Review: 3.5 out of 5 stars
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    Amazon.com

    With Sideways, Paul Giamatti (American Splendor, Storytelling) has become an unlikely but engaging romantic lead. Struggling novelist and wine connoisseur Miles (Giamatti) takes his best friend Jack (Thomas Haden Church, Wings) on a wine-tasting tour of California vineyards for a kind of extended bachelor party. Almost immediately, Jack's insatiable need to sow some wild oats before his marriage leads them into double-dates with a rambunctious wine pourer (Sandra Oh, Under the Tuscan Sun) and a recently divorced waitress (Virginia Madsen, The Hot Spot)--and Miles discovers a little hope that he hasn't let himself feel in a long time. Sideways is a modest but finely tuned film; with gentle compassion, it explores the failures, struggles, and lowered expectations of mid-life. Giamatti makes regret and self-loathing sympathetic, almost sweet. From the director of Election and About Schmidt. --Bret Fetzer ... Read more

    Reviews (305)

    5-0 out of 5 stars Loved it
    This movie was sooooo good. All I can say is I loved it I loved it

    4-0 out of 5 stars delicious little movie
    The risk involved in describing "Sideways" as a road movie about obsessive wine tasting is that people who are not wine buffs/connoisseurs are likely to stay away from it, which would be a pity. So let me discuss it from a different perspective: Sideways is in fact a buddy movie, and not an overly comic one. Granted, there is a fair share of funny scenes but overall the tone of the movie veers clearly toward the dramatic.
    Meet Miles and Jack. The former is a small-time english teacher (and aspiring novelist...too bad his aspirations are constantly frustrated), the latter is a washed-up tv actor with a career that after a promising start never really took off. Both are middle-aged guys who are coping with lowered expectations and shattered ambitions.
    Jack is about to marry (although he feels uneasy about his marital future) and the two friends embark on a wine-tasting extended bachelor party that eventually feels much like a coming of age story.
    There is a lot of wine talking going on throughout the movie but wine isn't the whole point. Wine is more like a metaphor for life and there is a brilliant dialogue between Miles and Maya (the girl he falls in love with) that clearly shows this point.
    This is not a happy-ending movie. There's a lot of stark realism in it and although the finale leaves some hope for Miles, it's quite obvious that this is LIFE, not some fairy tale.
    This is no educational movie either. There are scenes where "getting sideways", far from being frowned upon, is elevated to something very romantic or, at least, something that lets us understand Miles' deep suffering, forcing us to be sympathetic to his condition.
    Anyway, enough with the social commentary, I greatly appreciated this movie and I think that anybody with a passing interest in non-mainstream stuff should see it.

    2-0 out of 5 stars Will This Film EVER End!
    A slice of life? A road movie?To be a slice of life the lives should be interesting.To be a road movie interesting things should happen en route.Aside from a lengthy plug for the California Wine industry, the whole movie struck me as tedious.There are some amusing moments and dialogue tucked between a lot of mundane, unfunny and often depressing conversation and events.The lead character steals from his mother and despite his affection for wine in the abstract, drinks to deal with depression by getting sloppy drunk.Meanwhile his buddy shows such respect for the woman he's driving north to marry that he's willing to bed anything with a pulse between Los Angeles and the Napa Valley.And we're supposed to care about these people?Why the movie industry is so high on this film beats me.After watching it carefully twice, trying to find some overlooked redeeming quality, I just don't see it.Possibly I'm not sophisticated enough to enjoy it.Possibly it's not that great a movie.

    It may have some appeal to the wine connoisseur or wanna'be who's always wanted to impress his friends by saying things like, "It's a sassy little pinot that perfectly complements ze flavour of ze Ritz Crackers and ze Cheeez Whiz." but I found myself wishing it was a much shorter movie.I certainly won't recommend it to anyone I like or remember it 6 months from now ... probably less.

    5-0 out of 5 stars A Cineaste's Dream
    I won't rehash the plot, the characters, etc., as that's all so familiar by now.Why is this film a small wonder?Because it's what happens in the interstices, between the minimal action and the raucous laughs.Like the characters or not, they are painfully real, and we get so few real characters in movies today.We get so few honestly-motivated characters today.And the reason:one has only to peruse the one-star reviews on this site.Has anyone noticed that the one-star reviews are generally very short, as if the attention span of the denouncer couldn't sustain a paragraph, let alone a reasonably lengthy explanation of their disgust?It's usually "boring" -- it's not to any true cineaste, of course -- or the characters are morally bankrupt -- so, that's not a valid reason to loathe a movie; in fact, it's a completely biased and stupid reason to mount a criticism of a work of art on.Face it, "Sideways" was made for people who love film that challenges them, surprises them, moves them, forces them to see life in a different light.Most people don't want to be challenged -- you know who you are, you brain-dead video gamers, you Internet-addled, low-alpha brain-wave unguents -- so why bother to voice your complaints about this brilliant movie unless you really have something profound to say in defense of your criticism.Compared to the one-star reviews, the five-star reviews are very lengthy, usually articulate and thoughtful and understand what the filmmaker was trying to accomplish.An Alexander Payne should be celebrated, a studio that gives him money should be extolled.It's just too bad there aren't more of him.I did have one criticism of the DVD, though -- but it won't change my five-star rating -- and that's the voice-over commentary by Thomas Church and Giamatti.It's so puerile at times, so uninformative; too bad Payne didn't do it with his writing partner.Oh, well, fortunately one doesn't have to listen to their drivel, and even if one decides to suffer it, it in no way detracts from their courageous performances.

    5-0 out of 5 stars Interesting movie with excellent characters
    I guess I could start with a short synopsis.Two college buddies are headed North to the wine country for a week long bachelor party.Miles is in a depressed state because of a divorce and Jack is looking to get some before he gets married.From this spouts some crazy situations in and out of vineyards.

    What you do get from this movie is excellent characters.Even though Miles could be incredibly annoying you end up feeling for him.I think a lot of people have friends that are like Jack.They're a bit older but still act immature at times.Virginia Madsen and Sandra Oh are both awesome too.While Sandra Oh's character could have been developed more I don't think the movie suffers because of it.

    The dialogue is witty and sarcastic sometimes to the point of being outright hilarious.Granted it may take a special kind of humor to understand why some things are funny.There are some things that are just sophomoric but they lighten the film at times where you think Miles might drag you down.

    There is definitely a reason why this movie was nominated for a bunch of awards.You can't go wrong with sharp/witty writing and excellent acting/direction.I would highly recommend at least going out and renting this movie.I know it will soon become a part of my collection. ... Read more


    15. My Name Is Bill W.
    Director: Daniel Petrie
    list price: $19.98
    (price subject to change: see help)
    Asin: 6303101410
    Catlog: Video
    Sales Rank: 488
    Average Customer Review: 4.83 out of 5 stars
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    Amazon.com

    Here's another example of TV giving James Woods the chance to stretch out from the intense-psycho roles he seems restricted to in too many of his movies. In My Name Is Bill W. he plays Bill Wilson, the overreaching businessman from the Roaring '20s who went on to found Alcoholics Anonymous. Woods gets plenty of chances to stretch out here in Bill's headlong slide to the bottom, through the terrors of the Wall Street crash (which amplifies a two-fisted drinking problem) and into the loss of everything he holds dear. Yet Woods also is convincing as the man who understands just how insidious his disease is and learns to try to take everything one day at a time. He receives strong support from James Garner as the alcoholic physician who teams with Bill to make AA a viable proposition. --MarshallFine ... Read more

    Reviews (18)

    5-0 out of 5 stars The "ROOTS" of "Alcoholics Anonymous"
    Are you an alocoholic? Is someone you love an alcoholic?

    It really doesn't matter. This movie, regrettably is available only on VHS, will give you insight, understanding, and hope. Hope, that most fragile of words, is the basis of this incredible made-for-TV motion picture.

    Bill Wilson comes home from World War I a hero. He then conquers Wall Street. He marries the love of his life, Lois. He then discovers both a new god, a new lover, a new idol; the bottle. This unflinching film looks at the descent of of alcoholic into hell, and his journey back, guided, not by the spirit of Virgil, but by another alcoholic, Doctor Bob. Together, they find a "cure" for an "incurable" disease. The disease of alcoholism.

    Neither could cure themselves, but together, they could find the way out of hell into if not paradise, at least life; life on life's terms.

    This film has been called the AA "Roots." I won't take up that guantlet. This film stands alone. The performances by James Woods, JoBeth Williams and James Garner stand on their own merits. It tells the story of one man's descent into the hell of addiction < and YES, alcoholism is an addiction >, and his return to the land of the living.

    Woods plays Bill W. with remarkable restraint, not denigrating into the hystrionics of Jack Lemmon in "The Lost Weekend"; as brilliant and well-meaning as that film is. Nor does this movie fall into high camp, as did "Reefer Madness" in the late Thirties.

    Instead, in "My Name Is Bill W.", we see a man driven to the depths of despair. A man beaten is beaten into the dust. To quote Cecil B. DeMille, "the dust from which prophets and holy men are formed. . ."

    Yet, this film is not preachy. It tells a story. A true story, all the more frightening, because it is true.

    Watch this movie. Listen to its message of hope, of truth, of honesty, openness, and willingness. Hear the story of the damned, who somehow, someway, found salvation.

    You will be moved. I promise you.

    5-0 out of 5 stars Wonderful Movie on The Birth of A. A.
    As a recovering alcoholic myself, I find this movie an accurate and moving portrayal on the life of Bill Wilson and the early history of Alcoholics Anonymous. James Woods is always a marvelous actor, but here he delivers a tour de force performance as Bill Wilson. Also in the cast is the ever-delightful JoBeth Williams of Big Chill fame. James Garner plays Dr. Bob Smith, who, along with Bill, founded A. A. in 1935. Garner also co-produced the project. This was originally aired on television as a Hallmark Hall Of Fame movie in 1989. Very inspiring!

    5-0 out of 5 stars A MUST SEE FOR ANYONE IN THE 12 STEP PROGRAM
    If you are recovering from any type of substance abuse and want to know the history of how Alcoholics Anonymous was founded, you MUST see this video. It tells the story of Bill Wilson and Dr. Bob Smith and their fight in overcoming their life threatening illness of alcoholism. This is the story on how AA got started and if you participate in AA you will gain a new perspective on how hopelessness can turn into peace and serenity in this incredible fellowship. If you've read Bill's Story in the Big Book, you will be amazed at how well this film was done!

    5-0 out of 5 stars NO HUMAN POWER
    I saw an interview with James Woods, where he stated that the directors wanted to cut out the seen where Bill is standing by the window explaining to Lois how cunning, baffling and self-destructive his disease is, but inspite of all that what he really wants most right now is another drink. James Woods told them that if they cut it out, he would not accept the role because it is what every alcoholic needs to hear and identify with. I highly respect him for that and would like to say THANKS!!! The scene at the end were Bill is 12-stepping a newcomer is priceless. The seen where he's in the motel trying to get in touch with Dr Bob, will make any recovering alcoholic grateful that we don't have to go to the same lengths as he did to share their experience, strength and hope with another alcoholic to stay sober one more day. Great performances by all!

    5-0 out of 5 stars A Movie That Every Recovering Alcoholic Must OWN
    I have watched this movie at least 6 times and never tire of it. As a recovering alcoholic it could be me in that movie and it makes me remember what it was like. I am also a proud member of AA and Thank God for Bill W. !! ... Read more


    16. One Hundred and One Dalmatians
    Director: Hamilton Luske, Wolfgang Reitherman, Clyde Geronimi
    list price: $24.99
    (price subject to change: see help)
    Asin: 6302320402
    Catlog: Video
    Sales Rank: 391
    Average Customer Review: 4.42 out of 5 stars
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    Description

    Full of boundless adventure and boisterous fun, Disney's 17th animated masterpiece is the original film classic starring 101 of the world's most lovable, huggable Dalmatians and their hilariously evil captor, Cruella De Vil! A charming London neighborhood is home to Roger and Anita, whose beloved Dalmatians, Pongo and Perdita, have become the proud parents of 15 puppies. But when Cruella and her bumbling henchmen, Horace and Jasper, unexpectedly appear, the pups soon disappear -- along with every other Dalmatian puppy in town! Now Pongo and Perdita must rally their animal friends and use the power of the "Twilight Bark" to find Cruella's secret hideaway and free the puppies. Featuring the unforgettable toe-tapping song "Cruella De Vil," 101 DALMATIANS is one of the most cherished and sought-after Disney classics of all time -- and among the last films to bear the personal touch of Walt Disney. ... Read more

    Reviews (12)

    5-0 out of 5 stars 101 Dalmatians
    This is my #4 favorite Walt Disney movie.Since a child I always adored this movie although now not my #1 favorite Disney movie it is still very entertaining.Cruela Deville, even though she is a villian is one of my favorite character's in the movie.Your family will really love this movie.

    5-0 out of 5 stars A Classic Disney Adventure Full of Fun
    This film is full of the spirit that Disney is all about. It's a fun filled adventure. At times it keeps you on the edge of your seat with suspense, while other parts have you rolling with laughter, and there are even spots where you want to cheer as the heroes triumph.
    The animation is perfect, and the voice acting is superb. Every character, big or small, is full to the brim of distinct personality. You feel that every character in this movie actually has a life that they go about. The villains are particularly well established, and you love to hate them. It's great fun watching them get what they deserve as the animals foil their evil plans.
    While this movie may be a little bit difficult for some little ones to follow, all ages can get something out of this movie. The youngest in the audience can find delight in the music and the adorable animation, while older kids get wrapped up in the plot, and the rest of us can reflect on our fond memories of growing up with this movie, and rediscover what made it so special.

    5-0 out of 5 stars Thank you ,Ben!(Walt Disney's Classic)
    This really is Walt Disney's classic.In fact,it reads "Walt Disney's Classic" on the box.The 17th of the 1 hr theatrics.Relesed in 1961.Adapted from The Hundred and One Dalmations (1956) by Doddie Smith.Last year, My freind Benjamin brought this to school and I loved it when it was over.Thank you,Ben for such fun and entertainment!Your freind,Dr. James!

    1-0 out of 5 stars Entirely too scary for kids
    Why would we want our children watching a film about a scary woman who wants to skin puppies for their fur??? Is this appropriate childhood imagery? I think not.

    4-0 out of 5 stars If You like Dogs You'll Probably Like This Movie!
    One Hundred and one Dalmations is one of Disney's best older classics, it's a good story and the animation is done very well and the animated dalmations are so cute, if you like movies about dogs than I think you will probably like this animated classic. It's a gem! ... Read more


    17. Becket
    Director: Peter Glenville
    list price: $29.98
    our price: $26.99
    (price subject to change: see help)
    Asin: 6300198731
    Catlog: Video
    Sales Rank: 197
    Average Customer Review: 4.64 out of 5 stars
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    Reviews (39)

    5-0 out of 5 stars Peter O'Toole: A god, a genius, a maniac
    I just finished reading a (german) biography about Peter O'Toole and came here to see which movies are available on DVD. Unfortunately this one isn't.
    Peter O'Toole was (pardon: still is) an outstanding actor and "Becket" is one of his best movies. He and Richard Burton team up to give the performance of their lives. O'Toole as King Henry II and Burton as his friend and boon-companion and later archbishop Thomas Becket.
    Both were nominated for an Academy Award in a leading role and luckily neither of them won it. They both would have deserved the award equally.
    Kate Hepburn once called Peter O'Toole a "lousy picker". To often did he choose to do the wrong (=bad) movies and not even his superb acting could save these movies. This time he was right, perfectly right.
    Becket is a great movie and I would love to have it in my DVD library.

    5-0 out of 5 stars I Love Being King!
    Peter O'Toole says "I love being King," in the so called sequel to Becket. However he might as well mean it in this movie for his performance is so real as to make one think he actually is the king. Richard Burton does a fantastic job as the martyred Archbishop Thomas Becket. Burton's performance reminds one of his another great film (The Robe) where his character was also transformed from a self serving playboy to a pious saint. The scenery, script, dialogue, and direction are all academy award material. The film was so well done it gives one the illusion of being in 12th Century England, the history errors not withstanding. O'Toole is every inch King Henry II in "Becket" as Burton is every inch King Henry VIII in "Ann Of A Thousand Days." This movie is must see for any Anglofile and a must for any video library. It was truly one of Hollywood's greatest movies.

    2-0 out of 5 stars Will this EVER be on DVD??
    What a wonderful movie buta horrific version on VHS. Some of the scenes are so dark you have to really stretch to even make out basic facial features. It's sad indeed, with one of the best films by both Burton and O'Toole.

    5-0 out of 5 stars Rendering unto Caesar...
    "Becket" explores the question put to Christ two millenia ago of whether man owes his primary loyalty to his monarch or to God. The search for the resolution of that question, and how it was answered, makes "Becket" one of the best historical dramas ever made. Peter O'Toole and Richard Burton are in top form as the young Henry II of England and his partner-in-mayhem Thomas Becket, whose primary interests are wine and women and not necessarily in that order. England in the 12th century was devoutly Roman Catholic, and the Catholic hierarchy enjoyed a level of power and prestige equal to, if not higher than, the king himself. But when the old archbishop dies and Henry needs to appoint a successor in his place, Henry outfoxes everyone by doing an end run around the bishops and naming Becket as the new archbishop. The bishops are upset; they believe Henry intends for Becket to be a puppet figure to be used to further the king's own ends. But to everyone's surprise, Becket takes his job more seriously than Henry ever intended. No one could be more stunned and shocked at this development than Henry himself.

    The confrontation between Henry and the clergy is set immediately following the old archbishop's death, when Henry informs the assembled bishops that there will only be one head honcho in England, and that is the king. The bishops are not used to having their power abrogated by anyone outside the church; they answer only to the pope and to God. The king and clergy are on collision course, and Henry, to his chagrin, finds that Becket is solidly on the side of the Church his king has appointed him to represent. There will be no compromise here. The stage is thus set for a fateful confrontation.

    One has to wonder: when Henry blurted out his petulant rhetorical question "Will no one rid me of this turbulent priest?", did he really not expect to be taken at his word? He's made it clear over and over again that he is the king, and the king is the law. So it's hard not to feel a sense of disgust at Henry's hypocrisy as he undergoes a ritual flogging in the cathedral crypt to expiate his guilt at having instigated Becket's murder, and immediately afterwards announces on the church steps that Becket will be venerated as a saint. Power-hungry to the last, Henry has abrogated to himself the privilege of an announcement that should have come from the new archbishop, or from the pope who alone has the power of canonization.

    The film has everything going for it: a great plot, two excellent performances by Burton and O'Toole, terrific direction and cinematography, and fine historical accuracy. The Gregorian chant running through the scenes in the cathedral transport the viewer 700 years back in time. For two unforgettable hours, we're part of 12th century England.

    And finally, let me add my request to those of the other reviewers of this excellent movie: Will someone please hurry up and release this film on DVD? I'll be first in line to buy it.

    5-0 out of 5 stars Dual Portraits: Monarch and Martyr
    Peter Glenville's direction of this film in no way diminishes the quality of acting among members of the cast, notably Burton and O'Toole, both of whom were nominated for an Academy Award for best actor in a leading role; however, Glenville allows a somewhat sluggish pace which reduces the dramatic impact of the plot, and especially of the multi-dimensional relationship between Thomas Becket (Burton) and his monarch, Henry II (O'Toole). In fact, Edward Anhalt received an Academy Award for his adaptation of Jean Anouilh's play. I wish Glenville had made better use of his cast as well as of Anhalt's screenplay. That said, Burton and O'Toole are magnificent. They portray youthful best friends who share a commitment to hedonism...and to little else. Later, Henry II selects an obviously reluctant Becket (by then a priest) to serve as Archbishop of Canterbury. Becket's acceptance marks a defining moment which he recognizes but his king does not: Henceforth his highest loyalty will be to Almighty God, not to the occupant of the English throne. Opinions vary as to whether or not the historical Henry specifically ordered Becket's assassination but all agree that he would never have authorized it to be done in Canterbury Cathedral. Nonetheless it was.

    This is a visually stunning film, perhaps even moreso than (for example) The Lion in Winter (1968) in which O'Toole also appears as Henry II. Granted, the relationship between Henry and Eleanor in that film is quite different from Henry's relationship with Becket. Also, The Lion in Winter covers only a few days during one Christmas season whereas the timeframe in Becket extends over several decades. However, both films focus on conflicting as well as congenial relationships. In Becket, Henry (in effect) finds himself competing with God for Becket's loyalty and devotion. He loses. The supporting cast is first-rate. Notably John Gielgud (Louis VII), Donald Wolfit (Bishop Folliot), Martita Hunt (Queen Matilda), and Gino Cervi (Cardinal Zambelli). The role of Queen Eleanor (Pamela Brown) is minor when contrasted with Eleanor (Katherine Hepburn) as she is presented in The Lion in Winter.

    Question: Why is there no DVD version of Becket?

    Those who share my high regard for this film are urged to check out the aforementioned The Lion in Winter as well as Cromwell  (1970), Elizabeth (1998), A Man for All Seasons  (1966), Anne of the Thousand Days (1969), and Mary, Queen of Scots  (1971). ... Read more


    18. Peter Pan
    Director: Clyde Geronimi, Wilfred Jackson, Hamilton Luske
    list price: $26.99
    (price subject to change: see help)
    Asin: 078881172X
    Catlog: Video
    Sales Rank: 201
    Average Customer Review: 4.14 out of 5 stars
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    Amazon.com

    Peter Pan has a special place in the realm of classic animatedDisney films: it instills an element of childlike wonder. The 1953 version of James M. Barrie's story is colorfully told and keeps on the straight and narrow of the book. Barrie's wondrous focus on child's play is the key to its longevity: kids who don't grow up, shadows that run away from their owners, pirates, a fairy, and the magic ability to fly. In short, you can't help wishing the adventure would happen to you. Fueled by a few memorable songs (the stunner being "You Can Fly") and the strong impression of the pixie fairy Tinkerbell and the goofy Captain Hook, Disney's version of this story neither supplants nor lessens the Broadway version with Mary Martin that was produced for television the same decade. Unlike some classics, Peter Pan never ages along the way. --Doug Thomas ... Read more

    Reviews (98)

    4-0 out of 5 stars Peter Pan
    I'm still a fan of the Disney Classics but I have to say that Peter Pan isn't one of my favorites and for the same reason that a lot of people don't like this one and that is the scenes with the Indians (hence 4 stars unstead of 5).

    PETER PAN is about the boy who could never grow up and after chasing his shadow in the bedroom of Wendy, John and Michael, he invites the 3 to fly with him to Neverland. It's a wonderful story of adventure, fun and flying. All children will enjoy this one.

    Now again, my reason for taking a star off is obviously for the derogatory and stereotypical depiction of Native Americans in this movie. Regardless that this movie was made in 1953 still doens't make it right. As parents, it really should be the responsibilty of the parents to explain and to teach children the right way. I will say that every child should enjoy PETER PAN, but afterwards every parent should take the time to explain to the children that making fun of another culture is wrong.

    Either way it goes, if you're looking for other great Disney classics look for BEAUTY AND THE BEAST SPECIAL EDITION, THE FOX AND THE HOUND, ROBIN HOOD, SLEEPING BEAUTY and CINDERELLA. Also check out some of the new Disney's like MONSTERS INC and TOY STORY and TOY STORY 2.

    5-0 out of 5 stars You'll (almost) believe you can fly
    Of all Walt Disney's animated films, "Peter Pan" is my personal favorite. This classic tale of the little boy who never grew up has Disney stamped all over it. It also varies refreshingly from the versions that preceded it. In previous plays acted on the stage, Peter Pan was always played by a young woman, but in the Disney version he is all boy. He's brash, mischievous, more than a little cocksure of himself, able to fight and defeat a grown pirate captain, and on top of all this, he can fly. What else is needed for a children's hero? Tinker Bell is one of Disney's best inventions. On the stage she is a blob of light flitting here and there; only in animation could she be realized as a real pixie, vain, conceited, totally devoted to Peter and madly jealous of Wendy. The three children, Wendy, John and Michael, are very well done in the movie, and the opening family scenes are priceless. When Peter and Tinkerbell sneak through the children's window, and zoom back out again with the children in tow, we want to sprinkle on some pixie dust and fly right out there with them. Second star to the right, here we come. The scenes at Neverland are funny and original, and the pirates are a riot. One of Disney's most hilarious, and underrated, characters in all his films, is the crocodile, Hook's nemesis, who can't wait to get another chomp out of him. (Poor Hook is reduced to a bundle of shattered nerves every time he hears that tick-tock, tick-tock coming towards his ship.) The only negative in this film is the scene in the Indian village; the stereotypes that were accepted without question in the 1950s are almost embarrassing now. However, it can't and doesn't detract from the fun. The songs are okay, nut nothing special; it's the action and animation that make this movie. Of all Disney's animated films, "Peter Pan" was the one I used to wish was real when I was a child. Maybe there is a little of Peter Pan in all of us.

    3-0 out of 5 stars Poor adaptation of Barrie's play misses the point.
    "The Disney version" of "Peter Pan" clearly demonstrates what is so wrong with "The Disney version" of too many classic stories. It turns Barrie's play into a simple adventure tale, in which the dramatic and (dare I say it?) psycho-sexual elements at the center of Barrie's fantasy are discarded wholesale.

    There are defensible reasons for this, I suppose. Drama requires talking, but characters who stand around gabbing bring an animated film to a dead stop. I also suspect that Disney simply didn't understand the story in the first place. It wasn't until the Ashman/Menken era that Disney films finally developed any dramatic focus.

    It's unfortunate, because "Peter Pan" starts off well enough. The late Sammy Fain's "Second Star from the Right," played over the title cards, has one of the most-ravishing melodies in the history of American popular music. (Look for the albums "Bibbidi Bobbidi Bach" and "Heigh-Ho! Mozart" for superb "classical" arrangements of Disney tunes.) The "You Can Fly" sequence is inspired (and can you name any other pop song with an accelerando passage?). But everything quickly bogs down thereafter, with Captain Hook's machinations providing the only fun.

    There just aren't enough good things in the Disney "Peter Pan" to make up for its failure to treat the source material in an honest and serious fashion.

    5-0 out of 5 stars A great cartoon classic, one of Disney's best
    This wonderful Disney production offers flights of fancy that appeal directly to children's fertile imaginations. The ability to fly, to be a devil-may-care youngster and never grow up, to engage in derring-do with pirates, never having to bother with school, and exploring fantasy worlds of islands, mermaids, Indians and mysterious caves is a powerful magnetic pull for young dreamers. The lush color lensing of this animated adventure is superb, and the characters and catchy tunes add to the pleasure of watching this film, for young and old alike.

    Peter Pan, the title character, is a spry, charming lad who loves his carefree existence. He is, however, upstaged by his companion, the delightfully naughty Tinker Bell, a temperamental pixie who literally sees red when Wendy accompanies Peter Pan to Never Land. Captain Hook and his shadow, the crocodile, the sniveling Smee, the beautiful mermaids, and the stoic Tiger Lily are the characters who stand out in this movie. Wendy and her brothers, John and Michael are okay and basically come along for the ride. The sprightly song "You Can Fly!-You Can Fly!-You Can Fly!" is just one of the memorable tunes for which Peter Pan is fondly remembered.

    5-0 out of 5 stars A quick, enjoyable Disney viewing.
    This movie animates one of the most imaginative plays ever written, albeit with a little 'Disneyfication.' It's by far my favorite; there is an enjoyably long spectrum of characters. Every time I watch this movie, it takes me back to those times I wish I was in Never-Never-Land.

    P.S. The claim that this movie is an allegory to the JFK years is easily refutable, since this movie was made in 1953, while the play is over a century old. ... Read more


    19. The War of the Worlds
    Director: Byron Haskin
    list price: $9.95
    our price: $9.95
    (price subject to change: see help)
    Asin: 6300215539
    Catlog: Video
    Sales Rank: 2163
    Average Customer Review: 4.31 out of 5 stars
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    Reviews (99)

    5-0 out of 5 stars Great for its time!
    If you have ever listened to the original Orson Welles' infamous radio show of the same name, you will have to watch this movie. The story begins as a meteor crashes to the earth and puzzles the residents of a California town.

    The incident isn't given much thought, until one night, everything in town turns off. No electricity, no phones, watches stop. Gene Barry, the resident scientist from Pacific Tech, is trying to find out what's going on, as masters' student Ann Robinson tries to help.....predictably, they fall in love while chaos ensues all over the planet.

    The aliens are not friendly. Their technology outdoes anything on earth. Not even atomic energy seems to stop them. So, what does? You'll have to watch this and see. The movie is somewhere between a really great B movie and an actual heavy duty motion picture event. The story is entertaining, and the writing is not as corny and stilted as a lot of sci fi movies made in the 50's. And whoa, those special effects! Not bad for an old classic!

    5-0 out of 5 stars Excellent Adaptation of the H.G. Wells Novel
    This movie is one of the standard bearers for early science fiction. The film is well-scripted and acted, and the special effects are quite good considering the age of the film.

    Gene Barry plays the central character of the movie, Dr. Clayton Forrester, a scientist from Cal Tech. He and two buddies are fishing nearby when the initial Martian invasion ship lands (crashes) nearby. By the way, that must have been a heckuva landing the Martians had to endure when their 'meteors' touched down.

    The movie details humanity's efforts to halt the apparently unstoppable murderous Martian invasion force. No pretenses about peaceful coexistence or some sort of misunderstanding here, folks. The Martians want our planet and are willing to kill every man, woman, and child on it to get it. As such, the military is portrayed in a pretty good light in this film (unlike many others). After all, when the alien's first club out of the bag is lethal force, then you pretty much have to go with the flow.

    In the end, with atomic weapons having failed to stop the invaders, mankind appears doomed. Saving the day, however, is the most unlikely of allies (and, no, I ain't talking Russia).

    Overall, a well-paced sci-fi/thriller with a basic premise that never fails to entertain when it is well done--as it is here.

    5-0 out of 5 stars When worlds collide
    I am by no means a fan of science fiction movies but of the few that I do enjoy, "The War of the Worlds" is my favorite sci-fi flick. Devlin Emmerich's 'Independence Day" has nothing on this film despite having the state of the art special effects. "The War of the Worlds" was based on a radio program that legendary actor Orson Welles read one Halloween night and caused a lot of people to freak out because they thought what they were hearing were true. Dr. Clayton Forrester played by the handsome Gene Barry comes across a small town in California. He was called by the townsfolk to investigate the meteor that crash landed in their town. What Forrester soons discovers is that the meteor that crashed was no meteor. Chaos ensues when the aliens reveal themselves and their deadly intentions. For its time, "The War of the Worlds" had quite the special effects. It may not be as dazzling as that modern rip-off "Independence Day" and even the '80s tv series of the same namesake but it certainly had heart and was more entertaining. I remember first seeing the film in high school and enjoying every second of it, and ten years later I still enjoy watching "The War of the Worlds". Too bad Devlin Emmerich didn't have a backbone and had to ape the concept of this film for his atrocious "Independence Day". That just lacked originality. Nothing beats the original concept of aliens invading earth than "The War of the Worlds" in my book.

    4-0 out of 5 stars War of the Worlds: ground breaking sci-fi
    H.G. Wells, is one of the first the introduce readers with the idea of aliens from mars taking over the earth, and triggered many writers later to write books involving martians. In the masterpiece, Wells introduces many ideas and masterfully blends them into his story.
    England is in trouble as cylinders of metal carrying martians constantly crash on the earth every 24 hours. Each cylinder carries a walking tripod, that has a heat beam attached, a beam that melts and burns anything it hits. As more aliens come, they bring gasses that can kill a human just when they inhale it.
    All seems lost for the main character as he tries to dodge martians, and return to leatherhead, where his wife has taken refuge. He is forced to hide from the martians byhimself, for almost everyone is dead.
    Hope of survival is almost noting for humans, when they find out the martians have developed flying machines, to promote their world wide destruction, but something happens to the martians......
    This is a great book and I am very pleased that I took the time the read it, even though some parts were very slow.

    5-0 out of 5 stars An Early Color Sci-Fi Classic
    "The format is standard instead of widescreen...," says an Amazon reviewer of War Of The Worlds, one "lotus_scrum" of Phoenix, AZ. She also later adds, "Not the WORST looking dvd but the full screen format hurts it badly for me. If it gets a new release with widescreen, remastered sound and picture I'll give it a 5." None of which makes much sense, since the DVD has fine sound, and was NEVER shot in widescreen, since widescreen didn't exist back then!

    And as President of the Widescreen Watchers Association, I should know. Here is the release date of the first movie shot in widescreen, which happened to star Marilyn Monroe: How To Marry A Millionaire - November 5, 1953.

    And here is the release date of the standard movie in question starring Gene Barry: War Of The Worlds - August 26, 1953.

    As you can see, War Of The Worlds could hardly have been presented in late August - almost 3 months before the process was first tried in early November! In addition, although many films started being shot in widescreen in 1954, several studios were slow on the uptake and did not make their films mainly in widescreen until late 1955 or early 1956. From Here To Eternity (1955), shot in standard screen, is a prime example of that.

    What all of the above means in regard to this particular film is that nothing was cut off of the picture, so to paraphrase Flip Wilson, "what you get is all there was to see."

    It's a beautiful film (although perhaps corny by today's computerized Matrix standards) and the use of color is rich and vibrant. Once you've seen it you'll never forget it. It's Pal and Haskin at their best.

    I also recommend other such color sci-fi classics as Forbidden Planet, When Worlds Collide, and The Time Machine. ... Read more


    20. Eddie and the Cruisers II: Eddie Lives!
    Director: Jean-Claude Lord
    list price: $89.98
    (price subject to change: see help)
    Asin: 6301520084
    Catlog: Video
    Sales Rank: 1763
    Average Customer Review: 4.77 out of 5 stars
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    Reviews (69)

    5-0 out of 5 stars I absolutely love this movie and Michael Pare!!
    I have been wild about the first "Eddie" movie since it first came out, and even wilder about this second one! I could never understand when it came out in 1989 why it was not well received at that time. I had a fit over it when I first saw it in the theater. Michael Pare was superb in both of them. I am delighted to see that other fans now are discovering this terrific rebirth of Michael Pare as Eddie and the great music! Wish you could somehow let the producer and Michael Pare know that there are many of us fans out here who want this video re-released so that others can discover it. I believe Michael Pare was somewhat disappointed that it did not do very well when it was first released in movie theaters, and I know he would be so thrilled to know that people are still discovering it and loving it! I, too, have seen it many, many times and never tire of it. Give it to the public again, Amazon!!

    5-0 out of 5 stars The quintessential Rock 'n' Roll movie of all time.
    I can't say much that hasn't already been said here. Michael Pare is phenomenal as Joe West/Eddie Wilson, a musician trying to come to grips with both his past and the troubles it has caused for him in the present. The soundtrack is the best I've ever heard for ANY movie. I especially love how throughout the movie Joe West/Eddie Wilson acts as a tutor of sorts for a speed-metal playing, self-flattering guitarist. He bestows gems of wisdom like "Music's gotta live; it's gotta breathe." A true modern-day classic movie. If Amazon can help get this movie on DVD it would be great. I count myself lucky to own an original VHS tape, but having this movie on DVD would be nice.

    2-0 out of 5 stars It's Only Rock & Roll
    If it wasn't for John Cafferty's energetic music,Eddie And The Cruisers II would be a total loss.So many times movies about rock bands go south because too much false melodrama and tension are added to pad out the story and plot.Films like the original Eddie And The Cruisers,Light Of Day,Thunder Alley and Breaking Glass are major culprits in that regard,while movies like That Thing You Do!,School Of Rock and The Commitments get it right by making the rock & roll experience fun and something you'd want to be involved with.Eddie II is actually a better film than Eddie I,but that's not saying much.Who would want to be in a band with a brooding (...) dictator of a musician like Eddie Wilson in the first place?He's talented but he's also a major jackass.And why hasn't he aged in 20+ years?He looks fantastic for a guy in his early 50's.Maybe it's the fake sideburns.The whole plotline of the tormented rock star who's inferiority complex drove him to fake his own death is really stretching it.Why didn't he just get a drug addiction and do it for real?Michael Pare doesn't display much range in these films either.He's either sad or mad and has fewer facial expressions than even Keanu Reeves.Besides the music,the only appeal the Eddie films have for this viewer is the Cheese Factor.These movies are so cheesy and bad that they're really fun to watch.Whenever I see 'em on cable I never miss 'em.Eddie lives indeed.

    3-0 out of 5 stars Bring it out on DVD
    I totally agree with all the writers who want this brought out on DVD. I have the original Eddie and would love to have this on DVD. VHS is old school. DVD is the new way to go.

    5-0 out of 5 stars If you care about the customer release this on DVD!
    I love the frist movie and this one. The frist was released onto DVD, why are you making us wait for this one. VHS is out dated and not used as much as DVD, it would only make sence to make it a DVD. ... Read more


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