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The flaws are easily forgiven in this beautiful version ofLouisa May Alcott's novel. A stirring look at life in New England duringthe Civil War, Little Women is a triumph for all involved. We follow one family asthey split into the world, ending up with the most independent, theoutspoken Jo (Winona Ryder). This time around, the dramatics andconclusions fall into place a little too well, instead of finding life'slittle accidents along the way. Everyone now looks a bit too cute and oh,so nice. As the matron, Marmee, Susan Sarandon kicks the film into amodern tone, creating a movie alive with a great feminine sprit. KirstenDunst (Interview with the Vampire) has another showy role. The youngensemble cast cannot be faulted, with Ryder beginning the movie in a roleakin to light comedy and crescendoing to a triumphant end worthy of anOscar. --Doug Thomas ... Read more

Reviews (113)

What You Would Call a "Beautiful" and Brilliant Movie
In my opinion, this is the best version of "Little Women". Although it sways just a bit from the book, it captures the essence of the book perfectly and weaves a story that works splendidly. The acting is phenominal and the casting was done incredibly well. Claire Daines, Christian Bale, and Susan Sarandon provide a stability to the movie that grounds it (and they do it so well), and Winona Ryder brings the passion and character of the beloved "Jo" that makes it such a fantastic film.

I also find this movie a thing of beauty. Everything about it, from the cinematography, to the color schemes, to the sets, to the seasons and the natural shots, to the Oscar nominated score, to the costumes, to the acting and the storyline, are beautiful. They work together in an artistic collaboration to create an atmosphere of reality and eye candy that can only be achieved through a period film. Certain period films have elements that will stand out and ruin the feeling of belief, but this movie suceeds in it's efforts to keep you suspended there, and the whole movie flows wonderfully together.

This is a brilliant movie.

This film captures the spirit of the book
While this film version of LITTLE WOMEN does not follow the book exactly, it captures its spirit with expert performances and cinematography. The soundtrack beautifully enhances this classic story of a family of women, struggling largely by themselves, in unforgiving New England.

This may be Winona Ryder's best role - she captures the ambitious spunk of Jo with a winning performance. As Jo's sisters, Trini Alvarado (Meg), Claire Danes (Beth) and Kirsten Dunst (the young Amy) give strong, if sometimes uneven, performances. Susan Sarandon as Marmee has the right measure of no-nonsense Puritanism; her feminist lines often are too heavy-handed for this film that otherwise has a light touch, but the way she sweeps into a room overshadows any flaws in the writing.

All in all, this is an excellent adaptation. Children may be bored by the art film pace, but teens and adults will delight in these characters brought to life by nuanced performances.

Highly recommended.

The best movie adaption of the novel!
Of all the versions of Little Women that I have seen, Gillian Armstrong's is the best! She definitely chose her actors/actresses well - the cast includes: Winona Ryder (Jo), Claire Danes (Beth), Trini Alvrado (Meg), Kristen Dunst (Amy), Christian Bale (Laurie), Susan Sarandon (Marmee), and Gabriel Bryne (Professor Bhaer). What an astounding performance they gave - this movie made me laugh, cry, and feel for the characters each and every time I watched it! . . . And though some of my favorite scenes from the book were missing, it still portrays the characters extremely well. I love this movie and highly recommend this to all Little Women fans, the people who didn't bother to read Little Women, and everyone else!

blah
if one was to compare katharine hepburn to winona ryder, the results would be obvious. the book isn't supposed to be a feminist account, it's supposed to be a civil war tale of a family. since it's so modern, and the acting and even the colors are modern, we never feel the full experience, or that we are in the 1800's. In the 1933 version we feel a part of the family. This is less than inspiring. how clare danes became Beth, i'll never know, what Kirsten dunst is doing here is a mystery. Although SUsan Sarandon is fine, she is the best thing in here, but nowhere near spring bryington. Christian bale is too dreamy, and his and winia'a chemisrty isn't right. it doesn't follow the book, and the cast is miscast. I don't recommend, instead watch the beautifully done 1933 CLASSIC, or even the 1949 one with June Allyson and Margaret O'brien. Skip this.

The best version, and NOT just for kids
This version of Alcott's classic story is luminescent, brilliantly acted, perfectly staged, and far more emotional than the book.

Katharine Hepburn's Jo, six decades earlier, was hard to top, but Winona Ryder does it -- with sensitivity, more believable passion, and a far more expressive face. Ryder's Jo is entirely believable in her plunging into writing with reckless abandon, more so than Hepburn, for whom it took second place to love. Yet, paradoxically, the romance is far more believable for the newer Jo when it does come along.

Everyone else in the story reflects her struggles and triumphs, and it's a stellar ensemble cast. Especially adept are Trini Alvarado, a conflicted and beautiful Meg; Claire Danes, trembling and heartbreaking as Beth; Christian Bale, giving a raucous edge to next-door Laurie; and most of all, Gabriel Byrne, a younger-by-15-years Prof. Bhaer, finally made both believable and romantic.

All actors portray the same character throughout except for Kirsten Dunst and Samantha Mathis, who assay Amy at ages 12 and 17. Others have criticized this casting, but it worked well for me, especially in the older Amy taking her propriety and "finishing" far more seriously than it deserved.

The story does depart slightly from the book, but not from Alcott, and the film is better for it -- certainly less precious and affected. A few plot elements from "Little Men" and later books flesh out this story, and Alcott's own attitudes about empowering women are brought into Susan Sarandon's quietly powerful Marmee. The Alcott family's intellectual interests inform Jo's stay in New York, adding some depth and grounding to her character and romantic feelings.

This new DVD's features are a delight, especially in Gillian Armstrong's intense narration on the commentary track. She had a vision and depth of attention to this film's details that ought to be celebrated, yet rarely is for women directors. Outtakes are also narrated, a rarity. The making-of featurette and other elements are well-shaped, though Danes's behind-the-scenes program from HBO is not present, which is a bit disappointing.

The transfers are crisp and clear, both video and audio. Thomas Newman's brilliant music can be heard on a separate audio track, and anyone who likes this film should watch it once with just his evocative (and often-imitated) score filling the ears. ... Read more

Reviews (14)

Lots of good old fashioned laughs and fun down on the farm
This film has always been a favourite of mine. Claudette Colbert, a superb commedianne always stated that the corn ball humour of this film was not really to her liking after appearing in such sophisticated fare as "Midnight", "The Palm Beach Story" and "Skylark". In reality Claudette has never been better than in this her last really successful film after a brilliant collection of both dramas and comedys during the 30's and 40's.
Some people might call the humour "corn ball" or "un sophisticated" but it is a lot of fun and the great cast carry it off wonderfully.
The film has many funny moments, Betty and Bob (Fred McMurray) meeting the unstoppable Ma and Pa Kettle (Marjorie Main, a superb and totally underated actress, in an Oscar nominated role...she should definately have won!) for the first time, Betty's hilarious "initiation" to Kettle table manners during her first visit to Ma and Pa's for lunch complete with children to numerous to count (even Ma doesn't know all their names!!). I also love the dance sequence when Claudette gets dumped with the oddest array of local yokels as dance partners. It still gets me laughing every time.
I strongly recommend this film to those of you who like old fashioned humour. I certainly have a soft spot for it, not only because of the excellent cast and the great acting by all but because my own mother was alot like Claudette Colbert in this film, she was a sophisticated city gal who moved to the country encountering many strange and funny instances along the way in her introduction to country life. Enjoy this film!! and to quote Ma, " sit back and don't stand on no ceremony!!"

Meet Ma and Pa Kettle in their first appearance.
Hop in the old truck with Bob (Fred MacMurray) and Betty (Claudette Colbert) and head for the hills of rural Washington State. Betty is unprepared for what awaits her--life on a chicken farm! Bob is gungho for the idea, but Betty has never gone near the kitchen to cook, much less to "put up all those canned goods" that Bob expects her to do! Down the road apiece live Ma and Pa Kettle and their hard-to-count-how-many children. Ma is an expert quilter and Pa is an expert borrower! You will experience life along with them going to the county fair, the weekly dances, planting a garden, everything right down to slopping the hogs. This movie is great fun to watch. I read the book, too. Try to get a copy, if you can. It is Betty's real life story. The movie is based on the book. I am sure you will be well entertained by them both.

A Funny Movie Based on a Hilarious Book
"The Egg & I", a movie based on the book of the same title, is entertaining, clean( you can let the kids watch this one), and funny. It's not quite as funny as the book, though.
Claudette Colbert is perfectly cast as Betty, the convenience-loving city girl who gets much more than she bargains for when she marries Bob, who is bent on pursuing his dream of owning a chicken ranch.
The ranch turns out to be isolated and primitive even by chicken ranch standards.
Poor Betty is forced to adjust quickly, and does so reluctantly and clumsily.
Those who read the book before seeing the movie may be a little puzzled by the appearance of "the other woman", who is absent from the book.
My suggestion: Read the book, then buy the movie, but don't expect the latter to be exactly like the former.
Both are VERY worthwhile buys, though.
If you have to choose between the movie and the book, I'd suggest going for the book.
The movie is very worthwhile, especially if you want a film that the whole family can enjoy.

Good clean fun... recommended!
A genuinely funny, old-school comedy, featuring Fred MacMurray as a city slicker gone country boy, a white collar executive who decides to chuck it all in and become a chicken farmer, somewhere deep in the boonies, and Claudette Colbert as his long-suffering, stand-by-her-man, newlywed wife. Both actors have superb comic timing, and their chemistry together-- he blithely missing her every disatisfaction, she gulping back her exasperation -- is quite good. This was also the first movie to feature the iconic "hick" couple, Ma & Pa Kettle, a Lil Abner-ish pair who went on to make several films together after this debut. I suspect this film, however, is the best of the lot. Recommended!

This is very funny!
Hi. I'm Aaron ... . Not only video game expert, but movie expert. Thank you, thank you. I couldn't laugh hard enough. Betty dances with all kinds of men, meets interresting people, falls in mud, gets ditched by her husband (or so she thinks), allows people to chatter her ears off, makes mistakes all the time, watches people act like pigs, lives around lunatics (and bears it), faints in the middle of crowds, bases her life around chickens, and bears all of it. Ma and Pa Kettle are part of this movie. You should watch it! ... Read more

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The Fox and the Hound marked the last collaboration betweenDisney's older artists, including three of the "Nine Old Men" (FrankThomas, Ollie Johnston, and Woolie Reitherman), and the young animators whowould make the record-breaking films of the '90s. Based on a book by Daniel P. Mannix, the film tells the story of a bloodhound puppy and a fox kit who begin as friends but are forced to become enemies. Tod and Copper barely establish their friendship before Copper begins histraining as hunting dog. Unfortunately, neither character develops much of apersonality, which makesit difficult to care about them. The screen comes alive near end of the film, when Tod and Copper have to joinforces to fight off an enormous bear. It had been years since Disney produceda sequence with this kind of feral power--and years would pass before theysurpassed it. The Fox and the Hound ranks as one of the studio's lesser efforts, butit suggests that better films were soon to follow. (Ages 5 and older) --Charles Solomon ... Read more

Reviews (85)

There couldn't be a better Disney movie to own on DVD.
For me, the Fox and the Hound cannot be matched by any other Disney film. Unlike the stiffer, older films and the newer, hokier ones, the atmosphere in TFATH is just perfect, truly a revolutionary point in Disney's timeline. The animation is very fluid and the characters have great design and movement. Most of the songs are more like talking than singing, but they're few and far between and manage to get the point across. A nice change from usual Disney fare in the surprisingly sad ending. Considering I'm pretty desensitized to on-screen emotion, it's unusual that I cry every time I watch this one. It's the ONLY Disney movie that can make me. Even so, there's a number of comedic moments to get rid of the tension. I'm not sure where the Amazon review got the idea that the characters lack depth. Believe me, by the time this one is over, you'll be wanting to see much more of all of them. It's an excellent feature that carries an important message all wrapped up inside a lovable, heartwarming, and poignant story. You owe it to yourself and your children to see this one.

An All-Time Favourite!
"The Fox and the Hound" was of the last films to be apart of the "Black Diamond Collection" before the "Masterpiecee Collection" came to the markets in 1994. The film was released into theaters in 1981 & 1988 and came to video in 1994! This movie is a really great and colorful movie to add too any Disney collector's collection!

The story is about a kind woman who takes in an abandoned baby fox after his mother is killed in a hunting trip. She names him Tod and considers him as part of her family. Tod then meets a bloodhound dog named Copper (Who lives right next door to the kind woman) and they eventually become good friends. They have no clue that they are supposed to be enemies (Since hounds hunt foxs and other forest creatures)

After returning on a hunting trip during the winter with his master (To learn how to hunt), Copper realizes how he shouldn't hang around Tod to prevent Tod from getting killed by his master. By this time, they are both grown up and all the fun times that they had together suddenly don't seem to matter anymore. Eventually, Tod and Copper become enemies and it is Copper's mission to hunt down Tod. You'll be surprised on what happens when Copper and Tod to come face to face!

The film also includes some great songs like "The Best Of Friends" and "Goodbye May Seem Forever" (Which I still cry at when I hear that song!) This movie will also make you cry, so make sure to have a tissue in your hand when approaching the middle part of the movie! All in all, it is a really great movie and people young and old will enjoy watching it! 83 minutes.

A Good Movie for people of all ages
I am sixteen years old and when I saw this movie, it really brought tears to my eyes. It reminds me of how me and my best friend was. I really enjoyed this movie. Everyone should watch it on Family Nights.

Friends to the end.
This is one of my favorite Disney movies. When Widow Tweed takes in a baby fox, whose mother had been shot by hunters, she names it Tod and raises it. About the same time she takes Tod in, her neighbor, Amos Slade brings home a hound dog puppy named Copper.

One day in the woods, Copper and Tod meet and instantly become the best of friends. When fall comes and Amos takes an unwilling Copper along for his winterlong hunting trip, Tod tries to convince his friends, Big Mama, Dinky and Boomer that even though Copper will come back a trained hunting dog, that they will still stay the best of friends. Big Mama tells Tod that a fox and a hound are natural enemies and that, surprise, you ARE a fox.

When the two are finally reunited in the spring, Copper tells Tod that they can't be friends anymore. After a tragic accident involving Amos's other dog Chief, Copper swears that Tod will pay. Widow Tweed, realizing that she can't keep Tod locked up forever, takes Tod to the game preserve and lets him go. Amos resolves to kill the fox, and with Copper's help, goes to track him down. But when Copper has a run in with a bear, Tod comes to his rescue and, ultimately, Copper gets Tod spared from death.

A touching story about friendship that never fails to bring a tear to my eye.

Finally a DVD Version of this Awsome movie
I love this movie a lot it has great music like "Best Of Friends"
"Goodbye may seem Forever" and "Thats what Friends Are For" are all great songs on this DVD. ... Read more

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Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman ... Read more

Reviews (150)

Good Movie about a horrible film-maker
Ed Wood, Jr. is more beloved than reviled as the "creative mind" behind such grade-z movies as "Plan 9 From Outer Space", "Glen or Glenda". Though it's generally accepted that Wood wasn't playing it straight with his horrible scripts ("he's been killed, murdered....and somebody's responsible!"; "Future events like these will affect you in the future!"), unbelievable special effects and nonesensical plots, this film slightly suggests that Wood actually bought into his own nonsense. Here, Johnny Depp (is there anything he can't do?) plays the beloved but infamous Ed, a WWII vet, failed movie maker and transvestite. Playing Ed as if doing an extended Jon Lovitz impression (his lines delivered all high-pitched and non-stop), Depp's Ed is mostly innocuous and guiless (his genuine belief in the implausible predictions of self-proclaimed seer, Criswell, are a hoot) and incapable of seeing his own sheer lunacy. The script uses "Glen" and "Plan 9" as bookends on Ed's checkered career - with the first film marking his collaboration with the then well-faded horror star, Bela Lugosi (Martin Landau), and the second marking a sort of tribute to the star who died before its completion. Director Tim Burton stocks the film with a well-rounded cast - Bill Murray as transvestite "Bunny" Breckenridge, Jeff Jones as Criswell, Sarah Jessica Parker as Ed's long suffering girl friend, Dolores, Lisa Marie as "Vampira" and George Steele as Tor Johnson - that's a lot of fun, but doesn't do much with them. Bill Murray seems at times the saddest transvestite in history, mulling his paltry earnings from Ed's flicks to pay for his "procedure" while Jones' Criswell puts a damper on things when he makes all too clear how he invents his predictions. Instead, Burton's attentions are reserved for Ed and Bela, with Landau turning in a performance that's in turns hysterical (when revealing his hatred for arch-rival Boris Karloff), heartbreaking and terrifying (the forgotten star dies trying to kick a heavy heroin habit). Even so, the script doesn't stay consistent, with the emotional and humours highs isolated in their own scenes. The script reaches a depth of sorrow and horror when revealing Lugosi's profound suffering in de-tox, yet only briefly. (The script dangles the question of how well the dying star recognized the inanity of Woods' work). In other moments, the film hints at other real-life horrors like Ed's war experiences, but much of the film is actually shy of risk. Much of the conflict is between Ed and his backers - mostly evangelicals conned into thinking they were financing a religious picture and slowly realize Ed's true caliber as a film maker. Ed fights back to preserve his artistic vision without having to prove what his vision is or whether he even has one. His flagging self-confidence is restored by a chance encounter with Orson Welles (Vincent DoNofrio, also an underappreciated Hollywood fixture, his lines dubbed by the same guy who voices "Brain" on "Pinky and the Brain"). The more famed director is about to start work on a troubled epic of his own which, though never named, will be instantly recognizable to film students as "A Touch of Evil" ("Can you imagine Charlton Heston as a Mexican Cop?", Welles laments). Plunging ahead, the film works to the climax of Ed's career- the infamous "Plan 9 from Outer Space"! With Ed's trademark horrible special effects, unintelligible plot and insultingly poor script, "Plan" is almost guaranteed cult-status. Burton only recreates some of the scenes, so the last few minutes of the film plays like a montage of SNL skits, with Ed almost crying as he savors each frame. Leaving Ed before the credits roll on his "masterpiece", we never see Ed's lowly ends, his own substance abuse problems or the more clearly horrible films that marked his latter years. Burton never confronts this and misses an ironic motherlode - whether the ridiculous fantasy of Ed's pictures were supposed to be scary, or whether in seeming scary but so ineptly so, they were actually meant to symbolize a safer world than the one he experienced for real.

Plan 10 From INNER Space -- a true American classic!!!!
Yes, Eddie!
Not only Burton's best yet, but one of the finest
American films from the 90's -- or of any decade for that matter.
Cleverly written, lovingly directed, stylishly shot, acted
with empathy, scored and designed with tasteful camp, ED WOOD
is a virtual paen to Hollywoodism (whatever the hell THAT is!).

Just Czapsky's cinematography or Shore's soundtrack alone are
worthy of immense praise. And Tim Burton hits all the right notes flawlessly (for a change). Definitely his Citizen Kane.
Can't praise Depp and Lugosi enough, nor the editing, or....oh, hell! If you have any affection for the 50s, or B-Movies, or Bela Lugosi (God rest his soul), or Maila Nurmi (yum-yum), or angora, or pulp American cinema - meaning REAL American movies - then you should be a fan of this movie, regardless of what you think of Ed Wood's stuff.

Last point.
This movie is overdue for a worthy DVD treatment: docus, bios,
making-of-background -- the whole bit.
Was good enough for an Oscar for Landau, so why are we still waiting?
Yes indeed, pull that (angora) string!

No really this is good, honest
Watching Ed Wood movies and watching Ed Wood there is an alarming thing - Ed Wood's life was better suited to a movie than he was as a director! And as he tried woefully to express this side of his personality to the public with the woeful Glen or Glenda ( " Did you see the movie? Uh huh. Worst movie you saw in your life? OK but how about.....hello hello! )

Johnny Depp is hilarious as Ed and really plays the part extraordinarily well. You almost feel sorry for him as he gets rejected from everyone because he seems to have his intentions right no matter how skewed they end up being.

Of course Ed has a fetish for women's clothing which would make itself known in the film Glen or Glenda but Dolores wouldn't know about this until she read the script. Let's just say she doesn't take to it as well as Ed's rather naive script would like her to be! Although I have to admit that Sarah Jessica Parker is not exactly that easy to like in the movie

Martin Landau is the one who I think plays Bela Lugosi and I have to say that the resemblance is uncanny that you almost feel like singing the line from the Bauhaus song Bela Lugosi's Dead -" Oh Bela, Bela's not dead " indeed!

Bill Murray is fantastic in his role. As ever, he has the best lines in this movie. One of the best roles I've seen him in

I've seen this film - it must be about nearly 7 or 8 times and it's so funny that some of the lines in it are implanted in my head. One that has to be watched for those interested in seeing something a little unusual

My Favorite Movie of All Time
I have watched this movie probably 100 times and can never get enough. I cannot believe it hasn't been released on DVD yet.

The portrayal of Ed Wood is of a guy that never gives up even though he is terrible. Ever the optimist and the king of spin. He gives his pre-released version of 'Glen or Glenda' to a producer. When ED is told it's the worst movie the producer has ever seen---Ed's answer, "My next one will be better!"

When Ed is told that Bela will be kicked out of re-hab due to lack of insurance---Ed goes to Bela and tells him, "The tests all came back great---you can go home now."

Ed is a testament that it is more important to be positive and tenacious----rather than good.

Martin Landau REALLY deserved this Oscar. Like another reviewer said, he becomes Lugosi. I really feel Martin's portrayal of Bela more than I have ever felt any on-screen performance---ever. He brings me to tears almost every time. It's heartbreaking, funny and perfect in every single way.

From getting the whole crew baptized to finance a movie----to parading around the set in a wig and a dress. It's a great movie.

Enjoy!

Release it on DVD already!!
I'd heard good things about Ed Wood from critics, and decided to rent it to see for myself. After all, most of the movies I enjoy the most are movies that are panned viciously by said critics. Guess what? for once, I agreed with the "screen snobs" and enjoyed this movie just as much as the ones normally dismissed by the critics.

Johnny Depp is brilliant as the ever optimistic, supremely untalented Ed Wood. It is strange to contemplate the irony that it took such a top notch director, cast and writer to honor someone like Ed.

Speaking of brilliant, don't miss Martin Landau's Oscar winning turn as Bela Lugosi. By turns hilariously profane and poignantly troubled, Landau earned his Oscar for this part.

I just wish the powers that be at the studios would hurry up and put this gem on DVD so that we can all enjoy it! ... Read more

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Billy the Kid is reimagined by director Sam Peckinpah as a kind of Old West rock star, a young man who wants to do his own thing but constantly runs up against the objections of the establishment--in this case, the cattle barons who run this part of the country. Peckinpah indulged in some quirky casting, including Bob Dylan as an outlaw named Alias and most of Kristofferson's band as Billy's gang. He also draws exceptional performances out of a cast of old veterans, including James Coburn as the reluctant Pat Garrett, R.G. Armstrong, Katy Jurado, and Slim Pickens, who has a terrific death scene to Dylan's "Knockin' on Heaven's Door." Look for this longer version (122 minutes); the shorter version is the one that MGM recut against Peckinpah's wishes, removing all the character development and Peckinpah's elegiac sense of the Old West in favor of action and violence. --Marshall Fine ... Read more

Reviews (42)

Outstanding Western
This is a stunning Western by any count, whether its the exhausted 70's patina (strangely similar to Easy Rider), Coburn's whiskey-soaked degenerate ambiance, or Peckinpah's inspired and artful trademark mayhem (yes, it even has children playing on a hangman's noose). Forget about Dylan's "Peas ... corn .. carrots" scene, which is completely idiotic and funny only in a 1973 "I'm stoned on brownies and watching Dylan read vegetable cans, wow man" sort of way. Dylan could actually have provided his soundtrack and been done with it. Because that soundtrack is crucial to the lasting and laconic mood of the film. The image of a wounded Chill Wills going to his knees for death while Heaven's Door plays in the background is far too poetic for words. That scene will stay with you for a very long time. As Billy, Kristoffersen has somehow mutated into a baby-faced Jim Morrison lookalike. Coburn is a grizzled and cynical character, hard nosed and out for himself. "I aim to be rich, old, and happy, in that order." The mood throughout the film is fated, inevitable, manifest destiny, "just doing my job." Billy/Kristoffersen is the single character who fights the inevitable: "Times might change, not me." Dozens of great lines in this film. A unique ambiance. Interesting twists and characters. Definitely a keeper.

Did I rent the wrong version?
While recently reading Howard Sounes' "Down the Highway - The Life of Bob Dylan," I rented this movie at my local video place. The "baby-faced" Kris Kristofferson is well worth the price of rental. Dylan's performance is one long wry wink at the Western genre. I watched the movie three times and still never heard Bob *SING* "Knockin' on Heaven's Door." Sure, there's a haunting instrumental version accompanying Chill Will's death walk to the creek bed, but I thought I remembered Bob singing it in the theatrically released version?

this needs to be on DVD!
This is a wonderful Western. Extremely stylish. Both Colburn and Kristofferson are cooler than cool. You might also want to check out the Last Days of Frank and Jesse James. It lacks Peckinpah's style and is a tv movie, but it's on DVD and Kristofferson is great as Jesse James.

Jack Elam at his best
The portrayal of Alamoosa Bill by Jack Elam is a classic. It's a shame The Kid has to shoot him, but it's the exclamation point of Elam's skill as an actor. The soundtrack is superb. Rita Coolige is in her prime. See it!

Pat Garrett and Billy the Kid
One of the best Westerns out there! I just love Rita Coolidge. I've got this movie on Letter Box Laser Disk, but I just can't wait till the DVD arrives! How much longer must we wait?? ... Read more

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The greatest trilogy in film history comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King.Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes.

One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance.It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film.In fact, "valuable but not critical" might sum up the ROTK extended edition.It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers.We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields.It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut.

And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see.Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness.As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes.Another big difference is Aragorn's confrontation with the King of the Dead.In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions.If you feel like watching the relatively shorter version you saw in the theaters, you can.If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. --David Horiuchi ... Read more

Reviews (60)

Latest Details On ROTK: Extended Edition
Not sure why there's such a vacuum of information available here on ROTK- the platinum extended edition release.

Its no secret that Peter Jackson has finished the version - and that it contains a whopping 65 minutes of additional footage that was cut from the theatrical version, putting the final movie at four hours and ten minutes. Awesome!

Apparently there was some rumor that New Line Cinema was going to cheap out on the special effects for the extended release version - and go with a cut-rate American outfit instead of the New Zealand firm they've worked with on the prior two films - but this was just that - a rumor, as far as I've been able to obtain.

New Scenes from the book to appear in the extended release version include the following: Confrontation with Saruman at Isengaard in which the Palantir is acquired (tossed out tower by Wormtongue), Parley with the Mouth of Sauron outside the Black Gates, Merry pledging his swoord and allegiance to Theoden, Sam and Frodo, disguised in Orc garb, marching with (and then escaping from) Orc Troop in Mordor, Eowyn and Faramir meet in the Houses of Healing in Gondor, and finally, a scene in which Aragorn reveals himself to Sauron in the Palantir.

All in all, good stuff. The only liberty it sounds Jackson has taken with the material is that Saruman is killed in the confrontation at Isengaard - falls to his death from the tower - rather than simply cast from the order, stripped of his power and humiliated by Gandolph, as the book. We can certainly live with that, can't we?

The KING of the Entire Trilogy
I loved "The Return of the King" in the theater. I thought it felt much different than the previous films, with more humor, more story, and definitely more battle sequences. Some people might wonder why I gave the film 4 stars. Well, it's because I didn't enjoy the ending. After the Mount Doom sequence, I think the film gets pretty boring. But, it is a great movie.

In this Extended Edition, we will see the death of Saruman, which was covered up in the theatrical release with a few cheesy lines from Gandalf and Treebeard. We will also see a pledge scene from Merry to King Theoden. There are many other extended sequences, including a song from Arwen (which makes the White Tree of Gondor grow), a new Palantir sequence where Aragorn reveals himself to Sauron, and a Houses of Healing scene revealing the romantic backstory between Faramir and Eowyn.

Another scene that will be added is the confrontation at the Black Gate between the Mouth of Sauron (played by Bruce Spence) and our heroes. Also, an awesome battle sequence between Gandalf and the Witch King will be added and the death of Gamling on Pelennor Fields will be able to be viewed, along with a scene where Frodo and Sam (disguised as orcs) escape a column of orcs marching to Cirith Ungol on their final leg of the journey to Mordor (this is the stupid "Where There's a Whip" scene in the Rankin/Bass "Return of the King").

As for the special features, Peter Jackson will proabably include his usual documentaries, the commentaries by all of the cast members, a few pre-viz and photo galleries, along with a special easter egg of an MTV "Lord of the Ring" spoof (as he has done before with "The Council of Elrond" parody with Jack Black and the MTV Awards Gollum acceptance speech).

All in all, this Extended Edition of "The Return of the King" will be a great way to end the Special Edition series. I look forward to watching it.

An amazing cinematic accomplishment
I think these films have done an EXCELLENT job of capturing the essence of Tolkien's writings. Once I read the Silmarillion I was completely drawn in. Vividly imaginitive and truly epic story-telling. The films stay true to these themes even with the changes done in the story! I really don't mind them. The Extended DVDs are a must for any fan of Tolkien! I'm anxious to get the third one! For me the Return of the King is THE best film ever made.

Best of the BEST!
The entire LOTR Trilogy is out of this world!! Return of the King is definitely the BEST of the BEST!!!!!!!!!! I have read the books hundreds of times and I waited for the movies with great anticipation! Peter Jackson and everyone involved with LOTR did extremely well. Return of the King proves, without a doubt, that the best can only keep getting better!

awesome feat of wonder
These films are incredible. I feared the worst (I couldn't imagine how anyone could make these books into film without totally screwing it up, but Peter Jackson and his team did it and did it superbly). I've read the books about 5 or 6 times + the appendices (one has to read the appendices to appreciate the films) + the Silmarillion. Yes Jackson did indeed deviate from the film at different points, but frankly, to do a film that perfectly follows such a long and detailed story would have made for some incredibly long boring film stretches. In other words, what works in a novel doesn't always translate well in film (i.e. Stephen King's "The Stand" Great book, lousy movie). Different form of story telling. Jackson and crew did a tremendous job in staying true to the basic story and if certain characters are missing (like Tom Bombadill)it's because they weren't central to the tale. I noticed the changes, but I wasn't offended by them. I am amazed. Have purchased both extended versions of FOTR and TT. I wait with anticipation for ROTK extended edition (when will it be out? Tell them to hurry). ... Read more

Amazon.com essential video

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. --Tom Keogh ... Read more

Reviews (339)

Well worth your hard earned money
This new two disc set for the Lion King is yet another masterful DVD production job by the Disney folks. The video and audio quality are top notch, with plenty of choices how to see the film (both original and extended). There are an amazing amount of extras included on disc two, it will take some hunting to find them all, and quite a bit of extra time to view the entire contents. A few are overly self promotional, but there is so much stuff here, just skip to the next item if that bothers you. Some of the games are actually fun too.

With both Lion King and Sleeping Beauty being newly released on DVD right now, if you can only get one of them, there is no question this is by far the better choice. The impressive animation, the story, the fantastic sound, the extras are all superior in this Lion King package. This still isn't my favorite Disney release (Roger Rabbit will always have that honor), but maybe top 5--certainly top 8.

Lion King Platinum is well worth the investment for your DVD collection. Your family will get many years of enjoyment from it.

The Lion King
The first time I ever saw "The Lion King" was on September 14th 1995, the day it came out on video. Strangely, I went to all of Disney's releases from "The Little Mermaid" to "Aladdin" (including rereleases of their older classics) but missed out on "The Lion King". Silly me. "The Lion King" is a masterpiece. The film is visually amazing. Some scenes stand out in particular; such as the wild-beast stampede and the opening sequence. The movie wouldn't be completed without the powerful score and songs, composed by Hans Zimmer and Elton John, respectively. The Oscar-winning "Can You Feel The Love Tonight" and the ever-popular "Circle Of Life" are all here. The characters in this movie have also become wildly popular, especially Timon and Pumbaa. The villain, Scar, is the ultimate villian: evil and deceitful, yet wit and sarcastic. In this 2-disc special edition, the film looks like a video-game, in terms of sharpness and clearity. You won't believe of how smooth the image can be. "The Lion King" is a movie that deserves all the praise and success that it had gotten.

Earns its place among the old Disney classics
Animation films are incredibly tricky. Adults(or just mainly uptight people view animated films as kids only. However kids see them as great pieces of film that they "get". For once, Disney gets it right. This was really a powerhouse film when it came out and held the record for the biggest animated film of all time(until recently when a so-so film about finding a fish called Nemo came out).

Simba is a young lion in the Serengeti(they call it the Pride Lands though) who just can't wait to be king. However, he's a mischievous little cub who gets into trouble a bit easy. When a terrible tragedy strikes, Simba exiles himself where he meets a warthog and meerkat and develops a carefree lifestyle. Now an adult, he returns to the Pride Lands to reclaim the throne from his evil uncle, Scar.

Sounds a bit like Hamlet huh? But you won't care. Many impossibly catchy songs, funny moments and jokes and words that even appeal to adults(do you really think a kid would understand "illustrating the differences in your royal mangerial approaches"? Exactly.)

Voice acting is top notch, animation is absolutely gorgeous, and it's done by hand by the way, none of that Finding Nemo/Toy Story/A Bug's Life CGI stuff. There's a reason why this is considered the best Disney film but you owe it to yourself to find out why.

This is NOT a violent movie for kids
I'm sorry, but if you found this movie to be too violent for kids over the age of five, then you're robbing your children of a valuable experience. Yes, there is death. Yes, it is not a safe and simple death. But kids CAN handle it. An evil man killed a great man. It's not a theme that kids should enjoy, but it's one that is of particular resonance to us as Americans. This movie is simple, beautiful and moving- seemingly one of Disney's last treasures. While the Broadway show may be even more moving, this movie has the power to move us. I hope you'll see it if you haven't. I hope you'll let your kids watch it if you haven't. And I hope you'll enjoy it as much as I have. Humbly submitted, -Matt Calcara, Overland Park, KS

Best movie of all times
I really love this movie it was so cute and the songs were great I gave my neice this movie when she was born and she watches it all the time and she is 7 years old now Thanks to everyone who created it your the best ... Read more

Amazon.com

Unlike the fly in the 1958 horror classic, they never really explainwhat happens to the neighbor's sheepdog when young Wilby Daniels trades places with it. The dog just vanishes, or is subsumed or assumed or something, leaving Wilby (Tommy Kirk) to explain to his dog-hating, allergic, mailman father (Fred MacMurray) that he's turned into a canine.The Shaggy Dog seems like the first instance of Disney packaging, as most of the principals were either Mouseketeers or had been in the short Disney segmentSpin and Marty or a previous Disney film. As successful as The Absent Minded Professor for humor, Dog follows Wilby and a rival as they vie for the hand of the new French girl in school, and the girlnext door (Annette Funicello). The exchanges with Wilby's younger brother, Moochie (Kevin Corcoran), who always wanted a family dog, are alone worth the price ofthe tape. Indeed the most successful element of this overall endearing film is the re-pairing of the two actors as brothers (they had done so before in 1957's Old Yeller). This is family fare that's diverting without pandering, a feat that the later Disney regime would have a difficult time re-creating. --Keith Simanton ... Read more

Reviews (5)

Sweet, nostalgic Fun
This movie may seem a pretty dated to today's kids and teens, but adults will enjoy this family film about a boy (Tommy Kirk) who can shape-shift into a big, shaggy dog. The wonderful Fred MacMurray plays his allergic-to-dogs father.It is funny and innocent, set in a more carefree time. I highly recommend this movie. 5 Stars!

Hot diggetty Dog!
I hadn't seen this black and white Disney classic since I was knee-high to a sheepdog! It's a fun reunion with old friends and an enjoyable treat for the whole family. Fred MacMurray is a mail man. He hates dogs. His older son, Wilby (Tommy Kirk) is a geeky teenager. Younger son Moochie, (Kevin Corcoran) wants a dog. Annette Funicello (after the Mickey Mouse Club but before the Beach) is the girl next door whose hold on Wilby and his friend Buzz (later to be the eldest of MacMurray's Four - there were 3, and then he left and Ernie - Chip's real-life brother- came and there were still Three - TV Sons ) is threatened by an exotic new girl on the block, Francesca. Francesca has a very large Bratislavian (Shaggy) Sheepdog and a father with lots of unsavory friends and associates, including Struther Martin who will later have a "failure to communicate" with Paul Newman in "Cool Hand Luke."

It is 1959. It is the height of the Cold War with the USSR and its Eastern Bloc. Wilby has stumbled (literally) into possession of an accursed ring of Lucretia Borgia's - which, at unpredictable times and places "shape shifts" him into the Shaggy Dog or back into Wilby. In his various incarnations, Wilby overhears a plot to destroy America. He and his family and friends must save Democracy! Along the way we see a pajama clad Dog gargling and brushing his teeth at the sink before bedtime, chatting with confounded policemen, and leading them on a merry high speed car chase. A Bratislavian Sheepdog driving a convertible at a rapid rate is quite a sight to see! My favorite line is Buzz (an Eddie Haskell type of adolescent) hitting up Wilby for some money. "I'll need some gas. You wouldn't happen to have a buck on you?" Things have changed.

Disney gets big laughs with new comedy formula
This movie has kids and teens, animals, fun music, a magic ring that changes a person into a dog, spies, fumbling police, mixed up identities, fast cars, action and chase scenes, and a suffering dad who has to take the brunt of his boys antics including an attempt to prove he is crazy by a psychologist. This is an important film as the first live action comedy made by Disney introducing a popular series of formula Disney comedies through the sixties. The best parts of this film were mimicked in so many others.

It is also the first Disney film to feature Fred MacMurray. This was a comeback vehicle for the actor who was languishing without much work since the type of film he was known for was no longer produced. But after this film he went on to do many films for Disney, the "Absent Minded Professor" and its sequal "Son of Flubber","Bon Voyage", "The Happiest Millionaire", "Charley and the Angel", and "Follow Me Boys", a non-comedy sentimental film Dinsey made about a boy scout leader.

Tommy Kirk is also in this film as Freds son "Wilby" and the hero, of sorts. After all, he is the one turns into a dog with the accidental help of a magic ring. Juvenile Disney star Moochie (Kevin Corcoran)plays his younger brother, and is outright hilareous with his show stealing antics. The ever charming Annete Funicello is here, along with a couple of other Mouseketeers in bit parts. But mouseketeer Roberta Shore plays the sweet Franceska, the new neighbor that Wilby falls for. Her dog looks just like the dog that Wilby turns into when he is enchanted, so Wilby takes his place to find out how good a dog's life really is. But Wilby soon finds out that her villainous father is a dangerous foreign spy.

While it was filmed as a low budget piece, it was very succesful comercially raking in $8 million in its first theatrical release. That was very big in 1959. The movie concept was first offered to a TV network as an idea for a new series, and they gruffly turned it down as "a stupid idea that no one would want to watch". Walt made it anyway, turning it into a theatrical release. When the crowds poured in to the theatre the studio boss called Walt to admit his mistake. Walt laughed all the way to the bank, and created a whole series of movies based on some ideas from this movies formula. This includes the police officer scratching his head, and other character actors that seemed to crop up in the next dozen comedies.

A great Disney advertising campaign aimed at teenagers capitalized on the then-current fad for "I was a teenage ____" movies. The film starts with some great animated titles done expertly by veteran Dinsey animators X. Atencio, T. Hee, and Bill Justice. Released in 1959, written and produced by Disney Studio man Bill Walsh. Directed by Charles Barton. Disney veteran Bill Koehler did the animal training with the sheepdog that is used in some scenes as he did on at least half of the Disney films. (read his rare book "The Wonderful World of Disney Animals" if you can find it.)

Look out for famous Disney voice talent Paul Frees in this, he is the narrator and is seen as the psychiatrist (a rare on-screen appearance for the voice actor). His famous voice is featured throughout Disneyland ride attractions, especially in the Haunted Mansion (ghost host)and Pirates of the Caribbean.

The plot has a touch of 50's paranoia about the cold war, but spoofs it rather than warning of the dangers. Kids just love this film and so do parents and teens.
A sequal called "The Shaggy DA" was made after this. This movie was also remade recently for television by Disney with more modern effects.

Just hilarious.
This is one of the funniest Disney movies they ever made. The adults are goofy, the kids adorable, and the exchanges between the two brothers....priceless. I'd forgotten how much I love it.

Funny
this is a funny movie about a teenager who finds this magic ring and reads what it says on the ring, he sometimes (you never now when) will turn into a dog, and worse the dog that he turns into belongs to a girl he likes. very funny good family movie ... Read more

Reviews (72)

Doris and Rock's best movie
Without a doubt, this film is the apex of the Rock and Doris screen collaboration. It's an absolute delight from the opening scenes until the credits roll. It's also a wonderful time machine of the 1950's, and even though I was born after this film was made, it always make me feel as if I experienced this decade first-hand. Doris Day had a charisma on screen that is indescribable and it's never been put to better use than here. You just want to hug her to bits, she's simply adorable and her character makes the film. Rock gives one of his best peformances and he was always better when Doris was around. They screen chemistry is fabulous, exceeded only by Tracy and Hepburn. It's obvious these were two people who liked each other and felt comfortable in each other's company. Thelma Ritter and Tony Randall give superb supporting performances.

Another wonderful thing about Pillow Talk is that it's still extremely funny. There are many scenes where you will laugh out loud. The entire interplay between Doris and Rock (when he's Rex Stetson) is hilarious and holds up beautifully. Another favorite scene is when Rock is confronted with his re-designed apartment, all at the hands of the scheming Doris.

They don't make 'em like this anymore. People of all ages should love this film. I watch it every few years and always find something new to admire or laugh about. A highly recommended and enjoyable movie. One word about the DVD version: I was disappointed in the quality, it's a little grainy. There are also not many extras, excepting the theatrical trailer.

A Comic Inspiration...To Me!
Of all the classic comedies that starred Doris Day and Rock Hudson, or the two stars with other co-stars, this remains my favorite.The legendary late Rock Hudson was at his peak in this romantic comedy, and who better to showcase his charms against, than quintessential girl-next-door, Doris Day. Hudson thrives on his ability to charm indeed, as a songwriter named Brad Allen. Brad is a love-em and leave-em kind of guy, who entertains a seemingly endless array of lovesick females at his well equipped bachelor pad. He also sings to them over the phone for hours on end, tying up the telephone party-line he shares with Jan Morrow, interior designer, enter a perturbed Doris Day. Every time Jan picks up the phone, she hears Brad sing "You're My Inspiration...", and always with a new girls' name attached to the end. Flabbergasted at his womanizing, she sends a phone company rep to have a word with Mr. Allen, only to find that she TOO has fallen for the tall dark and handsome playboy. .............. Jan tells her boyfriend of sorts played by the wonderful veteran comedy legend Tony Randall, about her dialing dilemma. Randall, as always, plays himself. He's neat, dapper and proper, as not only Jan's boyfriend, but Brad Allen's friend and boss as well. After extoling the virtues of Jan to Brad, and mentioning that she shares a party-line with "some nut", describing the singing phone routine, Brad is too curious to find out what Randall is so wild about. After Brad Allen finally glimpses Jan Morrow dancing at a club, and sees the other end of his party line is not the shrew he expected, he sets out for his sweetest conquest of all................ "Pillow Talk" is a timeless gem of classic comedy. Amazingly, it was considered quite risque in it's time. This only goes to show just how jaded the world and cinema has become since 1959. Rock Hudson was actually embarrassed, and nearly declined the role. We can speculate in retrospect why he felt that way, but no one could've been a better cad than Rock as Brad! The one and only Doris Day is sweet as sunshine, until the duped decorator delighfully disarms Mr. Allen's charms, leaving him, for the first time, really in love with someone other than himself. Thelma Ritter is amusing as Jan's perpetually hung-over housekeeper. It's a truly comic moment when Ritter counsels Brad over a few too many drinks on how to win Jan over, and Hudsons' head hits the table with a thud, while Ritter babbles on oblivous to her companions condition. Tony Randall is his classic prim self, and laugh out loud funny, as he storms into his own place to rescue Jan from the smug seducer huffing the line "At least you could have had the DECENCY...to bring your OWN champagne!" .............. There are too many wonderful moments in this film to cover them all. If you somehow haven't, it's far better for you to enjoy watching this long lost genre of the innocent, fun, fresh feel-good romantic comedy, and experience first hand, the pure delight it has to offer in abundance.

Wonderful comedy of 3 Hollywood Stars with amazing chemistry
I grew up knowing about Doris Day because my mother was/is a big fan of her comedies. When I first saw "Pillow Talk" I was a mere child (the film was made the same year I was born). Over the years I have watched it frequently, and now have it also on DVD. The film continues to entertain and delight me, even as my impressions have changed with time.

Doris Day, Rock Hudson and Tony Randall had a wonderfully delightful chemistry amongst them! From the opening where Doris is humming "Pillow Talk" after the intro is completed, to the far-fetched but humourous end when Brad Allen (Rock) is trying to tell his friend Jonathan that he is going to be a father, the film is simply splendidly performed throughout! Credit must also be given to the script writers Stanley Shapiro & Maurice Richlin, director Michael Gordon & Producer Ross Hunter.

Even though I was born the year "Pillow Talk" was made, I didn't even know party lines existed until I visited a great-aunt in Northern Minnesota. I remember picking up the phone and hearing people talk. WHAT A DISCOVERY! It put the film in a new context for me when I saw it later (I am not sure if I had seen it before). I suspect that the younger generation might not understand even the notion of party lines in our age of cellular phones and internet. In this regard, the film takes us back to a less techonologically advanced time, but a time where life seemed somehow more relaxed.

I delight in seeing New York City, Central Park, and the American automobiles in the 1959 frame of context. One question that pops into my mind: did people in NYC really have such big apartments with a single woman living alone, and still affording a maid to come in each day??? Was the maid really paid enough to make a living from it? Did NYC really have that sort of "everyone knows everyone" feel such as when Kelly the police officer congratulates Brad Allen as he carries Jan Morrow from her apartment to his? I doubt it, but the fantasy is lovely!

Rock Hudson did a really fun impression of a Texan rancher up in New York. Tony Randall was extremely funny as the self-deprecating multi-millionaire in love with Jan, and Doris simply glowed from beginning to end. The last few times I have watched it, which has been recently, I have been struck by the sexual frankness it explored. Brad the playboy, always luring in the beautiful women, Jan the wonderfully moral interior decorator, who shakes her tush in a very sexy manner at a nightclub when Brad first spots her, and the budding romance that develops between the two when he becomes "Rex Stetson", a cowboy from Texas. "Rex" playing the moral companion who would do nothing to offend the proper Miss Morrow, while inside he is sizing her up and biting at the bit to ... well bite at her bits? When the gig is almost up, "Rex" innocently suggests that Jan join him for a weekend in Connecticut. While there was no actual sex occuring, it is made clear that it was about to happen when Jan figures out the ruse Brad Allen has played on her. Hollywood, perhaps afraid of the extent of this sexual frankness, has Miss Morrow crying at the diner where she and Jonathan stop for coffee, saying "I thought we were going to get married." Good girl image preserved!

Later, when Brad Allen conspires with Jan's boss to have her redecorate his apartment, the scene of the music beginning to play and the double bed automatically folding out with sheets in place left no doubt what sort of life Brad led prior to falling in love with Jan. He was a playboy through and through and measured success by the quantity of women he successfully "entertained" at home. Growing up believing that promiscuous sexuality was a by-product of the late 60's counter culture movement and "summer of love", it struck me how direct and unambigious this scene was. However, in a very moral and virginal way, Jan's virtues are protected until she hears that Brad wants to marry her and in fact, loves her very deeply.

I am particularly fond of stories where romance changes a person for the good. Being an adult and a male, however, I wonder if such a womanizing playboy could and would remain ever faithful to the woman he loves for all eternity and never feel the need to stray again. It is fun, however, to believe that love was the true redemptor and that Brad and Jan lived happily ever after. Isn't this the great promise of romance AND fairy tales.
In both genres, Pillow Talk succeeds beyond measure and I love it more each time I see it.

P.S. The music is great too. Love "Roly Poly", "Possess Me" and of course, the theme song!

funny!
This is truely one of the funnier Doris Day movies. I enjoy watching it. The first time I saw it was on tv and I just loved it. It's funny and it has a storyline that isn't tired and boring. I would reccomend this movie to anybody who likes musical comedies. The only thing I disliked a bout this movie was that Rock Hudson had to sing. He wasn't too great!

Pillow Talk
Rock Hudson and Doris Day always been one of my favorite classic couples of the 1950s films. Pillow Talk is one of my top titles for their team up. When an uptight decorator share a party line with a carefree playboy who would know that when they meet it would end up love at almost first sight. The late Tony Randall always seem to play the man stuck in the middle of the two in so many of their films that he's a terrfic straight man comic addition. ... Read more

Reviews (16)

Less is always more.
After seeing all the overstuffed bio-musicals which are paying homage to Kern, Rodgers, Hart, Gershwin, and the like, this one is a breath of fresh air because it is much simpler and more basic in its construction. Its two main leads (Fred Astaire and Red Skelton) do not take the material over-the-top; instead they underplay, and in Skelton's case, he is so subdued that he reveals a wonderful, sensitive, acting talent. The musical numbers, of course ("So Long Oolong," "I Wanna Be Loved By You," "Three Little Words"), speak for themselves. And Astaire and Vera-Ellen are sublime in the shipboard dance of "Thinking of You," as they dance around and over pieces of furniture in a stateroom large enough to accomodate a piano. Arlene Dahl and Gloria DeHaven are fine as well. And, of course, you have a pre-'Singin' In The Rain' Debbie Reynolds performing as the 'boop-boop-a-doop' girl Helen Kane- with voice provided by Kane herself!!

This is the greatest songwriting/dancing musical ever made!
I am only 12 years old, and my little sister is only 9, but "Nevertheless" (one of the songs in the movie) we're in love with it! Fred Astaire and Red Skelton play the roles of fabulous songwriters Bert Kalmar and Harry Ruby. The story is marvelous, the score beautiful, and the dancing performed by talented Astaire and Vera-Ellen tops many other teams! I highly request it if you have good taste in movies! And I guarantee you'll be singing yourself asleep with songs like "Three Little Words", "So-long Oo-Long", "Thinking of You", etc. Enjoy, cause I know I did!

Arlene Dahl IS GREAT, but underused
This is one of Astaire`s lesser known vehicles, but in my opinion - 1 of his very best. It was his own favorite movie. He is a delight co-starring with Red Skelton(his intense comic style is toned down here) and has a wonderful chemistry with the great dancer Vera-Ellen. The film is full of good songs and memorable supporting players including Gloria DeHaven(as her own mother Mrs Carter DeHaven), Debbie Reynolds(dubbed by Helen Kane) and Carleton Carpenter. Debbie and Carleton was reteamed in the Jane Powell film TWO WEEKS WITH LOVE and indeed stopped the show with "Aba-Daba Honeymoon".

But when the Norwegian actress Arlene Dahl enters the film; she brings the film a step further. Her beauty and charm makes u go wild and her "I Love You So Much"-number good and simply staged. Unfortunately her role as Eileen Percy - the silent movie star - is a minor 1, but she glows every time she`s in front of the camera.

Miss Dahl has visited her homeland many times and has done wonders for the Norwegian community in the States. She is also the mother of Lorenzo Lamas of Falcon Crest and Renegade fame.

Wish there were more dancing!
I absolutly love Fred Astaire, and I also like Vera-Ellen when I first saw her in White Christmas. WHen I found a movie with the two of them I was so excited to see two wonderful dancers together. But, unfortunatly they dance together only in the beginning when he hurts himself and then gives it up for song writing. Nevertheless, the movie was good and I enjoyed it, but if you want to see it because you look forward to lots and lots of good dancing with Fred and Vera-Ellen then you might be slighty dissapointed like I was.

Another fine Fred Astaire film...!
A brisk, enjoyable Fred Astaire flick, which features Fred and Red Skelton as the prolific Depression-era songwriting team of Bert Kalmar and Harry Ruby, who wrote standards such as "Whose Sorry Now," "Nevertheless," and "I Wanna Be Loved By You," known for its "boop-oop-a-doop" refrain, sung by squeeky-voiced Helen Kane. Astaire and Skelton play things pretty low-key in this straightforward potboiler; Skelton is particularly likeable with his big-lug interpretation of Ruby's personality and Astaire... Well, he's just Astaire, which is to say he's great -- wish maybe he'd danced a bit more in this one. The music is nice too, especially when they sing as a duet; the movie's only downside is the drab female leads, Arlene Dahl and Vera-Ellen, both of whom are a bit dull, and don't sing that well. All in all, though, an entertaining, pleasantly nostalgic film, well worth checking out. ... Read more

Amazon.com

Don't waste this one on your children: buy it for yourself. A spectacular adaptation of the Anna Sewell novel, this is faithful to the source material but creates a life of its own on the screen. Told from the point of view of the horse, it recalls a time and a place that could be both beautiful and cruel. Black Beauty faced both hardship and kindness as he passed through the hands of many owners throughout his life. Some are generous, but the agonies endured by the title character may be too harsh for small children. Unfortunately, director Caroline Thompson did not resurrect her magical touch a few years later with another animal tale, Buddy. --Rochelle O'Gorman ... Read more

Reviews (39)

A movie to be enjoyed by all.
I've been watching Black Beauty since it came out in 1994 when I was 9. The enchanting cinematography, thoughtful narration and beautiful horses stick in your mind long after the movies is finished. I've worn the tape out and recently bought it on DVD. I watched it immediately with friends who made fun of me. 19 and in love with a horsey movie?? Luckily I forced them to watch it and they were soon engrossed in the fabulous story. I have never read the book, but anyone who dislikes this movie because it isn't "true" to the novel is a sad person indeed. This is a great movie that can be enjoyed by horse lovers or even people who aren't that fond of horses. A good movie is a good movie, and Black Beauty will remain a timeless classic.

Beautiful movie for horse-lovers!
Black Beauty was one of the best movies I've ever seen! Docs Keepin Time was an excellent "actor". There was inhumane treatment of the animals and Ginger was so tragic. The horses had no say in anything and were abused yet they tried to please their masters. With kind masters they flourished and the ending was beautiful. The music was evocative and everything it this movie made me cry. (It was also an excellent book.)

The Best Movie Of All Time
Just like the first reviewer I have been watching this movie since I was 9 years old back in 1994. I am nighteen now and haven't seen the movie for a while but still remember it dearly as it was my most favorite movie on my shelf as a child and teen. I still have it even though it's worn quite a bit but I will show it to my kids. The movie always brings me to tears. I quote the first reviewer, "A good movie is a good movie, and Black Beauty will remain a timeless classic."

A bit boring. 15th april 2004.
Kids would probably enjoy it. It was quite good the first time i watched it then i thought it was a kiddy film, but anyone would normally like these sorts of films. Not me it isn't my type.

I'm sure kids will love it but adults be prepared
I love horses and will watch almost any movie with them in it. But because I work with them I am also sensitive to their correct portrayals in film.

Although lovingly filmed, with very pretty scenery, nice settings and good actors, this movie was disappointing. It was not its faithfulness to the book I call into question - a good movie adaptation will always have changes - but the style in which they were done.
Alan Cummings as the voice of Black Beauty was given an overly saccharine script in my opinion. Instead of giving the animal a realistic viewpoint, it was a whiny and naive portrayal. In a bizarre twist, Ginger was portrayed as Beauty's love interest, which I found completely incomprehensible, since Black Beauty is a) a gelding and b) it detracts from the true meaning of the story, which was that Ginger, a close companion during the best days of their youth together, was squandered and brought low by mens' cruelty.
I also found it jarring that none of the other horses were given voices of their own, especially the likes of Ginger and Merrylegs. They are portrayed interacting together at several points, yet while Black Beauty "speaks" during those times, he never refers to them speaking to him, nor do they ever speak directly in the film. It makes for an odd sense of dislocation, as you watch two horses acting out a scene together while the voice of one is reiterating the present happenings - without giving the other a viewpoint.

Despite the fact that it is Black Beauty's story, this film also succumbs to giving him a human character with whom he forms a "deep" relationship. I find it irritating that most movies whose main characters are supposed to be animals usually resort to enlarging or inventing a human character for them to have a special relationship with - presumably to give the story significance, or substance, to the audience. If the story is being told correctly, the audience should identify with the main character directly, not only through a human relationship.

Lastly, while some scenes were well done - notably Black Beauty's first experience with shoes - most of the horse scenes looked fake. Few and far between are the movies that portray horses in realistic ways. This is not one of them. The scenes with Ginger in pasture, when the two of them were reunited, were so obviously staged. Two horses, facing off camera, were being signalled to rear several times in a row. They were not even facing each other.
The action of the horses in harness was also lacking in realism. Neither horse traveled well in harness and when the bearing rein was supposedly put on, cranking their heads up, you couldn't tell the difference. When Ginger is stretching her neck out, supposedly in sympathy, it is another obvious horse trick - someone is holding a treat for her just off camera and she's stretching out her neck to get it.
Also, Doc's Keeping Time, the main equine actor, was signalled to perform an irritating trick of tossing his head around and up and down to indicate emotions. This is a bad habit for a horse to pick up and most people discourage it; beyond that it was irritating to watch because I knew it was a bad habit and therefore unrealistic, again, to the portrayal. Horses don't toss their heads around in that fashion when exhibiting such emotions.

Picturing Black Beauty lying down while he narrates his tale was also extremely irritating to me. Most horses do not lie down naturally or often; it was an unrealistic attempt to elicit an empathetic reaction from the audience. The only thing I could think was that a horse would never stay for long in that position.

The comic touches also fell flat. In addition, while I admire greatly any horse with the training and ability to perform such a demanding role, Doc's Keeping Time was the wrong physical type. The Black Beauty of that era was a thoroughbred and it is that type of horse which is needed to perform the roles of being a hunter and carriage horse with the correct style for the period. Doc's Keeping Time is an American Quarter Horse, and again, while I admire him greatly, the filmmakers should have spent some extra time or research finding an animal that better fit the role's requirements.
But the ending of the film was surprisingly good. For whatever reason, it touches an emotional chord. I recommend the film highly for children but for adults looking for a good horse movie - it will be amusing but probably disappointing. ... Read more

Reviews (14)

...not all butterflies are free...
Not a bad love story if one doesnt take it too seriously.We tend to forget that Goldie Hawn used to act in some very good movies at one time.She manages to shine in this charming but unoriginal romance between a flower child and a handsome young blind man played by Edward Albert,seeking independence from his over protective mother.The story is set in the Haight-Ashbury area of San Francisco during the early seventies prior to Watergate and gay rights and the onslaught of AIDS.

Eileen Heckart gives a memorable and touching performance as the mother and well deserved her best-supporting-actress oscar that year.There is a wonderful scene where Goldie first meets Donnys mother in his apartment in the most inappropriate of circumstances.In her underwear!Enough said. Not exactly Shakespeare but it will keep your interest,and besides theres a happy ending...

Heart warming and funny
This is one of the best movies I have ever seen, and I saw it for the first time yesterday on HBO. Goldie Hawn is hillarious in this movie, and the story is beautiful. If you like Goldie Hawn, and if you like a good, real love story, you will LOVE this movie.

Very pleasant though a bit too stagey
There are two things that made me really enjoy seeing this film again for the first time in years. One is Goldie Hawn. She was both terminally cute and utterly adorable in this. The past few years I had mainly seen her in films from the past decade or so, and while she has remained extremely attractive, I didn't remember her in her twenties well enough to realize just how much she and her daughter Kate Hudson resemble one another at the same age (or nearly, since Goldie was 27 when she made this, and Kate is not yet that old). Kate Hudson is a chip off the old block if ever there was one. Goldie Hawn has had a fine career, but I always thought it should have been better than it was. She was a truly gifted comedienne, and one of the cutest women to ever walk the earth. Perhaps her sixties connection with LAUGH IN kept people from taking her seriously for many years, but she definitely should have been in more major projects. Even if everything in this film were bad, just being able to gaze at her extraordinary smile and riveting blue eyes would be enough.

A second thing that makes this film click is the remarkable Eileen Heckart. One of the premiere stage actors of her generation, the husky voiced, long-faced Heckart simply never found her place i